16 724 résultats
1971147165London: Benmar Productions 1971. Revised Draft script for the 1971 Spanish/UK Western here under the original release title "A Town Called Bastard." Copy belonging to actor Martin Landau with his holograph ink annotations on the title page. Laid in with the script are a number of production documents including a set of approximately 50 revision pages with annotations by Landau two carbon typescript shooting schedules an exhibitor's showmanship manual and two Spanish newspaper clippings.<br/><br/>Also laid in is a vintage photograph showing director Robert Parrish at work on the set.<br/><br/>A woman whose husband was wrongfully killed by Mexican revolutionaries arrives in a corrupt village offering a reward to anyone who can help her bring the revolutionary leader to justice. The title was changed for the US release as "bastard" was considered offensive. <br/><br/>Set in the fictional Mexican town of Bastard or Hell shot on location in Madrid and Andalusia Spain. <br/><br/>Gray untitled generic Creative Management Associates wrappers. Title page present noted as REVISED with credits for screenwriter Richard Aubrey. 103 leaves with last page of text numbered 101. Xerographic duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly soiled bound internally with three gold brads.<br/><br/>Pitts 4471. Benmar Productions unknown books
1956139914N.p.: The Rank Organization 1956. Vintage UK three-sheet poster for the 1956 British film. <br /> <br /> After inheriting a fortune a newly wealthy Englishwoman returns to Malaya where she was previously a POW with the intention of building a well for the villagers who sheltered her during World War II. <br /> <br /> Set in Malaysia shot on location in Malaysia Australia and England. <br /> <br /> 41 x 81 inches rolled and mounted on archival linen. Near Fine.<br /> <br /> Royal Books can arrange for archival linen backing of posters. Please inquire. The Rank Organization unknown
1956139915N.p.: The Rank Organization 1956. Vintage UK one sheet poster for the 1956 British film. <br /> <br /> After inheriting a fortune a newly wealthy Englishwoman returns to Malaya where she was previously a POW with the intention of building a well for the villagers who sheltered her during the war. <br /> <br /> Set in Malaya shot on location in Malaya and England. <br /> <br /> 27 x 41 inches folded. Near Fine with light toning and black manuscript annotations to the verso. The Rank Organization unknown
1956139915N.p.: The Rank Organization 1956. Vintage UK one sheet poster for the 1956 British film. <br/><br/>After inheriting a fortune a newly wealthy Englishwoman returns to Malaya where she was previously a POW with the intention of building a well for the villagers who sheltered her during the war. <br/><br/>Set in Malaya shot on location in Malaya and England. <br/><br/>27 x 41 inches folded. Near Fine with light toning and black holograph annotations to the verso. The Rank Organization unknown books
1956139914N.p.: The Rank Organization 1956. Vintage UK three sheet poster for the 1956 British film. <br/><br/>After inheriting a fortune a newly wealthy Englishwoman returns to Malaya where she was previously a POW with the intention of building a well for the villagers who sheltered her during World War II. <br/><br/>Set in Malaysia shot on location in Malaysia Australia and England. <br/><br/>41 x 81 inches rolled and mounted on archival linen. Near Fine. The Rank Organization unknown books
1985Q-0024967300Distributed by Macmillan Pub. Co 1985-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Distributed by Macmillan Pub. Co hardcover
1290171270.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1371000328.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
190433057Washington DC: Government Printing Office 1904. Hardcover. 1286pp. Very thick quarto 30 cm Dark reddish brown cloth covered boards with a gilt stamped title on the spine. Good only. The extremities are rubbed and the boards are mildly stained. The cloth along the edges is a little bit frayed and the underlying boards are peeking through at the corners. There are numerous very small light stains on the edges of the text block and there are 4 thin marks on the bottom edge of the text block. The hinges are broken and the underlying cords are visible. The rear free endsheet is partially detached. The pages are slightly yellowed. The text block is cracked multiple times. The pages are clean. May require extra postage due to weight. Subjects include Classification of Metamorphism Form of Silica in Solutions Theory of Dissociation Source of Ground Water Origin of Pegmatites Agents of Weathering and more. Government Printing Office hardcover
