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LE BON Gustave Dr.Livre Rare Book

LA CIVILISATION DES ARABES. Ouvrage illustré de 10 chromolithographies, 4 cartes et 366 gravures dont 70 grandes planches. D'après les photographies de l'auteur ou d'après les documents les plus authentiques

MONTAGNANA, BartolomeoMareMagnum

Bartholomaei Montagnanae ... Consilia 305. In quibus agitur de uniuersis fere aegritudinibus, humano corpori euenientibus: & mira facilitate, curandi eas adhibetur modus. Post haec accedunt tractatus tres De balneis Patauinis: hoc est, de situ, aspectu, minera, ac viribus eorundem. Praeterea sequitur breuissimus ordo, ac ratio medicinas praeparandi: & sub qua dosi debent exhiberi. Una cum antidotario omnium refertissimo. Recens omnia summa fide, ac diligentia in lucem edita: & a mendis, quibus scatebant, repurgata. Affectus vero omnes, quibus de agitur in his consilijs, sequens index aperte indicat

In-folio, (8), 369pp, (1), legatura in pergamena coeva, titolo manoscritto al dorso; rilegato con Tractatus tres de balneis Patavinis e con Tractatus de modo componendi Medicinas, & de dosi earum, e Antidotarium. Medico di origine veneta morto nel 1460, esercitò a Padova anche come insegnante presso la locale e prestigiosa Università di medicina, dove dai documenti risulta professore dal 1422 al 1441. La sua opera Consilia, stampata nei primi decenni del secolo successivo, è molto conosciuta e apprezzata. Viene anche ricordato per l’attività di chirurgo ed esperto di anatomia: si dice che abbia eseguito personalmente quattordici dissezioni complete. Trattandosi di uno studioso quattrocentesco, i suoi interessi botanici sono strettamente legati alla sua attività di medico nella preparazione dei medicamenti che provenivano per la maggior parte dal mondo vegetale. Il prestigio dei Consilia durerà per alcuni secoli e molti saranno gli autori di medicina che attingeranno alle sue informazioni scientifiche e alla struttura del libro, organizzato sapientemente nella discussione di 305 casi clinici comprendenti tutta la materia medica conosciuta, chirurgia e anatomia comprese. In-folio, (8), 369pp, (1), contemporary vellum binding, handwritten title on the spine; bound with Tractatus tres de balneis Patavinis and with Tractatus de modo componendi Medicinas, & de dosi earum, and Antidotarium. Doctor of Venetian origin who died in 1460, he also practiced in Padua as a teacher at the local and prestigious University of Medicine, where the documents prove him as professor from 1422 to 1441. His work Consilia, printed in the first decades of the following century, is well known and appreciated. He is also remembered for his activity as a surgeon and anatomy expert: he is said to have personally performed fourteen complete dissections. Being a fifteenth-century scholar, his botanical interests are closely linked to his activity as a doctor in the preparation of medicines that mostly came from the plant world. The prestige of the Consilia will last for a few centuries and many medical authors will draw on its scientific information and on the structure of the book, expertly organized in the discussion of 305 clinical cases including all known materia medica, surgery and anatomy included.

Libreria Antonio Pettini · Roma, IT1 500,00 €

CARNE John BARTLETT William HenryMareMagnum

Syria, the holy land, Asia minor, &c.. illustrated. In a series of views drawn from nature

