3 844 résultats
1895001393Paris: Librairie A. Rouquette 1895. First Limited Edition. Half Morocco. Near Fine. One of 100 copies issued on Japon paper with extra suite of illustrated plates on chine paper. 8vo 21 by 14 cm 41 pp not counting the extra suite. With superb vignette color illustrations by Morin depicting characters at a masque described by Vaucaire's witty verse. Many of the characters derive from the Commedia dell'Arte Pantalon Arlequin. The entirety of the production captures the spirit of the Belle Epoque or Fin de Siecle at least as we like to remember it. Complementing the work itself is the spine decoration of masked figures linked by a floreate vine. Some foxing on the chine extra suite leaves. The half morocco leather is sunned. Spine gilt decorations though remain vividly bright. <br/><br/> Librairie A. Rouquette unknown books
1895001393Paris: Librairie A. Rouquette 1895. First Limited Edition. Half Morocco. Near Fine. One of 100 copies issued on Japon paper with extra suite of illustrated plates on chine paper. 8vo 21 by 14 cm 41 pp not counting the extra suite. With superb vignette color illustrations by Morin depicting characters at a masque described by Vaucaire's witty verse. Many of the characters derive from the Commedia dell'Arte Pantalon Arlequin. The entirety of the production captures the spirit of the Belle Epoque or Fin de Siecle at least as we like to remember it. Complementing the work itself is the spine decoration of masked figures linked by a floreate vine. Some foxing on the chine extra suite leaves. The half morocco leather is sunned. Spine gilt decorations though remain vividly bright. Librairie A. Rouquette unknown
11503Librairie L. Conquet. 1895. Grand in-8°, reliure demi-chagrin marron à coins, filets dorés sur les plats, dos à nerfs, tranche supérieure dorée, couverture conservée. 21 compositions, in et hors texte, dessinées et gravées à la pointe sèche par Henry Somm. 165 pages. E.O. Tirage unique à 100 exemplaires sur japon à la forme.
2151Edition Librairie Ollendorff 1921. In-4 relié de 278 pages au format 17 x 25,5 cm. Magnifique reliure demi chagrin marron avec plats en papier marbré. Dos rond à 4 nerfs avec titre, filets, fleurons dorés et gravés et petite illustration mosaïquée. Pages de garde en papier marbré. Couvertures conservées. 70 magnifiques illustrations par Georges Jauneau in-texte, gravées sur bois par G. Lemoine dont 6 sublimes hors-texte en couleurs. Préface de Pierre Louÿs. Tirage unique à 322 exemplaires numérotés de cette première édition de luxe, qui ne sera jamais réimprimée. Le nôtre est un des 250 sur vélin d'arches ( n° 79 ), après 50 sur japon et 22 nominatifs. La plus belle édition jamais réalisé de ces excellents contes de drogue et de terreur. Rare édition, surtout dans un tel état de fraicheur, proche du parfait.
9906Paris, Bachelier, 1832.
167843697Paris, Charles de Sercy, 1678. In-12 de (12)-171-(4) pp., frontispice, vélin souple, dos lisse muet (reliure de l'époque).
190013262Paris, Ollendorff, 1900-1901. 4 vol. in-12. 80pp par volume, soit 320 pages pagination continue. Paris, Ollendorff, Reliure à la Bradel, demi maroquin bleu, dos orné de filets dorés en encadrement, couvertures illustrées et dos conservés [CARAYON].
181920714J.G. Guilhaume Delaunay Goeury | Le Puy & Paris 1819 | 12.50 x 20 cm | relié
BN104629Canopé - CRDP de Poitiers. Softcover. Arts visuels & cultures du monde Cycles 1 2 3 & collège: Volume 2 Communiquer le sacré se déplacer l'environnement vivre ensemble <br/><br/>Arts visuels & cultures du monde Cycles 1 2 3 & collège: Volume 2 Communiquer le sacré se déplacer l'environnement vivre ensemble Canopé - CRDP de Poitiers paperback
A charming livre d'artiste, the first of eleven published between 1904 and 1906 in the "Collection de l'Academie des Goncourt". THIS IS THE PUBLISHER'S COPY, aside from the edition of 350 numbered copies. Illustrated with a frontispiece portrait of the authors and ten charming original engravings (8 of which are full-page and hors-texte) by Louis Morin, a few lightly erotic. Beautifully printed in Auriol types (an art nouveau font) on fine wove paper. This copy includes: a complete set of page proofs, on the front of which Romagnol, the editor, has scrawled in ink his plan for the entire collection; two autograph letters signed by Morin to Romagnol, in which he discusses the illustrations for this book (and getting paid for them); 2 additional suites, in different states, of the eleven engravings in the book, including a suite in remarque state; 2 rejected engravings, each in 2 states (these are perhaps unique: according to the justification, no copies were issued with the "planches refusees"); a prospectus for the entire collection; 9 specimens of etchings by artists whose work would appear in the collection (Jouas, Vidal, etc.); a newspaper article (from Les annales politiques et litteraires, October 20, 1903) about the FIRST PRIX GONCOURT, which was to be given a few days later; and a newspaper ad announcing the Collection de l'Academie des Goncourt. 8vo. Book in original wraps, suites loose in wraps, as issued. Both are housed along with the other material in a contemporary custom-made cloth slipcase. In near fine to fine condition throughout. A unique item.
