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18th century tooled green morocco armorial binding with tooled edges; all edges glit. 12 mo, [18]+214 pages. In French. Title translates as The Golden Legend; Summary of the History of the Mendian Brothers of the Order of St. Dominique and St. Francis, Explaining Briefly and Honestly the Origin, the Progress, the Doctrine, and the Struggles of the People, As Much Against the Gallican Church Principally, as Against the Popes, and Among Themselves for Four Hundred Years. work, directed against the order of the mendicant brothers of Saint Dominic and Saint Francis. A rare anticlerical booklet against the Franciscans and the Dominicans, initially published in 1608 in Leyden. The autho, Nicolas Vignier, was a Protestant theologian born around 1575, a minister of the Reformed Church in Blois, where he died around 1645.The title page features a copper engraved vignette of the arms and motto of the Regiment de la Calotte. Brunet, I, col. 152.- Caillet, nº 11164: A curious and violent pamphlet, which has become very rare [...] which in a way forms the counterpart of the Alcoran des Cordeliers.Subjects: Monasticism and religious orders. Gorgeous 18th Century Green morocco binding with gilded details. Repair to crown of spine. Previous owners bookplate on front pastedown, notes on front blank endpaper. Very Good Condition. (MED-1-2)
183321492(Wien, Mansfeld & Co., 1833). Ca. 23,5 cm x 16,5 cm (Bild). [2 Warenabbildungen]
173018644(Augsburg), Seutter, um 1730. Ca. 58 cm x 50 cm.
184022142Leipzig, Kollmann, 1840. IX, 1 Bl., 574 S. 103 Tafeln in Stahlstich. Gr.-8°. HLdr. des 19. Jhdts. mit goldgeprägtem Rückentitel (etw. berieben und bestoßen). [6 Warenabbildungen]
184022182Leipzig, Kollmann, 1840. IX, 1 Bl., 574 S. 103 Tafeln in Stahlstich. Gr.-8°. Lwd. des 19. Jhdts. mit goldgeprägtem Rückentitel (berieben und bestoßen, Rücken etw. gebräunt, gering fleckig, Rückengelenk etw. beschabt).
17880963-02Wien, F. A. Schraembl 1788. Kupferkarte. 2 Bll. je 46,5 x 70 cm (Plattengr.) Schönes, breitrand. Expl. mit altem Grenzkolorit
191552856ABBerlin, gedruckt bei W. Büxenstein, 1915. Ca. 28 x 21,5 cm. (6) S., 207 Seiten. Mit zahlreichen Kupfertiefdruck-Abbildungen (Fotografien von Alfons v. Mumm) und einer gefalteten Karte. Dekorativer Orig.-Leinenband mit reicher Goldprägung auf Rücken und Vorderdeckel. [2 Warenabbildungen]
1924005766Firenze: Casa Editrice G. Nerbini 1924. First edition. Wraps. Very Good. The complete run comprised of 21 installments or fascicoli of an extremely scarce Italian pulp magazine that anthologized supernatural fiction. 4to. 29.5 by 19 cm. No copies on OCLC nor in other catalogues we checked Bibliotheca Italiana etc. The magazine although produced on the cheapest of pulp paper which ages terribly did have striking cover artwork for each of its installments. The stories presented are all translations of works in English or French with the original authors never credited. There is one story per installment and the stories have titles such as "La Valanga Vendicatrice" "La Pietra Fatale" "Il Salto della Morte" "Il Telefono Misterioso" and "La Mummia senza Pollice". Casa Nerbini founded in 1897 was until 1943 a major Italian publisher of fumetti or Italian comic books. After Nerbini folded Mondadori published some of its more popular titles. Condition: the pages are heavily age toned the paper brittle and there have some some discrete archival repairs made on the cover pages. Soiling to the front cover. We would nonetheless grade the volume as being in very good condition as the issues are ones that were inevitable given the paper stock used. <br/><br/> Casa Editrice G. Nerbini paperback books
188532779New York: Charles Scribner's Sons 1885. Third American Edition. With An Additional Chapter. Hardcover. Fair. Octavos. Two volumes. Volume I: lxvi 411 pages. Volume II: x 463 pages. Illustrated with 3 maps and black and white illustrations. First map in volume 1 is split into two parts. Light edge wear to the other folded maps. Green cloth hardcovers with gilt titles on the spines. This set formerly owned by the author with his illustrated bookplates on the front paste downs. No writing inside the books. Cloth bindings edge worn on the spines and corners. Light shelf wear to the covers. Hinges intact. Binding cords visible rear hinge volume 2 but cover securely attached. Paper is fragile with a couple of small edge tears. A fair to good set. Charles Scribner's Sons hardcover
