Eluard, PaulBiblio.com
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196064556Paris: Pierre Seghers 1960. Hardcover Quarto dust jacket. Hardcover. Good/good. dust wrapper designed by Picasso over plain cardboard boards endpapers black and white photos by Clergue 12 black and white photos in total 35 pp text in French some pages loose but all present dj soiled and worn at edges<br /> <br /> Standard shipping no tracking / Priority with tracking / Custom quote for large or heavy orders. Pierre, Seghers hardcover
194516567AB1945. Paris Editions de la Revue Fontaine 1945. 22 : 165 cm. 24 leaves with 21 illustrations after Collages by Max Ernst. Original wrappers. Numbered copy of a small edition. With the legendary illustrations by May Ernst. - The first edition was in 1922 in a very small number and is extremly rare. - As always bit browned. - Spiess/leppien A 5. unknown
ZD-O4NN-2DEXPaperback. Very Good. Limited Edition Philadelphia: Gray Falcon Press & Trianon Press London 1950. Softcover in illustrated wraps with glassine dust jacket. First Bilingual Edition. 93 pages illustrated with an original Marc Chagall color lithograph frontispiece plus nine block-printed black and white plates and additional in-text illustrations. A LIMITED EDITION OF 1500 copies 750 published by Trianon in the UK 750 by Gray Falcon in the US this is #985 by Gray Falcon Press. Very good condition partially un-opened with minor shelf-wear and yellowing to jacket; no owner marking NOT EX-LIBRARY. eb paperback
194523940Paris: Editions De La Galleria Carpenter 1945. First edition. Stiff Wraps. Orig. stiff wrappers lettered in dark green. Very good. Unpinned. 30 x 21.5 cm. Limited editions copy 6 of 43 sur velin pur chiffon du Marais of a total edition of 991. In addition to the seven gauchos with text there are five additional by Jean Hugo without text in a separate portfolio. Hugo was predominantly known for his sketches and oil or gouache paintings which are often executed in small formats. He also illustrated books designed theatre sets and costumes. Covers lightly spotted. Editions De La Galleria Carpenter unknown
19509694Caravela Mizen Way Cobham Surrey: Grey Falcon/Trianon Press. Very Good in Very Good- dust jacket. 1950. First Edition; First Printing. Paperback. Heavy cardstock wraps with illustrated dustwrapper. This is #58 of 750 copies reserved for Trianon Press of a total of 1500 with the latter numbers reserved for Grey Falcon . Pages are lightly toned but clean and in very good- condition. Also comes with the original little tag that was used by the publisher to identify the limitation number of each copy this having "58" on it matching the number stamped on the limitations page. Complete with color frontispiece and 25 b&w drawings. . . Grey Falcon/Trianon Press paperback
B59675-9New York Black Sun Press 1943. 44 10pp. 22 full-page illus. 4to. Dec. boards. Edition limited to 610 copies. "This edition is further augmented by Three drawings Twenty Years After. The Misfortunes of the Immortals was first published in Paris in 1920 originally revealed in French by Paul Eluard and Max Ernst and now translated into English by Hugh Chisholm. This edition has been designed and published by Caresse Crosby handset in Spartan type twelve point and printed at the Gemor Press in the city of New York March 1943." Though not noted internally this copy derives from the library of Julien Levy. Slight foxing at edges and endpapers not affecting the book within. New York (Black Sun Press), 1943. hardcover
19482851Photographic wraps bound in custom cloth gray cloth boards. In very good condition clean and unmarked. Cover with light wear at edges. Rene Drouin paperback
195753319Seghers Paris 1957. First Edition. Hardcover. Very Good Condition/Very Good. ELUARD PAUL. Corps Memorable Paris: Pierre Seghers 1957. Thin quarto copy No. 709 pp. 35 plus 12 glossy halftone plates plain boards quarter-bound in light brown wood dust jacket with front panel image by Pablo Picasso photos by Lucien Clergue all text in French. Thirteen poems by Eluard illustrated with Clergue's photos of what may be the same female body shown from different angles always headless and in water. See Bertolotti Books of Nudes p. 147: "The book shows women looking like Juno coming out of the waves of the sea as if they were symbolic forms of life." Condition of this book: Jacket bright with wear at corners no tears with original acetate overwrap. Leaves clean but a couple are loose which is typical of this book; images fine. Size: Quarto. Text is in French. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is loose but fully intact. All edges clean neat and free of foxing. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Antiquarian & Rare; France; 1950s; French Language; Poetry. Pictures of this item not already displayed here available upon request. Inventory No: 53319. . Seghers hardcover