1944140644Los Angeles: Twentieth Century-Fox 1944. Final Shooting script from the 1945 film. With credit on the title page for screenwriter Anita Loos who would go uncredited in the final film. <br /> <br /> Based on the classic 1943 coming-of-age novel by Betty Smith. Nominated for Best Screenplay and James Dunn won for Best Supporting Actor. Peggy Ann Garner was also awarded a special Academy Juvenile Award for her lead performance. <br /> <br /> Blue titled wrappers noted as Shooting Final on the front wrapper rubber-stamped production No. 944 and copy No. 111 dated April 5 1944. Distribution page present with receipt removed. Title page present dated April 5 1944 noted as Final Script with credits for screenwriters Tess Slesinger and Frank Davis and "contributions by" Anita Loos. 200 leaves with last page of text numbered 198. Mimeograph duplication. Pages Fine wrapper Good bound internally with two gold brads. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
1945137939Los Angeles: Twentieth Century-Fox 1945. Vintage photograph from the 1945 film showing the crew and equipment used to create rain for a scene featuring Peggy Ann Garner and Ted Donaldson. Mimeo snipe on the verso describing the scene in detail. <br /> <br /> Based on the classic 1943 coming-of-age novel by Betty Smith. Nominated for Best Screenplay and James Dunn won for Best Supporting Actor. Peggy Ann Garner was also awarded a special Academy Juvenile Award for her lead performance. <br /> <br /> 9.25 x 8 inches 23.5 x 20 inches trimmed on the left side. Very Good plus light creasing overall. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
19441356Los Angeles: 20th Century Fox Film Corporation 1944. Letter 292 x 232mm pp. distribution page title 1 2-198 mimeographed duplication rectos only. Final draft script for the 1945 film. Blue titled continuous card wrapper rubber stamped internal two brass brad binding though punched for three typed spine label. Noted as FINAL on the front wrapper copy number 190 dated April 5 1944. Perforated distribution page stamped copy number 190 bottom receipt removed. Title page present also dated April 5 1944 and noted as Final Script production number 944 and contribution credit to Anita Loos who was left uncredited for the film. Pages very good with a few pencil annotations throughout damp-staining to the bottom right not touching text wrappers with some splits and creasing.<br /> <br /> AND<br /> <br /> Letter 292 x 232mm pp. distribution page title 1 2-178 mimeographed duplication rectos only. Shooting final script for the 1945 film. Repurposed wartime conservation efforts decorative beige titled continuous card wrapper rubber stamped on a label covering a stamp for "The Purple Heart" internal two brass brad binding though punched for three. Noted as SHOOTING FINAL on the front wrapper second revised final crossed out production number 944 copy number 121 dated May 1 1944. Perforated distribution page stamped copy number 121 bottom receipt removed. Title page present also dated May 1 1944 and noted as Shooting Final production number 944 and contribution credit to Anita Loos who was left uncredited for the film. Pages near fine with only the slightest toning wrapper with creasing short tears pencil marks and staining to the spine else very good. Ex-Richard Manney; Gene Hackman. Custom double cloth box for both scripts. Based on the classic coming of age novel by Betty Smith in early twentieth-century Brooklyn a bright book-loving girl navigates poverty and family hardship alongside her pragmatic mother and her charming but alcoholic father whose death forces the family to confront both grief and the sacrifices required for survival. Through resilience and reconciliation the family endures with the young heroine emerging stronger; symbolized by the tenement courtyard tree that as her father once promised refuses to die.<br /> <br /> Set in Brooklyn shot on set at 20th Century Fox studios in Los Angeles. 20th Century Fox Film Corporation unknown
