16 724 résultats
1959159902Los Altos CA: Carlyle Productions / Columbia Pictures 1959. Two vintage reference photographs taken on the set of the 1959 film one showing Duke Ellington working on the film score and the other showing Ellington laughing with Billy Strayhorn. Carlyle Productions stamps on the versos.<br /> <br /> The first major Hollywood film to feature a score by an African American composer. Composed by Ellington and Strayhorn and performed by Ellington's Orchestra the score won three Grammy Awards in 1959.<br /> <br /> Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards.<br /> <br /> Set and shot on location in Michigan.<br /> <br /> One 8 x 10 inches the other 10 x 8 inches. Near Fine.<br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Carlyle Productions / Columbia Pictures unknown
1959158510N.p.: N.p. 1959. Vintage photograph of Lee Remick and Duke Ellington on the set of the 1959 film. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> The first major Hollywood film to feature a score by an African American composer. The jazz score composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra won three Grammy Awards in 1959.<br /> <br /> Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man whom he believed raped his wife. Nominated for seven Academy Awards.<br /> <br /> Set and shot on location in Michigan.<br /> <br /> 10 x 8 inches. Near Fine lightly faded with a hint of creasing at the corners. <br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. N.p. unknown
1959146909Burbank CA: Otto Preminger Films 1959. Vintage photograph of Lee Remick Duke Ellington and Jimmy Woode rehearsing on the set of the 1959 film. <br /> <br /> The first major Hollywood film to feature a score by an African American composer. The jazz score composed by Ellington and Billy Strayhorn and performed by Ellington's Orchestra won three Grammy Awards in 1959.<br /> <br /> Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards.<br /> <br /> Set and shot on location in Michigan.<br /> <br /> 10 x 8 inches. Near Fine very light creasing. <br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Otto Preminger Films unknown
1959146009Burbank CA: Otto Preminger Films 1959. Vintage keybook studio photograph of Lee Remick with Jimmy Stewart and Duke Ellington at the piano from the 1959 film. <br /> <br /> Based on the 1958 novel by John D. Voelker under the pseudonym Robert Traver which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards including Best Picture Best Adapted Screenplay Best Actor for Jimmy Stewart and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. <br /> <br /> Set in and shot on location in Michigan.<br /> <br /> 10 x 8 inches. Very Good plus with some light edgewear. <br /> <br /> National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Otto Preminger Films unknown
1959146009Burbank CA: Otto Preminger Films 1959. Vintage keybook studio photograph of Lee Remick with Jimmy Stewart and Duke Ellington at the piano from the 1959 film. <br/><br/>Based on the 1958 novel by John D. Voelker under the pseudonym Robert Traver which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards including Best Picture Best Adapted Screenplay Best Actor for Jimmy Stewart and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. <br/><br/>Set in and shot on location in Michigan.<br/><br/>10 x 8 inches. Very Good plus with some light edgewear. <br/><br/>National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Otto Preminger Films unknown books
1959146166Burbank CA: Otto Preminger Films 1959. Vintage photograph of Otto Preminger Duke Ellington and Billy Strayhorn on the set of the 1959 film. <br/><br/>Preminger's "Anatomy of a Murder" was the first major Hollywood film to feature a score by an African-American composer. The jazz score composed by Ellington and Strayhorn uncredited and performed by Ellington's Orchestra won three Grammy Awards in 1959 including Best Sound Track Album.<br/><br/>Based on the 1958 novel by John D. Voelker under the pseudonym Robert Traver which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards including Best Picture Best Adapted Screenplay Best Actor for Jimmy Stewart and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. <br/><br/>Set in and shot on location in Michigan.<br/><br/>10 x 8 inches. Near Fine very light creasing. <br/><br/>National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Otto Preminger Films unknown books
1959146909Burbank CA: Otto Preminger Films 1959. Vintage photograph of Lee Remick Duke Ellington and Jimmy Woode rehearsing on the set of the 1959 film. <br/><br/>Preminger's "Anatomy of a Murder" was the first major Hollywood film to feature a score by an African-American composer. The jazz score composed by Ellington and Billy Strayhorn uncredited and performed by Ellington's Orchestra won three Grammy Awards in 1959 including Best Sound Track Album.<br/><br/>Based on the 1958 novel by judge John D. Voelker writing under the pseudonym Robert Traver based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards including Best Picture Best Adapted Screenplay Best Actor for Jimmy Stewart and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. <br/><br/>Set in and shot on location in Michigan.<br/><br/>10 x 8 inches. Near Fine very light creasing. <br/><br/>Complete collation details available on request.<br/><br/>National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Otto Preminger Films unknown books
