8 007 résultats
Very Good Turkish, Ottoman (1500-1928) Original pictorial wrappers. Demy 8vo. (22 x 14 cm). In Ottoman script (Old Turkish with Arabic letters). 302 p. Slightly chipped on extremities, stains on cover. Otherwise a good copy. First Ottoman Turkish edition of this Arabic historical novel that takes its subject from Arabic nights. "Romance and intrigue provide the central plot of the novel that is woven into the broader picture of the fall of the Barmakis. Harun held his sister Abbasa in great affection and loved to spend his evenings in her company. But his favorite companion was Ja'far. It was quite unsuitable for a man from outside the family to be admitted to the company of a young woman, but Harun found a way to arrange things; he decided to marry them to each other in what the French call a "marriage blanc". As he explained to Ja'far "you see her only in my company, your body never approaches hers and you have no conjugal relations with her. You may thus share our evenings of pleasure without risk." Ja'far accepted and swore solemnly in front of witnesses never to visit his young wife, stay alone with her or even spend a minute under the same roof unless Harun was present. But Jafar was handsome and Abbasa's beauty was second to none. The inevitable occurred. How and why no one is certain. There was a great political advantage for Ja'far to unite himself with the sister of the Caliph. But did his mother who was close to both her son and Abbasa prod them in that direction? Or was their deep love sufficient to consummate their marriage, as Zaidan seems to imagine? No one knows for sure and the novel does not speculate on what really happened. The only sure thing is that Abbasa became pregnant and gave birth to at least one child and perhaps two as related in the novel. And when Harun learned of the relationship, this was the beginning of the end for the Barmakis. The close friendship between Harun and Ja'far spawned jealousies among the Caliph's entourage. Chief among them was the hostility that Al-Fadl ibn al-Rabi' had towards Ja'far. The two men detested each other and did everything they could to destroy each other. Last but not least Zubayda, Harun's favorite Hashemite wife also did not like Ja'far. He had been a tutor to al-Ma'mun, the son of a Persian slave girl, her son's rival. It was known that Harun admired Ma'mun's gifts and was thinking of promoting him over Al-Amin in the order of succession. There is every reason to believe that Zubayda exercised her considerable influence against Ja'far. She comes across as shrewd, skillful, and willful. Zaidan never explicitly speculates to what extent al-Rashid's reaction was politically or emotionally motivated. The narrative and dialogue suggest a combination of those factors. Ja'far had been disloyal to Harun and had stained the family honor: his disobedience could not go unpunished. But Harun was shrewd and feared for his power and influence - to the extent that the Barmakis might usurp the Abbasid caliphate. Within this broad historical canvass, Zaidan's fast-paced narrative with its twists and turns is full of suspense. It covers only a few months of Harun al-Rashid's reign but one that fatefully changed the course of 'Abbasid history." (Source: The Zaidan Foundation). Zaidan was a prolific Lebanese novelist, journalist, editor, and teacher, most noted for his creation of the magazine Al-Hilal, which he used to serialize his twenty-three historical novels. His primary goal, as a writer and intellectual during the Nahda, was to make the common Arabic population know their own history through the entertaining medium of the novel. He has enjoyed widespread popularity. He is also considered to have been one of the first thinkers to help formulate the theory of Arab nationalism. OCLC: 780178860.; Özege 2.
