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Very Good Turkish, Ottoman (1500-1928) Original manuscript book of the registers of the conjurations sessions by the first Turkish spiritualist group. 20x15 cm. In Ottoman script (Turkish with Arabic letters). [154] p., several hand-drawn ills. Group has Bedri Ruhselman, (1898-1960), Albert Braun, (Violinist and Ruhselman's violin teacher of German origin), Hans Ianma (Violin teacher), Hasan Saadeddin Bey, (Turkish spiritualist), and Doctor Zühdü Riza Bey, (Turkish musician, Kemençe teacher, a friend of Sadeddin Arel). Dr. Bedri Ruhselman (1898-1960), the founder of NeoSpiritism and "the Experimental New Spiritism". Ruhselman's point of view and a new perspective to the concepts such as creation, spirit, afterlife, birth incarnation, and rebirth-reincarnation are pioneers in the Early Turkish Republican period. Ruhselman's empirical perspective on "afterlife", one of the most important and primary subjects of theology, has made important contributions to spiritism, out of the classical standpoint. (Source: Ruhselman and his metaphysical vision, Kestel). Albert Braun was Ruhselman's violin teacher and his friend. It's said this early spiritualist group is the pioneer and elitist of Neo-Spiritualism in Turkey. He is considered a Mission Medium, a very rare category within spiritual mediumship. By definition, every medium has a varying degree of ability to tune in to spiritual "frequencies". But not all "reception" (coming from those frequencies) convey a meaningful message (sometimes if any). While mediumship is a gift (meaning that; one either has it or not); very few mediums are actually knowledgeable in spiritual matters. They simply transfer what they capture from their sensitive channels. And once in a while, mainstream media picks on certain mediums, especially when he/she delivers sensational predictions (i.e. Edgar Cayce). Bedri Ruhselman's both interest and gift was manifested since his early childhood. He was conducting spiritual sessions when he was only 12 years old. While continuing his musical education in the Prague Conservatory, in the 1920s, he studied the pioneers of classic spiritualism like Allen Kardec, Gustave Geley, Charles Richet, Leon Denis, William Crooks and become experienced in hypnotism and spiritual sessions. He also completed his medical education and graduated as a medical doctor. In 1950 by establishing Metapsychic Investigations and Scientific Research Society, he gifted an institutional identity to Neo-Spiritualism. His true duty started in 1958 by means of spiritual sessions with a guide being from higher spiritual plans which identified itself as "The Master". Ruhselman and his carefully selected mediums received a vast amount of knowledge via these sessions during a few months. That body of knowledge has been compiled as a book, which Ruhselman never claimed any ownership (stating that it's purely a gift from the higher spiritual plan). The plan has instructed that; the book was only to be released in the future - to be identified by a certain sign. That point alone commends recognition for pure selfless devotion towards undertaken duty. If the ego was in play; one would usually do anything for fame or at least to cash on the subject. But Ruhselman completes his true duty and hands over the book for safekeeping without ever mentioning one word about the content. He passes away a few months after (1960). (Source: Indication23). This manuscript includes their registers of the conjurations sessions with some illustrations which have "table order" of the sessions at a house in Sisli, Istanbul. In the illustrations, given the locations of the goods in the room like piano, wardrobe, chair, etc. Registers including the sessions between the years of 1935-1936. Scripts were written by M. Zühdü Pektas mostly, by various fountain pens with blue and black inks. Some registers are taken by a pencil. An extremely rare stylish manuscript. Unpublished.