66690E-176. Very Good. Leather. Leather. 12mo. Editions de la Novelle Revue Francaise Paris 1924. Limited up to 545 copies. 60 pgs. Unumbered copy. Frontispiece illustrated by Max Ernst. Text in French. First Edition/First Printing. Bound in 1/2 red leather and paper covered boards cloth with titles present to the spine. Original wraps and spine present and bound in. Boards have light wear present to the extremities of the boards. Top edge gilt. Previous owner's name present to the half-title page. Text is clean and free of marks. Binding tight and solid. Paul Eluard 1895-1952 is widely considered to be one of France's most important poets. A rare and unusual surrealist text. E-182; 8vo 8" - 9" tall . hardcover
193078323Paris: Editions Surréalistes 1930. Fine. Editions Surréalistes Paris 1930 20.50 x 26.50 cm une feuille Publisher's slip written jointly by Paul Eluard and André Breton for the first edition of ""La Femme visible"" by Salvador Dali published by Editions surréalistes de José Corti in 1930. Two very light marginal tears and two small crease marks at the foot of the document. Handsome copy. Editions Surréalistes unknown
1962043727Seghers 1962. hardcover. Very Good/Very Good. Very Good blue cloth boards with white lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. VG dust jacket not price clipped; light rubbing along edges mylar covered. Unpaginated. Also includes good slip cover. Text in French. Seghers hardcover
194332198New York: Black Sun Press 1943. First Edition one of 610 copies only that were issued for sale. Illustrated throughout in surrealist style. Designed and published by Caresse Crosby. Quarto publisher's original blue boards printed and pictorially decorated in black on the spine and upper cover. 52 1 pp. A handsome copy very well preserved the binding is tight and the hinges are sound a bit of light mellowing to the spine panel the text-block mellowed as usual a very pleasing copy. FIRST EDITION AND A VERY SCARCE BOOK IN SUCH WELL PRESERVED CONDITION. Misfortunes of the Immortals is one of Ernst’s first illustrated books—a format that would become increasingly significant for him. Marking the beginning of his close friendship with French poet Paul Éluard the book pairs the semantic dislocations of Éluard’s poems with the visual disjunctions of Ernst’s recent collages. Ernst cut up wood engravings he found in books and magazines and pieced the fragments together to create strange new compositions. The uniform texture of the wood-engraved lines gives these images a disquieting seamlessness. To Ernst’s delight this effect was enhanced when the collages were printed photomechanically. MOMA Black Sun Press hardcover
044641933 Bruxelles Editions Nicolas Flamel. E.O. - rx. non numéroté - 198 x 145 cm - 417 pgs - couverture originale - illu. de Tanguy Ernst Brauner MagritteArp Giacometti Dali Jean - très bel ex sauf très petite décharge en haut du deuxième partie de la couverture - Bolliger D.B. II 138 III 127 <br /> 1933 Bruxelles Editions Nicolas Flamel
195743514Paris: Pierre Seghers 1957. First Edition. Very good in a very good jacket. First printing of this notable photobook with dust jacket design by Pablo Picasso. Includes twelve photographs by Lucien Clergue. With an opening dedicatory poem for Clergue by Jean Cocteau. "This book with its distinctive cover by Picasso was the first mainstream publication to show female pubic hair allowable only because Clergue did not show the faces of his models which gave rise to considerable controversy" Parr & Badger I 192f. Hardcover. 8vo. Boards in paper covers. Toning/soiling to upper and lower edges with some scuffing and faint chipping to spine ends. Interior pages lightly toned towards edges but clean and unmarked. Pierre Seghers hardcover
19453117720PARIS: Pierre Seghers. Near Fine with no dust jacket. 1945. First Edition; First Printing. Softcover. First edition. Copy 617 of 650. From the library of noted poet and translator Nathaniel Tarn. Near fine in printed wrappers with tissue overlay. Would be fine but for toning at spine and slender overlapping strip. Unpaginated 6 3/4" X 9" Text in French. Most attractive. ; 6 3/4" X 9" . Pierre Seghers paperback