- Fisher, son, & co., London 1836, Pet. in-4 (21x28,5cm), 3 volumes reliés. - Edition originale, abondamment illustrée de 2 cartes et de 121 gravures sur acier par Bartlett, dont 3 titres gravés avec vignettes. Volume 1 : 38, Volume 2 : 37, Volume 3 : 46. Impression sur vélin teinté, planches sur velin fort. Plusieurs graveurs ont participé à la réalisation de cet ouvrage : Jorden, sand, finsbury, Higham, Finden... Cartonnage de l'éditeur réalisée en demi chagrin vert aux plats de percaline vert sapin gauffrés. Dos lisse orné d'une plaque spéciale avec divers ornements, une femme vêtue à l'orientale, un croissant et 2 chameaux. Plats repoussés d'une grande plaque décorative formée d'entrelacs de fruits et de fleurs, eux-mêmes composant 4 médaillons avec cavaliers, caravane, chameaux... et d'un grand fer central : une urne flanquée de 2 chameaux. Dos éclaircis uniformément. Traces de frottement sur les dos. Le long du mors supérieur du tome 2, manque de percaline sur 2,5cm. Coins repliés. Une tache blanchâtre sur le plat supérieur du tome 1 (un cercle de 8mn de diamètre). Des zones décolorées sur 2 plats. P.43 au tome 2, une déchirure en marge. Les 2 dernières planches du tome 2 avec trace de mouillure sur un coin. Ensemble frais mais quelques rousseurs sur les titres gravés, au dos de quelques planches et sur certaines planches, notamment à la fin du tome 2. Bel exemplaire. Ex-libris Bibliothèque Castletown dans le premier tome. Second ex-libris dans les 2 autres tomes : Thomas Conolly. Composé de 121 vues du Moyen-orient, scènes animées avec des personnages en costumes, on y voit des représentations de Damas, Jerusalem, Tripoli, Jaffa, Acre, Alexandrie, les temples, les antiquités, les rivières et les sites remarquables. Toutes les gravures sont finement exécutées et, bien que marquées par un souci réaliste et naturaliste, engendrent une perception romantique et exotique du monde arabe. [ENGLISH DESCRIPTION ON DEMAND]

Librairie Feu Follet · Paris, FR1 380,00 €

RANDOLPH HUNTINGTON, (1828-MareMagnum

[ARABIAN HORSE BREEDING IN NORTH AMERICA - STALLIONS PRESENTED BY OTTOMAN SULTAN ABDULHAMID II] History in brief Leopard and Linden, General Grant's Arabian stallions, presented to him by the Sultan of Turkey in 1879, also their sons Generale Beale and Hegira, and Islam, bred by Randolph Huntington, also reference to the celebrated stallion Henry Clay.

Very Good English Original dark green cloth bdg. Brief title and "Stirps Arabica Vicit" with a saber and crescent moon gilded on the front board. A very good copy. 4to. (30 x 24 cm). In English. 66 p., 5 engraved plates. First and only edition of this handsome and illustrated book of the first Arabian horses presented by Ottoman Sultan Abdulhamid II, bred by Huntington in North America. Arabian horse breeding in North America properly began with the world tour taken by General Ulysses S. Grant after he served as president of America, it is that in March of 1878 the General and his son Jesse arrived in Istanbul (Constantinople ), after the day the Grants toured the private stables of Sultan Abdul Hamid II are distinctly contradictory. Randolph Huntington was an American horse breeder who demonstrated the possibilities inherent in the Arab horse for the purpose of developing a new breed of saddle and road horses. During his first years on the farm, he bought and sold many colts and fillies as coach horses in New York City. He soon came to recognize the value of the Clay stock in that community which was largely the result of the breeding of a horse called Henry Clay which was brought to the nearby Genesee valley and whose stock was distributed through the valley. On May 31, 1879, there arrived in America two very fine stallions which were presented to General U.S. Grant by the Sultan of the Ottoman Empire. These stallions were named Leopard and Linden Tree. It is generally acknowledged that Linden Tree was a Barb-Arabian while Leopard was a pure Arabian. Prior to the time that these horses arrived in America, the very favorable results from inbreeding to produce typical Clay horses were shown to be practical. After seeing the stallions, Leopard and Linden Tree, Randolph Huntington at once started negotiations to breed three virgin Clay mares to each of these stallions. He hoped thereby to improve the road horse quality of his horses. In the following years, he called them Clay-Arabs. Since Huntington wanted to breed only virgin mares. Leopard was a Seglawi Jedran, desert-bred by the Anazeh, foaled in 1873 and presented by Jedaan Ibn Mheyd of the Fedaan Anazeh to the Turkish governor of Syria. (Some accounts list Ibn Mheyd as the breeder, while Carol Mulder, with typical caution, makes the distinction that we only know he presented the horse) The governor then presented the horse to Abdul Hamid II, who in turn gave him to General Grant.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR1 344,46 €

MIR YAKOUB MAHDIYAV, (Azerbaijani politician, diplomat, intellectual and writer), (1891-1952).MareMagnum

[FIRST WORK ON BAKU AND AZERBAIJANI OIL] Beynelmilel siyasette petrol. [i.e. Oil in international politics]. Introduction by Mehmed Emin Resûlzâde.