4 vols., roy. 8vo., Revised Edition, Large Paper, on English hand-made paper; original coloured buckram (respectively blue, yellow, red, green), upper boards and backstrips lettered in gilt, gilt tops, uncut, backstrips very lightly sunned and dust-soiled (but all gilt entirely legible), a very good, bright, clean set. EDITION LIMITED TO 200 COPIES OF EACH VOLUME SIGNED AND NUMBERED BY THE AUTHOR (THESE COPIES NUMBERED RESPECTIVELY 152, 69, 51, 135). IN THE SECOND VOLUME WILLIAMSON HAS SIGNED AND NUMBERED IN GREEN INK. Williamson's first published work, 'The Beautiful Years' is the first of four in which he tells the story of 'one human unit of Europe immediately before and after the war'. The four titles are 'The Beautiful Years', 'Dandelion Days', 'The Dream of Fair Women' and 'The Pathway'. They were to be subtitled 'A Tale of Childhood', 'A Tale of Boyhood', 'A Tale of Youth' and 'A Tale of Life' through in the event only the first of these was used. The four books were first published respectively in 1921, 1922, 1924 and 1928; the tetralogy was first issued in a single volume in 1936. The present texts are as follows: first volume (second text, revised), second volume (second text, rewritten), third volume (second text, revised), fourth volume (second text, revised). Regarding the first volume, Matthews states that 'some advance review copies have an error on p.62…corrected in the published edition'. This error is present here, but Matthews makes no mention of the fact. EXTREMELY SCARCE AS A SET IN THE LIMITED EDITION. Matthews, A1 1929a(ii), A3 1930a(ii), A5 1931a(ii), and A9 1931b.
Very Good Turkish Original illustrated wrappers. Lithograph. Name and inscription on cover. A very good set. Roy. 8vo. (24 x 17 cm). In Turkish (Modern). 4 books set: (8 p.; 8 p.; 8 p.; 8 p.), richly color ills. Probably all books of the set published in 1964 altogether. First and only edition of this extremely rare set published for propaganda on "an ideal women's image" in the Republican Turkey period after the 1960 Coup d'Etat. In addition to the early period posters and brochures printed for the purpose of propaganda for women to join the defense ranks during the War of Independence, (1919-1922), the Ministry of Education continued to publish books to determine the social roles of Turkish women after the proclamation of the Republic. In the Republican era, the propaganda style on women was carried out with such books titled "How to raise children, How to be a good housewife, etc.". This set is one of the book sets including four books titled i.e. Children of Fatma, Birth preparation of Fatma, When Fatma's child was born, and How Fatma feeds her child. "Fatma" character symbolizes in this book series the idealized Turkish woman according to the social norms of that period. Not in OCLC., Not in the Turkish National Library.
Very Good Turkish, Ottoman (1500-1928) Paperback. Tear on back cover. Demy 8vo. (22 x 14 cm). In Ottoman script. 23 p., 21 unnumbered b/w ills. [OTTOMAN BROCHURE of NAUMANN SEWING MACHINE] Numan (Nevman) fabrikasinin bilumum familyalar ve terziler için mühteziz mekikli V. S. namina yeni usûl mükemmel dikis makinesinin tarifâtini mübeyyin talimâtidir: Taklid olmiyan asil V. S. Numan (Nevman) dikis makineleri üzerinde bâlade gösterilen madalya resmi bulunacaktir. An illustrated instruction booklet for use of Naumann sewing machine in Ottoman Turkish. Not in OCLC. Not in Özege. Extremely rare.
108Paris : vers 1890. UN RARISSIME ET SUPERBE EXEMPLE DE LA FUGITIVE RENAISSANCE DE L'ENLUMINURE EN FRANCE À LA FIN DU XIXE SIÈCLE
Very Good English Original pictorial wrappers. Foolscap 8vo. (18 x 12 cm). In Ottoman script (Old Turkish with Arabic letters. 82 p. First edition of this original Ottoman novella written by Mehmed Celâl (1863-1912) in the early 20th century, consisting of six chapters and reflecting the ironic complaints of a poet husband about his wife, who is living in an unhappy marriage as the main subject of the book. On the cover image, there is a wit of a woman holding a flower in her hand reflecting the analogy between a woman and a flower made by the Turkish poet Ahmed Rasim (1864-1932). Mehmed Celâl is one of the well-known writers and poets of the last Ottoman period. He is known for his emotional and dreamy poems and stories. Özege 15307.; OCLC 45120692, 634949114, 67122665, 1030750506.