1945137939Los Angeles: Twentieth Century-Fox 1945. Vintage photograph from the 1945 film showing the crew and equipment used to create rain for a scene featuring Peggy Ann Garner and Ted Donaldson. Mimeo snipe on the verso describing the scene in detail. <br/><br/>Based on the classic 1943 coming-of-age novel by Betty Smith. Nominated for Best Screenplay and James Dunn won for Best Supporting Actor. Peggy Ann Garner was also awarded a special Academy Juvenile Award for her lead performance. <br/><br/>9.25 x 8 inches 23.5 x 20 inches trimmed on the left side. Very Good plus light creasing overall. <br/><br/>National Film Registry. Twentieth Century-Fox unknown books
1944139807Los Angeles: Twentieth Century-Fox 1944. Final Shooting script from the 1945 film. With credit on the title page for screenwriter Anita Loos who would go uncredited in the final film. <br/><br/>Based on the classic 1943 coming-of-age novel by Betty Smith. Nominated for Best Screenplay and James Dunn won for Best Supporting Actor. Peggy Ann Garner was also awarded a special Academy Juvenile Award for her lead performance. <br/><br/>Tan titled wrappers noted as Shooting Final on the front wrapper rubber-stamped production No. 944 dated May 1 1944. Title page present dated May 1 1944 noted as Shooting Final with credits for screenwriters Tess Slesinger and Frank Davis and "contributions by" Anita Loos. 176 leaves with last page of text numbered 178. Mimeograph duplication with blue revision pages throughout dated variously between 5/23/44 and 7/6/44. Pages Fine wrapper Very Good plus bound internally with two gold brads. <br/><br/>National Film Registry. Twentieth Century-Fox unknown books
195323267Harcourt Brace. New York NY 1953. One of the First Autobiographies By a Film Director. Stories of Greta Garbo Marion Davies Irving Thalberg F. Scott Fitzgerald ETC HBDJ 1953 Stated 1st Edition Interior Nice Tight Clean light FoX Wear Black Cloth Lettered in White Green Red on Spine Cover FINE-/VG- DJ some Tiny chips Extremities & Small Triangular Piece top Front DJ Not affecting Title 292 pgs Appendix Index Small pieces End DJ Spine & along Side Rubbing spine DJ 8Vo. Across Entire top Back DJ tiny piece Missing Small Mended Tear DJ Small triangular piece Missing front bottom DJ Corner DJ protected clear Mylar . Signed by Author. First Edition. Hard Cover. Harcourt Brace., New York, NY, hardcover
183869551London: Simpkin Marshall and Co 1838. First edition. Hardcover. Very Good. 264pp. Small octavo 19.5 cm Green decoratively embossed cloth over boards with a gilt stamped title on the spine. Yellow endpapers. Frontispiece illustration. Spine sunned. Cloth at spine ends chipped. Underlying boards barely just beginning to peek through at corners. Free endpapers and recto of frontispiece mildly discolored. Short tape repairs to long closed tear on p. 140 no text is obscured. Loss to fore-edge margin of p. 163/64 again text not affected. Stitching visible in inside margins however binding very sturdy.<br /> <br /> Ex-libris James Cowan Smith with his bookplate depicting his beloved dog Callum on the front pastedown. James Cowan Smith 1843-1919 was a British civil engineer director of a railway company British Wagon and philanthropist. In his will he bequeathed what would now amount to roughly $4284000 to the National Gallery of Scotland to be used to expand its collection. The one stipulation was that the portrait of his dog Callum by John Emms was to be on permanent display in the museum. The condition of the donation helped draw attention to Callum's rare terrier breed the Dandie Dinmont. Simpkin, Marshall, and Co hardcover
1968145478Beverly Hills CA: United Artists 1968. Vintage borderless photograph from the set of the 1968 film. With brief holograph pencil annotations on the verso. <br/><br/>Based on the 1959 novel of the same name by Geoffrey Jenkins. A former British Naval officer turned smuggler is eager to make up for his losses after he is forced to abandon his cargo after nearly being caught by the authorities. A former colleague tells him stories of smuggling diamonds and his interested is piqued. <br/><br/>Shot on location in Spain and Malta. <br/><br/>10 x 8 inches. Near Fine. United Artists unknown books
