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50231London: William Rider & Son Limited 1925. 1st edition. Chapters include: I. Imitations from the Old Records; II. The Acception and Robert Fludd; III. Ancient York Masonry; IV. The Mystical Quest in Freemasonry; V. Masonic Tradition and the Royal Arch; VI. The Second Birth of Masonry in Continental Rites; VII. Grades of the Secret Tradition; VIII. Christology of the Secret Tradition; IX. The Chivalry of the Holy Temple; X. The Development of Vengeance Grades; XI. The Alleged Masonic Peril; XII. The Place of Masonry in the Rites of Initiation. Pp.xii/301 gpresentation message Bequeathed to Joshua Nunn Lodge 2154 by W.Bro. Ernest Clayton. P.G.Std B to inside front board a few minor marginal spots. Bright blue cloth with blind-stamped title to front gilt title to spine minor wear to top and tail of spine. Scarce. VG. London: William Rider & Son Limited, 1925. hardcover
120690aafA Paris, chez Pichon et chez Mme Depierreux, 1803, in-8vo, (20.5 x 13 cm), frontispice portrait de Burke +1 f. + XXXIX (+1 p. errata) + f. (Errata) + p. 21 (recte p. 32) à 323 (recte 333 p.) (+ 1 p. blanche) , les 20 dernières pages tachées d’eau avec légères moisissures, reliure en basane, dos lisse richement orné, bel exemplaire.
in-24, pp. 385, (3), broch. edit. Seconda edizione, facente parte della Collezione dei Classici Metafisici (Estetica), a cura di Defendente Sacchi. Trattatello di estetica in sette ragionamenti (prima edizione 1808), che ''costituì il primo tentativo compiuto dal C. per strutturare e far convivere nei suoi sette Ragionamenti suggestioni e convinzioni di differente matrice: l'estetica kantiana, l'evoluzionismo illuministico, il pensiero sensista, l'indagine storica e analitica. Centrale la distinzione tra bello assoluto e bello relativo...'' (D.B.It. XXV, pp. 421-5). Discreto esemplare, lievi aloni d'umido marginali.. Cicognara 1048 (la I ediz. 1808)..
1836112741Paris, Debécourt 1836 In-4 25 x 16 cm. Couverture d’attente verte, XVI-314 pp., 6 planches hors texte, table des matières. Rousseurs marginales. Ouvrage d’une relative rareté.
1988208466Felix Meiner Verlag Hamburg 1988. Softcover Nachdruck. Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Felix Meiner Verlag, Hamburg, paperback
1914305296Verlag Ernst Reinhardt München 1914. Softcover Heft ohne Schutzumschlag 2. Auflage Zustand: Aus einer Privatbibliothek mit Kennung kleines Rückenschild. Keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten sind berieben/bestoßen. Verlag Ernst Reinhardt, München, paperback
35234In-8, broché, couverture de papier moderne, 90 p., qqs rouss. Paris, Imprimerie nationale, An II [1794].
In-8, broché, couverture de papier moderne, 90 p., qqs rouss. Edition originale du procès verbal de la première séance du "Jury des Arts". Constitué sur proposition du peintre David, conventionnel et ami de Robespierre, Le "Jury des Arts" était destiné à se substituer à toutes les juridictions anciennes après l'abolition des anciennes académies pour juger les ouvrages de peinture, sculpture, architecture mis au concours. Il était présidé par de Jean-Nicolas Pache qui fut ministre de la guerre et maire de Paris. Parmi les membres du jury: Dufourny (architecture), Monge, Nicolas Xavier Willemin (gravure), Goust, Fragonard, Naigeon et Pierre-Paul Prud'hon (peinture), Poidevin (architecte), Talma, etc. Bon exemplaire.
