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B171323-2Paris Éditions de LEffort Moderne Léonce Rosenberg n.d. 8pp. 10 titled woodcut plates. Signatures loose as issued. Oblong lrg. 4to. Self-wraps. New fitted cloth clamshell case. One of 124 numbered copies on Hollande van Gelder signed by the artist in the justification from the limited edition of 175. Paris (Éditions de LEffort Moderne Léonce Rosenberg), n.d. hardcover
168251316London: G. Wells 1682. First edition. Hardcover. Very good-. Two parts small octavo. Collation: A2 star8 B-O8 P2; second series K-2H8 2I4 = 296 leaves. 20 211 1 blank 129-487 1 blankpp. Index of letters bound between the reader's preface and the Life of Morin. Texts in Latin with occasional passages in Hebrew Arabic Syriac and Greek. Contemporary vellum lightly stained with old manuscript label faded and blurred at spine. Occasional light toning and a few oxidation spots else a very good copy with crisp text. <br /> <br /> First edition of this important collection of letters chiefly between the orientalist and member of the Oratorian order Jean Morin 1591-1659 and Cardinal Francesco Barberini 1597-1679. Occasioned by the attempt of Pope Urban VIII to unite the eastern churches with the Roman Catholic Church they document an important early attempt to address the relations between Rome and the Christian communities of the Levant and Near East. The first two letters from the Samaritan community in Egypt are addressed to Joseph Scaliger and discuss the differences between their luni-solar calendar and that employed by the mainstream Jewish community; originally written in Hebrew the present Latin versions were prepared by Morin. Fourteen letters contain the correspondence between Morin and Pietro Della Valle 1586-1652 on Samaritan matters and Islamic chronology. <br /> <br /> Purchased from the heirs of the French scholar Amelot de la Houssaye the 94 letters were edited by the pioneering biblical critic Richard Simon 1638-1712 who may be credited with the "first attempt to write a history of the Bible as a piece of literature" Schaff-Herzog. Focusing his analyses on the text versions and commentaries Simon critically discussed the Septuagint and the Vulgate and defended the translation of the Bible into the vernacular. He affirmed the critical value of the Masoretic text while acknowledging the late origin of the Hebrew vocalization system. In his Histoire Critique du Vieux Testament Paris 1678 he also dared to suggest "that Moses cannot be the author of all the books attributed to him." Too radical for its time the work was suppressed and nearly all copies of the first print run were destroyed. A transcription of one of the surviving copies served as the basis of the 1680 Rotterdam edition and an English version published at London in 1682. Simon was expelled from the Oratorians. It thus comes as no surprise to observe that his substantial biography of Morin which precedes the letters "amounts to a diatribe against not only Morin but the entire Oratorian Congregation" Wetzer & Welte. <br /> <br /> Provenance: Stamp of Collegii Albertini Bonnae at recto and verso of the title; from the library of Old Catholic theologian J. H. Reinkens 1821-96 with his manuscript entry at the front endleaf. References: ESTC R-5020; Ingold Essai de bibl. oratorienne 150; Orme Bibl. Biblica 301; Wetzer & Welte Kirchenlexikon VIII p.1919; Wing M-2764 & S-3795.<br /> <br /> Full title and imprint: Antiquitates Ecclesiae Orientalis clarissimorum virorum Barbarini Allatii Holstenii Morini Ecchellensis Peirescii à Valle Comberi Buxtorfii Hottingeri &c. Dissertationibus epistolicis enucleatae; nunc ex ipsis autographis editae. Quibus praefixa est Morini Congr. Orat. Paris. PP. Vita. Londini: Prostant apud Geo. Wells ad insigne Solis in Coemeterio D. Pauli. 1682. G. Wells hardcover
2007Alibris.0017629Paris France: Somogy. 2007. Hard cover. New in new dust jacket. Sewn binding. Paper over boards. With dust jacket. 470 p. Contains: Illustrations. Audience: General/trade. . Somogy hardcover
2022Star-97818392668432022. Hardcover. New. hardcover
2022Star-97818392668432022. Hardcover. New. hardcover
19008062Paul Ollendorff, sans date (1900) 1900 In-4 plein maroquin, deux bandes et une emprunte blanche bordée de rouge au centre des plats reliure signée Creuzevault, couverture supérieure contre-collée conservée, 75 pp. n. ch. 62 compositions dans le texte en couleurs. Rares rousseurs.