Very Good Turkish, Ottoman (1500-1928) Original wrappers. Demy 8vo. (21 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 83 p. Chipped on extremities of pages and cover, minor stains on edges. Otherwise a good copy. First and only edition of this first work in book form on Baku and Azerbaijani oil. After the occupation of the Republic of Azerbaijan by the Red Army, many Azerbaijani intellectuals such as Mehmed Emin Resûlzâde (1884-1955) sought refuge in Turkey, established a publishing house called "Milli Azerbaycan Nesriyâti" [i.e. National Azerbaijan Publication] in 1928, Istanbul, and to make the voice of Azerbaijanis heard in exile to influence world public opinion. This book was published as the 9th publication of this publishing house. It was printed in Orhaniye Printing house in 1928 and was actually composed of the articles written by the author in the "Azeri-Turk" magazine. The first article appeared in the issue dated 15 August 1928, with other articles following it. The book, in which Mehmed Emin Rasülzade also penned a presentation, consists of the chapters: The Role of Oil in the World War, Azerbaijan at the Genoa Conference, Azerbaijan at the Hague Conference, the American Rivalry in Britain, A Common Front against the Bolsheviks, the Pursuits of the Oil Competition. Compiled from Mehdiyev's articles, is not only a propaganda work against the Russian occupation but also the first in-depth work written on Baku and Azerbaijan oil. Many sources in the text are referenced in footnotes. Mehdiyev says that world politics is shaped by the economy and oil is the most important factor in this context. In addition to expressing how important it is for the First World War, he also makes predictions about how oil will shape world politics in the future. According to Mehdiyev, whoever dominates the world's oil reserves will be the strongest state in the world. Based on M. Fanning, Mehdiyev states that Azerbaijani and Baku oil has an estimated 8 million barrels of resource rather than Mexican, American, Turkish, and Iranian oil. Only one paper copy in Bogaziçi University's Library in Turkey according to the OCLC: 82001141.; Özege 1960.

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR1 159,02 €

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995).MareMagnum

[FIRST FEMALE PHOTOGRAPHER OF TURKEY] [Original b/w unnamed photograph: Anatolian girl behind the sieves signed by Yildiz Moran].

Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her with honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined at the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR1 159,02 €

YILDIZ MORAN, (The first female Turkish photographer), (1932-1995).MareMagnum

[FIRST FEMALE PHOTOGRAPHER OF TURKEY] Original unnamed photograph: Mihrab of the Mosque in the Alhambra.

Very Good Turkish Original silver gelatin photographic print mounted on cardboard. 53x42 cm (Photo size: 38x30 cm). Signed by Yildiz Moran. Yildiz (Vahid) Moran Arun was born on 24 July 1932, in Istanbul. She is the youngest of three children born to Nemide Moran and Ahmet Vahid Moran. Her father, Ahmet Vahid Moran, was a military officer who served in important positions both at home and abroad. He was the writer of Turkey's very first English-Turkish dictionary printed in Latin script in 1924. In 1950, Yildiz Moran quit her high school education during her final year at Robert College and, following the guidance of her uncle, the art historian Mazhar Sevket Ipsiroglu, went to Great Britain to study photography. After completing her education at Bloomsbury Technical College (1950-52) and Ealing Broadway Technical College, she began to work for John Vickers, the acclaimed photographer of The Old Vic. Moran combined her technical and theoretical knowledge with the practical experience she gained at the studio and stage shoots. She had the opportunity to meet famous artists of the time. The exhibitions and works she saw during her time in Great Britain helped her develop her photographic vision. Following her internship period, she began to make a living taking portrait and lobby photographs. She opened her first exhibition in 1953 in Cambridge. In 1954, she held four more exhibitions in London. All these shows attracted much attention. In her first exhibition, her entire collection was sold. She went traveling in Europe. After making a photo book on Spain and Portugal, she returned to Turkey in 1954. Between 1955 and 1962, she held five solo exhibitions. In 1963, she married Özdemir Asaf (Halit Özdemir Arun) and gave birth to three children in four years. She dedicated the rest of her life to her children. She opened her last exhibition in 1970, in Istanbul. After that, she only took part in retrospective exhibitions. She quit her professional photography career and began to work as a translator and dictionary writer. Between 1981 and 1987, she prepared the complete works of Özdemir Asaf for publication and translated some of his poetry and prose into English. In 1982, the Istanbul State Academy of Fine Arts Photography Institute awarded her honorary membership on account of her contributions to the art of photography. Lyrically conveying a universal language through her own perspective, Moran became a school in herself with her "timeless" photographs. Turkey's first academically-trained photographer, Yildiz Moran is renowned for the new vision and aesthetic she introduced into photography and is considered to be one of the best photographers of all time. Masterfully combining the tradition of the East with the aesthetic of the West, she left behind a legacy of black and white photographs beautifully composed to capture the world of light and shadow reflecting on people and lands. Considering the conditions in the world of photography in the 1950s and 1960s, it is a great achievement that she defined the age of 20 her passion for photography as the foundation of her life, became the first academically-trained woman photographer in her country, acquired in-depth knowledge of the discipline and combined this knowledge with her talent and hard work. "The camera must be like an extension of your being so that it doesn't create an obstruction between you and your subjects. Anything that has poetry in it is the subject of photography. My only intention has always been to photograph what was universal while staying true to the concept embodied by my subject." Besides her portraits, landscapes, and abstract details, she is also known for her photographs reflecting the lives of the Anatolian people. As a woman photographer traveling in Anatolia, she accessed otherwise inaccessible environments, moments, and perspectives; and, with profound respect, she conveyed the purity of the people she met there and allowed us... (Biography: Merih Akogul).