28542Paris Tiré à part de Minotaure n° 10 1937. 1 vol. 245 x 320 mm de 8 p. ch. 49 à 55 sur papier vélin teinté couverture imprimée d'une vignette. . Rare tiré à part imprimé à petit nombre. . Cette petite anthologie est une mosaïque de maximes et d'aphorismes récoltés ça et là parmi les textes de ceux qu'il considérait comme ses précurseurs - Lewis Carroll Laforgue Lautréamont Mallarmé Freud - entrecoupée de ses commentaires : « Si Baudelaire Lautréamont Rimbaud paraissent pleins de remords c'est que leur solitude est illimitée … Depuis plus de cent ans les poètes sont descendus des sommets sur lesquels ils se croyaient. Voici qu'ils sont des hommes parmi les hommes ; voici qu'ils sont des frères. » ; une claration faite à l'occasion de l'Exposition internationale du surréalisme qu'il allait remanier l'année suivante et dont il donnera une édition définitive dans Donner à voir publié en 1939. Provenance : Bibliothèque José Corti. Paris, Tiré à part de Minotaure n° 10, 1937. 1 vol. (245 x 320 mm) de 8 p. ch. 49 à 55 sur papier vélin teinté, couverture unknown
29075La Nouvelle Revue française n° 324 1er février 1941 et Fontaine n° 15 septembre 1941. 2 vol. 145 x 225 ; 155 x 235 mm p. 258-384 catalogue de février 1941 des ouvrages parus ; 92 p. et 6 f. Brochés. . Édition pré-originale en revue. Un des exemplaires sur pur fil n° 22 pour La N.R.F. . Réunion des deux « Blasons » poèmes-témoins de l'inflexion de stratégie éditoriale opéré par le poète : « Blason des fleurs et des fruits » paraît en février 1941 dans le Paris occupé au sein de La Nouvelle Revue française relancée en décembre 1940 par Pierre Drieu La Rochelle qu'ont imposé les autorités d'occupation en remplacement de Jean Paulhan ; « Blason des arbres » est publié en septembre de la même année à Alger dans Fontaine aux bons soins de Max-Pol Fouchet qui s'enthousiasme auprès de Louis Parrot le 21 août : « Grâce à vous Fontaine va publier un admirable poème de Paul Éluard. Ce «Blason des arbres» me paraît supérieur à ce qui parut dans la «nouvelle» NRF. Il y a des moments bouleversants de «transparence». Permettez-moi de vous remercier mille fois et de vous dire ma joie. » Scheler p. 76-77 Le dédicataire du « Blason des fleurs et des fruits » Jean Paulhan dont le nom avait été biffé des épreuves et rétabli à la demande instante du poète lui rappelait quant à lui cette publication contestable à la Libération : « à ce moment-là tu collaborais - comme le faisaient Gide et Valéry comme Mauriac se déclarait prêt à le faire - à la revue. Tu as changé ensuite comme eux - mais non pas je pense pour la même raison. Ç'a dû être pour Gide et Valéry les protestations de leurs amis ; pour toi l'entrée en guerre de la Russie » Correspondance p. 185. Les deux « Blasons » au tournant de 1941 pour Éluard. La Nouvelle Revue française, n° 324, 1er février 1941, et Fontaine, n° 15, septembre 1941. 2 vol. (145 x 225 ; 155 x 235 mm) unknown
193974244Paris: Gallimard 1939. Fine. Gallimard Paris 1939 12 x 19 cm broché First edition one of 55 numbered copies on alfa paper the only deluxe copies after 28 on pur fil ours unnumbered. Minor traces of sunning to head and foot of spine. Gallimard unknown
1981196981poeSan Francisco: Man-Root 1981. 1st editions. wrappers. Very Good/no dj's as issued. Manroot. Complete run<br /> <br /> Nos. 1-12. San Francisco 1969 - 1981. Gay literary periodical edited by Paul Mariah and Richard Tagett. Softcovers sizes vary: 22.5 x 17 cm/ 21 x 13 cm 84 pp/ 192 pp. <br /> Laid into vol. 1 is a type-written poem by James Hietter On Going To Bed With Duncan dated Dec 26 1968. Vol 4 has a 'Dear Subscriber' note signed by Paul Mariah.<br /> <br /> Original illustrated wrappers some spines mildly faded generally a very good set.<br /> <br /> Contributions mostly poetry by Kathy Acker Jack Spicer Paul Eluard Jean Cocteau Frank O'Hara Robert Desnos James Broughton Denise Levertov Andre Breton Jean Genet Arthur Rimbaud Allen Ginsberg et al. Illustrations by Marie Wilson Martin Izquierdo Robert Berner José Laffitte Diego Rivera. <br /> No.8 themed 'Manroot Womanhood'<br /> No.10 is a special 'Jack Spicer' issue. <br /> No.12 features 'The complete Poems of Jean Genet' <br /> No.6/7 is a double issue. total 11. Man-Root unknown
1950stela872Philadelphia: The Grey Falcon Press 1950. 1950. 4to. pp. 93. French & English text. colour lithograph frontispiece by Marc Chagall. b/w text & full-page illus. by Marc Chagall. wrs. partially opened scuffed edges & spine sunned wear to corners & spine with short tears at head and foot of spine First Bilingual Edition Limited Edition of 1500 copies 750 published by Trianon in the UK & 750 by Grey Falcon in the US. This copy is number 1384. 1st Edition. Philadelphia: The Grey Falcon Press, [1950]. unknown