193252315Various Locations: Unknown Tour Participant 1932. 1932. The typed travelogue of a participant in a driving tour of the American West that journeyed from Virginia to California and back again in Cadillac cars. The tour which was directed by Mr. L. H. Waters left Richmond on June 27 1932. On the tour the author saw many major tourist attractions of both the natural and man-made varieties. Those mentioned and described include Biltmore Estate the replica of the Parthenon in Nashville the city of Albuquerque assorted Southwestern Native American sites the Painted Desert and Petrified Forest in Arizona the Grand Canyon Hollywood and Beverly Hills the Rose Bowl in Pasadena Las Vegas before it became the entertainment and gambling destination that it is today the Mormon Tabernacle in Salt Lake City Yellowstone and other nearby natural monuments and Pike's Peak in Colorado among others. The group also ventured across the Mexican border to visit Tijuana. It is clear that the author was much taken with the natural wonders visible in the west as the manuscript describes those with evident awe and at much greater length than the other destinations: ". On westward towards the setting sun we visited the world-famous Painted Desert stretching across hundreds of acres before the eyes is the world's most magnificent palette with the colors already mixed. It is a breath-taking vision that bursts on one's sight. As far as one can see colors mingle and glow. With each hour as the light changes in the sky so change the colors of this wonderland. It is truly the foot of the rainbow . The Grand Canyon is truly one of the world's greatest spectacles. And in its power to rouse the emotion of the looker-on to stupefy or to exhilarate it has no equal of any kind anywhere unless it be the starry firmament itself. In the bewildering glory of its gorgeous coloring the rim of the Grand Canyon is one of the stillest places on earth even when it is crowded with people . Its Yellowstone's phenomena and beauty make one want to tarry beyond the time . We then drove to the top of Pikes Peak over the 'World's Highest Highway' running through the Pike National Forest to the very tip-top point of Pike's Peak. This is undoubtedly the grandest scenic highway in the sic world. The intrepidity of thought which conceived and the daring which achieved such a road almost overwhelm even the most thoughtless. While the sensation and exhileration sic of looking from the mountain on countless miles of the earth's surface is in itself well worth the trip the great beauty and wonder of it is the way in which this road climbs up and around mountains in its ascent to the summit; turning twisting winding . views that make one's heart swell with the joy of merely living and having eyes with which to see the wondrous beauties of the world ." The manuscript is in very good condition with folds and minor toning and rust on the first page. Unknown Tour Participant, 1932. unknown
1927100842<p>London August 15 1927 / Switzerland August 16 and September 29 1927. 1927. Very good. - Substantial signed letters and material in support of a series of American lectures on poets and poetry by the former Archdeacon of Malta and Continental Representative on the General Council of The Poetry Society Franklyn Lushington to be managed by the Pond Lecture Bureau under the auspices of The Poetry Society. The material consists of:</p><p>1. A substantial typed letter signed by the founder and director of The Poetry Society Galloway Kyle to "The Manager The Pond Lecture Agency". In his letter densely typed on 10 inch high by 7-7/8 inch wide golden yellow "The Poetry Society" stationery dated "15th August 1927" Galloway Kyle outlines American lectures which Franklyn Lushington has been invited to give under the auspices of The Poetry Society and seeking the services of James B. Pond's Pond Lecture Bureau as manager. "Linley Gordon the head of the Committee for the interchange of preachers . who is responsible for this preaching invitation suggests that instead of our leaving his Poetry Society work to our local members and groups in the United States we should place it in your hands with the hope you can arrange some general engagements for a Lecture Tour at and about the above mentioned towns and dates." Following a list of significant supporters Kyle extols Lushington's merits "He is an easy fluent speaker with a very deep and comprehensive acquaintance with the best in poetry of all times and has the further advantage of a freak memory which enables him to reproduce at a moment's notice thousands of lines of Greek Latin and English Poetry." Signed "Galloway Kyle".