2 parts in one volume: [8],321,[i] + 152,34,[18] pp., "Editio tertia" (in fact this is the 4th edition ; 1st in Paris 1624, 2nd in London 1633, 3rd enlarged in 1645), contemporary full vellum bit soiled though in very good condition, 14cm., text in good condition but paper is somewhat browned on quite some pages, old inscription on second last blanco endpaper, good condition, rare, [Herbert of Cherbury, 1583-1648, religious philosopher and considered as "the father of English Deism", created with his major work "De Veritate" the first purely metaphysical treatise ever written by an Englishman. In "De Veritate" he states the 5 articles which became the charter of English Deism. "De causis errorum" deals with logical fallacies but was unfinished. Both works are clearly meant to be published together and are commonly so bound], F96168
Uno dei 99 esemplari accompagnati da una litografia originale, stampata su carta cina, a colori di De Chirico dal titolo Agamante, e firma autografa dello stesso; edizione speciale “pubblicata per gentile concessione dell’editore Flammarion di Parigi”, presso cui fu stampata la prima edizione francese. in folio, esemplare non cucito, con copertina originale in cartonato che riproduce al piatto anteriore una litografia di De Chirico, e in custodia rigida in seta blu con titolo in oro al dorso. Pp. 295 e nel testo 24 illustrazioni litografiche compresa quella in antiporta, appositamente realizzate da De Chirico per questa sua opera. Contiene anche “Ebdomero e il suo lettore” un testo critico di Aldo Paladini, Roma, Bestetti, pp. (8), e uno specimen di pp. (12), con due illustrazioni. Ottimo esemplare. de chirico libro d’arte novecento arte italiana
Fuller title: LES PROPHETIES DE M. MICHEL NOSTRADAMUS. Dont il y en a trois cens qui n'ont encores iamais este imprimees. Adioustees de nouueau par ledict Auteur. [BOUND WITH] RECUEIL DES PROPHETIES ET REVELATIONS, TANT ANCIENNES QUE MODERNES. Contenant un sommaire des revelations de Saincte Brigide, S. Cyrille, & plusieurs autres Saincts & religieux personnages: nouvellement reveues & corrigees. Et de nouveau augmentees outre les precedentes impressions. Three volumes in one. ff. 64 leaves; 48 leaves; 64 leaves (with various errors in pagination). Loss of a corner and a few letters from one leaf of volume two. Last leaf of the third work lacks a half page containing part of the Table. Some age and damp staining. Old manuscript notes. There is also an manuscript quatrain at the end of the first volume of Centurie XI [actually 12]. It is numbered LVI or 56. "Roy contre Roy et Le Duc contre Prince / Haine entre iceux, dissension horrible / Rage et fureur sera toute province / France grand guerre et changement terrible. It apparently was left out in the printing of this edition. This is usually taken to refer to "The War of the Three Henrys" [Guerre des trois Henri - Valois, Bourbon et Guise]. Small 8vo. 170 cm. Modern full blue leather binding, with raised bands. The original French marbled endpapers are preserved. Michel de Nostredame (1503-1566), usually Latinized to Nostradamus, was a French apothecary and reputed seer who published collections of prophecies that have since become famous world-wide. He is best known for this book Les Propheties, which first appeared in 1555. The book has rarely been out of print since his death. All the early editions are very idiosyncratic and deserving of study. Nostradamus attracted an enthusiastic following who, along with the popular press, credit him with predicting many major world events. Interest in the work of this prominent figure of the French Renaissance is still considerable, especially in the media and in popular culture, and the prophecies have in some cases been assimilated to the results of applying the alleged Bible Code, as well as to other purported prophetic works. Benazra pag 170; Chomarat 176; Ruzo 53. A decent example of a very scarce edition. CHEST 2/1
In 4, pp. 28 con 3 tavv. n. t. (due disegni di Savinio e 1 ms. in fac simile). Br. ed. Lievissimo danno al d. Edizione originale di questo racconto illustrato da due disegni di Savinio. Rara pubblicazione. Asor Rosa, Diz. letteratura novecento, p.499.
Six volume set bound in blue cloth. Dust jackets show light wear, ink smudges, discoloration, and small tears at edges, with volume six having a large closed tear. Volume I: Cosmogenesis. Volume 2: Cosmogenesis Parts 2 & 3. Volume 3: Anthropogenesis Part 1. Volume 4: Anthropogenesis Parts 2 & 3. Volume 5: [No Title]. Volume 6: Index and Glossary.
Acquaforte e bulino. Tiratura: 60 es. su carta a mano + X es. su carta Giappone + alcune p.d.a. (alcuni es. colorati a mano dall'Artista) Firma e numerazione a matita. Stampata da Giorgio Upiglio, Milano. Esemplare 27/60. cm 24,5x34,7 (Foglio 50x60). pp.. . Ottimo (Fine). . Tiratura: 60 + X + alcune p.d.a. .