189710910Paris, Charles Mendel, 1897. 2110 g In-4, demi basane havane, [2] ff., vii-512 pp., [1] f.. Illustré de 13 planches hors-texte (en couleurs et en noir, parfois dépliantes) et de 41 figures (dont 40 in-texte et une hors-texte). L'ouvrage contient également 2 planches hors-texte supplémentaires qui ne sont pas annoncées dans le titre. Par ailleurs on trouve quelques notes manuscrits qui semblent être des corrections appartenant à l'édition. Edition originale rare de ce livre curieux. Petits frottements. . (Catégories : Arts, Esthétique, Philosophie, )
18441197415Göttingen, Vandenhoeck & Ruprecht, 1844. 6, 266 S., 1 Bl. Hübscher Hldrbd d. Zeit m. Romantikervergoldung (Deckelkanten m. Feuchtigkeitsspur, kaum braunfleckig).
20111261852011 Editions Gallimard / Musée de l'Ecole de Nancy - 2011 - In-4 broché, couverture rempliée, sous jaquette illustrée - Ouvrage publié à l'occasion de l'exposition "Jacques Gruber et l'art nouveau. Un parcours décoratif", organisée par la Ville de Nancy et le musée de l'Ecole de Nancy aux galeries Poirel, à Nancy, du 16 septembre 2011 au 22 janvier 2012 - Nombreuses illustrtions en N&B et en couleurs, in et hors texte, dans l'ouvrage
19451187681945 Editions Baschet et Cie (sous séquestre de l'Administration des Domaines) - 1945 - Fort in-folio, demi percaline pourpre - Complet de son "lorgnon bicolore qui lui permettra d'avoir en examinant les anaglyphes des pages 285 à 288 la sensation du relief" - 451 p. - Très nombreuses reproductions photographiques in et hors texte en couleurs et en N&B, dont certains contrecollés - PREVOIR UNE AUGMENTATION DE FRAIS DE PORT EN CAS DE COMMANDE
Terza edizione, di note accresciuta. <BR>16°(cm.19,5), pp.XV (1) 111 (1), vignetta di carattere mitologico in cornice ricca cornice inc. in rame al front., con la scritta: Xalepa' ta kala. Mz. perg. recente. Un'antica sigla al front. Lievi fioriture. Dalla prefazione "... ho stimato bene darvi una breve notizia dell'edizioni più celebri finora fatte... Francesco Robortello d'Udine avendolo ritrovato sepolto in una libreria, fu il primo a pubblicarlo: e ciò seguì in Basilea per le stampe di G. Oporino... Paolo Manuzio, figlio di Aldo, nulla sapendo di tale edizione, lo pubblicò similmente anch'esso l'anno seguente... Il primo a darlo in luce colla traduzione latina fu Gabriello dalla Pietra e fu impresso parimenti in Ginevra l'anno 1612 per G. Tornesio... (e prosegue con altre ediz. con trad. in latino)... Non son'io però stato solo e primo a tradur in toscano... Si dice che in questa famosa Libreria Magliabechiana vi sia la traduzione toscana fatta da Giovanni da Falgano... Con somma lode rammemorar si dee la traduzione pari-menti toscana di Niccolò Pinelli fiorentino il quale fu il primo di tutti a donarcela l'anno 1630... l'anno 1723 mi fu permesso di vederla da un mio bun amico... Nel frontespizio (per non lasciar di dirvi ancor questo) ho voluto porre per insegna del libro, Dedalo, che sta terminando con grande applicazione l'ala destra, per darla a Icaro suo figliuolo; il quale avendosi di già adattata agli omeri l'ala sinistra... mostra la sua impazienza... Il disegno è stato preso diligentemente da un'antica gemma, di cui ne ho l'impronta; e vi ho aggiunto oltre i simboli di Mercurio, Dio dell'Eloquenza, quel motto greco, Xalapa' ta kala, il quale mostra, che tutte le belle e oneste cose, ardue sono e malagevoli". Il trattato contiene infatti le regole per determinare le belle idee, a quali fonti e autori ispirarsi, come conquistare il sublime attraverso lo studio. Il trattato fu attribuito erroneamente a Cassio Longino, ma nel codice dal quale si ricavò, Codex Parisinus graecus 2036, del X sec. (cfr. Diz. di filosofia Treccani), si leggeva "Dionusiou e' Logginou" ("di Dionisio o di Longino"), da cui l'Aut. è indicato come Pseudo Longino. [Gamba 2314-nota questa e ediz. Canterzani, Cat. dei libri pubbl. da Lelio della Volpe, p.146 n.11: "Accurata ristampa di questa versione, terza rispetto alla prima fatta in Verona nel 1733 e a quella Firenze nel 1737 pubblicata dal Gori... Vi si trova lo stesso discorso proemiale che il traduttore indirizza alla gioventù studiosa e tiene la medesima insegna al front. che è la delineazione della gemma..."].
