16 722 résultats
1988170561N.p.: N.p. 1988. Two vintage portrait photographs of director Errol Morris in 1988. Brief typed labels affixed to the versos noting the year and the name of photographer Peter Bates. <br /> <br /> In 1988 Morris released "The Thin Blue Line" today considered by many to be one of the most important and influential documentaries of the twentieth century.<br /> <br /> 5 x 7 inches. One Fine the other Near Fine with layout annotations in manuscript pencil on the margins. N.p. unknown
1967138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. <br/><br/>One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. <br/><br/>Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br/><br/>5 x 7 inches. Fine condition. <br/><br/>Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown books
1967149868Paris: Parc Film 1967. Collection of five vintage borderless reference photographs from the 1967 French film. All but one with a stamp specific to the film's French release on the verso.<br/><br/>A day in the life of suburban housewife Juliette Jeanson Vlady who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Jean-Luc Godard's most highly regarded stylistically innovative films released the same year as "Weekend" and "La chinoise." <br/><br/>Set and shot on location in Paris.<br/><br/>Four photographs 7 x 5 inches one 8 x 5 inches. Near Fine. Parc Film unknown books
1967148302N.p.: Anouchka Films 1967. Collection of 17 vintage French color lobby cards from the 1967 film 15 with "CFDC - LYON" stamp on the versos. <br /> <br /> One of three feature films Godard released in 1967 and like both "Weekend" and "La chinoise" one that showcases Godard's increasing focus on filmic deconstruction as well as vocalization of leftist political ideas. <br /> <br /> Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br /> <br /> 8 x 10 inches. Very Good plus with pinholes to corners light to moderate wear and a couple of small dampstains.<br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Anouchka Films unknown
1967155298N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film directed by Jean-Luc Godard showing actors Raoul Lévy and Anny Duperey. <br /> <br /> From the archive of film historian and author Joel Finler.<br /> <br /> A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." <br /> <br /> Set and shot on location in Paris.<br /> <br /> 10 x 8 inches. Near Fine. <br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
1967138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. <br /> <br /> One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. <br /> <br /> Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br /> <br /> 5 x 7 inches. Fine condition. <br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown
1967162351N.p.: N.p. 1967. Vintage reference photograph from the 1967 French film showing actor and producer Raoul Lévy with actress Marina Vlady. French title stamp on the verso.<br /> <br /> A day in the life of a seemingly normal suburban housewife who intersperses her daily routine of housework cleaning and shopping with appointments as a call girl. One of director Godard's most highly regarded and stylistically innovative films released the same year as "Weekend" and "La chinoise." <br /> <br /> Set and shot on location in Paris.<br /> <br /> 9.5 x 7.25 inches. About Fine.<br /> <br /> Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. N.p. unknown
2090202120407673Shochiku N.A. Soft Cover. Fine. Number of books: 1 Shochiku paperback
71-2065Los Angeles CA.: Loyola Marymount University 1991. 8vo. 12 pp. Soft Cover. Stapled Wraps. Color and black and white plates throughout. Very Good. Los Angeles, CA.: Loyola Marymount University, 1991. paperback
1944163324N.p.: N.p. 1944. Vintage studio still photograph from the 1944 film. Layout annotations in manuscript pencil on the verso.<br /> <br /> During World War II two sisters from a vaudeville family set up a lavish canteen to entertain servicemen. Nominated for an Academy Award for Best Screenplay.<br /> <br /> 10 x 8 inches. Very Good moderately worn and bruised along the edges. N.p. unknown
1969158710N.p.: N.p. 1969. Draft script for the 1969 film. <br /> <br /> Based on the 1963 novel by David Stuart Leslie. A white advertising executive is forced to confront his own prejudices when he finds himself unexpectedly sharing a flat with a Black Jamaican-British lawyer. <br /> <br /> OCLC locates no holdings. AMPAS shows one holding. <br /> <br /> Set and shot on location in London. <br /> <br /> Orange titled wrappers. Title page present dated March 15 1968 with credits for screenwriter Evan Jones and novelist David Stuart Leslie. 143 leaves with last page of text numbered 134. Mimeograph duplication rectos only with undated pink revision pages laid in throughout. Pages Very Good plus wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1961131260Beverly Hills CA: United Artists 1961. Draft script for the 1962 film. Brief annotations mostly marking key passages throughout in holograph blue ink. <br/><br/>Based on Gibson's 1960 play about two down-and-out people in New York and their sustained conversations. Nominated for two Academy Awards Best Cinematography Best Music and wonderfully shot in anamorphic black-and-white. Regarded as one of the best portrayals of the New York scene after the Jack Kerouac era pre-Andy Warhol and the Factory. <br/><br/>Yellow titled wrappers rubber-stamped copy No. 9. Title page present dated December 13 1961 with credits for screenwriter Lennart and playwright Gibson. 141 leaves mechanical duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. United Artists unknown books
