Ghisi, Giorgio (1520-1582); after After Michelangelo Buonarroti (Italian, Caprese 1475–1564 Rome)Biblio.com
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51-6337Rome: Nicolaus van Aelst circa 1570 later impression. . Engraving on 19th Century thick wove paper.60.5 x 46.5cm. .Right margin creased. Waterstain on right side. .References: Adam von Bartsch Le Peintre graveur. Vienna 1803 cat. no. 17 p. 393.TIB The Illustrated Bartsch. Abaris Books 1978– cat. no. 17 p. 52 ill.Paolo Bellini "Incisioni di Giorgio Ghisi" Rassegna di studi e di notizie. 7 1979 p. 132.Suzanne Boorsch R. E. Lewis Michal Lewis The Engravings of Giorgio Ghisi. The Metropolitan Museum of Art New York 1985 cat. no. 48.iii p. 161 iv.Paolo Bellini L'opera incisa di Giorgio Ghisi. Bassano del Grappa 1998 cat. no. 18.iv p. 87 ill.Met Museum: Object Number: 1984.1108.3 Rome: Nicolaus van Aelst , circa 1570 (later impression. unknown
51-6336Rome: Nicolaus van Aelst circa 1570 later impression. . Engraving on 19th Century thick wove paper.60.5 x 46cm. .Right margin creased. Waterstain in lower right quadrant. References: Boorsch Lewis and Lewis 159.47.iii; Bellini 1979 p. 136; Bellini 1998 85.17.iii; Bartsch XV.393.19; TIB 3115 55.19Met Museum: Object Number: 26.70.33 Rome: Nicolaus van Aelst , circa 1570 (later impression. unknown
285Etching on handmade laid paper with a large indiscernible heraldic watermark 3 3/4 x 8 3/4 inches 94 x 222 mm trimmed inside platemark. Several light spots of foxing along right edge verso one area of light thinning at bottom sheet edge left quadrant viewing from verso. A humorous composition with a smiling Satyr and a Sphinx. unknown
1991BN100052Palermo Flaccovio Editore 1991. 1991. I mosaici di Monreale Grandi opere - Traduzione di Fanny Bonajuto. <br/><br/>I mosaici di Monreale Grandi opere - Traduzione di Fanny Bonajuto. Palermo, Flaccovio Editore unknown
36029Includes works of Battista 5 Donizetti 6 Mercadante 7 Pacini 1 Petrella 1 and Verdi 1. With contemporary mansucript index to front free endpaper. <br /> <br /> Contents:<br /> BATTISTA Vincenzio 1823-1873<br /> Ermelinda Dramma lirico in Quattro Atti di Domenico Bolognese. Monaco: Orlando e C. after 1850.<br /> - Duetto Signor Capitano. PN 599. 19 pp. <br /> - Coro alla danza. PN 600. 14 pp. <br /> - Terzettino Febo ei vieni. PN 606. 8 pp. <br /> - No. 13. Scena e Romanza. Partenopeo. PN 12093. 4 pp. <br /> <br /> Anna La Prie. Tragedia lirica di Nicola Leoncavallo. Napoli: Fabricatore e Co. ca. 1845. <br /> - Scena e cavatina Alboix. PN 105. 10 pp. <br /> <br /> DONIZETTI Gaetano 1797-1848<br /> La Favorita Melodramma tragico in 4 atti Posto in musica pel Real teatro di Parigi. Napoli: Girard e Ci. ca. 1844.<br /> - Aria O mio Fernando. PN 5181. 9 pp. <br /> - Scena e Duetto Ah moio bene un Dio t'invia. PN 5185. 12 pp. <br /> - Quartettino Deh paventa il furor. PN 5197. 4 pp. <br /> - Scene e Duetto Ah va t'invo la e questa. PN 5184. 13 pp. <br /> <br /> Maria di Rohan Melodramma tragico in tre atti di S. Cammarano . Riduzione per Canto con accompo. di Pianoforte di C. Czerny. Milano: Giovanni Ricordi 1843<br /> - N: 14. Scena e Freghier . No osoalzarcilumi! PN 14914HH. 6 pp. <br /> - Scena e Ballata . Cavalieri che veggio. Napoli: F. Fabricatore e C.; Palermo: R. Zerega. PN 146 ca. 1845. 7 pp. <br /> <br /> MERCADANTE Saverio 1795-1870<br /> Violetta Opera semiseria in 4 Atti . Rappresentata per la prima volta nel Teatro Nuovo di Napoli li 10 Gennajo 1853. Napoli: Partenopeo ca. 1856-60. <br /> - No. 22. Rondo Finale. PN 10756. 10 pp. <br /> <br /> Virginia Tragedia Lirica in tre atti di S. Cammarano . Rappresenta per la prima volta nel R. Teatro S. Carlo di Napoli il 7 Apr. 1866. Napoli: T. Cottrau ca. 1866.<br /> - No. 10. Preghiera di Virginia. PN 14610. 4 pp. <br /> - No. 14. Terzetto di Virginia Appio ed Icilio. PN 14614. 8 pp. <br /> <br /> Stratira opera tragica in tre Atti. Esuguita nel R. Teatro di S. Carlo li 8 Gennajo 1853. Poesie di Domenico Bolognese. Napoli: Partenopea ca. 1866. <br /> - No. 3. Scena e cavatina Cassandro. PN 10757. 15 pp. <br /> - No. 14. Romanza Cassandro. PN 10758. 