19926071992 - cartonné - L'Atelier Productions Pte Ltd., Singapour - 1992 - In-folio (37 x 27 cm) reliure cartonnée, sous jaquette de l'éditeur - 160 pages - Très nombreuses illustrations en couleurs et photographies en noir et blanc - ISBN : 981-00-3288-9 - Chua Soo BIN (Directeur de la publication) - Textes en anglais et en chinois - ENGLISH: L'Atelier Productions Pte Ltd., Singapore - 1992 - Folio (37 × 27 cm) hardcover binding with publisher’s dust jacket - 160 pages - Numerous colour illustrations and black-and-white photographs - ISBN: 981-00-3288-9 - Chua Soo Bin (chief editor and photographer) - Texts in English and Chinese - 中文:L'Atelier Productions Pte Ltd.,新加坡 — 1992年 — 大开本(37 × 27厘米)精装本,附出版社原装护封 — 160页 — 大量彩色插图及少量黑白照片 — ISBN 981-00-3288-9 — 主编、摄影:蔡斯民(Chua Soo Bin) - 中英文对照
1847245990Gottfr. Basse Quedlinburg 1847. Softcover Zustand: Beschädigungen: Der Einbanddeckel fehlt der rückseitige ist lädiert keine Eintragungen. Ecken Kanten sind bestoßen/berieben. Unbeschnitten. Gottfr. Basse, Quedlinburg, paperback
1863264545Otto Meissner Hamburg 1863. Hardcover Lederrücken und -ecken Lesebändchen ohne Schutzumschlag Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten bestoßen berieben abgeschabt. Mit festem Block. In allem original. Otto Meissner, Hamburg, hardcover
51505Cork: Printed by Guy & Co. Ltd. 70 Patrick Street 1941 . Third Edition With revisions and additions . Copyright. Scarce copy: Elizabeth Aldworth - The only woman ever admitted to the Masonic Order and her initiation around 1710. 9.0" x 5.75" . pp.37 . Light blue cloth boards with gilt lettering to front board. Edges lightly rubbed and bumped. One light blue paint spot to the front board. White endpapers. Clean throughout. No library marks or other ownership details. Compass and square frontis. Printed title. Text very clean. With 9 colour and black & white illustrations. The Lady Freemason 1693-1772 . Perhaps the most intriguing story in connection with Munster Masonry concerns the Hon. Mrs Elizabeth Aldworth nee St Leger the only Lady Freemason. She was born in 1693 the fourth child and only daughter of Viscount Doneraile who was himself a keen mason. The story states that Lord Doneraile held Lodge meetings at Doneraile Court from time to time. On one occasion c.1712 some building work had been partially completed whereby two rooms were to be connected by an arch. Lord Doneraile and other masons held a meeting in one of the rooms not realising that Elizabeth was in the other room having fallen asleep whilst reading. The sound of voices awakened her and her curiosity aroused she removed a loose brick in the wall and observed the proceedings. It is reported a staff member discovered her. The members of the lodge under the circumstances felt they had to initiate her. At this time she was a young girl not more than nineteen years of age. She remained an interested member of the order until her death in 1772. Typed letters include: Lady Castleton to Mrs Hanford Flood 20 Oct 1907; 4 letters dated 29 Sept 1911; 12 Oct 1911; 19 Oct 1911 & Nov 11 1911; all from John Day the author to Mis A. H. Flood . "Alice Hanford Flood was born in Kilkenny Farmley Leinster Ireland about 1856 daughter of William Hanford Flood 1809 - 3 May 1892 