388 résultats
19842092902138101113Galerie Patrick Cramer 1984. Soft Cover. Fine. Size: 33.5cmx26cm Number of books: 1 Galerie Patrick Cramer paperback
1962789746Paris Pierre Seghers 1962. /Dust Jacket Included. 1962. Hardcover. hardback 4to 35pp text in French 12 photos by Lucien Clergue cover by Picasso owner's bookplate otherwise clean and sound book and dustwrapper in Very Good condition the outer glassine cover slightly browned and frayed with a closed tear on rear panel. . Paris, Pierre Seghers, 1962., hardcover
19452843Paris: Pierre Seghers 1945. Fine. Pierre Seghers Paris 1945 16.50 x 22 cm broché First edition one of 650 numbered copies on vélin du Marais the only issue along with 35 on Montval. With frontispiece portrait of the author by Marcoussis previously unpublished. Small tears to head of spine crease mark to rear board. Handsome copy Pierre Seghers unknown
1945HAY138371945. Paris chez Pierre Seghers. broché bristol à rabats éditeur. Plats un rien insolés sur la périphérie sinon bel exemplaire. format : 225/165 cm. avec en frontispice un portrait inédit de l'auteur par Marcoussis couverture ornée d'une grande lettrine et du titre en rouge. unknown
196832088AB1968. Saint Paul Fondation Maeght 1968. Small Quarto 19.7 cm wide x 22.6 cm high. 212 colour reproductions. Original illustrated Softcover - Edition with original cover-art by Miro. Very good condition with only minor signs of wear. Some minro foxing and fingerstaining to edge. Otherwise excellent. paperback
1937518104Paris: G. L. M. 1937. Softcover. Very Good. First edition. 12mo. 20pp. Illustrated front cover by Pablo Picasso. Text in French. Sewn orange glossy pictorial wrappers. Fading on the spine and extremities of covers light wear on spine which have just begun to separate at tips of spine wrappers slightly creased a very good copy of a fragile publication. Program for a Conference on Paul Eluard on the future of poetry at the 1937 Exposition Internationale Paris. According to Gershman. A Bibliography of the Surrealist Revolution in France p. 19: "originally planned as a lecture to be delivered at the Comedie des Champs-Elysees on October 1 1937" - issued as "Conference de Paul Eluard Exposition Internationale Paris 1937 Classe II Groupe I". In addition to printing "Avenir de la Poesie" by Eluard the text also prints several quotations and excerpts from text by Andre Breton and excerpts by Pablo Picasso Tristan Tzara Arthur Rimbaud Guillaume Baudelaire Georges Hugnet Henri Michaux Rene Char Pierre Reverdy et al. An elusive publication. OCLC locates only a few copies. G. L. M.) unknown
30801Paris Minuit 25 août 2024. 1 vol. 105 x 190 mm de 16 p. Broché non coupé. . Nouvelle édition accompagnée d'une importante note de l'éditeur « Histoire d'un poème ». Un des 54 premiers exemplaires sur vergé n° 39. . La « notice inédite » revient sur les circonstances de la parution du poème depuis son élaboration jusqu'à sa diffusion. Nous signalons qu'elle s'appuie en les citant sur nos recherches et celles de notre collaborateur Pierre Boudrot lors de la parution de notre catalogue « Paul Éluard 1942 ». Paris, Minuit, (25 août) 2024. 1 vol. (105 x 190 mm) de [16] p. Broché, non coupé. unknown
TJ-OI30-V4OAPaperback. Good. PARIS: G.L.M. 1936. Softcover in pale gray printed wrappers. First Edition. 60 pages 8 pages of ads at rear; with 8 photo-illustrations by Man Ray. Text in French including works by Paul Eluard Rene Char Jean Scutenaire and others. 'Avec un ex-libris par Salvador Dali'. The third issue of this important surrealist publication. Covers toned at edges spine sunned and a bit creased glued binding weak but holding text-block lightly age-toned else very good overall condition. No marks NOT EX-LIBRARY. fprwb paperback
2005192113London: Atlas Press 2005. First edition thus. Softcover. 154 pages. Bellmer's classic book translated from the German by Malcolm Green. Features some poems by Paul Eluard. Includes 15 color photographs 10 black and white images and a a few line drawings. A very near fine copy in wrappers and in a very near fine cardstock slipcase. Surprisingly uncommon. Atlas Press unknown