1977133599Culver City CA: Columbia Pictures 1977. Two vintage photographs from the 1977 re-release of the 1959 film. <br/><br/>Based on the 1958 novel by John D. Voelker under the pseudonym Robert Traver which he based on a real life case of a veteran accused of killing a local man who he believed raped his wife. Nominated for seven Academy Awards including Best Picture Best Adapted Screenplay Best Actor for Jimmy Stewart and twice for Best Supporting Actor for George C. Scott and Arthur O'Connell. <br/><br/>Set in Michigan and shot on location there. <br/><br/>8 x 10 inches. And a few tiny creases else Near Fine. <br/><br/>Complete collation details available on request. <br/><br/>National Film Registry. Rosenbaum 1000. Criterion Collection 600. Penzler 101. Spicer US. Grant US. Selby US. Columbia Pictures unknown books
19772110502151001335Shoshin Shobo 1977. Soft Cover. Fine. Number of books: 2 books per sheet Shoshin Shobo paperback
163381Universal City: Dreamworks 2003. Revised Shooting script for the 2004 film. <br /> <br /> In San Diego in the 1970s successful news anchor Ron Burgundy is forced to confront his prejudices when the station owners hire a woman anchor who promptly proceeds to climb her way to the top. Followed by a 2013 sequel "Anchorman 2: The Legend Continues."<br /> <br /> Shot on location in San Diego Los Angeles Glendale and Long Beach.<br /> <br /> Self wrappers. Title page present dated 06/09/03 noted as Shooting Script with credits for screenwriters Will Ferrell and Adam McKay. 139 leaves with last page of text numbered "112-113". Xerographic duplication on pink stock rectos only. Pages Very Good plus with light splashes on the title page bound with two gold brads. Dreamworks unknown
1945155840Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Vintage borderless reference photograph from the 1945 film showing actors Gene Kelly and Frank Sinatra. Printed mimeo snipe affixed to the verso along with the stamp of Cinema International Corporation. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly followed by "Take Me Out To The Ball Game" and "On the Town" 1949. <br /> <br /> Set and shot on location in Hollywood. <br /> <br /> 8 x 10 inches. Very Good plus. Metro-Goldwyn-Mayer [MGM] unknown
1945159128Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1945. Vintage studio still photograph from the 1945 film showing actors Gene Kelly and Frank Sinatra with then-child actor Dean Stockwell. <br /> <br /> A pair of sailors on shore leave in Hollywood help a would-be film star make it big. The first of three films to pair Sinatra and Kelly followed by "Take Me Out To The Ball Game" and "On the Town" 1949. <br /> <br /> Set and shot on location in Hollywood. <br /> <br /> 10 x 8 inches. Very Good plus evenly toned with light creasing at the corners. Metro-Goldwyn-Mayer [MGM] unknown
1972135242Paris: Twentieth Century-Fox 1972. Two vintage borderless black-and-white reference still photographs from the 1972 French film "La course du lievre a travers les champs" release in the US as "And Hope to Die." Featured is a rare still of director Clement brandishing a rifle and a still of actor Trintignant contemplating the true value of a ten-dollar bill. <br /> <br /> Loosely based on David Goodis' 1954 seminal hardboiled novel "Black Friday" a paperback original. A French fugitive heads for Canada and ends up joining a gang of criminals in the midst of kidnapping the mentally-challenged daughter of a rival crimelord. The plan goes accordingly until the girl accidentally dies. <br /> <br /> Shot on location in Quebec Canada and Hauts-de-Seine France. <br /> <br /> Both stills 7 x 9.25 inches borderless as issued. Ink annotations on the versos else Near Fine overall. Twentieth Century-Fox unknown
1979151098Culver City CA: Columbia Pictures 1979. Vintage press kit for the 1979 film. Full-color illustrated pocketed folder containing 8 black and white photographs housed in a brown paper envelope and 19 gatherings of promotional reading material.<br /> <br /> An ethical Baltimore defense attorney is forced to take on the case of a guilty judge charged with sexually assaulting a young woman. <br /> <br /> Set and shot on location in Baltimore. <br /> <br /> Folder photographs and promotional material Near Fine. Columbia Pictures unknown
1974132718Los Angeles: AVCO Embassy Pictures 1974. Vintage black-and-white still photograph from the 1975 US release of the 1974 French film promoted in the US in 1974. Mimeograph snipe affixed to the verso. <br/><br/>A time-jumping romance showcasing the lives to two lovers taking place over a century and several continents. <br/><br/>Shot on location in Israel New York and Turkey. <br/><br/>8 x 10 inches. Toning from the tape on the verso else Near Fine. AVCO Embassy Pictures unknown books
1944132072Hollywood: Paramount Pictures 1944. Original US half sheet poster for the 1944 film based on the 1942 best seller by Rachel Field. Chandler's second screenwriting credit and the only non-crime screenplay of his career. <br /> <br /> 28 x 22 inches mounted on board. Near Fine with some minor professional restoration. Paramount Pictures unknown
1944132072Hollywood: Paramount Pictures 1944. Original US half sheet poster for the 1944 film based on the 1942 best seller by Rachel Field. Chandler's second screenwriting credit and the only non-crime screenplay of his career. <br/><br/>28 x 22 inches mounted on board. Near Fine with some minor professional restoration. Paramount Pictures unknown books