169460803Ultrajecti (Utrecht), Gulielmum Broedelet, 1694. 4to. In contemporary full calf with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small worm-tract in inner margin, affecting app. 20 leaves, not affecting text. 1 plates detached and a few leaves with marginal dampstain. Overall a very nice and clean copy. (14), 448, (8) pp. + 4 plates and 1 frontispiece.
169460803Ultrajecti Utrecht Gulielmum Broedelet 1694. 4to. In contemporary full calf with four raised bands and richly gilt spine. Small paper-label pasted on to top of spine. Small worm-tract in inner margin affecting app. 20 leaves not affecting text. 1 plates detached and a few leaves with marginal dampstain. Overall a very nice and clean copy. 14 448 8 pp. 4 plates and 1 frontispiece. <br/><br/><em>First edition of this linguistic work on the source and history of the first language with a focus on Hebrew. The Dutch philologist Etienne Morin 1624–1700 utilizes the Augustinian thesis in his discussion of the primeval language: "Quoting from Augustine City of God xvi. 5 and 10 he maintains that the world always ought to be divided into two antithetical communities. Of these two the patriarchs Shem and Heber belonged to the city of God while the crowd of rebels who conspired at Babel embodied the city of man. Morin concludes that this proves that Shem could not possibly have taken part in the conspiracy at Babel. Augustine could not have put forward a better argument he says. As the constant companion of true religion the original language was preserved in the family and among the pious descendants of Heber who transmitted it as a legacy to those practising piety." Eskhult Augustine and the Primeval Language in Early Modern Exegesis and Philology. </em> hardcover
183632291Metz & Paris: Mme ThielLib. scientifique et industrielle de MathiasCarillan-Goeury 1836. Fine. Mme Thiel Lib. scientifique et industrielle de Mathias Carillan-Goeury Metz & Paris 1836 21 x 26.50 cm relié First edition. Half bronze sheep binding smooth spine decorated with quadruple gilt fillets and showing traces of rubbing trace of library shelf label at head of spine marbled paper boards contemporary binding. Work complete with its 3 folding plates at rear illustrated with figures. Some minor foxing light dampstain at head of leaves not affecting text. Rare. Mme ThielLib. scientifique et industrielle de MathiasCarillan-Goeury hardcover
113882Paris s.d. 1899. Suite de 24 chromolithographies. 315x45 Cm. En feuilles. Morin artiste impressionniste français né en 1873 nous offre une magnifique série de chromolithographies représentant les monuments célèbres de la capitale française. À travers ces images nous plongeons dans l'atmosphère pittoresque et emblématique du vieux Paris. Un petit commentaire historique accompagne chaque lithographie. Quelques rousseurs et taches. (Paris), s.d. (1899). unknown
186918240Paris, Rothschild, 1869 ; in-12, demi-cuir de Russie fauve, dos à nerfs, caissons à froid, titre et fleurons dorés, tête marbrée et dorée (Petit successeur de Simier) ; XVI, 287 pp.