Bookshop Khalkedon Books, IOBA, ESA · Istanbul, TR1 159,02 €

Arabe

LA CIVILISATION DES ARABES. Ouvrage illustré de 10 chromolithographies, 4 cartes et 366 gravures dont 70 grandes planches. D'après les photographies de l'auteur ou d'après les documents les plus authentiques

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LA CIVILISATION DES ARABES. Ouvrage illustré de 10 chromolithographies, 4 cartes et 366 gravures dont 70 grandes planches. D'après les photographies de l'auteur ou d'après les documents les plus authentiques

Simplification des Langues Orientales ou Méthode nouvelle et facile D'apprendre les langues Arabe,Persane,et Turque avec des caractères européens.

Masajîd Misr min sana 21 ilâ sana 1365H - (Les Mosquées d'Egypte de l'année 641 à 1937) -

L'Arabie contemporaine avec la description du pélerinage de la Mecque et une nouvelle carte géographique de Kiepert

Syria, the holy land, Asia minor, &c.. illustrated. In a series of views drawn from nature

Voyages de Pietro Della Valle, gentilhomme romain, dans la Turquie, l'Égypte, la Palestine, La Perse, Les Indes orientales, et autres lieux, Nouvelle édition, revue, corrigée et augmentée

Civil service commission pamphlet containing the question papers of the preliminary and interpretership tests in Arabic used at an examination held in June 1936 of the officers of the Royal Air Force. Crown copyright reserved.

Législation musulmane sunnite, rite hanèfi

Sur une Mère d'astrolabe arabe du XIIIe siècle (609 de l'Hégire), portant un calendrier perpétuel avec correspondance musulmane et chrétienne

Mirages. Scènes de la vie arabe

Voyages d’Ibn Batoutah , texte arabe, accompagné d’une traduction par C.Defrémery et le Dr R. Sanguinetti

RABIA EL KOULOUB OU LE PRINTEMPS DES COEURS. LEGENDES SAHARIENNES RECUEILLIES PAR SLIMAN-BEN-IBRAHIM. TRADUITES ET ILLUSTREES PAR E. DINET.

[OTTOMAN MAP of PALESTINE] Filistin haritasi. 2 sheets set.

[FIRST WORK ON BAKU AND AZERBAIJANI OIL] Beynelmilel siyasette petrol. [i.e. Oil in international politics]. Introduction by Mehmed Emin Resûlzâde.

[FIRST FEMALE PHOTOGRAPHER OF TURKEY] [Original b/w unnamed photograph: Anatolian girl behind the sieves signed by Yildiz Moran].

[FIRST FEMALE PHOTOGRAPHER OF TURKEY] Original unnamed photograph: Mihrab of the Mosque in the Alhambra.

Relation des voyages faits par les Arabes et les Persans dans l'Inde et à la Chine dans le IXe siècle de l'ère chrétienne

Vasif tarihi. Mahasin ül-âsâr ve hakayik ül-ahbâr. 2 volumes set.

Voyages d’Ibn Batoutah , texte arabe, accompagné d’une traduction par C.Defrémery et le Dr R. Sanguinetti

Lexicon Arabico-Latinus, contextum ex probatioribus orientis lexicographis. Accedit index latinus copiosissimus.

Relation des voyages faits par les Arabes et les Persans dans l'Inde et à la Chine dans le IXe siècle de l'ère chrétienne

Portrait photographique signé de Mouammar Kadhafi

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