16 724 résultats
1979158003N.p.: N.p. 1979. Vintage matte-finish reference photograph of writer Günter Grass child actor David Bennent and director Volker Schlöndorff on the set of the 1979 film. Printed mimeo snipe affixed to the verso. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> Based on Grass' 1959 novel about a young child with magical abilities who witnesses the rise to power of the Nazi party. Winner of the Palme d'Or and winner of an Academy Award for Best Foreign Film.<br /> <br /> Set in Danzig and shot on location in West Germany. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Arrow Films. Criterion Collection 234. N.p. unknown
19255177<p>Quarto 30.3x22.5 cm. original wrappers 12 pp. Oversize prospectus for the Goskino production directed by Vladimir Gardin 1877-1965. The strong photomontage designs</p><p>throughout utilizing repeated geometric elements is the work of Anton Mikhailovich Levinsky 1893-1968 who employed them dramatically in a number of film brochures at this time. Levinsky started in Baku and eventually became part of LEF. OCLC locates one holding worldwide Monash Univ Australia.</p> Kino-izdat RSFSR paperback
1961150804Belgrade: Avala Film 1961. Three vintage reference photographs from the 1961 Yugoslavian film. <br /> <br /> Based on the 1952 play by Drago Gervais about an historical woman who saves the town of Rikecka from destruction after the British Navy begins to bombard it with cannons fire. <br /> <br /> 8 x 10 inches. Near Fine. Avala Film unknown
1968147232Paris: Les Films Marceau 1968. Three Draft scripts for the 1969 film by three different screenwriters. <br/><br/>From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br/><br/>The first script is an undated draft script by screenwriter George Bluestone who previously adapted Winston Graham's 1967 novel "The Walking Stick" for the 1968 Eric Till film with copied annotations throughout striking adding and adjusting dialogue.<br/><br/>The second is a Second draft script dated 1st April 1968 by novelist playwright and screenwriter Derek Marlow with copied annotations striking scenes or pages on nearly every page. Marlow said in an interview that he was asked by director Tony Richardson which book he'd like to adapt for a screenplay and Marlow suggested Nabakov's "Laughter in the Dark." Two or three months afterward Marlow received a call from Richardson asking him to write the adaptation. <br/><br/>At the time Richard Burton was to star alongside Marianne Faithfull. Marlow then went to the U.S. to promote his 1968 novel "Memoirs of a Venus Lackey" and upon his return to the UK found out a new screenplay by Edward Bond had been written and Burton and Faithfull had been replaced.<br/><br/>The third is a draft script dated 24th June 1968 by Edward Bond. IMDB shows the filming date as starting June 1968 thus likely a draft used early in the production. The first half of the script to page 66 is on pink paper with the remainder on green paper with no revision date change.<br/><br/>Based on the 1932 novel by Vladimir Nabokov updating the original 1930s Berlin setting to 1960s swinging London about a wealthy art dealer who is seduced and swindled out of his fortune by a young woman and her lover.<br/><br/>Set in London and the Riviera shot on location in Spain France and the United Kingdom. <br/><br/>George Bluestone script:<br/><br/>Wrapper integral with title page with credits for screenwriter George Bluestone and author Vladimir Nabokov. 114 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br/><br/>Derek Marlowe script:<br/><br/>Black wrappers with die-cut title window in the British style. Title page present dated 1st April 1968 obscured but visible through Winkast sticker noted as Second Draft with credits for screenwriter Derek Marlowe and author Vladimir Nabokov. 137 leaves with last page of text numbered 136. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads<br/><br/>Edward Bond script:<br/><br/>Black wrappers with die-cut title window in the British style. Title page present dated 24th June 1968 with credits for screenwriter Edward Bond and author Vladimir Nabokov. 110 leaves with last page of text numbered 108. Mimeographed rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Les Films Marceau unknown books
1978144593Munich: Bavaria Atelier 1978. Vintage borderless photograph of Rainer Werner Fassbinder on the set of the 1978 film. With holograph annotations on the verso. <br/><br/>Based on the 1936 novel of the same name by Vladimir Nabokov. Herman Herman Dirk Bograde a Russian immigrant and Jewish business owner in Berlin is targeted by Nazis. While slowly losing his mind he fixates on a man he believes to be his doppelganger. After taking out a new life insurance policy he devises a plan to free himself of his problems. Nominated for the Palme d'Or at the Cannes Film Festival.<br/><br/>Shot on location in Germany. <br/><br/>10 x 8 inches. Near Fine. Bavaria Atelier unknown books