2008953PublishAmerica 2008. Paperback. Good. No dustjacket as issued. Cover has some wear along the edges and a small crease in upper left rear corner. First printing. Signed and inscribed by the author Douglas Wilson to former book owners on page after copyright page. PublishAmerica paperback
1943List3433Reading Vermont 1943. 156 pp with approximately 207 poems plus a 1934 rejection letter from Perry Mason & Co. Spine broken cover nearly detached and pages coming detached; some toning and wear to edges of pages with smell. Overall very good minus. A book of poems by Vermonter Mary S. Fay likely 1875–1968. Fay’s topics include friends’ special events; current events such as “Titanic†May 15 1912 and “America We Are Ready†1915 presumably concerning World War I; nature themes and seasonal poems; and especially nostalgic and sometimes defensive poems about Vermont including “Strike Not The Land That Shelters†which was “Written on learning slurs cast in Vermont by alliens who come to Vermont to resideâ€.<br /> <br /> However Fay sometimes took up expressly political causes in her poetry. For instance in April 1911 she penned “Equal Rights Proclaimingâ€:<br /> <br /> “Sister Woman look ahead / For there dawns the gladsome time / When thy queen Equal rights treads / O’er the land with light sublime: / O raise your voice on high / Loudly in sweet acclaim / ‘Till they reach yonder sky / And there the rights proclaim. . Sister Woman of today / Thou have striven long and well / Thou’ve waited in twilight grief / For the ring of Freedoms bell. / Though at times all seem’d as lost / Thou upheld thy banner height; / And you counted not the cost / But press’d onward thru’ the night.â€<br /> <br /> In March 1915 she took up the topic again in a poem titled “Enfranchisementâ€:<br /> <br /> “Fled the years of servile shame! / Woman ‘tis this hour at last / Honor thy glorious name / Spread thy banner to the blast. / Brave my sisters in thy might / Steadfast yet and valiant be; / On thy noble standard write / Equality law and liberty. . Enfranchisement thus we vow / Shall be ours ere we abate / Our strife which thru and thru / Of our life’s blood we consecrate / Upon the altar upon the shield / Equality for all eternity; / Shall be ours at home afield:- / Equality law and liberty.â€<br /> <br /> Despite the efforts of groups such as the Vermont Equal Suffrage Association formed in the early 1880s Vermont women did not get the right to vote until the rest of the country did ratifying the Nineteenth Amendment in 1921.<br /> <br /> She also writes an intriguing more general protest poem seemingly for labor rights titled “Justice Where†August 1911:<br /> <br /> “Tho labor’s toils in day by day / Beneath the heat and the cold; / While the oppresser sits in grandest state / With a mere pittance to pay / To keep hunger from the fold / And in false pride his tyranny relate. / Awake all ye toilers / Drive at the oppresor bold! / Unfurl thy glorious standard of Right / O’er many a dear home fold / And thus ever protect it with thy might.â€<br /> <br /> Another of Fay’s causes was temperance; in 1914 she wrote “A Temperance Boy†dedicated to “six year old Clark A. Ritchieâ€:<br /> <br /> “A little temperance boy am I / And proudly its banner I will fly. / Pure cold water is what I drink / And its the best of all I think. / A big promise don’t expect of me / for I’m only a little boy you see.â€<br /> She objects to smoking as well writing in “Why is it†1932 that “I must relate / smoking I hate. / ‘Be a sport girls’ / That is the cry / If in the whirl / They are a bit shy.â€<br /> <br /> Overall a charming document of a woman’s progressive politics expressed in verse. unknown
116p. 8vo. Original color photograph spiral binding. Soft covers. Very good condition. Quite a nice copy of a scarce church cookbook. ** PRICE JUST REDUCED!! COOK 1
c4833Clermont-Ferrand, Aux Editions du Dome et du Centre, 1932 ; in-8°, broché, couverture crème imprimée en noire et rouge; 246pp.,2pp.nch.50 Portraits avec signatures autographes des auteurs.Couverture poussiéreuse et jaunie, intérieur en bon état.