[Postincunabolo] (cm. 31) bella mz. pergamena antica ben restaurata, piatti a stampa rosso e nero (sec. XVI).-- cc. 11 + 1 c. bianca. Caratteri gotici, testo a due colonne, capilettera ornati, grande marca in fine a fondo nero. Edizione originale di grande rarità. Manca all' Adams e a molta bibliografia consultata. Per la bella marca tipografica vedi: Kristeller "Italienischen Buchdrucker und Verlegerzeichen" pag. 111 n° 281, ma a fondo nero anzichè rosso. Frontis lievemente ombreggiato assieme all' ultima carta bianca che ha una leggera gora in alto. peraltro esemplare molto bello, marginoso e stampato con grande eleganza tipografica. * Bm. Stc. p. 683; * Brunet VIII (supplement) 809, cita una copia nella Biblioteca Nazionale stampata su pergamena. Il Census Iccu, registra solo quattro copie nelle biblioteche italiane.[f42] Libro
In 8, cm 20 x 16, pp. 110. Brossura editoriale con sovraccoperta. Edizione originale rara. Volume stampato per gli Amici del libro a cura e spese di Giovanni Scheiwiller. Si sono stampati 50 esemplari con impostazione speciale in macchina su carta Ingres della cartiera Miliani di Fabriano e 300 su carta bianca vergata della cartiera Burgo di Verzuolo. Il nostro esemplare appartiene alla tiratura di 50 esemplari su carta Ingres. Buona copia con minimi danni al taglio dei piatti e alla cuffia. L'opera venne commissionata a De Chirico da Giovanni Scheiwiller non ancora diventato ufficialmente editore, ma dipendente della Hoepli. L'opera, nella tradizione della trattatistica pittorica antica, doveva essere un semplice manuale pratico che in realta' rispecchia l'idea di 'ritorno al mestiere' di De De Chirico, concetti peraltro gia' espressi in vari articoli di Valori Plastici
Mm 230x300 Tutto il pubblicato. Sei volumi in nove tomi rilegati in tela con sovraccoperta editoriale, custodia originale muta, oltre 5500 pagine profusamente illustrate in nero e a colori lungo l'intero testo. Opera in condizioni di nuovo, spedizione in 24 ore dalla conferma dell'ordine.
In 16 (cm 12 x 16), pp. (24) con 9 tavole illustrate in bianco/nero. Brossura editoriale. Catalogo della mostra di opere di Carra', del suo periodo 'metafisico', svoltasi alla Galleria Paolo Chini di Milano dal 18 dicembre 1917 al 10 gennaio 1918. Comprende una poesia iniziale di Paolo Buzzi dal titolo "Carra'": "Cio' che tu sei / rompe la storia. Cio' che tu fai / cazzotta la natura. Va / ubbriaco di genio, / alle botte della gloria / con le tue gambe corte di Bacco / e cavalca l'abisso delle spume alcooliche / squarciagolando [...]". Segue un testo dello stesso Carra', al quale si intercalano le 9 tavole con le riproduzioni di opere, quindi l'elenco finale delle opere esposte con i titoli dei 30 dipinti e dei 43 disegni. Carra' si presenta ancora in abiti futuristi, dichiarando tuttavia al contempo anche un allontanamento dal movimento, nel presentare le opere nello studio del fotografo Paolo Chini, e nelle parole del testo del catalogo in cui la sua autopresentazione e' esplicita: "Originalita' e tradizione non sono poi termini di contraddizione, per chi bene intende (...) Noi possiamo, ora, dopo un decennio di ricerche appassionate, sostenere il giudizio e la sentenza. Il contenuto metafisico delle mie opere esige dall'osservatore sensibilita' di percezione e un concetto adulto dello stile". In mostra, da un lato, i dipinti della stagione futurista come "Simultaneita' (donna al balcone)", "Trascendenze plastiche", "Donna + bottiglia + casa", dall'altro "La musa metafisica", "Solitudine", "Il dio ermafrodito" di nuova ascendenza metafisica. Savinio e de Chirico si erano incontrati con Carlo Carra' a Ferrara alla fine di marzo del 1917. Inizio' cosi' un breve ma intenso sodalizio che segno' la nascita del gruppo Metafisica in Italia. Per qualche mese de Chirico e Carra', entrambi ricoverati come nevrastenici presso la Villa del Seminario, lavorano insieme in grande accordo e amicizia, come testimonia la loro corrispondenza con Papini e Soffici che avevano propiziato il loro incontro. Tuttavia, nelle rispettive autobiografie, i due artisti ricostruiranno gli eventi che li portarono a conoscersi e il sodalizio in modo diverso: Carra' accennando ad incontri casuali con alcuni artisti e letterati, tra cui de Chirico, e non parlando del loro sodalizio, de Chirico accusando Carra' di aver rifatto spudoratamente i soggetti dei suoi quadri metafisici e di essersi affrettato a organizzare una mostra a Milano (questa del dicembre del 1917) probabilmente con la speranza di "persuadere i suoi contemporanei che egli era il solo ed unico inventore della pittura metafisica ed io, caso mai, un suo oscuro e modesto imitatore" scrisse de Chirico.