4 pp. <br /> <br /> Orazi e Curiaze Tragedia lirica in 3 atti di S. Cammarano. Posta in musica per il Teatro di S. Carlo ov'é stata rappresentata á 10 Novembre 1846. Napoli: Girard ca. 1846<br /> - No. 2. Scena Romanza e Cavatina. PN 7555. 14 pp. <br /> - No. 13. Scena Preghiera ed Aria Finale. PNs 7565 7560 7567. 13 pp. Later issue of ca. 1856-60. <br /> <br /> PACINI Giovanni 1796-1867<br /> Malvina di Scozia. Opera in 3 acts<br /> Grande Scena Preghiera ed aria. L'orror mi rese immobile. Napoli: Fabricatore e C. PN 725 ca. 1852. 19 pp. <br /> <br /> PETRELLA Errico 1813-1877<br /> Elena di Tolosa. Melodramma in tre Atti. Eseguito nel R. Teatro del Fondo li 112 Agosto 1852. Poesia di Domenico Bolognese. Napoli: Successori della Ditta Girard ca. 1852. <br /> - No. 6. Duetto. Dembra mesta! . male! male! PN 10466. 14 pp. <br /> <br /> VERDI Giuseppe 1813-1901<br /> Rigoletto. Melodramma di F.M. Piave. Milano: Giovanni Ricordi after 1852<br /> - No. 9. Scena ed Aria "Coro nome che'il mio cor." PN N23079N. 7 i list of publisher's plate numbers for excerpts of piano-vocal piano 2-hands and piano 4-hands pieces pp. <br /> <br /> Oblong folio. 19th century black leather-backed boards. <br /> <br /> Binding somewhat worn and abraided; joints split. Occasional minor wear and soiling; some small tears. In very good condition overall. An interesting collection of scarce mostly Neapolitan imprints in all likelihood associated with contemporary performances. unknown
18702999London- UK: The Religious Tract Society 1870. SPANISH PICTURES Drawn With Pen and Pencil- By the author of Swiss Pictures and Italian Pictures Rev. Samuel Manning- Illustrated by Gustave Dore and Other Eminent Artists- The Religious Tract Society- London UK- nd 1870 according to World Cat.- 1st Edition-1st Printing in blue cloth- Exlibris with tiny bookplate of John W. Walton-Democrat. Delegate to Democratic National Convention from California- Hardcover:-4to-VG/ no dj as issued- A fine binding of Original publishers blue cloth with black geometric design and illustrated cover and spine in gilt- all page edges are gilt- 200pp are lightly age toned but clean no tears or writing- covers have light to moderate edgewear but clean tight and square- signed by John W. Walton II- Amazing full page and in text illustrations by Gustave Dore and other eminent artists of that time-beautiful!- SEE PHOTOS- "A richly illustrated historical geographical travel memoir by Manning."- Non-fiction-Spain-historical-geographical-travel-illustrated-Dore 2999 Overseas shipping has added cost due to size. Please inquire. 1st Edition-1st Printing. Fine Binding. VG/No Jacket as Issued. Illus. by Gustave Dore and Other Eminent Artists. 4to - over 9¾" - 12" tall. The Religious Tract Society Hardcover
4041Milano TCI date. Il Touring Club Italiano e la sua Rivista mensile nascono nel 1894 a Milano inizialmente con lintento di diffondere luso della bicicletta veicolo di diffusione in tutta la penisola di un turismo inteso come «corretto godimento del patrimonio italiano di storia darte e di natura». Un patrimonio considerato dai fondatori «bene insostituibile da trasmettere alle generazioni future»" Italian Ways - Il TCI. Disponiamo delle seguenti annate tutte in fascicoli sciolti ed in ottimo stato di conservazione: 1915 completa - 1916 completa - 1917 da aprile a ottobre dicembre - 1918 completa - 1919 manca settembre/ottobre - 1920 manca settembre. Tutti Milano, TCI unknown
0-34859Milano 1897/1899 collezione di 28 cartine panoramiche doppia scala 1 : 125.000 di cm. 95 x 21 ripiegate in apposite carpettine con pubblicità d'epoca gomme cicli. Planimetrie e profili altimetrici ciclistici. Tutte : unknown
0430F849856Hardcover. Good. Good blue cloth in no DJ as issued. Putnam's 1883 first ed. first printing. Gilt title bright on gilt decor. spine with "JARVIS" stet listed as the author. front cover shows two fowl drinking wine gilt in compartment with star above and the words "O Che Vin O Che Bon" what wine how good!. Bevelled edges thick 12mo. floral endpapers 1.5" closed tear at foot of spine inside front cover. Minor rubbing to corners No readers' marks except Lydia Pearson STICKNEY's Nov. 1883 signature on FFEP. 446 pps. 2pps. publisher's ads. Remarkably tight clean free of foxing. hardcover