1978144593Munich: Bavaria Atelier 1978. Vintage borderless photograph of Rainer Werner Fassbinder on the set of the 1978 film. With manuscript annotations on the verso. <br /> <br /> Based on the 1936 novel of the same name by Vladimir Nabokov. Herman Herman Dirk Bograde a Russian immigrant and Jewish business owner in Berlin is targeted by Nazis. While slowly losing his mind he fixates on a man he believes to be his doppelganger. After taking out a new life insurance policy he devises a plan to free himself of his problems. Nominated for the Palme d'Or at the Cannes Film Festival.<br /> <br /> Shot on location in Germany. <br /> <br /> 10 x 8 inches. Near Fine. Bavaria Atelier unknown
1968147232Paris: Les Films Marceau 1968. Three Draft scripts for the 1969 film by three different screenwriters. <br /> <br /> From the estate of film producer Elliott Kastner whose best known credits include "The Long Goodbye" Robert Altman 1973 "The Missouri Breaks" Arthur Penn 1976 and "Heat" Michael Mann 1996.<br /> <br /> The first script is an undated draft script by screenwriter George Bluestone who previously adapted Winston Graham's 1967 novel "The Walking Stick" for the 1968 Eric Till film with copied annotations throughout striking adding and adjusting dialogue.<br /> <br /> The second is a Second draft script dated 1st April 1968 by novelist playwright and screenwriter Derek Marlow with copied annotations striking scenes or pages on nearly every page. Marlow said in an interview that he was asked by director Tony Richardson which book he'd like to adapt for a screenplay and Marlow suggested Nabakov's "Laughter in the Dark." Two or three months afterward Marlow received a call from Richardson asking him to write the adaptation. <br /> <br /> At the time Richard Burton was to star alongside Marianne Faithfull. Marlow then went to the US to promote his 1968 novel "Memoirs of a Venus Lackey" and upon his return to the UK found out a new screenplay by Edward Bond had been written and Burton and Faithfull had been replaced.<br /> <br /> The third is a draft script dated 24th June 1968 by Edward Bond. IMDB shows the filming date as starting June 1968 thus likely a draft used early in the production. The first half of the script to page 66 is on pink paper with the remainder on green paper with no revision date change.<br /> <br /> Based on the 1932 novel by Vladimir Nabokov updating the original 1930s Berlin setting to 1960s swinging London about a wealthy art dealer who is seduced and swindled out of his fortune by a young woman and her lover.<br /> <br /> Set in London and the Riviera shot on location in Spain France and the United Kingdom. <br /> <br /> George Bluestone script:<br /> <br /> Wrapper integral with title page with credits for screenwriter George Bluestone and author Vladimir Nabokov. 114 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine bound with two gold brads.<br /> <br /> Derek Marlowe script:<br /> <br /> Black wrappers with die-cut title window in the British style. Title page present dated 1st April 1968 obscured but visible through Winkast sticker noted as Second Draft with credits for screenwriter Derek Marlowe and author Vladimir Nabokov. 137 leaves with last page of text numbered 136. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads<br /> <br /> Edward Bond script:<br /> <br /> Black wrappers with die-cut title window in the British style. Title page present dated 24th June 1968 with credits for screenwriter Edward Bond and author Vladimir Nabokov. 110 leaves with last page of text numbered 108. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two flat metal brads. Les Films Marceau unknown
19284400A critical second year of this journal of art and culture in the rapidly shifting bodies of state support. Aleksandr Rodchenko's presence dominates the visual content. The journal ran for two years from 1927 to 1928. Mayakovsky was the editor-in-chief from 1927 but dropped out in the second year due to a conflict with Tret'iakov over policy. Cover design by Rodchenko. Contributions by Aseev Chuzhak Gritz Volkov-Lannit Sillov Shklovskii Tret'iakov; Photos by Rodchenko Zotov M. Kaufman. Fine copy Gosizdat paperback
1974137795Rome: Ultra Film S. p. A. 1974. Carbon typescript Draft script for the 1973 Italian film" Baciamo le mani" here under the English title "The Family." Released internationally as "I Kiss the Hand" "Family Killer" and "Kiss My Hand" and re-released in the US as "Sin City Confidential." Brief annotations in holograph ink on the first page noting the role of Luca played by Spiros Focas and on a few other pages. Rubber-stamped on the title page as an Ultra Film production however Aquila Cinematografica would receive final credit. <br/><br/>Based on Schiraldi's 1972 titular novel. Stefano Ferrante Joshua Sinclair the son of a Mafia boss Kennedy is killed by Gaspare Ardizzone Saxon because he refused to sell a piece of land. Eventually Ardizzone becomes the new Don and the prior is soon killed by some indifferent construction workers. <br/><br/>Yellow titled wrappers. Title page present undated with credits for screenwriter Schiraldo and translator Denis Hall. 208 leaves with last page of text numbered 207. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound internally with three gold brads. Ultra Film S. p. A. unknown books