un vol in 16 cm 15,5x10,6 pp.: (12 cc nn)-412 cc. legatura coeva in p.p. molle con ancoraggio dei nervi al dorso e tracce di lacci ai piatti; fogli di controsgaurdia in parte staccati che scoprono rinforzi del dorso con fogli di codici manoscritti. Piccole mende ai bordi della pergamena dei piatti. Interno con marca tipografica al frontespizio ;bei capilettera xilografati; leggeri aloni di acqua ad alcune cc e minuscoli forellini di tarlo nel margine bianco delle ultime cc. Esemplare saporoso e ben conservato. (ICCU\UBOE\031587) Opera di grande rarità del filosofo Iavèlli (o Giavèlli), Crisostomo. - Teologo domenicano (Casale Monferrato 1470 circa - Bologna dopo il 1538). Compiuti gli studî a Bologna, baccelliere e maestro (1515), I. scrisse di filosofia soprattutto nell'intento di difendere l'interpretazione tomista di Aristotele contro l'averroismo e le altre correnti aristoteliche dell'epoca. Intervenne nelle polemiche attorno al De immortalitate animae di P. Pomponazzi.(Enc. Treccani)
Light wear and scuffing to covers. Interior pages clean and unmarked; tight bindings. Many color photos and illustrations. Each volume is around 150 pages 8 5/8"w x 12'H. Produced in consultation with the world's foremost authorities: more than 200 expert authors from all over the world. This enquiry into the supernatural "takes you deep into the wellsprings of the human mind, now as in the past. That is what a study of man and the supernatural is about, and that is why it matters." From Aberdeen Witches to Zurvan. Editorial Advisory Board: C.A. Burland, Glyn Daniel, E.R. Dodds, Mircea Eliade, William Sargant, John Symonds, R.J. Zwi Werblosky, R.C. Zaehner
ZANOTTI FR. MARIADELLA FORZA DEI CORPI CHE CHIAMANO VIVALIBRI TRE.AL SIG.G.B.MORGAGNI.Bologna, Eredi C.Pisarri e G.F. Primodi1752. [Fig. Metafisica] (cm.23,5)Bella mz. pelle recente nervi, titolo e fregi oro al dorso.-pp. XX, 311, (1).Con 1 tavv.f.t. più volte ripiegata(la prima carta bianca come sguardia)EDIZIONE ORIGINALE"Zanotti (1692-1777) Leading Italian scientist, president of the celebrated institute of Bologna. He is the best know for this work which is, addressed to G.B. Morgagni and endeavours to clear up the famous dispute on kinetic energy between Newtonians and Leibnizians by attempting to reach more precise definitions of the questions involved"-RICCARDI II 658: "Raro.resta sempre di non comune interesse scientifico"-SOTHERAN I 5587: "Di argomento metafisico, senza assumere dalla geometria, ne dalla meccanica altro che le opinioni più note e più comuni".Magnifico esemplare su carta grave ampli margini e con barbe.-PARENTI 523;-GAMBA 2511;-COLOMBO p.83;-ROLLER E G.II 603;-BLAKE 498;-POGGENDORFF II 1393;-BERTOLINI: testi di lingua "pregiatissimo". Libro
Tre volumi a cura di Massimo Carrà . Testo introduttivo di Alfonso Gatto (Il creato di Carrà ). Alcuni scritti di Carrà . Cronologia; Esposizioni principali, Antologia critica, Schede delle opere. Centinaia di illustrazioni in nero e a colori . 4to. pp. 606 + 718 + 638. . Ottimo (Fine). . Prima edizione (First Edition). .
In-4°; pp. (8), 143, (1); senza legatura. Tagli in azzurro. Leggerment rifilato al margine superiore. Foro di tarlo passante su alcune carte, al margine interno bianco. Dissertazione filosofico-scientifica esposta in pubblico nel Collegio Agostiniano di Saliaburgo. Le disquisizioni vertono su temi quali l’esistenza di dio, la mortalità dell’anima razionale, il sillogismo, il cocetto di essenza ecc.
