16 724 résultats
1974166671Los Angeles: American International Pictures AIP 1974. Vintage publicity photograph from the 1974 film showing actor Vincent Price in costume as skull-faced serial killer Dr. Death.<br /> <br /> Based on Angus Hall's 1969 novel "Devilday" about a famed Hollywood horror icon who returns to the screen after twelve years in an asylum. An under-appreciated late gem from Amicus Productions.<br /> <br /> Shot on location in London and Surrey England.<br /> <br /> 10 x 8 inches. Near Fine. American International Pictures [AIP] unknown
1958170388London: Twentieth Century-Fox 1958. Eight vintage front-of-house cards for the British release of the 1958 film. Provenance stamps and annotations in manuscript ink on the versos. <br /> <br /> Based on the 1957 short story by George Langelaan about a scientist who is transformed into a grotesque human-fly hybrid after his experiments with a matter-transportation machine go very wrong. A breakthrough hit for actor Vincent Price as well as director Kurt Neumann although Neumann would pass away a month after the film's release. <br /> <br /> Basis for David Cronenberg's 1986 film and its subsequent sequel "The Fly II" in 1989. <br /> <br /> Set and shot partly on location in Montreal. <br /> <br /> 10 x 8 inches. Lightly toned with neat pinholes at each corner overall Very Good or better. Twentieth Century-Fox unknown
1959167557Glendale CA: Allied Artists 1959. Vintage publicity portrait photograph of Carolyn Craig from the 1959 film. Printed mimeo snipe affixed to the verso. <br /> <br /> An eccentric millionaire offers a substantial reward to anyone able to spend the entire night in the titular house on Haunted Hill. Basis for the 1999 remake starring Geoffrey Rush and Taye Diggs.<br /> <br /> Set and shot on location in Los Angeles. Exterior shots of the house were filmed at Los Angeles' Ennis Brown House originally designed by Frank Lloyd Wright and built in 1924. <br /> <br /> 8 x 10 inches. Very Good plus with a diagonal crease affecting the bottom left corner. Allied Artists unknown
1939167589Universal City: Universal Pictures 1939. Vintage studio still photograph from the 1939 film showing actors Vincent Price and Richard Hale. <br /> <br /> Aided by his clubfooted servant Richard Duke of Gloucester murders everyone ahead of him in the line of succession for the throne starting with King Edward IV. He is haunted by their spirits however and slowly descends into madness. <br /> <br /> Set in 15th century England.<br /> <br /> 8 x 10 inches. Very Good with a short closed tear at the center of the top edge and loss at the top right corner. Universal Pictures unknown
1969139645Burbank CA: Walt Disney Productions 1969. Revised First Draft script for the classic 1971 Disney film "The Million Dollar Duck" here under the working title "Mr. Webfoot Waddle." <br/><br/>Based on a story by Ted Key notable writer who created the famous time-traveling duo Mr. Peabody and Sherman both regular characters on the cult classic television series "The Bullwinkle Show" 1960-1964. Professor Albert Dooley Jones brings home an American Pekin duck from his lab as a gift for his son unaware that the duck lays golden eggs. <br/><br/>Blue titled wrappers noted as Revised First Draft Screenplay on the front wrapper production No. 7286 dated November 19 1969 with credits for story writer Key and screenwriter Rogers. Title page present dated November 19 1969 noted as Revised First Draft with credits for screenwriter Rogers. 127 leaves with last page of text numbered 127. Mechanical duplication on yellow stock. Pages and wrapper Newar Fine bound with three gold brads. Walt Disney Productions unknown books
1968130703Los Angeles: Columbia Broadcasting System CBS 1968. Third Revised Final Draft script for the 1970 television movie. <br/><br/>A marshal returns home to find his town has been nearly wiped out by Mexican bandits and with the help of a young Mexican boy and his mother seeks to hunt them down. <br/><br/>Set in New Mexico territory shot on location in Utah. <br/><br/>Rust colored titled wrappers noted as Third Revised Final Draft on the front wrapperdated September 24 1968 with credit for screenwriter Savage. 127 leaves mechanical duplication with blue white yellow pink and green revision pages throughout dated variously between 9-30-68 and 10-24-68. Pages Near Fine wrapper Near Fine bound with two gold brads. Columbia Broadcasting System [CBS] unknown books
1968130703Los Angeles: Columbia Broadcasting System CBS 1968. Third Revised Final Draft script for the 1970 television movie. <br /> <br /> A marshal returns home to find his town has been nearly wiped out by Mexican bandits and with the help of a young Mexican boy and his mother seeks to hunt them down. <br /> <br /> Set in New Mexico territory shot on location in Utah. <br /> <br /> Rust colored titled wrappers noted as Third Revised Final Draft on the front wrapperdated September 24 1968 with credit for screenwriter Savage. 127 leaves mechanical duplication with blue white yellow pink and green revision pages throughout dated variously between 9-30-68 and 10-24-68. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Reyes 131. Columbia Broadcasting System [CBS] unknown