2045Minor shelfwear; front endleaves detached but present; moderate toning; jacket lightly creased and chipped; small tears to acetate dust wrapper. Very good. Paul Eluard. Lucien Clergue photographs. Pablo Picasso cover art. Corps Mémorable. Paris: Pierre Seghers 1957. First edition. <br /> Quarto. 35pp. Illustrated with nudes by Lucien Clergue. Publisher's card boards French-flap dust jacket with cover art by Picasso original acetate dust wrapper.<br /> From the collection of Larry McMurtry at his home in Archer City Texas. His book with personal brand-mark bookplate. . unknown
19362608Paris: GLM 1936. First edition thus. 38 pp. folding frontispiece. Original printed wrappers. Minor toning else fine.<br /> <br /> One of 100 numbered copies of a total edition of 115 copies of the edition de tête. Folding frontispiece illustration by Dalí. After reading Paul Valéry's "Notes on Poetry" in Les Nouvelles littéraires in 1929 Breton and Eluard's snide rejoinder appeared in the final issue of La Révolution Surréaliste. Their "'rewriting' of his pronouncements 'corrected' Valéry's entire rationalist system with wry irreverence- 'three parts humor one part indignation' said Maxime Alexandre" Polizzotti p. 327. This is the first separate publication adding an extra aphorism and epigraphs from Ducasse and Breton and Eluard themselves. GLM unknown
51-6727Paris: 1931-1954. 22 letters on 32 leaves; Most are dated and from René Char to Valentine Hugo. A few are by or to Valentine and Paul Eluard. The three lived together in the 1930s.In March of 1926 Valentine attended one of the first Surrealist expositions where she met Paul Éluard. Their meeting sparked a friendship that would continue until his death in 1952. In 1927 after working as costume designer on the set of La Passion de Jeanne d'Arc Valentine returned to Paris a full-fledged Surrealist; Jean Hugo however never embraced the Surrealist movement. In the years following their hurried nuptials their tastes diverged leading to separation in 1929 and finally divorce in 1932. Despite the end of their marital relations Valentine and Jean remained friends until her death in 1968.Provenance: Pierre Spivakoff 1933-2012…Après des études au Cours Simon Pierre Spivakoff crée à Paris le tout premier café-théâtre « Le Royal » situé boulevard Raspail où il met en scène des pièces de Fey¬deau Ionesco Dumas Rachilde Molière et Corneille. En 1973 il met en scène «Délirante Sarah» une pièce autour de Sarah Bernhardt où il interprète le rôle prin¬cipal. Le spectacle représentera la France dans de nom¬breux Festivals européens Rome Belgrade Berlin… et se prolongera à la comédie des Champs-Elysées durant toute l’année 1974. Habité par la divine Sarah Il est l’auteur du livre « Sarah Bernhardt vue par les Nadar » éditions Herscher 1997. Par ailleurs il monte « L’Homme aux camélias » au Théâtre La Bruyère ou « Monsieur Vénus » au Théâtre des Mathurins. Également metteur en scène et professeur d’art dramatique il dirigera de très nombreux acteurs avant d’ouvrir une classe de théâtre à l’American Center aventure qui durera plus de 10 ans. Enfin son cours de coaching d’avocats et de personnalités politiques a durablement marqué l’éloquence à la française chez les ténors ténors du barreau . Paris: 1931-1954 unknown
1932586318Paris: Editions des Cahiers Libres 1932. Softcover. Fair. First edition. Octavo. 170 3pp. Wrappers and spine are clumsily repaired with cellotape small tears and nicks at the extremities a fair only copy. Ownership signature of Norman Macleod on front wrap partially covered by tape. Inscribed by the author on the half-title: "a Norman Macleod homage Paul Eluard. Editions des Cahiers Libres unknown
1950236392Philadelphia: The Gray Falcon Press. London The Trianon Press 1950. Number 1426 of 1500 copies. Illustrated by Marc Chagall with a 2 colour hand-coloured frontispiece and numerous line drawings many full-page. 1 vols. 4to. Pictorial cream wrappers. Fine. Number 1426 of 1500 copies. Illustrated by Marc Chagall with a 2 colour hand-coloured frontispiece and numerous line drawings many full-page. 1 vols. 4to. With two colour frontispiece reproduced by hand in the workshop of Daniel Jacomet under the control of Marc Chagall and black and white illustrations in the text. The Gray Falcon Press. London The Trianon Press unknown