</p><p>2. A substantial 8-page Autograph Letter Signed by Franklyn Luchington to James B. Pond dated August 16 1927 from Chalet Perce Neige Chateau d'Oex Switzerland. The letter is densely penned on 8 sides of two 6-7/8 inch high by 5-1/4 inch wide folded sheets of light gray paper. "Your name has been given to me by Mr. Linley Gordon. I have been asked by the Director of 'The Poetry Society' to give a series of lectures in USA under the auspices of the Society -And almost simultaneously I have been invited by the Council of the Interchange of Preachers of USA & Great Britain through Mr. Linley Gordon of New York to preach in New York on Dec 11th Philadelphia on Dec 18th Washington Dec 25th." After listing his known itinerary he inquires "Perhaps you will be good enough to advise me whether you will be able to arrange the whole tour for me." He goes on to mention financially successful lectures he has given on Browning Tennyson and Shelley among others. Signed "F. deW. Lushington".</p><p>3. A typed proposal for lectures by Franklyn Lushington on the light gray 10-1/4 inch high by 8-1/8 inch wide "The Poetry Review" New York chapter stationery. The proposal lists dates for lectures in New York Philadelphia Washington Boston and Chicago with subjects on "the life and writings of any one of the following poets / Matthew Arnold Robert Browning Keats Rudyard Kipling Shelley Tennyson."</p><p>4. A 4-page Autograph Letter Signed by Franklyn Lushington penned from Switzerland on four sides of 7 inch high by 5-1/2 inch wide "Perce-Neige Chateau-d'Oex" stationery. Dated September 29 1927 Lushington has yet to hear back from Pond. "I hope the fact that neither the Director of the Poetry Society nor I have received any reply from you to the letters addressed to you on the 15th & 17th of August respectively means that you have been able to arrange some lectures for me. Otherwise I should be unable to understand your delay in replying." He goes on to elaborate "I will therefore in these circumstances confidently appeal to you to try even at this last hour to arrange through some of the women's clubs in the 5 cities mentioned above - at least one meeting." Signed "F. deW. Lushington". Folded for mailing the front edge of the last leaf is darkened with a short tear to the front of the fold of that leaf and with a tiny piece chipped out.</p><p>James B. Pond did not answer the letters until October 28th and each of the 3 letters are stamped in red as answered on that date.</p><p>5. A 4-page 8-5/8 inch high by 5-5/8 inch wide brochure listing the officers and describing the work of the Society. Pages 2 and 3 are numbered in ink at the top and there is a chip to the top corner of the second leaf.</p><p>6. A 10-3/4 inch high by 5-7/8 inch wide broadside with a biography of Lushington published ahead of his Society lectures in 1928. A correction has been penned in ink to the list of the Society's officers at the top of the page. Folded else fine.</p><p>The Archbishop of Malta from 1901 until 1903 Franklyn de Winton Lushington 1868-1941 became headmaster of Dover College in 1911 leaving at the outbreak of war to become Chaplain to the Forces during the First World War. He was then appointed the Incumbent at Danehill then King's Langley. Lushington was the Continental Representative on the General Council of The Poetry Society.</p><p>The Poetry Society's founder and director Galloway Kyle 1875-1967 presided over The Poetry Review from 1916 to 1947. He declared that he wanted to make poetry popular as "the common heritage and joy to all." He paid particular attention to those serving in the armed forces during both World Wars and kept the magazine running through the London Blitz.</p> London, August 15, 1927 / Switzerland, August 16 and September 29, 1927.