1950124518London: Trianon Press 1950. Softcover. VG Ex-art lib. bookplate inside front cover. Marc Chagall. Plain off-white wraps; Off-white illus. dj. with transparent paper overlay; 92 pp.; Color frontispiece hand reproduced; Profusely illustrated in bw. Text appears in both French and English; English translation by Stephen Spender and Frances Cornford; A collection of poems by Paul Eluard Eugene Emile Paul Grindel one of the founders of the surrealist movement accompanied by illustrations by Marc Chagall; Number 50 of 750 copies reserved for the Trianon Press London numbers 751-1500 reserved for the Grey Falcon Press Philadelphia. Trianon Press paperback
36400Zürich/ Ottiglio Klaus G. Renner 2003. 4° 12 Bl. Büttenpapier Hahnemühle 2 signierten Orig.-Heliogravüren OKart. Verlagsfrisch Nr. 8 von 110 Exempl. Im Impressum ebenfalls von Alissa Walser signiert. Surrealistische Gemeinschaftarbeit in 32 Stellungen.Alle Titel dieser Reihe werden in alten Techniken hergestellt: Bleisatz aus der Monotype im Einzelbuchstabenguss Buchdruck verwendet werden handgeschöpfte Büttenpapiere Hahnemühle BRD/Cartiere Amatruda Amalfi/Cartiere MilianiFabriano Fadenheftung und fester Einband. 010 Zürich/ Ottiglio, Klaus G. Renner, 2003 unknown
42256Zürich/ Ottiglio Klaus G. Renner 2005. 4° 14 Bl. Büttenpapier Amalfi 2 beiliegende Kaltnadelradierungen. Einbandpapier Alcantara. OKart. Verlagsfrisch Dt. Erstausgabe. Eins von 55 Exempl. Im Impressum von Felix Philipp Ingold und Eluard leider nicht selbst sondern nur gedruckt signiert. Gedruckt bei Paul Wirth Bischoffszell.Alle Titel dieser Reihe werden in alten Techniken hergestellt: Bleisatz aus der Monotype im Einzelbuchstabenguss Buchdruck verwendet werden handgeschöpfte Büttenpapiere Hahnemühle BRD/Cartiere Amatruda Amalfi/Cartiere Miliani Fabriano Fadenheftung und fester Einband. 010 Zürich/ Ottiglio, Klaus G. Renner, 2005 unknown
194863324Paris: Louis Carre 1948. 4to.Illustrated. 62 pp. Copy no. 1276 of an edition limited to 1800 copies. Publisher's printed stiff wrappers in original glassine wrapper. In portfolio boards and slipcase. With seven colour lithographs including three double-page printed by Mourlot Freres. Publisher's compliments card laid in. Marks to portfolio spine. Book in fresh Near Fine condition. . Very Good. Wraps. 1948. Louis Carre 1948 paperback
19843531BB1984. Genève New York Gérald Cramer - Braziller 1958 1984. 4°. 48 Bl. Mit farb. Illustr. nach Holzschnitten von Joan Miró; Begleitheft: 22 S. Orig.-Pappband in Halbpergamentschuber. Verlag: New York Braziller 1984 Faksimile-Ausgabe der Nr.: 75. Im Druck von Miro signiert. - Gut erhaltenes Exemplar. unknown
194352181New York : The Black Sun Press 1943. 255x185mm. 20 dossier de signets ÇÊAppleÊÈ et 3 planches Ã’Vingt ans aprÂsÓ cartonnage de lՎditeur. Coiffe supÂŽrieure abimÂŽe autrement bon ÂŽtat. Tirage limitÂŽ ˆ 610 exemplaires. Bel exemplaire. 230 The Black Sun Press unknown
194151630Paris: Nrf 1941. Fine. Nrf Paris 1941 14 x 23 cm broché Pre-first edition one of the rare numbered copies on pure thread paper the only deluxe copies. In this issue of the Nrf we also find contributions by Jacques Chardonne Les vocations tardives and Pierre Drieu La Rochelle Le corps. A very handsome copy. Nrf unknown
195022951Paris France: Bordas. Very Good with no dust jacket. 1950. Limited Edition. Softcover. VG softcover edition has a tissue overlay on the cover which is chipped and has some pieces missing. Text is in French. Limited edition this is # 392. My knowledge of French is limited so please call if you have any questions. ; 4to 11" - 13" tall . Bordas paperback
1950RM6Phila Pa: The Grey Falcon Press 1950. Boards. Very Good in Very Good dust jacket. Illustrated by Marc Chagall. limited edition number 1266 out of 750-1500 printed by the Grey Falcon press cover wrap chipping aloing spine yellowing binding very good pages very clean 92 pgs.; 8vo - over 7¾" - 9¾" tall. The Grey Falcon Press unknown
196827411SAINT PAUL: FONDATION MAEGHT. Near Fine with no dust jacket. 1968. First Edition; First Printing. Trade Paperback. Near fine in somewhat oversize trade paperback wrappers. Features a folded full-color 4-part original lithograph separate from the book. 2 tape stains on blank reverse of lithograph and also along inner hinge of blank reverse of title page. A few mild traces of shelfwear to edges of covers Lovely production. . FONDATION MAEGHT. paperback