178040349Italy 1780. Folio 226 x 312 mm. Sewn. Notated on 10-stave rastrum-ruled paper with lowermost stave of first page of the Tenore part hand-drawn with music and text added in another hand. Watermark letters within a circle above a star. <br /> <br /> Music for Holy Thursday Good Friday and Holy Saturday of Holy Week in the Christian calendar: <br /> <br /> - "Feria Quinta in Cena Domini." Tenore. 4 pp. Bound with "Feria Sexta in Parasceve" Basso 6 pp. and an additional bass part headed "Sabbato Sancto" 6 pp. <br /> <br /> - "Feria Quinta in Cena Domini." Basso 6 pp. Bound with "Feria Sexta in Parasceve" 6 pp. "Sabbato Sancto" 6 pp. 1f. blank. <br /> <br /> With short semi-chanted homophonic liturgical pieces:<br /> "In Monte Oliveti" "Tristis est anima mea" "Ecce appropinquat" "Ecce vidimus" "Vere languores" "Amicus meus" "Flius quidem hominis" "Unus ex vobis" "Eram quasi agnus innocens" "Seniores populi" "Revelabunt celi iniquitatem" "Omnes amici" "Velum Templi" "Vinca mea" "Tamquam ad latronem" "Tenebre facte sunt" "Barabbas latro dimittitur" "Tradiderunt me" "Jesum tradidit" "Sicut ovis" "Sepultro Domino" "Jerusalem Iuge" "Plange quasi virgo" "Recessit Pastor" "O Vos omnes" "Caligaverunt oculi mei" "Ecce quomodo" "Æstimatus sum" "Agnus Dei" and "Lustris sex qui."<br /> <br /> Occasional moderate soiling and small stains; first leaf of Tenore part partially detached. unknown
169027993-zd2Todi: Vincenzo Galassi 1690. 4 Blatt, 122 Seiten, 1 Blatt, 85 Seiten, 1 Blatt, 73 (1) Seiten, 1 Blatt Protesta / 9 Blatt / 7 Blatt / 8 Blatt / 3 Blatt und 95 Seiten, 4 Blatt Protesta. Schweinsleder der Zeit mit handschriftlichem Rückentitel (der Einband leicht fleckig sowie etwas berieben und bestoßen, die vorderen Innengelenke am Kopf und Fuß etwas angeplatzt, die ersten 8 Blatt mit einem schwächer werdenden Fleck am Fuß der Seiten, teils leicht stockfleckig, sonst gutes und sauberes Exemplar). 8°. fest gebunden
1763178968Breslau, Korn, 1757-1763. M. gest. Tit.-Vign. Ldr. a. 4 bzw. 5 Bünden m. kl., goldgepr. Rsch. u. Rsign. Rücke teils leicht angerissen. Einbde. angeschmutzt u. berieben. Teils m. Wrmspuren. Sign. a. Vors. Teils stockfl. Ein Tit. lose. Ein Bd. verzogen u. Vors. m. Anriss. M. Rotschnitt.
185024944ABGenova, Mario Morando, (1850). Folio. 88 S. und 150 gestochene Tafeln. Späterer Halblederband.
128789aafs.d. (ca. 1750), kl. in-8vo, 50 feuilles, cachet ‘Bibliothek Rolf Keller Stuttgart’, reliure en maroquin rouge, dos orné en noir, richement orné or sur les deux plats.
71667aafParis, Furne, Jouvet et Cie, sans date, env. 1850, in-folio, comprenant 32 cartes gravées, quelques rousseurs mais bon état général, reliure en demi-cuir vert, dos à nerfs orné, plats marbrés.
182358861BBNapoli, Gabinetto bibliografico e Tipografico., 1823. 8°. XIX S., 208 S., 7 n.n. S., 1 mehrfach gefaltete Tabelle und 4 gefaltete lithographierte Tafeln von Cuciniello. Pappban der Zeit mit rotem goldgeprägtem Rückenschild.
182358861BBNapoli, Gabinetto bibliografico e Tipografico. 1823. 8°. XIX S., 208 S., 7 n.n. S., 1 mehrfach gefaltete Tabelle und 4 gefaltete lithographierte Tafeln von Cuciniello. Pappban der Zeit mit rotem goldgeprägtem Rückenschild.
100496aafParis, Laplace, Sanchez et Cie, Libraires-éditeurs, (Imp. Ch. Chardon ainé, Paris) s.d. (vers 1860), in-folio, (39x28 cm.), 40 planches, dont 6 mises en couleurs, tirées sur papier épais avec feuilles neutres intercalées, gravées par Rouargue frères et impr. par F. Chardon ainé, exemplaire sans rousseurs, reliure en d.-cuir originale (plats en percaline rouge), impression or ‘L’Italie Septentrionale et Méridionale’ sur le plat devant, dos à cinq nerfs, pièce de titre maroquin rouge. (Bellani -. Liste des vues sur demande).
