[LITURGY - Italian]Biblio.com
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1733AQ27937Londra i.e London: Si vende da Gio. Wilcox 1733. 648 24pp. Contemporary gilt-ruled calf. Extremities worn loss to head- and tail-caps upper board held by cords only. Slight loss to gutter of leaf B1 title browned intermittent light dampstaining. A London-printed Italian translation of the Anglican liturgy a revised and corrected edition edited by antiquary and sometime bookseller Alexander Gordon c. 1692-1754 of Church of Ireland clergyman William Bedell's bap. 1572 d. 1642 translation - the first of its kind - posthumously published in 1685. OCLC and COPAC together record copies at locations BL California Cambridge General Theological Seminary Oxford St. Andrews Strathclyde UoL Wellcome. ESTC T195182 Griffiths 66:3 p.513. 12mo. Si vende da Gio. Wilcox unknown
1561232896Venice: Per Comin da Trino di Monferrato 1561. 16 768 pp. Woodcut printer's device on title. 1 vols. Small 8vo. Contemporary vellum with original ties. Covers a bit worn and soiled some early dampstaining to lower outer corner of last several leaves. Overall a good solid copy. 16 768 pp. Woodcut printer's device on title. 1 vols. Small 8vo. A collection which was originally published in 1554 compiled by Atanagi and containing letters by the original 13 authors: Ludovico Ganosa; Giovanni Battista Sanga; Giovanni Guidiccioni; Giovanni Matteo Giberto; Francesco della Torre; Jacopo Sadoleto; Nicoló Ardinghelli; Paolo Manuzio; Paolo Giovio; Bernardo Tasso; Annibal Caro; Claudio Tolomei; and Paulo Sadoleto.<br /> <br /> Libri 14 and 15 were added to the 3rd edition of 1556 in which more letters by the above were compiled by Ruscelli as well as Giovanni Boccaccio; Lorenzo de' Medici; Daniel Barbaro; Alberto Lolio; Giacomo Sannazaro; Andrea Navagero; Cardinal Bembo and others.<br /> <br /> All of the early editions are very scarce: OCLC finds no locations for either the 1554 or the 1556 editions only 4 locations in the US for this edition of 1561. Gamba B. Serie dei testi 1828 no. 1245-1247; not in Adams Per Comin da Trino di Monferrato unknown
192554671Paris et Bruxelles: G. van Oest 1925. First edition. Illustrated with 4 color plates and 93 in black and white reproducing 126 miniatures. x126 pp. 1 vols. Folio. Three quarter purple morocco and marbled paper boards original printed wrappers bound in. Binding a little scuffed small chip from foot of spine else very good. First edition. Illustrated with 4 color plates and 93 in black and white reproducing 126 miniatures. x126 pp. 1 vols. Folio. G. van Oest unknown
76-0455Rome: Guido Reni 1605. Etching on laid paper. 20 x 14 cm sheet. The fifth final state. Very Good trimmed to the platemark light surface soiling in left quadrant of image.Literature: Bartsch 1. [Rome: Guido Reni, 1605]. unknown
16430071411643. No Binding. Very Good. Original etching on laid paper circular composition ca. 1643-48. Sheet size approx. 145 x 140 mm. A spirited etching of Bacchanalian Scene with Satyrs and Musicians by Stefano della Bella depicting a lively bacchanalian scene with satyrs and children engaged in music and dance within a wooded landscape. The animated figures fluid movement and delicately balanced composition exemplify della Bella's characteristic lightness of touch and his gift for narrative charm. The circular format enhances the sense of intimacy and rhythmic motion while the fine controlled line work reflects the artist's mastery of engraving and etching. Della Bella was one of the most accomplished printmakers of the Italian Baroque admired for his imaginative pastoral and mythological scenes and influential in both Italy and France. Good overall condition for 17th century print. Light even toning consistent with age and paper type. Minor surface soling and faint scattered foxing primarily in the margins. No major tears or losses. The impression remains clear with well-preserved detail and plate mark <br/> <br/> unknown
62274Firenze Olschki Date. . è il più antico periodico storico stampato in Italia pubblica saggi documenti commentati discussioni resoconti di convegni recensioni e notizie tutti inerenti la storia italiana o comunque ad essa collegati secondo un arco cronologico che va dall'alto Medioevo al XX secolo ." Olschki. In 8° bross. pp. 90 circa al fascicolo. Disponiamo di 29 annate complete dal 1973 al 2001 manca solo il 1° fasc.del 1979 tutte in ottimo stato di conservazione. TUTTO Firenze, Olschki unknown