1931620008Paris: Gauthier-Villars et Cie Editeurs 1931. French. Slender paperback in very good condition for the age. General shelf and handling wear including tanning creasing and wear to cover edges and corners. Pageblock tanned and foxed light tanning leading into page edges. Within pages are tightly bound content unmarked. CN. Paperback. Very Good. Gauthier-Villars et Cie Editeurs Paperback
69902Editorial Moderna 194. México. 1ª edición. 20x15. 352 pgs. A4898 Editorial Moderna, 194., México. 1ª edición. unknown
1994228851Bethesda and San Francisco: International Scholars Publications and the San Francisco Art Institute 1994. Paperback. xv 303p. 9x8 inch oblong wraps. Glossy paperbound in very good condition. The conference emphasized Chicano artists - Rupert Garcia Yolanda Lopez and Enrique Chagoya among others - along with Asian American artists such as Younhee Paik and Ruth Asawa. International Scholars Publications and the San Francisco Art Institute paperback books
1967150508N.p.: N.p. 1967. Draft script for the 1967 Swedish film translated into English photocopied for internal distribution. With copied holograph annotations to virtually every page. <br/><br/>Vilgot Sjoman's controversial erotic drama utilizing both dramatic and documentary filmmaking techniques starring Sjoman's lover at the time actress Lena Nyman as a young theater student examining the social and political mores of 1960s Sweden and her own sexuality. Seized by customs upon entry to the US and banned from numerous US cities for sexually explicit scenes it was found in 1969 not to be obscene by the United States Court of Appeals for the Second Circuit opening the door to more frank and explicit subject matter in American film. The companion to Sjoman's 1968 film "I Am Curious Blue."<br/><br/>Set and shot on location in Stockholm. <br/><br/>Self wrappers. Title page integral with front wrapper undated with credits for director Vilgot Sjoman and translation credits to Martin Minow and Jenny Bohman. 126 leaves with last page of text numbered 120. Xerographic duplication rectos only. Pages Very Good plus partially bound with a single staple. N.p. unknown books
1969148773New York: Grove Press 1969. Collection of six vintage studio still photographs from the 1969 US release of the 1967 Swedish film. <br/><br/>Vilgot Sjoman's controversial erotic drama utilizing both dramatic and documentary filmmaking techniques stars Sjoman's then lover actress Lena Nyman as a young theater student examining the social and political mores of 1960s Sweden and her own sexuality. Parallel is the plot of the actors and filmmakers reacting as themselves to the film they are in the process of making.<br/><br/>Seized by customs upon entry to the US and banned from numerous US cities for sexually explicit scenes it was found in 1969 not to be obscene by the United States Court of Appeals for the Second Circuit opening the door to more frank and explicit subject matter in American film. <br/><br/>The companion to Sjoman's 1968 film "I Am Curious Blue" which was initially intended to be combined with "I Am Curious Yellow" as one three and a half hour film.<br/><br/>8 x 10 inches. Near Fine most with very slight even fading. <br/><br/>Complete collation details available on request.<br/><br/>Criterion Collection 180. Vogel Film as a Subversive Art. Grove Press unknown books
a104064Lisboa 1915 1916. One bound volume with two complete years of this weekly music journal in Portuguese. Hardcover. Lg.4to. 392p. 363p. illustrations advertisements red leather spine with marbled boards. Tiny owner label Michel Angelo Labertini inside front cover. Good Plus text toned but not brittle cover worn and leather rubbed. Scarce. . hardcover
198520705New York City NY: Summit Books 1985. First Edition. First Printing. Hardcover. Fine/Fine Dust Jacket. New York City NY: Summit Books 1985. Hardcover. Fine/Fine. First Edition/First Printing. 160 pages. Book-length account on subject. One of Gore Vidal's finest achievements. The First Hardcover Edition. Precedes and should not be confused with all other subsequent editions. Published in a small and limited first print run as a hardcover original only simultaneously with the British Edition. The First Edition is now rare. A sumptuous production by George Armstrong: Oversize-volume format. Brown cloth boards with gilt titles embossed on spine as issued. Text by Gore Vidal. Photographs by Tore Gill. Edited by George Armstrong. Accompanying original VHS tapes of the film version-adaptations "Vidal In Venice: Part One" and "Vidal In Venice: Part Two" narrated by Gore Vidal himself and beautifully filmed by Mischa Scorer. Printed on pristine-white thick coated stock paper in Venice Italy to the highest standards. In pictorial DJ with titles on the cover and