1974137795Rome: Ultra Film S. p. A. 1974. Carbon typescript Draft script for the 1973 Italian film" Baciamo le mani" here under the English title "The Family." Released internationally as "I Kiss the Hand" "Family Killer" and "Kiss My Hand" and re-released in the US as "Sin City Confidential." Brief annotations in manuscript ink on the first page noting the role of Luca played by Spiros Focas and on a few other pages. Rubber-stamped on the title page as an Ultra Film production however Aquila Cinematografica would receive final credit. <br /> <br /> Based on Schiraldi's 1972 titular novel. Stefano Ferrante Joshua Sinclair the son of a Mafia boss Kennedy is killed by Gaspare Ardizzone Saxon because he refused to sell a piece of land. Eventually Ardizzone becomes the new Don and the prior is soon killed by some indifferent construction workers. <br /> <br /> Yellow titled wrappers. Title page present undated with credits for screenwriter Schiraldo and translator Denis Hall. 208 leaves with last page of text numbered 207. Carbon typescript on onionskin stock. Pages and wrapper Near Fine bound internally with three gold brads. Ultra Film S. p. A. unknown
1969150478N.p.: N.p. 1969. Collection of three vintage borderless reference photographs from the 1969 sexploitation film two black and white and one in color. One with the stamp of Studio 111 on the verso. <br/><br/>Two 9.5 x 7 inches one 6.5 x 9.5 inches. Very Good plus one with light fading on the recto. N.p. unknown books
1953135958Culver City CA: Columbia Pictures 1953. Original Spanish pressbook for the 1953 film<br/><br/>12 pages saddle-stapled 11 x 14 inches. <br/><br/>Criterion Collection 202. Columbia Pictures unknown books
1970145098N.p.: AVCO Embassy Pictures 1970. Two vintage studio still photographs from the set of the 1970 film. <br/><br/>One photo shown. Please inquire to see the other.<br/><br/>Giovanna Sophia Loren and Antonio Marcello Mastroianni are newly weds torn from each other as Antonio is sent to the Russian front during World War II despite their efforts to avoid the war. When the war is over he is listed as MIA yet Giovanna believes he is alive and journeys to the Soviet Union to find her lover. Nominated for the Academy Award for Best Music.<br/><br/>Shot on location in Russia Ukraine and Italy. <br/><br/>10 x 8 inches. Near Fine. AVCO Embassy Pictures unknown books
1967135367Los Angeles: Twentieth Century-Fox 1967. Collection of 3 vintage black-and-white reference photographs from the 1967 film. Each photo has a ditto-style mimeo snipe printed on the verso. <br/><br/>An anthology of seven mini-stories ranging from comedy to drama all directed by De Sica all starring actress Shirley MacLaine in various guises and all dealing with adultery and its ramifications. Twentieth Century-Fox unknown books
1948152428Rome: Ente Nazionale Industrie Cinematografiche ENIC 1948. Vintage pressbook for the 1948 Italian film. Text in Italian. <br/><br/>Based on the 1946 novel by Luigi Bartolini. Vittorio De Sica's shattering neorealist masterpiece widely regarded as one of the greatest films of the twentieth century following an impoverished father and his young son as they search the streets of postwar Rome for their stolen bicycle. <br/><br/>Set and shot on location in Rome. <br/><br/>9 x 12.25 inches. Bifold. Very Good plus lightly agetoned. <br/><br/>Arrow 2039. Criterion Collection 374. Ebert I. Godard Histoires du cinema. Scorsese My Voyage to Italy. Ente Nazionale Industrie Cinematografiche [ENIC] unknown books
1964144494New South Wales: Embassy Pictures 1964. Vintage borderless photograph of Sophia Loren Marcello Mastroianni and Vittorio De Sica on the set of the 1964 film. With holograph annotations on the verso. <br/><br/>Based on the 1964 play by Eduardo De Filippo titled "Filumena Marturano." Set during and immediately after World War II in Naples Italy. Filumena Sophia Loren is a prostitute who eventually moves in with Domenico Marcello Mastroianni a wealthy businessman and one of her long time johns. She is expected to care for his aging mother but after he plans to marry a younger woman Filumena feigns her own illness to persuade him to marry her and father her children one of which she had by him but he does not know which one. Nominated for two Academy Awards. <br/><br/>5 x 7 inches. Near Fine. Embassy Pictures unknown books