1331288223.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
193058055Portland OR: Hollywood College of Music Dancing & Fine Arts Baker Studio Granada Studio La Vere Photo Shoppe Photo Craft Studios ca. 1930-1933. Oblong 4to. 24 original photographs all preserved in archival mylar sleeves sized 6.25 x 7 in. up to 8 x 10 in. some w/ photographer’s imprint w/in negative others w/ manuscript captions added a few w/ annotations and/or photographer’s instructions on versos all with bright strong contrast a few w/ offsetting from previous mounting on versos and one w/ very small pinholes at corners from prior mounting. Recent cloth binder stamping front cover excellent grouping. These photographs vividly document the dance and music studio operated by Annabelle Knowles reflecting the fast evolving costumes and aesthetics of the twilight of the Roaring 20’s as the U.S. descended into the Great Depression. These photos also clearly reflect the influence of Gus Edwards 1879-1945 vaudeville’s premier producer of kiddie acts and who had produced and released the shorts “Kiddie Revue†in 1930 and 1931. His influence was not only driven by his songs “By the Light of the Silvery Moon & “School Days†but also discovering such stars as Groucho Marx Eddie Cantor Mae Murray Sally Rand and many others. The images depict girls in two-piece outfits in front of Art Deco staging for “Body and Soulâ€; bare-backed girls in Flapper Era inspired costumes for chorus line “Kiddie Revueâ€; song and dance routines featuring Ronald Chetwood in top hat with Marcile Shillito Virginia Collins and chorus line in Jazz Age era costumes and canes; and several show Barbara Jane Wicks Shirley Jay Mulkey and Sunny Dentler in Spanish inspired costumes for “Baby Vanities.†Another shows adolescent boy and girl dance team in an “Apache†dance inspired costume number. The Hollywood College of Music Dance & Fine Arts offered classes and instruction in all ages with the last few photos showing teenage girls in chorus line with short hair coquettish expressions and teamwork or chorus line numbers. Annabelle Knowles 1900-1989 was a musician and dancer who founded the Hollywood College of Music Dancing & FIne Arts at 4112 NE Sandy Blvd. some time in the late 1920’s. Most of the street directory references focus on 1929-1932 and her British-America theatre-director husband at the time Vincent Knowles 1883-1944 worked at the studio as well. Baker 1882-1972 was a longtime commercial studio photographer in Portland OR who had initially begun as a photographer with noted tourist travel guide Howard Eaton photographing tours through National Pakrs. Beem 1892-1984 was founder and photographer at Granada Studio located in the 1930’s at 515 Swetland Building in Portland. Centlivere 1878-1964 owned and operated La Vere Photo Shoppe and Photo Craft Studios on Sandy Blvd. in Portland for nearly all of his career. We could find no similar collections or photographs or even references to Annabelle Knowles and very few examples of any of these three photography studios in institutional holdings. Hollywood College of Music, Dancing & Fine Arts, Baker Studio, Granada Studio, La Vere Photo Shoppe, Photo Craft Studios, hardcover
193361492Tacoma Lakota Beach & Seattle WA: Fay Muridge 1933-1985. 8vo. 230 pp unpaginated. With ink sketches pencil sketches watercolour paintings drawings inserted and tipped-in photos business cards drawings & paintings in process clippings and even a 3 pp. ALS from Fay to her mother Naomi Muridge 1878-1967 on Elysees-Star Hotel stationery dated June 1960. Blue cloth enhanced with a Areovias Reforma precursor to Aeromexico sticker and laminated over later some edgewear rubbing still a VG exemplar. This outstanding artist’s manuscript sketchbook traces the development of this noted Seattle/Tacoma artist and window display designer from high school into the 1980’s. The opening pages dated 1933-1934 for her Architecture class at Stadium High School in Room 400 indicate an early advanced skill set with architectural renderings details house plans and more. At some point about 1950 following her divorce she restarts her career as a window designer for the Bon Marche and as contract artist filling the notebook over the succeeding 35 years with ideas paintings