and was the was a sister to Mary Frances Hervey. In 1881 she was living with her father at Wollas Hall Pershore Worcestershire. In 1901 a 44 year old spinster living at 16 Queens Road Paddington London and as Miss A. H. Flood of Thurston she exhibited a watercolour at the 3rd Suffolk Art and Aid Association exhibition held at The Athenaeum Bury St Edmund's on 23 October 1908. In 1911 a 55 year old living at Thurston Cottage Bury St Edmund's Suffolk the home of her brother-in-law Col. Constantine Hervey. Cork: Printed by Guy & Co. Ltd., 70 Patrick Street, 1941 . Third Edition ( With revisions and additions ). Copyright. hardcover
507361876 & 1878. Standard Victorian Notebook. 8.25" x 5.5" x 1.0". 180 leaves with handwriting on one side of each leaf. Crimson Morocco spine and corners over crimson buckram boards. Two old adhesive labels applied to the front board: "Canadian K. T. Ritual and K. M. Ritual; and The American Red Cross Ritual." Marbled endpapers and matching page edges dulled. Two handwritten title-pages: " page 1 - United Orders of the Temple & Malta. Rituals of the Sovereign Great Priory for the Dominion of Canada Founded on the English System of Templars. A.D. 1876." ; page 91 - "Degree of the Order of Malta in connection with the Sovereign Great Priory Of Canada of the United Orders of the Temple and St. John of Jerusalem Palestine Rhodes and Malta as Authorized by the Great Priory of Canada A.D. 1878." Neat inked handwriting throughout with accompanying diagrams. Very well executed. 1876 & 1878 hardcover
1988244911Felix Meiner Verlag Hamburg 1988. Softcover Nachdruck. Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Felix Meiner Verlag, Hamburg, paperback
in-16, pp. (4), 404, broch. edit. Edizione originale di questo ''splendido ed erudito trattato di estetica'', come lo definì Franc. Prudenzano pubblicando la seconda ediz. nel 1860. Bell'esemplare, intonso.. Tecchio-Poletti p. 68. Parenti 488..
167831000Paris Au Palais, Par la Société 1678 In-12 illustré d'un titre gravé et d'une large vignette au titre, 36f. (titre gravé, titre, Epistre, Preface, et 1 f. de " commentaires " en italique), 474p. et 14f. (Table, privilège, et 1f. blanc).
1949317147Édition de l´Auteur La Petite-Pierre 1949. Hardcover Leinen ohne Schutzumschlag Die Jahresangabe ist ungefähr. Zustand: Keine Beschädigungen mit einer Zueignung im Vorsatz und vereinzelten Textanstreichungen Bleistift leicht fleckig lichtrandig. Rücken Ecken Kanten sind ein wenig berieben. Insgesamt ist das Buch gut erhalten. Édition de l´Auteur, La Petite-Pierre, hardcover
1816291237In der Haasischen Buchhandlung Wien 1816. Hardcover Pappe mit Lederrücken und -ecken Lesebändchen ohne Schutzumschlag 1.2. Band. Zustand: keine Eintragungen. Ecken Kanten bestoßen und berieben. Beim 1. Band fehlt die Hälfte des Rückens der Rest ist einseitig aufgeplatzt. Der Block hält aber gut zusammen. Vorsatz und teilweise der Block sind braunfleckig. In allem original und gut erhalten. In der Haasischen Buchhandlung, Wien, hardcover
1849106966BBPforzheim, Flammer und Hoffmann, 1849. 8°. XX, 383 S. Hldr. der Zeit mit goldgepr. Rückentitel und Rückenvergoldung.
1992ARCH7004MRelié, 578 pages, paru en 1992 chez Flammarion, livre en très bon état général.