1040Paris: A. Romagnol / Librairie de la Collection des Dix / Collection de l'Academie des Goncourt 1904. A charming livre d'artiste the first of eleven published between 1904 and 1906 in the "Collection de l'Academie des Goncourt". THIS IS THE PUBLISHER'S COPY aside from the edition of 350 numbered copies. Illustrated with a frontispiece portrait of the authors and ten charming original engravings 8 of which are full-page and hors-texte by Louis Morin a few lightly erotic. Beautifully printed in Auriol types an art nouveau font on fine wove paper. This copy includes: a complete set of page proofs on the front of which Romagnol the editor has scrawled in ink his plan for the entire collection; two autograph letters signed by Morin to Romagnol in which he discusses the illustrations for this book and getting paid for them; 2 additional suites in different states of the eleven engravings in the book including a suite in remarque state; 2 rejected engravings each in 2 states these are perhaps unique: according to the justification no copies were issued with the "planches refusees"; a prospectus for the entire collection; 9 specimens of etchings by artists whose work would appear in the collection Jouas Vidal etc.; a newspaper article from Les annales politiques et litteraires October 20 1903 about the FIRST PRIX GONCOURT which was to be given a few days later; and a newspaper ad announcing the Collection de l'Academie des Goncourt. 8vo. Book in original wraps suites loose in wraps as issued. Both are housed along with the other material in a contemporary custom-made cloth slipcase. In near fine to fine condition throughout. A unique item. <br/><br/> Paris: A. Romagnol / Librairie de la Collection des Dix / Collection de l'Academie des Goncourt, 1904 paperback
18690917# AUTEUR: Burty Philippe # ILLUSTRATEUR: Morin E. # ÉDITEUR: Claye J. pour l'auteur Paris # ANNÉE ÉDITION: 1869 # ENVOI, BEAUX PAPIERS: Vergé filigrané sainte marie # COUVERTURE: Impr. titre noir et rouge # DÉTAILS: In 8° broché 6ff + frontispice + 34pp + 3ff. Edition originale tirée à 108 exemplaires que le colophon n'indique pas. Frontispice gravé à l'eau forte par Edmond Morin. Philippe Burty (1830-1890) critique d'art, grand érudit et propagateur de l'art d'extrême orient en France, proche des Goncourt de Delacroix et ami de Nadar, fut un personnalité éminente du monde des arts, il fut également l'un des correspondant privilégié de Poulet-Malassis et son premier biographe. Rare. # PHOTOS visibles sur www.latourinfernal.com
183632291Mme Thiel Lib. scientifique et industrielle de Mathias Carillan-Goeury | Metz & Paris 1836 | 21 x 26.50 cm | relié
1876181921876 un volume, reliure demi-chagrin bleu marine in-octavo (binding half shagreen in-8) (20,2 x 15 cm), Reliure d'Epoque, dos 5 nerfs (spine with raised bands), titre frappé or (gilt title), filet mate de part et d'autre des nerfs, papier marbré aux plats (cover with marbled paper), tête lisse jaspée (top edge smooth marbled) grand papier : gouttière et tranche de queue non rognées (top edge smooth - fore-edge and edge of bottom no smooth), marque-page en tissu (bookmark in tissue), TIRAGE SUR GRAND PAPIER avec 37 EXEMPLAIRES COMME SUIT: 14 exemplaire sur parchemin, 6 exemplaires sur "Chine" et 30 Exemplaires sur Hollande : ici : EXEMPLAIRE SUR HOLLANDE, 1ère de couverture illustrée en bleu par Massieu conservée (cover preserved), orné d'un frontispice en noir et illustré de 18 portraits hors-texte en noir par Ed. Morin et J. Massieu + une vignette en noir en bas de la page de titre + Bandeaux,lettrines,cul-de-lampes en noir, XXIV-179 pages, 1876 Editions Lacroix & Cie Editeurs,
201191753Editions de la Martinière | Paris 2011 | 20 x 25.5 cm | Broché
14347Paris, Librairie Nouvelle, A. Bourdilliat et Cie éditeurs, 1860. In-8, XV-174 pp., plein maroquin bleu d'azur double filet d'encadrement estampé à froid, dos à nerfs, entre nerfs avec filet d'encadrement estampé à froid, toutes tranches dorées sur marbrure, dentelle intérieure, couverture conservée (Lortic). Nerfs, coiffes et coins frottés, quelques griffures sur les plats, petite déchirure restaurée sur la couverture conservée.
17112Chartres, J. Roux, 1735. 1 fort vol. in-12, veau brun jaspé, dos à nerfs orné de caissons dorés, pièce de titre en maroquin rouge, roulette dorée sur les coupes, tranches rouges. Reliure de l'époque, petit accroc à la coiffe sup., coins émoussés. Bon exemplaire. 4 planches h.-t. repliées, (23) ff., 584 pp. Quelques rousseurs.
189385626Paris Librairie L. Conquet / Imp. Lahure 1893, 12 x 18,5 cm, demi-chagrin, dos à 5 nerfs, caissons ornés, titre à l'or, plats de papier marbré, 67p. Un des 150 ex. sur papier vélin blanc paraphé par l'éditeur. Suivent 350 ex. sur papier vélin teinté. Couverture conservée. Suite sur Chine reliée en regard de chaque illustration. Première édition séparée de cette nouvelle extraite de "une larme au diable", illustrée de 21 compositions en couleurs de Louis MORIN. Bel état.