sketches. and pen & ink nude sketches at the end from her Sketch Classes in 1952. She documents her trip to Mexico in 1954 with a sketch of the engine cowling and then details of a Chinese Garden in Mexico the Iglesia de Santa Prisca in Taxco Mexico the Taberna del Greco and architectural details she comes upon. She appears to have subsequently stopped off in Los Angeles for an extended inspiration tour as she includes 20 pages of quick sketches of display cases window displays floor display equipment and lighting at various department stores and retailers including Robinsons Haggerty’s Bullocks Saks Fifth Ave. and Mildred Moore in Beverly Hills. Together with quick sketches of your 7-year old daughter Fay Marie 1947-2018 at ballet class in 1952 she has also included three Christmas-related sketches apparently related to her work on Bon Marche holiday windows. This sketchbook also contains several full watercolour paintings and dozens of sketches in colour with water colour paintings of the Muckleshoot Indian Missionary Church June 18 1952; Spring Gultch Campsite - Bitterroot River; Big Horn Mountains -- S.E. Sheridan June 20 1983; Near Sun Dance Wyoming along Hwy I-90 East 1983; Big Hole Country Wisdom MT 1983 and many others some showing progression. Muridge 1917-2007 was born in California but then grew up in Seattle and Lakota Beach near Tacoma WA and during the 1930’s after attending the University of Washington she was a popular window display designer for the Bon Marche often creating elaborate automata and manikins. She married Ray Suttles in 1941 and was divorced with custody of her daughter by 1950 designing windows & floor displays for Bon Marche in Seattle and Tacoma Frederick & Nelson and Bremer’s in Bremerton WA. She traveled extensively taking her daughter on the Cunard Line Queen Elizabeth in 1958 and again in 1960 to Paris leaving her daughter with her mother as indicated in the laid-in ALS. She was also known not only for her displays for Northwest Orient airlines but well-known as well for creating “cachets†for envelope covers and post cards often with military themes. See: Cachet Maker Marie Fay Muridge Naval Cover Museum 2024; Doug Henkle U.S. First Day Cover Cachet Display Catalog: Philadelic Birth Dates Indiex & Links 2024. Fay Muridge, hardcover
pp. viii, 700, (4) [Publisher's advertisement] + Nine engraved plates (foxed). 8vo. Original full leather binding, boards almost detached. Frederick Augustus, Duke of York and Albany (1763-1827), was the second son of George III and Queen Charlotte. His career at court, in the House of Lords, and in the military makes fascinating reading, but it is a great controversy and scandal that most concerns us here. He had become entangled with a handsome adventuress, Mary Anne Clarke (1776-1852). The precise facts of Mary's early love life and adventures are open to speculation. It is certain that in 1803, under the name of Mrs. Clarke, she took a great house in Gloucester Place and began to entertain sumptuously, and that rumor from the first coupled her name with that of the Duke of York. She rushed into the wildest extravagances; she kept ten horses and twenty servants, including three men professed as 'cooks'; she ate off the plate which had belonged to the Duc de Berri, and her wineglasses cost two guineas each. The Duke of York had promised her 1,000 L a month, but it was very irregularly paid. She was soon much pressed by creditors, and there is no doubt that in order to get money she promised to use her influence with the Duke of York. The Duke was at that time commander-in-chief, and had enormous patronage at his disposal, and as he was known to be an easy-going man, it was believed by those about her that he would do whatever she wished. For the promise of her influence she received various sums of money, especially from officers in the army, and the matter came public knowledge at last. The man who brought up the question in the House of Commons in 1809, Colonel Gwillym Lloyd Wardle, was probably no better than herself. He brought eight charges against the Duke for wrong use of his military patronage, and won for himself a short season of popularity. But the charges were found not proven against the Duke, though there was no doubt Mrs. Clarke had received