1958150046N.p.: N.p. 1958. Vintage double weight narrow margin matte finish promotional press photograph of Henry Fonda and Anne Bancroft from the 1958 play by photographer Howell Conant. Three "Two for the Seesaw" and one "Photo by Howell Conant" stamps on verso. <br/><br/>"Two for the Seesaw" opened on January 16 1958 at the Booth Theatre for a highly successful run of 750 performances closing on October 31 1959. The play was an unexpected hit marking the debut of three exceptional talents playwright William Gibson actor Anne Bancroft and director Arthur Penn who was nominated for a Tony Award. The following year the three would go on to write star and direct respectively the 1959 Tony Award winning play "The Miracle Worker" as well as subsequently adapting it for the 1962 Academy Award Winning film.<br/><br/>Jerry Ryan Fonda leaves his wife and law career in Nebraska and moves to New York where he meets struggling dancer Gittel Mosca Bancroft beginning a precarious relationship. <br/><br/>In 1962 it was made into an Academy Award winning motion picture directed by Robert Wise and starring Robert Mitchum and Shirley MacLaine. In 1973 it was adapted into a musical with a book by Michael Bennett music by Cy Coleman and lyrics by Dorothy Fields.<br/><br/>8 x 10 inches. Very light creasing in two corners else Near Fine. N.p. unknown books
1967159923Los Angeles: Twentieth Century-Fox 1967. Two vintage reference photographs of actor Albert Finney Audrey Hepburn and director Stanley Donen on the set of the 1967 film. Stamp of photographer Pierluigi on the verso.<br /> <br /> One photograph shows Hepburn and Finney with Donen on a ship between takes while the other shows Hepburn and Finney cutting into Donen's birthday cake frosted with the names of Donen's films "Charade" "Funny Face" and "Two for the Road". <br /> <br /> A husband and wife examine their twelve-year relationship while on a road trip through rural France. <br /> <br /> 10.5 x 8.25 inches. Near Fine. <br /> <br /> Eureka 107. Twentieth Century-Fox unknown
1958150046N.p.: N.p. 1958. Vintage double weight narrow margin matte finish promotional press photograph of Henry Fonda and Anne Bancroft from the 1958 play by photographer Howell Conant. Three "Two for the Seesaw" and one "Photo by Howell Conant" stamps on verso. <br /> <br /> "Two for the Seesaw" opened on January 16 1958 at the Booth Theatre for a highly successful run of 750 performances closing on October 31 1959. The play was an unexpected hit marking the debut of three exceptional talents playwright William Gibson actor Anne Bancroft and director Arthur Penn who was nominated for a Tony Award. The following year the three would go on to write star and direct respectively the 1959 Tony Award winning play "The Miracle Worker" as well as subsequently adapting it for the 1962 Academy Award Winning film.<br /> <br /> Jerry Ryan Fonda leaves his wife and law career in Nebraska and moves to New York where he meets struggling dancer Gittel Mosca Bancroft beginning a precarious relationship. <br /> <br /> In 1962 it was made into an Academy Award winning motion picture directed by Robert Wise and starring Robert Mitchum and Shirley MacLaine. In 1973 it was adapted into a musical with a book by Michael Bennett music by Cy Coleman and lyrics by Dorothy Fields.<br /> <br /> 8 x 10 inches. Very light creasing in two corners else Near Fine. N.p. unknown
1971144465Paris: Les Films du Carrosse 1971. Vintage borderless photograph of director Francois Truffaut and actors Jean-Pierre Leaud and Stacey Tendeter on the set of the 1971 film. With agency rubber stamps and holograph annotations on the verso. <br/><br/>Based on the 1956 novel of the same name by Henri-Pierre Roche. Set in 1902 in Paris. Claude Jean-Pierre Leaud meets Anne Brown Kika Markham the daughter of an old friend of his mother's. She invites him to spend the summer with her family on the coast of Wales where he becomes close with her and her sister Muriel Stacey Tendeter whom he falls in love with. <br/><br/>7 x 5 inches. Near Fine. Les Films du Carrosse unknown books
1971144465Paris: Les Films du Carrosse 1971. Vintage borderless photograph of director François Truffaut and actors Jean-Pierre Léaud and Stacey Tendeter on the set of the 1971 film. Agency rubber stamps and manuscript annotations on the verso. <br /> <br /> Based on the 1956 novel of the same name by Henri-Pierre Roche.<br /> <br /> 7 x 5 inches. Near Fine. Les Films du Carrosse unknown