1881122197Bologna Fava e Garagnani 1881. In 16° massimo tela editor. blu con titolo fregi e cornice oro ai piatti e al dorso. pp. VIII 4 n.n. Sommario ed Elenco delle illustrazioni 4 n.n. La Provincia di Bologna 4 n.n. Le formazioni geologiche del territorio bolognese cronologicamente classificate di Luigi Bombicci pp. 887 finito di stampare pp 16 n.n. pubblicitarie stampate su carta distinta rosa. I tasca illustrata a colori posta in fine una tasca contiene le due grandi carte ripiegate una anche con lo spaccato del crinale dell'Appennino. Le carte sono rinforzate al retro da vecchie pecette di carta. Le illustrazioni lito e cromolito del presente volume corrispondono all'elenco descrittivo: Tavole IX ma X percè la tav VIII è a numerazione doppia VIII Carte 1 tavola in colore di botanica le 2 mappe dette. Con scritti di E. Brizio G. Gozzadini A. Rubbiani L. Bombicci D. Giannitrapani O. Guerrini . Buon esemplare Bologna, Fava e Garagnani hardcover
145034789Probably Milan Circa 1450. Written in Latin 19 lines in a fine hand the calligraphy in black and red augmented with a multi-line "B" in blue and decorative accents in red. Single sheet 20 x 13.8 cm double-sided on vellum and tipped into a cream and black mounting. 2 pp. A fine specimen visually very attractive. A FINE VELLUM MANUSCRIPT LEAF. The breviary of Rites in the Catholic Church is a liturgical book it contains public or canonical prayers hymns the Psalms readings and notations for everyday use especially by bishops priests and deacons in the Divine Office.<br> The canonical hours of the Breviary owe their remote origin to the Old Covenant when God commanded the Aaronic priests to offer morning and evening sacrifices. Other inspiration may have come from David's words in the Psalms "Seven times a day I praise you" Ps. 119:164 as well as "the just man meditates on the law day and night" Ps. 1:2. <br> In the early days of Christian worship the Sacred Scriptures furnished all that was thought necessary containing as it did the books from which the lessons were read and the psalms that were recited. hardcover
145034790Probably Milan Circa 1450. Written in Latin citing one of the Psalms. 19 lines in a fine hand the calligraphy in black and red and gold augmented with a multi-line "B" in blue and decorative accents in red and gold. Single sheet 19.8 x 13.5 cm double-sided on vellum and tipped into a cream and black mounting. 2 pp. A fine specimen visually very attractive. A FINE VELLUM MANUSCRIPT LEAF. The breviary of Rites in the Catholic Church is a liturgical book it contains public or canonical prayers hymns the Psalms readings and notations for everyday use especially by bishops priests and deacons in the Divine Office.<br> The canonical hours of the Breviary owe their remote origin to the Old Covenant when God commanded the Aaronic priests to offer morning and evening sacrifices. Other inspiration may have come from David's words in the Psalms "Seven times a day I praise you" Ps. 119:164 as well as "the just man meditates on the law day and night" Ps. 1:2. <br> In the early days of Christian worship the Sacred Scriptures furnished all that was thought necessary containing as it did the books from which the lessons were read and the psalms that were recited. hardcover
17508801750. Ink wash in gray and black with heightening in brown pen and ink on cream laid paper laid down to an archival matrix 9 3/4 x 7 inches 247 x 178 mm. In good condition with some minor surface soiling and slight attenuation especially visible in the areas with brown ink. Adhesive residue on the verso at the top corners and bottom center margin does not effect the recto. The name "Argentini." appears in ink on the recto in the lower right margin. unknown
209Etching on light cream laid paper 8 x 5 1/2 inches 200 x 138 mm 1/8-inch margins. Minor repairs including expertly repaired lower right corner and minor light in-painting at lower center area beneath the lion's head. All consistent with age. unknown
1901303475Liverpool; Liverpool Italian Literary Society 1901. First Edition. Softcover. Good copy in original stiff card wrappers with some wear and tear as with age. Remains well-preserved overall; bright and clean. Physical description; unnumbered pages. Subjects; Liverpool Italian Literary Society. Meeting Minutes. 1901-1908. Liverpool; Liverpool Italian Literary Society paperback
1920017047Roma: Direzione del Psi 1920. Un volume 215 cm di 384 pagine. Qualche vecchio segno a matita; una macchia bruna al taglio delle prime pagine. Legatura muta in tutta tela coeva bordeaux sguardie rifatte. - Discorsi di Lazzari Bordiga Treves Matteotti Bombacci Modigliani e numerosi altri protagonisti del movimento socialista dell'immediato dopoguerra: qualcuno Bombacci finirà nelle file fasciste altri assassinati dal Fascismo Matteotti altri in esilio o fonderanno due anni dopo il Partito Comunista Bordiga. Raro e importante. Direzione del Psi unknown