money for her influence with him, and her beauty and courage, and even the sauciness with which she stood her long examination at the bar of the House, won her many admirers. The result of the investigation was that the Duke resigned his post of commander-in-chief, to which, however, he returned in two years, and that he broke off his connection with Mrs. Clarke. This scandalous case raised a cloud of pamphlets, some of which are very amusing, and most of them full of falsehoods. Later in 1809 Colonel Wardle prosecuted Mrs. Clarke and two pamphleteers, F. and D. Wright, for libeling him, and after a trial, which did not resound to his credit, the prisoners were all found "not guilty". Mrs. Clarke next proposed to publish the letters she had received from her princely lover. This had to be stopped at all risks, and Sir Herbert Taylor bought up the letters, and offered Mrs. Clarke 7,000 L. down and a pension of 400 L. a year, and for this consideration the printed edition was destroyed, with the exception of one copy deposited at Drummond's bank. Her next publication, "A Letter to the Right Hon. William Fitzgerald," brought her into trouble, and she was condemned in 1813 to nine months' imprisonment for libel. She then settled down and devoted herself to the education of her daughters, who all married well. After 1815 she removed to Paris, where she was still sought after by the numerous admirers of her wit, to listen to her scandals of old days. Especially attentive to her was the Marquis of Londonderry. She died at Boulogne, at 76 years of age. - Paraphrased from the DNB. W141
612 p. + 13 Plates. Foxed. 8vo. Contemporary full leather binding, worn. Early printed bookseller's label: "J.G. Auner. Philadelphia" Dewees was one of a small group of physicians who successfully fought the then overwhelming prejudice against the right of physicians to practice midwifery. He was probably the first American physician ever to deliver a full course of lectures upon the subject. SCARCE. **PRICE JUST REDUCED! MED11
576 p. + Frontis and 5 full page engravings with original tissue guards. Slight offsetting onto title page. Double column. Early manuscript Christmas presentation 'Miss Juliaette Wicker, A Christmas present from her father Dec. 25, 1864. Edges marbled. Ruled in black throughout. Large 8vo. 230 mm. Leather binding, worn. Original leather spine label. Rebacked in leather in an earlier period. Boards fragile. Hardbound. Text very good. PALIB 4
197056570NY: Church Women United 1970. A double-pocket folder of materials on women's liberation. Folder slightly worn and chipped at edges o/w VG. Includes offprints of articles by Zoe Moss Naomi Weisstein Nelle Morton many others. Also a book list activities suggestions conversation starters. ca 25 items. Church Women United unknown books
201268400ABNew York., The Monacelli Press., 2012. 28,7 x 23 cm. 217 S. Illustrierter OPappband., 68400A Erste Auflage. Einband minimalst berieben, sonst sehr gutes Exemplar.
1946007569Philadelphia: Macrae-Smith Co 1946. Hardcover. Very Good /fair . 264 p.: illustrations; 21 cm. Blue cloth with dark blue spine and cover titles and spine decoration. Top page edges red. Illustrated dust jacket printed in blue and red; in mylar cover. Publisher's advertisements on back flap and back section. Elizabeth Headley was one of the pennames used by American author Betty Cavanna 1909-2001 who published many works for teens and children from the early 1940s into the late 1980s. The ups and downs of Diane's sophmore year in high school have made this a perennial favorite. This is the first edition with illustrations by Janet Smalley of a book reissued several times with other illustrators. This edition is very scarce. Book is in Very Good Condition: ends of spine and corners lightly rubbed; "Vo. 31" written at lower edge of front free endpaper; top page edges slightly soiled and discolored; pages are clean and tight. Dust jacket is in Fair Condition: loss at ends of spine corners and along flap folds; lightly soiled; the red has faded; no loss of printing or illlustration. Macrae-Smith Co hardcover
Two volumes. Double column. Small folio. Original full half leather binding. Volume two front joint fragile. A scarce set in this format. MED 4. **PRICE JUST REDUCED!