1909001706<p>London: Chatto and Windus for The Florence Press 1909. Limited Edition . Soft cover. Very Good. Limited Edition of 500 copies this copy No.215. 4to xv pp135 complete with the 29 sepia plates reproduced from The Codice Laurnziano Gaddiano in the Laurentian Library in Florence. Softcover issued without dust jacket. Limp vellum binding with gilt titles to spine and top corner of front board complete with tie ribbons in very good condition with some marking. Inside all pages with top edge gilt plates and title page illustrated by Noel Rooke in excellent clean and bright condition. A very nice copy. <br /><br /></p> Chatto and Windus for The Florence Press paperback
272Pen and brown ink on cream laid paper with a partial crown and shield watermark 7 1/4 x 4 7/8 inches 184x 123 mm matrix. In good condition with top right corner loss and small 1/4 inch loss at top-left sheet edge well outside of image area. Dog-eared lower left corner. Scattered light surface soiling. All consistent with age. A lovely early drawing of the Roman god Mercury. unknown
169025001690. Pen and brown ink on cream laid paper 3 x 8 inches 76 x 230 mm the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered to a 19th century laid paper matrix at the corners. During Medici festivals it was common to have a credenza-a massive tiered sideboard displaying hundreds of pieces of silver and gold plate to signal the wealth of the family to visiting dignitaries. These objects are piled together in a "horror vacui" style filling all available space which suggests that they are either meant to be seen as a pile of "spoils" or riches on a parade float. This image may also be a pattern sheet for an engraver. unknown
169025011690. Pen and brown ink on cream laid paper 3 x 8 inches 76 x 230 mm the full sheet. In good condition with some edge wear and losses at all but the lower right corner. Adhered to a 19th century laid paper matrix at the corners. On the verso is a similar decorative design in brown ink. This work is a classic example of an "apparato" design. In the 16th and 17th centuries artists were frequently commissioned to design ephemeral architecture and "festival machines" for royal entries weddings or religious processions. These festival machines were often made of temporary materials like wood plaster and gilded papier-mâché to be used once during a city-wide celebration and then dismantled. This image may also be a pattern sheet for an engraver. unknown
183141474Napoli Naples Italy: Raffaele Miranda. 1831. First Edition Thus. Hardcover. Very Good. 8vo; 246 & 2 blank pages; TWO interesting contemporary accounts of Napoleon Bonaparte both first editions - one published in 1820; the other in 1831 bound together in a handsome octavo volume. The binding is in the Romantique style: quarter black calf over marbled paper covered boards flat spine richly decoratively stamped in gilt plain laid endpapers edges decoratively sprinkled blue. Ad I: 'Biografia istorica del prigioniere di S. Elena : con una descrizione topografica di quest'isola / estratta dalla Galleria de' contemporanei di Luigi Jullian ; prima versione italiana eseguita sull'ultima edizione francese da Domenico Solito.' Napoli : Raffaele Miranda 1831. This copy is signed in ink by Domenico Solito the Italian translator on the verso of the half title page underneath a printed notice to the effect that purchasers should consider copies offered for sale without the signature as counterfeits. The French original was published in several editions as: 'Notice biographique sur Napoléon. Extrait de la galerie historique des contemporains.' This title had appeared in a third edition by 1822: "Troisième édition augmentée jusqu'a sa mort." Bruxelles : Auguste Wahlen et compagnie 1822. The larger work referred to was written by Pierre Louis Pascal de Jullian: "Galerie historique des Contemporains ou nouvelle Biographie seule e´dition dans laquelle se trouven re´unis les hommes morts ou vivans de toutes les nations qui se sont fait remarquer a la fin du 18-me sie`cle et au commencement de