BN66461Die Skulptur der Renaissance in Italien in 2 Bdn. Bd.1 Donatello und seine Zeit Poeschke Joachim; Hirmer Albert; Ernstmeier-Hirmer Irmgard and Hirmer Irmgard Ernstmeier- <br/><br/> unknown
2018BN68970BoD Books on Demand 2018. 2018. Cane Corso - ein starker Partner: mit Fotos von Frank Pieper mit Fotos von Frank Pieper <br/><br/> BoD Books on Demand unknown
22152Without date or place. 1p 12mo. On the recto of the first leaf of a bifolium the rest being blank. In good condition lightly aged with a hole on a blank part of the paper at the foot of the first leaf. Neatly written and signed 'C. Cavour'. Cavour begins by taking up an offer by the unnamed recipient by asking him to convey a letter to his rival Massimo Taparelli Marquess of Azeglio 1798-1866 Prime Minister of Sardinia. He hopes that on the recipient's return from London he will employ his pen ' con quell'efficacia che le e propria' in the service of the cause of unification of Italy by writing in the most powerful 'organo de' pubblicita' which has ever existed The Times. He ends with good wishes for the journey. The letter reads: 'Preg. Sig. Approfittando della gentile Sua profferta le mando que' compriegata una lettera pel Marchesa d'Azeglio. Spero che al tuo ritorno da Londra la penna per patrocinare con quell'efficacia che le e propria la causa dell'unificazione d'Italia nel piu potente organo de' pubblicita che abbia mai esistito Le auguro bouon viaggio e le gli atti della distinta mia Stima.' Without date or place. unknown
22363Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia 'Liceo Musicale'. Rome 14 September 1892. Villari's autograph on reverse of leaf dated from Florence 2 November 1892. 1p 12mo. Leaf of lightly-browned and creased aged paper with closed tears to one edge. The two men are clearly writing in response to requests for autographs. Marchetti has written out four bars – slightly affected at end by closed tear – from what he states is 'Ruy Blas Preludio'. Beneath this he signs in a firm attractive hand 'F Marchetti'. At the head he dates: 'Roma 14 9bre 92'. On the reverse Villari has written out neatly an eight-line comment on 'Chi cessa d'essere bimbo prima del tempo' losing 'la gaiezza l'innocenza la spontaneità infantile' and all the qualities 'necessari all'uomo'. Beneath the quotation he signs in another attractive hand 'Pasquale Villari Firenze 2 Nov. 92'. Marchetti's autograph on letterhead of the R. Accademia di S. Cecilia ('Liceo Musicale'). Rome, 14 September 1892. Villari's aut unknown
9873No place Watermark 1832. Two pages cr. 8vo bifolium segment cut from bifoliate leaf no obvious loss fair condition text clear and complete. "I called to enquire after the notice & took the liberty of sending you last phrase insert about the lectures I am now giving at the London Institution - & was surprised to hear that the Editor of the literary Gazette considers the subject perfectly exhausted - For I have the honour to tell you the view I now take of the origin of polytheism-worship- of animals - Mythology & Idolatry is quite new - for it traces the whole to the original coptic words or names by which the hieroglyphics "were" excised exhibiting the different applications of the power of the Supreme Being were termed - as far as I know no one ever went as far- tho' perhaps from Bacon to our time may authors have surmised that this might underlined be the case but never any one has shown that this was underlined the case.-I hope therefore that the Editor will have the goodness to look over my paper once more - & favour me with inserting it in the next number. Note: Spineto's "Elements of Hieroglyphics and Egyptian Antiquities in a Course of Lectures delivered at the Royal Institution . . ." was published in 1829 by Colburn. No place, [Watermark 1832] unknown