1952136688N.p.: N.p. 1952. Vintage oversize double weight matte finish photograph from the set of the 1952 film. <br/><br/>A sobering and striking image of the film's destitute loner and his dog Flike standing in the streets of Rome late in the evening. Shot by the film's still photographer Angelo Pennoni using a striking example of designer Virgilio Marchi's meticulously designed and lit set. <br/><br/>Generally considered the masterpiece of the post-WWII Italian neorealist movement. Winner of the New York Film Critics Circle Award for Best Foreign Film and director De Sica was nominated for the Grand Prix at the 1952 Cannes Film Festival. <br/><br/>16 x 11.75 inches. Very Good with some scuffing at the extremities. <br/><br/>Criterion Collection 201. N.p. unknown books
1960141245N.p.: Compagnia Cinematografica Champion 1960. Vintage double weight reference studio still photograph from the 1960 film. Sophia Loren won an Academy Award fro her role as Cesira. <br/><br/>Vittorio De Sica's harsh war-era film follows the plight of an Italian mother an daughter as they traverse the Italian countryside in search of safety. The film stars Sophia Loren Jean-Paul Belonodo and Eleonora Brown. <br/><br/>Shot on location in Rome Italy. <br/><br/>8 x 10 inches. Near Fine with pin holes and a holograph ink notation to the verso. Compagnia Cinematografica Champion unknown books
1951122115Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown books
1960144145Rome: Aquila Cinematogtafica 1960. Draft script for an unproduced film. <br/><br/>Based on a story from volume three of "De Novelle Della Pescara" or "The Stories of Pescara" by Gabriele D'Annunzio published in 1902. <br/><br/>Don Giovanni makes a clamorous entrance into a production of "The Countess of Amalfi" in a makeshift theater inside an old military hospital in the small town Pescara. He greatly admires Violetta the opera's star and hosts a party in her honor. <br/><br/>Set in Pescara Italy. <br/><br/>Blue untitled wrappers. bright blue tape binding. Title page present with credits for director Vittorio De Sica screenwriter Cesare Zavattini and novelist Gabriele D'Annunzio. 96 leaves with last page of text numbered 94. Mechanical duplication. Pages Fine wrapper Fine bound with blue binding tape. Aquila Cinematogtafica unknown books
1964144494New South Wales: Embassy Pictures 1964. Vintage borderless photograph of Sophia Loren Marcello Mastroianni and Vittorio De Sica on the set of the 1964 film. With manuscript annotations on the verso. <br /> <br /> Based on the 1964 play by Eduardo De Filippo titled "Filumena Marturano." Set during and immediately after World War II in Naples Italy. Filumena Sophia Loren is a prostitute who eventually moves in with Domenico Marcello Mastroianni a wealthy businessman and one of her long time johns. She is expected to care for his aging mother but after he plans to marry a younger woman Filumena feigns her own illness to persuade him to marry her and father her children one of which she had by him but he does not know which one. Nominated for two Academy Awards. <br /> <br /> 5 x 7 inches. Near Fine. Embassy Pictures unknown
1951122115Rome: Albert and Charles Boni 1951. Original Italian program for the 1951 film based on the novel "Toto il buono" by Cesare Zavattini. SIGNED by Vittorio De Sica at the bottom of the title page. One of the director's classics pure visual storytelling made just after "Bicycle Thieves" 1948 and just before "Umberto D." 1952. A gorgeous oversize program with a central illustration on the front wrapper within a debossed frame. The wrapper houses 6 loose deluxe card plates as issued the first two devoted to text and the last four being full-color lithograph illustrations reflecting the film story. One of the most beautiful programs we've ever seen. Plates Near Fine outer wrapper Very Good plus with a few tears at the edges but no loss 12.75 x 17.25 inches. Albert and Charles Boni unknown
1969150478N.p.: N.p. 1969. Three vintage borderless reference photographs from the 1969 sexploitation film two black and white and one in color. One with the stamp of Studio 111 on the verso. <br /> <br /> Two 9.5 x 7 inches one 6.5 x 9.5 inches. Very Good plus one with light fading on the recto. N.p. unknown
1972168201Burbank CA: Warner Brothers 1972. Vintage studio still photograph from the 1972 film.<br /> <br /> A ski instructor with expensive tastes decides to rob the resort where he works aided by his girlfriend and a down-on-his-luck ski racer.<br /> <br /> 10 x 8 inches. About Fine. Warner Brothers unknown
1967135367Los Angeles: Twentieth Century-Fox 1967. Five vintage borderless reference photographs from the 1967 film. Press stamps on the versos. <br /> <br /> A seven-part anthology ranging from comedy to drama starring actress Shirley MacLaine in various guises and all dealing with adultery and its ramifications.<br /> <br /> Shot on location in Paris.<br /> <br /> 9.5 x 7.25 inches. Generally Near Fine. Twentieth Century-Fox unknown