celui-ci par leurs e´crits leurs actions leurs talens leurs vertus ou leurs crimes." This work eventually grew to several volumes. The 1831 first edition in Italian is quite scarce to the point that it does not appear in OCLC. There are copies in a few Italian institutions located in the OPAC SBN. There is some diffuse foxing throughout probably associated with the quality of the paper used in this edition as the binding is well preserved. Ad II: 'Massime e pensieri del prigioniere di Sant-Elena manoscritto trovato nelle carte de Las-Casas. Tradotto dal francese da Felice Miola.' Napoli: Dalla tipografia di Porcelli 1820. 8vo: 115 & 1 blank pp. This was presented at the time of publication as written or dictated by Napoleon himself. Now historians generally accept the notion that the text reflects mostly the work of the man to whom it was supposed to have been dictated -- Emmanuel-Auguste-Dieudonne´ comte de Las Cases. In the same manner as the first volume bound here this copy is signed by the Italian translator this time on the verso of the title page. This title does appear in OCLC see number: 18586354 -- four locations only: 2 copies at Harvard 1 each at UC Berkeley and the University of Manchester UK Library. There was another Italian version published during that same year of 1820 in Palermo That one appeared without a translator's name specified but stated: "Novissima traduzione interamente riformata e ricorretta." The Palermo edition is most likely the sort of thing that Felice Miola and his Neapolitan publisher were hoping to avoid by signing the "genuine" copies like ours. OCLC locates a copy of the Palermo verso at the Staatsbibliothek zu Berlin. Two rare Italian contributions to the vast literature of Napoleon one published while the former Emperor was still held by the British on remote Saint Helena. There are no marks of ownership other than the faint number "959" stamped at the upper corner of the first title. Both titles have diffuse moderate foxing; there is some toning to the upper portions of the leaves of the second title. The splendid binding is well preserved apart from some erosion of the marbled paper at the edges and corners of the boards.; Signed by Translator . Raffaele Miranda hardcover
51-6656Circa early 1800s. Mezzotint on wove paper 32 x 24cm .First state before the later text as shown in the impression at Harvard Art Museums/Fogg Museum Object NumberR8859 . Signed in the lower margin: Potrelle fecti wth flourishExpertise by : Elvire Poulain Cabinet Poulain 5 rue de Saintonge75003 Paris . Circa early 1800s. unknown
19392091202132802652Osakatakashimaya 1939. Soft Cover. Fine. Number of books: 1 Osakatakashimaya paperback
20181-3319819143Springer 2018. Paperback. New. reprint edition. 460 pages. 9.25x6.10x1.07 inches. Springer paperback
a87909Napoli 1853 1854 1854 1856. Dalla Tipografia Trani. Continuazione della soluzione de Dubbisurti nell' esecuzione delle decisioni della commissione prima e dopo del real decreto de 3 Luglio 1810. Appendice 16 e 17 del supplimento. In Italian. Hardcover. Octavo 470p. 496p. 540p. 495p. Very attractively bound with colorful marbled endpapers matching bright scarlet spine with black horizontal lines gilt lettering decoration and raised bands. VG occasional light foxing a very few pages have tiny bit of worming. No ownership marks. Text bright and clean. 4 volumes. . hardcover
1927249803Roma : Istituto italiano di studi legislativi 1927. First Edition. Hardcover. Finely bound in modern gilt blocked cloth. Some wear and tear as with age. Remains well-preserved overall; bright and clean. Provenance; from the library of the Conte Di Val Cismon with the owner's bookplate. Physical description; 16 volumes: vol. I vol. II-III vol. IV-V parte I vol. IV-V parte II vol. IV parte III vol. VI parte I fasc. I vol. VI parte II vol. VI parte I Fasc. II-III vol. VII parte I-II vol. VII parte III vol. VII parte IV vol. VIII parte I-II vol. VIII parte III vol. VIII parte IV vol IX parte I-II vol. IX parte III. Subjects; Law. Comparative Law. Directory. Legislative Studies. Roma : Istituto italiano di studi legislativi hardcover