spine as issued. Presents Gore Vidal's "Vidal In Venice". The great writer's guide to the Old World's only surviving city. Inimitably written in Vidal's characteristically brilliant style it thereby sets itself apart from ALL other accounts; there are many and are quite superb. If the ruins of Athens and Rome be our link to the Age of Antiquity Venice largely remains as it once was "the world's most romantic city" albeit submerged in fetid waters. "Gore Vidal traces his roots back to Venice. He takes you along as he peers into Venice's mysterious glorious and twisted history. In this very personal tour of Venice Past and Present Vidal guides you in his own special way telling you as much about the Venetian people as he does about their empire including visits to Crete and Naxos Venetian strongholds of the past. The great writer who traces his ancestors to the imperial Venetians centuries ago is an excellent guide: The art treasures the sumptuous palaces the literary past the scandals of yesterday and the tourist-y Venice of today all find their place in Vidal's chronicle as he wanders from the canals to the Doge's Palace. This is Venice as only Vidal's eyes could see it" Publisher's blurb . An absolute "must-have" title for Gore Vidal collectors. This copy is very prominently and beautifully signed in black pen on the title page by Gore Vidal. It is signed directly on the page itself not on a tipped-in page. It comes with the original VHS tapes of the film version-adaptations "Vidal In Venice: Part One" and "Vidal In Venice: Part Two" narrated by Gore Vidal and beautifully filmed by Mischa Scorer both in pristine un-used condition. This title is a great book. As far as we know this is the only such signed copy with original tapes of the First Hardcover Edition/First Printing American available online and is in especially fine condition: Clean crisp and bright. Please note: Copies available online have serious flaws are subsequent printings or are remainder-marked. This is surely an accessible and lovely alternative. A rare set thus. Recipient of the National Book Award's Lifetime Achievement Award in 2009 for "Distinguished Contribution To American Letters". One of the greatest writers of the 20th century. A fine collectible set. SEE ALSO OTHER GORE VIDAL TITLES IN OUR CATALOG. ISBN 0671606913. Summit Books hardcover
1983521101117090Plaid Enterprises Inc 1983-01-01. Paperback. Very Good. Nice looking book has minor edge wear. Plaid Enterprises, Inc paperback
20182411ec1003El Paso Museum of Art 2018. AA1 - A n exhibition catalogue paperback book SIGNED and inscribed by Julie Speed to previous owner in very good condition that has some bumped corners chipping and peeling on some cover edges sides and corners some scattered light scratches rubbing scuffing and wrinkling on the cover light discoloration and shelf wear. Photography by Mary Lou Saxon additional photography by Antoine San Feuntes & Julie Speed. 11"x11" 155 pages. Satisfaction Guaranteed. . Signed. Paperback. Very Good/No Jacket as Issued. Folio - over 12" - 15" tall. El Paso Museum of Art Paperback
1955156158N.p.: Gloria Filmverlein 1955. Vintage program for the 1955 German film. Text and titles in German. <br /> <br /> A doctor reflects on his troubled marriage remembering their disabled child his wife's pain at feeling abandoned in their life together and her eventual affair with another doctor. <br /> <br /> Shot on location in Berlin and Brittany.<br /> <br /> 7.25 x 10.5 inches. Bifold. About Near Fine. Gloria Filmverlein unknown
1934145152Universal City: Universal Pictures 1934. Vintage double weight photograph of director Victory Schertzinger and actors Gloria Stuart John Boles and members of the crew on the set of the 1934 musical. Mimeo snipe on the verso. <br/><br/>10 x 8 inches. Near Fine. Universal Pictures unknown books
1930145935Los Angeles: Paramount Pictures 1930. Second Draft script for the 1930 pre-Code film. Cast list with holograph ink and pencil annotations tipped in and distribution receipt signed by composer and lyricist George Marion Jr. laid in.<br/><br/>A young man is set to inherit a large sum from his uncle on the caveat that he learn the ways of the world beforehand. As such he enlists three chorus girls to guide him around the underbelly of New York City. An early uncredited role for Carole Lombard who performs the song "You Appeal to Me." <br/><br/>Set in New York.<br/><br/>Tall pink self wrappers noted as Second Tentative Draft on the front wrapper rubber-stamped production No. 1553 dated January 9 1930 with credits for screenwriters George Marion Jr. and Percy Heath director Victor Schertzinger and other cast and crew members. Title page integral to the front wrapper. 110 leaves with last page of text numbered F-15. Mimeographed on pink stock rectos only. Pages Near Fine wrapper Very Good plus side stapled. Paramount Pictures unknown books