Book in virtually mint condition. 128pp. This study from the women of the Liverpool Women's History Group gives us a fascinating insight into their lives in the 1930s and 1940s. For most the 1930s was a time of extreme poverty, when women were virtually shackled to the home by the drudgery involved in bringing up large families without any modern appliances. The 1940s were characterised by the anxiety of war and separation, rationing and make-do and mend.
191346076New York: Dodd Mead & Co. 1913. Two vols. Thick 8vo. xiii 1 354; x 324 pp. Red ribbed cloth gilt lettering on spines t.e.g. minor shelfwear still a NF set w/ bookplate on front pastdown of P.E. Bowles. First edition of this fascinating memoir of life and travel by Mary Crawford Fraser d. 1922 wife of the British Minister to Japan was well known for her missionary efforts in Asia. Of particular interest is the substantial portion of the second volume devoted to their life in Peking & China in the 1870s. Dodd, Mead & Co., hardcover
19807064Sans lieu, Editions Page / Guépard, 1980. In-4 non paginé, pleine toile bleue frappée blanc, gardes ornées d'une photographie en noir. Dos légèrement passé, autrement très belle condition.
222p. Remnants of price stickers on title page. Stamped ownership of Rev. Carl R. Schmoyer, Allentown, PA on inside front cover. Paperback. Third printing. "Every woman is a steward whether she wills it or not, and thus she must come to a personal understanding of stewardship. Here twelve women have put into words their search in the area of personal resources for stewardship. In the light of the demands of society and the temptations of self-centeredness, they ask one hard question: How does God want me to use my resources? In this book Stewardship of; the Gospel, Time, Children, Possessions, Personality, Intellect, Speech, Talent and Abilities, Suffering, Relationships, Energy, and Money. The writers have set new horizons for Christian women who would see the vision of stewardship in our society. A short biography of each author follows the chapter which she has written." GER-ENG PAMPH BX1 BAG A
18632488New York: Wm. C. Bryant & Co Printers 1863. First edition. Very Good . Original paper wraps. 23 pages. Number 10 in a series of 17 pamphlets addressing the causes and outcomes of the Civil War. One of two variant printings with no priority assigned this with page 23 beginning "attempt at corrupting." Some separation to the foot of spine with text block holding well. Soiling and edgewear to front wrap; rusted imprint of paperclip affecting top of pages 13-15. Small blot to text of page 13. Else a solid copy of this important work which suggests that all women who have survived the Civil War deserve credit for their strength and sacrifice. <br/><br/>While at its release A Few Words was anonymous an 1865 publication by the Loyal Publication Society attributes the work to Caroline Kirkland Mrs. C. M. Kirkland. Kirkland a writer educator and abolitionist brought a unique perspective to the debate on women's roles in the Civil War. A Northerner by birth she spend the years leading up to the war living with her husband on a homestead in Michigan. Her experience living in the North and West and traversing the South informs her response to the accusation being made by men on both sides: that the strength of Southern women and the apathy of Northern women had contributed to seccession and the duration of the conflict. According to Kirkland's argument women on both sides nursed sick soldiers rationed and experienced the losses of husbands brothers and fathers. Yet Kirkland argues that women of the South are implicated in the evils of slavery. "They having seen slavery felt it known its horrors suffered under its attendant evils and learned.its incompatibility with God's benign law of love have deliberately lent themselves.to the perpetuation of so awful an evil." As an abolitionist and a women's rights activist Kirkland highlights the cognitive dissonance involved in promoting the strength of women who refuse to recognize that their fight for equality is tied to that of all oppressed Americans. She concludes with hope from the West where she comments that strong-minded women have rejected courtships and shunned deserters who refuse to stand their ground. A rare and interesting work documenting a Union woman's perspective on American women's responsibilities in wartime.<br/><br/>History of American Women. Very Good . Wm. C. Bryant & Co Printers unknown books