178495272London: J. Murray. 1784. 1st translated edition in English 2 volumes 8vo. ppxl iv- 328 xvi Index errata two folding plates at end; pp.v vi-385 xx Index errata one folding plate at end some foxing to prelims both vols book-plates of "Cholmondeley Library" half-calf rubbed and chipped leather spine labels marbled bds vellum tips rubbed very good clean condition Translated from the Italian edition of 1782 "Fisica Animate e Vegetabile". Includes papers by Mr. Hunter F.R.S. and the experiments of Dr. Stevens on Digestion; the second a Translation of a Memoir of Mr. Demours and Mr. Debraws Papers on the Fecundation of Bees. 1st Edition in English. Half calf. J. Murray unknown
2007DBS-9783540695066Springer 2007. 1st. New. Springer unknown
2007DBS-9783540695066Springer 2007. 1st. New. Springer unknown
188834259Stuttgart: J Engelhorn Circa 1888. Presumed from the unlettered series of plates celebrating German engravers. Very fine large engravings reproducing Italian paintings by the engravers Ludwig Kuhn Peter Halm Karl von Siegl Jakob Groh Wilhelm Krauskopf and Doris Raab. 43.3 x 30.4 cm plates heavy wove paper with wide margins each plate with a tissue guard captioned in red. Six folio plates. In very good condition some of the plates and tissues have a little edgewear or minor light soiling in no case effecting the printed images. A VERY HANDSOME COLLECTION OF GERMAN ENGRAVINGS BASED ON ITALIAN RELIGIOUS ART OF THE SIXTEENTH AND SEVENTEENTH CENTURIES. The six plates included are:<br><br>1. Doris Raab 1851-1899—a fascinating female German engraver. The Christ with the Four Evangelists†aka “The Resurrection of Our Lord†after the painting in the collection of the Galleria Palatina Palazzo Pitti Florence executed in 1516 by Fra Bartolommeo.<br><br>2. Peter Halm 1854-1923. Madonna Enthroned aka Madonna and Child after a circa 1505 painting by Giovanni Bellini.<br><br>3. Ludwig Kuhn 1859-1936 Madonna of the Pesaro Family after the painting in the church of Santa Maria Gloriosa dei Frari in Venice executed by Titian circa 1519.<br><br>4. Jakob Groh 1855-1917 Madonna and Child aka "Pitti Tondo" by Michael Angelo Buonarroti reproduced from the marble bas-relief at the Museo Nazionale del Bargello in Florence executed sometime around 1504.<br><br>5. Wilhelm Krauskopf 1847-1921 Descent From the Cross "Espagnolet" reproduced from the original in the Museo Nazionale di San Martino in Naples by Jusepe de Ribera in circa 1588<br><br>6. Karl von Siegl 1842-1900 Adoration of the Three Kings Magi after the bas-relief by Venetian Baroque sculptor Giovanni Bonazza 1654–1736 located in the Chiesa dei Santi Giovanni e Paolo Venice. [J Engelhorn] unknown
69190Cremona Giocomo Dalla Noce 1803. Tall 12mo 11.7 x 6.2 cm. Title page with engraved vignette 47 pp. Contemporary full polished mottled calf. Boards with gilt ornamented border and small gilt floral vignettes in identical contemporary slipcase. = A beautifully made and extremely well-preserved almanac from Northern Italy. The slipcase has an ingeniously designed cloth ribbon that if pulled gently lifts the book out of the box. On the front free endpaper recto and last blank recto a few annotations in an old hand otherwise clean and in very good condition. hardcover
19793103Academic Press. 1979. Hardcover. Near Fine in Very Good dust jacket. Former owner's name on inner cover. Very minor shelfwear to book. Dustjacket has minor shelfwear and rubbing. Very light edgewear to extremities of DJ.; 542 pages; Spans the period between the emergence of Italy from its Bronze Age to the height of the ensuing Iron Age-- and beyond to the contemporaries of the fifth-century Athenians and of the Celts in Europe. Contributors examine the nature and importance of the many transformations that took place in this period: population growth diversification of the economy expansion of the market system urbanization the hardening of differences in social class-- and between North and south Italy changing attitudes to wealth and to material resources generally the evolution of art and sculpture architecture and town planning the role of religion and linguistic developments. . 0125880200 . Academic Press hardcover