1970145544N.p.: N.p. 1970. Draft script for an unproduced film "Twist." Copy belonging to director Ken Hughes with his annotations throughout. <br/><br/>A police investigator shoots a longtime nemesis while chasing him after a heist and must cope with the loss of his greatest equal. Set in England. <br/><br/>Tall black wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Tudor Gates. 117 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two silver brads. N.p. unknown books
1970145544N.p.: N.p. 1970. Draft script for an unproduced film "Twist." Copy belonging to director Ken Hughes with his annotations throughout. <br /> <br /> A police investigator shoots a longtime nemesis while chasing him after a heist and must cope with the loss of his greatest equal. Set in England. <br /> <br /> Tall black wrappers with a die-cut title window in the British style. Title page present with credits for screenwriter Tudor Gates. 117 leaves with last page of text numbered 106. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound internally with two silver brads. N.p. unknown
1971158504N.p.: Cinema International 1971. Vintage borderless reference photograph from the 1971 British film showing a satanic ritual. Printed mimeo snipe in German affixed to the verso. <br /> <br /> Based on Sheridan Le Fanu's 1872 novella "Carmilla" the third and final film in Hammer Film's lesbian-themed Gothic vampire series "The Karnstein Trilogy" preceded by "The Vampire Lovers" 1970 and "Lust for a Vampire" 1971. <br /> <br /> Set in Styria shot on location in Buckinghamshire England and in Belgrade Serbia. <br /> <br /> 8 x 9.75 inches. Hint of wear at the corners else Near Fine. <br /> <br /> Johnson and Del Vecchio p. 344. Cinema International unknown
1996149018N.p.: N.p. 1996. Draft script for the 1996 television film. Copy belonging to costume designer Molly Maginnis warmly INSCRIBED on the title pages by playwright Jonathan Tolins and members of the cast and crew including actors Garry Marshall Brendan Fraser and Jon Tenney though not Faye Dunaway. Lacking the last few leaves but complete as used by Maginnis. <br/><br/>From the collection of costume designer Molly Maginnis.<br/><br/>Based on Jonathan Tolins' 1993 play. A pregnant woman learns through genetic testing that her son will likely be born gay like her younger brother David leading her to consider having an abortion. The film originally aired on Showtime on March 23 1997.<br/><br/>Title page integral with front wrapper dated 3/7/96 noted as Shooting Script with credits for playwright Jonathan Tolins and screenwriter Seth E. Bass. 97 leaves with last page of text numbered 72. Xerographic duplication rectos only with rainbow revision pages throughout dated variously between 1/26/96 and 3/7/96. Pages Very Good plus with light foxing to the first leaf bound with three gold brads. N.p. unknown books
1957138455Universal City CA: Universal Pictures 1957. Revised First Draft script for the 1958 film. Brief notation in holograph pencil on the front wrapper verso. <br/><br/>Based on the novel and written for the screen by Ernest K. Gann about a disgraced former Navy captain Hudson piloting a disparate group of passengers through a storm on a rundown schooner. <br/><br/>Green titled wrappers dated June 13 1957 noted as REVISED FIRST DRAFT SCREENPLAY. Title page present undated noted as Revised First Draft Screenplay with a credit for screenwriter-novelist Gann. 156 leaves with last page of text numbered 151. Mimeograph duplication with blue revision pages throughout dated 7/11/57. Pages and wrapper Near Fine bound with three gold brads. Universal Pictures unknown books
1958143074Universal City CA: Universal Pictures 1958. Vintage double weight photograph on the set of the 1958 film showing Cyd Charisse getting her hair styled after a swim while Rock Hudson films with moment in the background. With a mimeo snipe on the verso. <br/><br/>With a screenplay by Ernest K. Gann based on his 1958 novel about the captain and passengers of a rundown boat caught in a storm and struggling to survive. <br/><br/>Filmed on location in Hawaii. <br/><br/>8 x 10 inches. Near Fine. Universal Pictures unknown books
1959132441London: Rank Film Distributors 1959. Collection of 7 vintage full-color still photographs from the 1959 UK release of the 1958 US film. <br/><br/>Based on the novel and written for the screen by Ernest K. Gann about a disgraced former Navy captain piloting a disparate group of passengers through a storm on a rundown schooner. <br/><br/>8 x 10 inches. A few light creases and some light stains on the versos else Near Fine. Rank Film Distributors unknown books
1958143074Universal City CA: Universal Pictures 1958. Vintage double weight photograph on the set of the 1958 film showing Cyd Charisse getting her hair styled after a swim while Rock Hudson films with moment in the background. With a mimeo snipe on the verso. <br /> <br /> With a screenplay by Ernest K. Gann based on his 1958 novel about the captain and passengers of a rundown boat caught in a storm and struggling to survive. <br /> <br /> Filmed on location in Hawaii. <br /> <br /> 8 x 10 inches. Near Fine. Universal Pictures unknown