ONE OF ONLY 80 NUMBERED LARGE-PAPER COPIES ON DUTCH LAID PAPER ("hollande") OF MAETERLINCK'S OCCULT MASTERPIECE. VII, 327 pp. 8vo. BEAUTIFULLY BOUND BY FRANZ (signed) in three-quarters aubergine morocco and decorated boards. Spine gilt in five compartments. Top edge gilt, other edges uncut. Original wraps and backstrip preserved. Tiny traces of wear to binding, else FINE AND BRIGHT. Rare.
<p>5 volumi, 18 cm, rilegatura coeva "alla rustica", titolo ben manoscritto al dorso. 1: Tomus primus complectens logicam, & metaphysicam; p. (29), 516, 1 cb, 2 tavole ripiegate fuori teato. 2: Tomus secundus. Quo elementa geometriae, & physica generalis continentur; p. 455, 1 cb, 13 tavole ripiegate f.t. 3: Tomus tertius qui physicam specialem comprehendit; p. 502,1 cb, 15 tavole ripiegate. 4: Tomus quartus, continens ethicam, seu moralem disciplinam; p. 476, 1 cb. 5: Tomus quintus, Exercitationes scholasticae in varias partes philosophiae, praesertimque in Aristotelis metaphysicam; p. 364, 1cb. Per tutti i volumi, antica firma alla prima carta bianca, marca tipografica (araba fenice sul rogo che guarda il sole) al frontespizio. In parte intonsi. Rare e lievi bruniture per i primi 4 volumi. Al 5° volume, mancanza all'angolo inferiore delle prime 35 carte lontano dal testo. Testo in latino.</p>
pp. [24], 528 Including illustrated title page engraved by C. Hagen [Christiaan Hagen / van der Hagen / Hagens of Bremen (ca. 1635-1707). Latin text with some Hebrew. Includes a brief but interesting section on Kabbalah. Though this work is held by a few major European libraries, we can find no holdings among U.S. libraries. / BOUND WITH / Geier, Martin (1614-1680); Maimonides, Moses (1135-1204). MARTINI GEIERI L. DE EBRAORUM LUCTU lugentiumq[ue]; ritibus; E Sacris pracipue, nec non R. Mosis B. Maimon tit. Efel, alijsq[ue]. Impensis Hared. Henningi Grossi, Lipsiae (Leipzig, Germany): 1656. pp. [24], 432 [i.e. 434], [34]. Latin with some Hebrew text. 24 mo.140 x 90 x 56 mm. Bound in old full vellum, with much of the covering gone from the front board. The colophon reads: Lipsiae, Literis Friderici Lanckisii imprimebat Christophorum Cellarius, 1656. Very Good. For this work there are a few U.S. holdings and about a dozen in Europe. SCARCE. CHEST 2/1
Collana "Monografie di Artisti Italiani Contemporanei 7". Introduzione di Lamberto Vitali. Antologia Critica. 252 tavole a colori applicate e in bianco e nero. Note biografiche e Bibliografia Stampato nelle Officine Grafiche Esperia di Milano. 4to (cm 33x24,5). pp. 94 + tavole. . Molto buono (Very Good). Dorso e parte della tela della copertina leggermente macchiati (Slightly soiled cloth of spine and cover). Prima edizione (First Edition). .