174040863Italy 1740. Oblong folio 222 x 305 mm. Notated in black ink on 10-stave rastrum-ruled paper. Watermark with initials "G.M." within a circle below a trefoil. <br /> <br /> Violino primo: 1f.<br /> Violino secondo: 1f. <br /> Unfigured basso continuo: i title 2 i blank pp. <br /> <br /> Violino primo part slightly soiled at edges; small tears to blank margins. Violino secondo part with small tear and minor stains to blank margins. Basso continuo part slightly soiled and stained with small tears to margins of title; title and second page of music reinforced at inner margins with early narrow strip of paper. This elegant and lighthearted trio sonata in B-flat major is cast in three movements: Allegro Assai C Andante C and Presto 3/8. Each movement is in binary form with repeats. The opening Allegro Assai incorporates leaping octaves occasional swerves into G-minor terrain and climactic rising scales at its conclusion. The Andante makes use gentle syncopations and slides of a third. The opening two movements start with the Romanesca progression a favorite opening gambit of 18th century composers conveying freshness and an amorous mood. The final Presto is a compact and attractive minuet. Most often the violins harmonize with each other and the bass making frequent use of parallel thirds and sixths; in several spots however they double each other. This may indicate that this work was originally conceived for a larger ensemble with string sections as it is not particularly common to encounter such doubling in chamber music. This sonata may have originally been an orchestral overture to a theatrical work. <br /> <br /> Not located in the RISM manuscripts database. unknown
a88424Venezia 1803. 7p. plus 5 blank pages. 11-1/2 x 8-1/2 inches; 29x22 cm. Heading could be printed or handwritten hard to tell for sure reads: In Dei Aeterni Nomine Amen BM Rest of document is in Italian. Neatly handwritten in ink on faintly lined appears pre-lined possibly paper. Mentions "con privato Nuzziale" so perhaps some sort of wedding contact At end of text is a fancy stamps of a religious nature - bishopric monastery Original manuscript. Near VG has been folded in half at some point in time. . unknown
169615588Parma: Alberto Pazzoni e Paolo Monti 1696. First Edition. 12mo 16cm. Contemporary vellum over boards; inked spine title; 48 406 26pp. Chafing and perforation to vellum along front joint but holding strong; pencilled note to rear endpapers; text fresh tight and clean; Very Good. A manual of letter-writing illustrated throughout with examples chosen from the author's apparently very large oeuvre. The examples are on a variety of subjects mainly chosen to illustrate the changes in tone and style of address to be used in addressing correspondents of varying stations. Fontana was of a prominent family of Parma and apparently wrote most of these letters while a resident in the estate of his patron Count Alessandro Sanvitale. Apparently rare; OCLC gives four locations of which only one in the U.S. Stanford. From the library of artists Ben and Bernarda Bryson Shahn with estate bookplate inside front cover. Alberto Pazzoni e Paolo Monti unknown
2018289461Modena Italy: Galleria Mazzoli 2018. Hardcover. 479p. 10x13 inches bilingual texts in English & Italian essays checklist exhibition history selected bibliography index of works illustrated with color plates an b&w photos very good first edition stated #153/500 copies noted at colophon cloth boards and lightly-rubbed unclipped black dj. Gay artist living in the West Village whose work at one time focused on AIDS. Galleria Mazzoli hardcover
1901011276New York: Charles Scribner's Sons 1901 Frontis-piece with captioned tissue guard xiii 439pp 1 bound in limp vellum with yap fore-edges gilt still bright binding and hinges tight deckled page edges. LIMITED EDITION this being No. 137 of five hundred numbered copies. All plates accounted for and present each with their attached captioned tissue guards. Covers show foxing interior shows a label for previous ownership inside the front cover some pages untrimmed very small upper corner worm hole on back preliminary pages not affecting the text in any way. Edward Bierstadt is the brother of the famous landscape painter Albert Bierstadt. Charles Scribner's Sons hardcover
51-6335Circa 1725. Engraving on 18th Century thick laid paper.62.3 x 46cm. .Inscribed in image lower left: "Domenichinus Pinxit in Temp. S. Caroli a Catenat."; lower right: "Io. Iacobus Freij delin. et sculp. Romæ"; along lower margin: "Fortitudo / Elevat oppressos premit hec animosa superbos Atque Feras omnes sola domare potest"Fortitude at top wearing a helmet and holding a sword and shield two putti on a cannon at right a half-nude man holding an arrow atop a lion below after frescoed pendentives of the Cardinal Virtues 1627–30 by Domenichino in the church of San Carlo ai Catinari RomeReferences: Charles Le Blanc Manuel de l'amateur d'estampes: contenant le dictionnaire des graveurs de toutes les nations. 4 vols. Paris 1854-1888 cat. no. 51 p. 253.; Met Museum Object Number: 51.501.2406. Circa 1725 unknown