1943133635Hollywood: Paramount Pictures 1943. Revised Draft script for the 1943 film. Co-written for the screen by Raymond Chandler and Frank Partos. Chandler's contribution to the script had mostly to do with Alan Ladd's character and his tough dialogue elements sneered at by the media upon the film's release. Laid in is an 8-page shooting schedule on blue stock a 6-page revision to sequence "A" on yellow onionskin stock and 14 pages of "inter-office communication" on yellow studio stationery comments on scenes sequences and pages of the script. <br/><br/>Based on Rachel Field's 1942 novel about Emily Blair Loretta Young a wealthy deaf girl whose hometown is named for her family. Doctor Vance Ladd who grew up on the other side of town resents the Blair family but is working on a serum to cure deafness which he tries on Emily and she is eventually cured. <br/><br/>One of only five screenplays written by Chandler this being the second following his script for the classic "Double Indemnity" 1944 based on James M. Cain's novel. <br/><br/>Chandler had a tumultuous career in Hollywood including a suspension in late 1945 from Paramount for "refusing to perform under a contract which is not a proper expression of my standing in the motion picture business" but his influence on film adaptation is nearly unmatched with scripts and stories that pushed the limits of the Production Code Administration. <br/><br/>Script:<br/><br/>White self wrappers production No. SF 8577 dated December 3 1943 with credits for screenwriters Partos and Chandler. Title page integral with front wrapper in the Paramount style. 137 leaves mimeograph duplication with blue and light blue revision pages throughout dated variously between 1/11/43 possibly a typo and 3/30/44 other leaves dated variously between 12/3/43 and 12/5/44 possibly a typo. Pages Near Fine wrapper now encapsulated in mylar with cello tape and spine label remnants bound with two gold brads. <br/><br/>Shooting Schedule:<br/><br/>Corner-stapled blue stock noted as 4TH TENTATIVE BLUE / BASED ON A-B-C-D-E PART SEQUENCES dated 12/13/43 start and 2/9/44 close with credits for director Pichel assistant director O. Oscar Rudolph and businessmanager B. Bernard McEveety. 8 pages folded horizontally rust to the staple else Near Fine. <br/><br/>Revision:<br/><br/>Yellow onionskin stock loose but bound with a paperclip. Holograph annotations in pencil to the last leaf recto and verso detailing a few scene changes. 6 pages folded horizontally paperclip indentation and rust to the clip else Near Fine. <br/><br/>Inter-Office Communication:<br/><br/>Corner-stapled yellow studio stationery dated variously between 2/15/43 and 1/3/44. The earliest dated page contains notes on the script noting Talbot Jennings as the screenwriter. 14 pages hole punches at the top edges rust to the staples else Near Fine. <br/><br/>Luhr Raymond Chandler and Film US. MacShane US. Paramount Pictures unknown books
1960132177Beverly Hills CA: National Screen Service / United Artists 1960. Vintage black-and-white still photograph from the 1960 US release of the 1957 Soviet Union film. <br/><br/>Base on the novel by Mikhail Sholokhov about the life of a villager in southern Russia between 1912 and 1922. The director's cut was 6 hours long. <br/><br/>8 x 10 inches. Near Fine. National Screen Service / United Artists unknown books
1966159977N.p.: N.p. 1966. Vintage borderless double weight reference photograph of director Andrei Tarkovsky talking with actor Nikolay Grinko on the set of the 1966 film. Annotations in manuscript ink and pencil on the verso along with a Photofest label. <br /> <br /> Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 7.5 x 5.5 inches. Very Good plus. <br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966168501N.p.: N.p. 1966. Two vintage oversize borderless reference photographs from the 1966 Russian film showing and Anatoliy Solonitsyn as Rublev and Nikolay Burlyaev from the "Bell" sequence respectively. One with "Cinematheque Française" stamps on the verso.<br /> <br /> Andrei Tarkovsky's sprawling 15th century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 11.75 x 9.25 inches. Very Good plus.<br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966152363N.p.: N.p. 1966. Vintage reference photograph from the 1966 Russian film showing actress Irma Raush.<br /> <br /> Director Andrei Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1966164231Paris: Télérama 1966. Vintage borderless reference photograph from the 1966 film showing actress Irma Raush. Provenance stamps and annotations in manuscript ink on the verso. <br /> <br /> Andrei Tarkovsky's sprawling 15th century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br /> <br /> Set in medieval Russia shot on location in Moscow. <br /> <br /> 7 x 5 inches. Very Good plus. <br /> <br /> Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. Télérama unknown
1966152363N.p.: N.p. 1966. Vintage reference photograph from the 1966 Russian film showing actress Irma Raush.<br/><br/>Director Andrei Tarkovsky's sprawling 15th-century drama capturing seven episodes in the life of revered Russian iconographer Andrei Rublev from his humble origins as a traveling monk to his later years returning to painting after a long and meditative sabbatical. <br/><br/>Set in medieval Russia shot on location in Moscow. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>Criterion Collection 34. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown books
200245471N.p.: Cultura 2002. Near Fine. N.p.: Cultura 2002. First Edition. Oversized tabloid format 58x42cm; pictorial self wrappers. 32pp.; full color photographs throughout. Previous fold else Near Fine.<br /> <br /> Substantial tabloid-style brochure issued to accompany the Cultura fashion house's Warhol-inspired line at the 2002 Fashion Week. Cultura unknown