Mm 340x500 Nove fogli con illustrazioni e inserti di carta verbo-visuali cuciti con i punti metallici. Libro d'artista realizzato con interventi manuali a collage dall'artista. Edizione di 120 esemplari, tutti numerati con il n. 1, per indicare l'unicità di ogni singola copia. La pubblicazione è in condizioni di nuovo con ancora la sua protezione originale trasparente - brand new in original shrink-wrap. Spedizione in 24 ore dalla conferma dell'ordine.
4to, [xii],14,[2],142pp., engraved portrait on title and 1 engraved headpiece, nineteenth century half calf by Corfmat, marbled covers, spine gilt, t.e.g. uncut, a good copy in nice condition. The second of two editions published in 1789, though according to Brooks it was actually published in 1792. It is almost identical to the first 1789 edition which Renouard described as "l'une des plus belles ?ditions de Bodoni." Beautifully printed, partly in italic type. Brooks 379.
First Edition, 2 parts in one, xiv,[ii],308pp., title printed in red and black, enraged vignette of cherubs and type trays, engraved folding plate, 19th-century marbled boards, morocco label on spine. Reviewing the origin of printing in Italy, he provides a chronological list of books printed in Rome during the fifteenth century. "A folding-plate contains specimens of the types of Sweynheym and Pannartz, two of the earliest Roman printers... Laire was one of the most learned bibliographers of France during the 18th century... At one time he was the librarian of Cardinal Brienne; subsequently he became librarian at the Ecole centrale de l'Yonne, in which position he remained up till his death." ?Bigmore & Wyman, I. p. 416. Brunet III: 774.
Milano, F.lli Treves, 1887-1890, 4 annate complete, raccolte in altrettanti voll., in-4, mezza pelle coeva, titolo e filettature oro al dorso, pp. 830, 832, 852, 838 in numerazione continua. Con numerose illustrazioni in b.n., anche da opere di: G. Induno, E. Dalbono, G. Doré, G. Segantini, A. Tommasi, D. Morelli, F. Zonaro, F. Gioli, A. Dall'Oca, I. Nunes-Vais, ecc. o a corredo di argomenti di attualità (nel 1886: rivolte operaie in Belgio; 200 morti nelle solfatare a Minutello di Sicilia; inaugurazione della statua della Libertà a New York; la scoperta della mummia di Ramsete II da parte dell'egittologo Maspero; 1887: prima dell'"Otello" di Verdi alla Scala; Saati e Dogali in Abissinia; celebrazioni a Firenze: scoprimento della facciata del duomo; morte di Depretis e nomina di Crispi; 1888: il terremoto a Bisignano di Calabria; Esposizione di Bologna; 1889: B. Harrison eletto nuovo presidente degli Stati Uniti; inaugurazione della torre Eiffel all'Esposizione Universale di Parigi). Diffusi strappi e alcune mancanze, cuffie superiori difettose ad un paio di volumi; al 1890 mancano: le pp. 1-2, 279-80, 337-40, 455-6, 651-2, 825-6, 845-6.
183558528Karlsruhe u.a., Kunst-Verlag, Wilhelm Creuzbauer u.a., 1834-1835. 4°. Mit 10 Stahlstich-Tafeln nach G. Pezolt. 40 S., Mod. HPgmt. m. goldgepr. Rückentitel mit den vollständig eingebundenen Orig.-Umschlägen.
Cartella contenente i numeri: 214 (''Le voyage du dessin'', testo di Jacques Derrida, 2 lito a colori a doppia pagina, 10 riproduzioni di disegni, Maggio 1975), 206 (''Dimostrationi'', testo di Pierre Gaudibert, 4 lito originali a colori a piena e doppia pagina, ill. in nero e a colori, Novembre 1973), 220 (Testo tratto dal ''Journal de Valerio Adami'', 3 lito originali a colori a doppia pagina, riproduzioni in nero e a colori delle opere, Ottobre 1976), 188 (Testo di Jacques Dupin e ''Perfusion'' dell'Artista, 7 lito originali a colori a piena e doppia pagina, Novembre 1970). Le dimensioni delle lito sono: cm 38x55,5 e 38x27,5. fascicoli editi dal 1970 al 1976. 4 fascicoli Una illustrazione al piatto. 4to. pp. 30 circa a fascicolo. . Ottimo (Fine). . . .