1969143370France: Cythere Films 1969. Vintage borderless photograph from the set of the 1969 French film. <br/><br/>A outcast young woman tired of being objectified begins to take advantage of men by charging money for sex upending the life in bourgeois town she lives outside of. A Bunuel-esque satire of patriarchy and capitalism by the noted writer director and critic. <br/><br/>10.75 x 8.25 inches. Near Fine. Cythere Films unknown books
1962146911London: Compagnia Cinematografica Montoro 1962. Vintage borderless photograph of Brigitte Bardot on the set from the 1962 film. "Brigitte BARDOT" and "PHOTO UNIFRANCE FILM" stamps on the verso.<br/><br/>Bridgette Bardot stars in this semi-biographical film by Louie Malle about a young girl Jill who suddenly becomes a movie star and tries to manage the pressures and annoyances of celebrity. She returns home to Switzerland to escape from the paparazzi and seeks refuge in the arms of newly divorced Fabio Marcello Mastroianni. <br/><br/>Set in and shot on location in France Switzerland and Italy. <br/><br/>7 x 9.5 inches. Near Fine. Compagnia Cinematografica Montoro unknown books
1956146308N.p.: N.p. 1956. Vintage photograph from a rehearsal for the 1956 London premiere with playwright Arthur Miller theater director Peter Brook and actors Anthony Quayle and Mary Ure. Snipe and "Sunday Telegraph" "The Daily Telegraph" and "Keystone Press Agency Ltd" stamps on the verso.<br /> <br /> "A View from the Bridge" debuted as a one-act play on Broadway on September 9 1955 at the Coronet Theatre. Miller subsequently revised the play to two acts the version with which audiences are most familiar and had its premiere at the New Watergate theatre in London's West End on October 11 1956 running through April 20 1957. Under the direction of Peter Brook the cast included Richard Harris Anthony Quayle Megs Jenkins Mary Ure Brian Bedford Ian Bannen and Michael Gwynne.<br /> <br /> 8 x 10 inches. Very Good plus some faint creasing some crop marking in white ink and faint outlining of the figures on the recto. N.p. unknown
1962144636Paris: Transcontinental Film Productions 1962. Two vintage photographs of Sidney Lumet directing on the set of the 1962 film. With manuscript annotations and a rubber stamp on the versos of each. <br /> <br /> Based on the 1955 play by Arthur Miller about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men though ultimately it is an act of accusation against one of the men rather than a romantic one.<br /> <br /> Shot on location in New York City and Rome. <br /> <br /> 7.5 x 5.5 inches. Near Fine. Transcontinental Film Productions unknown
1961144704Paris: Transcontinental Film Productions 1961. Vintage borderless photograph of director Sidney Lumet playwright Arthur Miller and actors Ralf Vallone and Raymond Pellegrin on the set of the 1962 film. With the stamp of photographer Jacques Moreau a mimeo snipe and manuscript annotations on the verso. <br /> <br /> Based on the 1955 play by Arthur Miller about an unhappily married man whose obsession with his niece leads to tragedy when she falls for an immigrant who is staying with them. The first American film to feature a kiss between two men though ultimately it is an act of accusation against one of the men rather than a romantic one. <br /> <br /> Filmed in both French and English versions.<br /> <br /> Shot on location in New York City and Rome. <br /> <br /> 9.5 x 7 inches. Near Fine. Transcontinental Film Productions unknown
1956146308N.p.: N.p. 1956. Vintage photograph from a rehearsal for the 1956 London premiere with playwright Arthur Miller theater director Peter Brook and actors Anthony Quayle and Mary Ure. Snipe and "Sunday Telegraph" "The Daily Telegraph" and "Keystone Press Agency Ltd" stamps on the verso.<br/><br/>"A View from the Bridge" debuted as a one-act play on Broadway on September 9 1955 at the Coronet Theatre. Miller subsequently revised the play to two acts the version with which audiences are most familiar and had its premiere at the New Watergate theatre in London's West End on October 11 1956 running through April 20 1957. Under the direction of Peter Brook the cast included Richard Harris Anthony Quayle Megs Jenkins Mary Ure Brian Bedford Ian Bannen and Michael Gwynne.<br/><br/>8 x 10 inches. Very Good plus some faint creasing some crop marking in white ink and faint outlining of the figures on the recto. N.p. unknown books