[Manoscritto-Filosofia] (cm21x14) 1823-24, mz pergamena originale. Manoscritto cartaceo del XIX sec. in latino, di unica mano. -- cc. 40 num., cc. 120, -- cc. 60, cc. 5 nn. + 7 bianche con titolo entro cornice, in gotico e capilettere. Al fine degli argomenti semplici decorazioni. L' opera è divisa in 4 parti: logica (32 capitoli); metaphisica(12 cap. con 12 di psicologia); theologia naturalis (4 cap.); etica (8 cap.). Segue un copioso e dettagliato indice di consultazione. In fine un breve compendio della filosofia in italiano. Chiarissima grafia ed ottima conservazione. Il manoscritto fu redatto a Chiavari.[f28] Libro
359 p. 12mo. 16 cm. Foxed. Contemporary full leather binding. (American) manuscript ownership of John Meyers. An important collection of German Christian mystical texts. This edition is very scarce, and especially more interesting for its American ownership. Jakob Boehme (or Böhme) [1575-1624], German religious mystic, a cobbler of Görlitz, in England also called Behmen. He was a student of the Bible and was influenced by Paracelsus. In his major works, De signatura rerum (The Signature of all Things) and Mysterium magnum, Boehme describes God as the abyss, the nothing and the all, the primordial depths from which the creative will struggles forth to find manifestation and self-consciousness. Evil is a result of the striving of single elements of Deity to become the whole; conflict ensues as man and nature strive to achieve God who, in himself, contains all antithetical principles. Boehme exerted a profound influence on the philosophies of Baader, Schelling, Hegel, and Schopenhauer. Boehme claimed divine revelation and had many followers in Germany and Holland. Societies of Behmenites were formed in England; many of them were later absorbed by the Quakers. QUITE SCARCE AND IMPORTANT. **PRICE JUST REDUCED! PA 011A. BEFORE ORDERING - PLEASE Email to RareBooks@POBox.com so that we can CONFIRM AVAILABILITY
Fuller Title: OFFENTLICHES DENCKMAHL DER LEHR-TAFEL einer weyl. wurtembergischen Princessin Antonia in Kupffer gestochen, Dessen Original sie von den 10. Abglantzen Gottes in den Dainachischen Brunnen in einem prachtigen Gemahld gestifftet, Wobey von der Kraft der Brunk-Quellen, von der Philosophie der Ebraex. von dem Geist Gottes nach allen Stellen Neuen Testaments eine Erklarung gegeben wird. pp. 431, [1]. Small 8vo. 175 mm. Some foxing and age stain. Early full leather binding; boards detached; spine worn, with loss. XLib. Oetinger, a Lutheran Pietist and Theosophist, was greatly influenced by Kabbalah (Cabala), and the writings of Johannes Reuchlin. He develops here a system of Christian Kabbalism, and discusses what is now known as 'The Kabbalistic Master Tablet of Princess Antonia.' Some copies of this work apparently have a folding plate of the tablet. Scarce and significant. **PRICE JUST REDUCED! GER-GER1
Very Good. No dust jacket. Light wear and slight discoloration to white covers. Age-toned paper. 8 3/4"w x 11"h. Each volume is around 110 pages. Many black and white photos and illustrations throughout. Fascinating articles such as "Did Spacemen Destroy Sodom?" and "So Satan Has The Last Laugh." Topics include: extraterrestrial life, Tutankhamun, Loch Ness monster, Lindbergh baby kidnapping, San Francisco Earthquake, reincarnation, witchcraft, black magic, occult, alchemists, UFOs, the Bermuda Triangle, Nostradamus, Aleister Crowley, Abominable Snowman and many more.
pp. (x) 178 + Publisher's broadsheet (1). 12mo. Damp and age stained. Stencil and manuscript ownerships of Robert Gill. Plain modern wraps. Swedish philosopher, scientist and religious writer, Emanuel Sewdenborg (Swedenbourg) [1688-1772] established himself as an inventor and scientist. He started having visions in 1743, and devoted himself thereafter to psychical and spiritual research. interpreting the scriptures as the immediate voice of God. He taught that all scripture contains an inner, spiritual sense which is not at all obvious from the natural sense of the word, or our understanding of the world. Among other things, he taught: that the universe is filled with inhabited planets, which are peopled by perfect human forms just like those on our earth; that their spirits in the spirit world can be seen and contacted, and he proceeds to describe some of their inhabitants ('Worlds in Space'); in 'Heaven and Hell' he describes in detail the heaven and hell of the spirit world, and how people and societies there function and are organized; in 'Divine Love and Wisdom' he describes the nature of that divine Spirit which emanates from the Deity, called in the scriptures the Holy Spirit or Holy Ghost, and which appears in the spirit world as the sun, and gives light and heat to the inhabitants of that world - its light having the effect of intelligence, and its heat having the effect of love; in 'The Doctrine of the New Jerusalem Concerning the Lord' he discusses the spiritual interpretation of the doctrine of the Godhead; Etc. Although he never preached publicly or formally founded a religious sect, his followers which included many artisits and freethinkers (among them William Blake) constituted a considerable society which became known as the New Jerusalem Church. This is the rare "Second Edition" published in the same year as the first. **PRICE JUST REDUCED! W140Rt