1930145940Los Angeles: Paramount Pictures 1930. Release Dialogue script post-production for the 1930 pre-Code film. With holograph pencil annotations throughout. An early uncredited role for Carole Lombard who performs the song "You Appeal to Me."<br/><br/>A young man is set to inherit a large sum from his uncle on the caveat that he learn the ways of the world beforehand. As such he enlists three chorus girls to guide him around the underbelly of New York City.<br/><br/>Set in New York.<br/><br/>Tall white titled self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper dated April 18 1930. Title page integral to the first page of text. 69 leaves with last page of text numbered REEL 10-PAGE 7. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus unbound. Paramount Pictures unknown books
1930145940Los Angeles: Paramount Pictures 1930. Release Dialogue script post-production for the 1930 pre-Code film. With manuscript pencil annotations throughout. An early uncredited role for Carole Lombard who performs the song "You Appeal to Me."<br /> <br /> A young man is set to inherit a large sum from his uncle on the caveat that he learn the ways of the world beforehand. As such he enlists three chorus girls to guide him around the underbelly of New York City.<br /> <br /> Set in New York.<br /> <br /> Tall white titled self wrappers noted as RELEASE DIALOGUE SCRIPT on the front wrapper dated April 18 1930. Title page integral to the first page of text. 69 leaves with last page of text numbered REEL 10-PAGE 7. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus unbound. Paramount Pictures unknown
1946130828Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1946. Draft script for the 1947 film. Copy belonging to actor Van Heflin with his holograph signature to the front wrapper and his annotations throughout. <br/><br/>A miscommunication leads to an ill-fated marriage in Victor Saville's 1946 film. Starring Lana Turner Van Heflin and Donna Reed and winner of one Academy Award. <br/><br/>Goldenrod titled wrappers rubber-stamped as Complete on the front wrapper copy No. 93 dated 8-20-46 with credit for producer Wilson. 158 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. <br/><br/>Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown books
1948146108Culver City CA: MGM 1948. Composite script for the 1949 film. With holograph pencil annotations to the front wrapper.<br/><br/>Based on the 1949 Red Scare novel wherein a young American newlywed learns her husband is a spy for the Soviet Union and forces him to choose between their love and his dedication to the Communist cause. Elizabeth Taylor's first adult role and one that many of the film's detractors argued was too mature for the then-sixteen year-old star who played opposite a 37 year-old Robert Taylor. The film's release was initially delayed due to MGM's fear that it would cause diplomatic problems with the Soviet bloc and indeed "Conspirator" was banned outright in Finland and New Delhi India for similar reasons.<br/><br/>Set and shot on location in London and Wales.<br/><br/>Goldenrod titled wrappers with an extra light blue wrapper from the final draft script bound in rubber-stamped VAULT COPY and COMPOSITE SCRIPT / COMPLETE on the front wrapper rubber-stamped copy No. 24 and production No. 5304 dated 8-26-48 with credits for screenwriter Sally Benson. Title page integral with the front wrapper as issued. 256 leaves with last page of text numbered 125. Mimeographed rectos only with leaves dated variously between 8-27-48 and 10-1-48. Pages Near Fine wrapper Very Good plus with wear to the extremities bound with two gold brads. MGM unknown books
1947139681Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1947. 34 vintage black-and-white studio still photographs from the 1947 film. Printed snipes on the versos. From the collection of actor Van Heflin who played Timothy Haslam in the film in his personal tabbed file folder. <br /> <br /> Based on Goudge's 1944 novel "Green Dolphin Country." Love interest upon love interest gathers in the English Channel and New Zealand in the 19th century with Donna Reed Lana Turner Edmund Gwenn and Richard Hart "having a go of it." Van Heflin plays a carpenter who kills a man for love's sake and flees. <br /> <br /> Winner of an Academy Award. <br /> <br /> 8 x 10 inches some slightly varied in size. Near Fine overall. Metro-Goldwyn-Mayer [MGM] unknown
1946130828Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1946. Draft script for the 1947 film. Copy belonging to actor Van Heflin with his manuscript signature on the front wrapper and his annotations throughout. <br /> <br /> A miscommunication leads to an ill-fated marriage in Victor Saville's 1946 film. Starring Lana Turner Van Heflin and Donna Reed and winner of one Academy Award. <br /> <br /> Goldenrod titled wrappers rubber-stamped as Complete on the front wrapper copy No. 93 dated 8-20-46 with credit for producer Wilson. 158 leaves mimeograph duplication with annotations throughout. Pages Near Fine wrapper Near Fine bound with two gold brads. <br /> <br /> Warner Archive. Metro-Goldwyn-Mayer [MGM] unknown