195226014Paris: GLM 1952. First edition. Hugo Valentine. Wrappers 65 pages illustrated with full-page black-and-white plates reproducing art by Valentine Hugo. One of 135 on velin de renage second paper total edition of 1425 numbered copies. Fine copy. GLM unknown
B59675-3New York Black Sun Press 1943. 44 10pp. 22 full-page illus. 4to. Dec. boards head of spine damaged. Edition limited to 610 copies. "This edition is further augmented by Three drawings Twenty Years After. The Misfortunes of the Immortals was first published in Paris in 1920 originally revealed in French by Paul Eluard and Max Ernst and now translated into English by Hugh Chisholm. This edition has been designed and published by Caresse Crosby handset in Spartan type twelve point and printed at the Gemor Press in the city of New York March 1943." Though not noted internally this copy derives from the library of Julien Levy. Slight foxing at edges and endpapers not affecting the book within. New York (Black Sun Press), 1943. hardcover
B59675-4New York Black Sun Press 1943. 44 10pp. 22 full-page illus. 4to. Dec. boards some staining at head of spine and upper cover. Edition limited to 610 copies. "This edition is further augmented by Three drawings Twenty Years After. The Misfortunes of the Immortals was first published in Paris in 1920 originally revealed in French by Paul Eluard and Max Ernst and now translated into English by Hugh Chisholm. This edition has been designed and published by Caresse Crosby handset in Spartan type twelve point and printed at the Gemor Press in the city of New York March 1943." Though not noted internally this copy derives from the library of Julien Levy. Slight foxing at edges and endpapers not affecting the book within. New York (Black Sun Press), 1943. hardcover
1957105400Pierre Seghers 1957. Hardcover. Very good/No jacket. Inscribed by Lucien Clergue on the half-title page. <br /> <br /> Dust Jacket by Picasso.Very nice copy colors bright and sharp.<br /> <br /> Small wear and small tears near spine on dj. Book intact few center pages are partially separated. Pierre Seghers hardcover
1930937Paris: Editions Surréalistes chez José Corti 1930. Bel exemplaire. In-4° 130 pp vignette sur le titre par Dali. Broché couverture rouge de l'éditeur. Édition originale. Tirage limité n° 1239 sur papier impondérable des papeteries Sorel-Moussel surrealismePoëzie Editions Surréalistes, chez José Corti unknown
1926283281926. Paris Librairie Gallimard / Editions de la Nouvelle Revue FranÂaise 1926. Un vol. au format in-12 188 x 113 mm de 145 pp. brochÂŽ. Edition originale. Un des 850 exemplaires numÂŽrotÂŽs du tirage sur velin pur-fil Lafuma-Navarre ; complet de son Errata. ''Capitale de la douleur constitue le premier recueil publiÂŽ de Paul Eluard et comprend une centaine de poÂmes dont les deux tiers avaient dÂŽjˆ ÂŽtÂŽ publiÂŽs dans des plaquettes antÂŽrieures. Le titre originel prÂŽvu ÂŽtait "L'art d'Âtre malheureux" mais au dernier moment Eluard lui substitua "Capitale de la douleur" appellation plus poÂŽtique. Mais quelle est cette Capitale Paris o rÂŽside le poÂte et o il vit douloureusement ou Gala son ÂŽpouse qui est est le coeur de son royaume et qui le fait tant souffrir en raison de ses passions. On peut aussi comprendre le titre comme le superlatif de la souffrance de la douleur. Le titre est en soit une ÂŽnigme. Mais ce titre ÂŽnigmatique ne doit pas masquer les cris de dÂŽsarroi qui retentissent ˆ chaque vers et l'emportent sur les chants de bonheur amoureux. Les jours sont nostalgiques des jours de pluie de miroirs brisÂŽs de malchance. Mais Eluard ne capitule pas devant l'adversitÂŽ il veut dissiper la "brume de fond" o il se meut et la fin du recueil est rÂŽsolument optimiste "Je chante pour chanter je t'aime pour chanter" il appelle le "grand jour" ou il respirera "les parfums ÂŽclos d'une couvÂŽe d'aurores". Le recueil a bien ÂŽtÂŽ ÂŽcrit par un Âtre qui ˆ de nombreux indices se savait dÂŽlaissÂŽ par celle qu'il aimait. Gala venait de rencontrer le peintre Salvador Dali et quittera Eluard.'' Gallimard / 100 ans d'ÂŽdition n¡111 - Catalogue Gallimard p. 189. Couverture prÂŽsentant un ÂŽclat trÂs lÂŽgÂrement altÂŽrÂŽ. trÂs discrÂtes dÂŽcharge d'adhÂŽsif aux premier et dernier feuillets. Nonobstant trÂs belle condition. Peu courant. b42961 unknown