20182-3319056328Springer Verlag 2018. Hardcover. New. 1st edition. 314 pages. 9.00x6.25x1.00 inches. Springer Verlag hardcover
1930217488Paris: Henry Babou Éditeur 1 Rue Verniquet 1930. First edition Number 8 of 50 copies on Japon "contenant un dessin inédit de Louis Morin." Imprimé en février 1931 sur les presses de Ducros et Colas maîtres imprimeurs Paris. Portrait par Léandre. 31 pages of text 22 plates. 1 vols. Small 4to. Original red printed wrappers in original glassine. Very fine in red Cahier with ties. Morin Louis. First edition Number 8 of 50 copies on Japon "contenant un dessin inédit de Louis Morin." Imprimé en février 1931 sur les presses de Ducros et Colas maîtres imprimeurs Paris. Portrait par Léandre. 31 pages of text 22 plates. 1 vols. Small 4to. Volume Number 18 of "Les Artiste du Livres." under the Dorection of Marcel Valotaire. Henry Babou, Éditeur 1, Rue Verniquet unknown
1702044323Venice: Nicolaum Pezzana 1702. Later Edition. Hardcover Vellum. Very Good Condition. Full contemporary vellum discolored some wear at the edges spine worn with a bit of worming a few wormtrails on the endpapers a few small trails internally in the gutter book title penned to page edge but generally bright and fresh internally. Old signature crossed out on the title and half title. Early edition of an esteemed history of the sacrament of penance. 30 674pp. Printed in two columns. Size: Folio. Previous owner's signature in ink. Quantity Available: 1. Shipped Weight: 2-3 kilos. Category: Religion & Theology; Inventory No: 044323. <br/><br/> Nicolaum Pezzana hardcover books
1930217488Paris: Henry Babou Éditeur 1 Rue Verniquet 1930. First edition Number 8 of 50 copies on Japon "contenant un dessin inédit de Louis Morin." Imprimé en février 1931 sur les presses de Ducros et Colas maîtres imprimeurs Paris. Portrait par Léandre. 31 pages of text 22 plates. 1 vols. Small 4to. Original red printed wrappers in original glassine. Very fine in red Cahier with ties. Morin Louis. First edition Number 8 of 50 copies on Japon "contenant un dessin inédit de Louis Morin." Imprimé en février 1931 sur les presses de Ducros et Colas maîtres imprimeurs Paris. Portrait par Léandre. 31 pages of text 22 plates. 1 vols. Small 4to. Volume Number 18 of "Les Artiste du Livres." under the Dorection of Marcel Valotaire. Henry Babou, Éditeur 1, Rue Verniquet unknown books
16401421640. Etching engraving and stippling on cream laid paper with an indiscernible watermark in the sheet center 11 15/16 x 8 3/16 inches 302 x 207 mm trimmed at the plate mark. A very good impression in fine condition with non archival tape on top left and right corners recto. Tabs on top left and right corners from a mount on recto. Inscription in pencil on bottom right recto with a stamp in blue ink at the bottom left recto. <br /> <br /> Mazel 74. unknown
1906170011906 un volume, broché (paperback) in-quarto (20,4 x 26,2 cm), dos et couverture rempliée marrons clairs imprimés en noir et rouge (spine and cover printed), toutes tranches non-rognées, tirage limité à 225 exemplaires sur papier Vergé d'Arches à la cuve de la Maison Perrigot-Masure (limited edition - 225 copies were printed), Recueil de dix-neuf poèmes, illustré dans le style Art nouveau d'encadrements en couleurs de motifs floraux et de compositions en noir d'Henry Morin en En-tête, 122 pages, 1906 Paris H. Floury Editeur,
2007Alibris.0017415Paris France: Somogy. 2007. Hard cover. Very good in very good dust jacket. Near fine in a near fine dust jacket in mylar. Sewn binding. Paper over boards. With dust jacket. 470 p. Contains: Illustrations. Audience: General/trade. . Somogy hardcover
10801La Parisienne, n° 2-39 [sauf 19 et 21], février 1953 - décembre 1956. 36 fascicules in-8, brochés.
189142975Couverture illustrée d'une composition en couleurs par Louis Morin.Ornée de 12 pointes-sèches protégées par un papier de soie et 20 ornements typographiques par l'auteur.
40718Laval.1891.In-8 demi-relié.391 p. avec Table des Matières. Etat satifaisant..Rares rousseurs.Demi-veau glacé avec pièces de titres.Couv.conservées.Tète rouge.
195993457Paris Julliard, coll. "Les Lettres Nouvelles" 1959 1 vol. broché in-8, broché, 285 pp. Edition originale en service de presse avec un envoi de l'auteur "A Georges Bataille avec toute l'amitié et l'admiration d'Edgar Morin". Prière d'insérer joint. Jacques Nantet publie un compte rendu de ce livre dans le n° 147-148 de Critique (août-septembre 1959).