33653Paris (3 rue de la Bienfaisance) : Maison du livre, 1904-1907. Directeur Charles Meunier. 16 numéros de la revue, sous emboiîtage de pleine toile verte, illustré au premier plat et titré sur le dos. 1re année, Du n° 1 (janvier/mars 1904)-4e année, au n° 4 (octobre/décembre 1907). Cette revue prend la suite de "L'oeuvre et l'image, revue mensuelle". Comité de rédaction : Léon Thévenin, Albert Legrand, Georges Lemierre. Textes de Marcel Archinard, Claudio Antella, L. de Beaumont, Henri Blandin, Raymond Bouyer, Maurice Cabs, André Corthis, Jérôme Doucet, Franz Eitel, G. Élie-Berthet, André Foulon de Vaulx, Maurice Guillemot, G. Jean-Aubry, Gustave Kahn, Jeanne Landre, Albert Legrand, Georges Lemierre, Jules de Marthold, Camille Mauclair, Charles Meunier, Louis Morin, Anne Osmont, Eugène Rodrigues, Séverine, Franz Stoffel, Léon Thévenin, Édouard Trogan, Paul Vallorbe, Paul Vibert, etc. Paul Vallorbe etc.- Illustrations de Louis Hurez, Léon Marotte, L. Morin, Ch. Meunier etc. On joint : Tables des sommaires des années 1904-1905 et 1906-1907. Excellent état, imprimé sur beau papier, présentation soignée avec des frises gravées en tête de chapitre, lettrines, culs-de-lampe, illustrations photographiques hors-texte. très bel état, rare.
19154P., Radot, A l'Enseigne du "Chardon d'Or", 1927, In-4, en feuilles, sous chemise à rabat de l'éditeur et étui décoré de motifs africains.
16942016A PARIS. CHEZ CHARLES DE SERCY. 1694. IN-12 (8,5 X 15,5 X 2 CENTIMETRES ENVIRON) DE (16) + 171 ET (5) PAGES, RELIURE D'EPOQUE PLEIN VEAU BRUN, DOS A CINQ NERFS ORNE DE CAISSONS A FLEURONS DORES, TITRE DORE. ILLUSTRE D’UN TITRE-FRONTISPICE DESSINE ET GRAVE SUR ACIER PAR FRANCOIS CHAUVEAU. PETITS DEFAUTS EXTERIEURS SANS GRAVITE, SINON BON EXEMPLAIRE.
166512323Rouen, Chez Clément Mallassis, 1665. 1 vol. in-12. [7]ff, 192pp, [3]ff. Vélin postérieur, dos lisse, titre en noir.
2025x-0197602754Oxford Univ Pr 2025. Hardcover. New. 2nd edition. 1388 pages. 7.48x2.42x10.27 inches. Oxford Univ Pr hardcover
EXE-225Paris, L. Carteret, 1913. In-8° en feuilles, couverture rempliée illustrée; chemise cartonnée illustrée en noir. Illustré de 56 aquarelles. Tiré à 150 exemplaires, celui-ci sur vélin du Marais. Il est joint UN GRAND DESSIN À LA PLUME AQUARELLÉ ET SIGNÉ, ainsi qu'une lettre autographe destiné à Pierre Guerquin, signée.
EXE-228Paris, A. Rouquette, 1895. In-8° broché, couverture rempliée illustrée. Illustré de 34 compositions en couleurs dans le texte. Tiré à 100 exemplaires sur Japon Impérial, exemplaire offert à Mr. Rouquette, le père de l’éditeur. Contient UN DESSIN AQUARELLÉ ORIGINAL signé par Louis Morin.
191116789Paris: Librairie Renouard -- Henri Laurens Editeur 1911. 1/2 Vellum. Near Fine. A lovely copy of the 1911 1st edition bound in a sumptuous 1/2 vellum over marbled boards. Crisp clean and Near Fine with just a touch of very light spotting toward the front panel's bottom-edge and along the spine. The original wrappers crisp and well-preserved with very minor soiling have been bound-in. Quarto fascinating study of animal representation in Classical Greek vase paintings. THIS COPY BELONGED TO A CHILDREN'S ILLUSTRATOR OF THE FIRST-RANK FEODOR ROJANKOVSKY whose wonderful bookplate adorns the front pastedown. <br/><br/> Librairie Renouard -- Henri Laurens, Editeur hardcover books
167810740Paris: Charles de Sercy 1678. Hardcover. Very Good. 16mo - over 5¾ - 6¾" tall. Nouvelle edition. Text in French. 16mo 6 inches . Modern paper over boards. iii vii Table of Contents 171 iii Privilege du Roy illustrated head piece end piece and initials. Very Good tight leaves white but title page a little darkened with a little writing on it and a few leaves. A nice copy in a modern binding. Charles de Sercy hardcover
B171323-1Paris Éditions de LEffort Moderne Léonce Rosenberg n.d. 8pp. 10 titled woodcut plates. Signatures loose as issued. Oblong lrg. 4to. Self-wraps. New fitted cloth clamshell case. One of 124 numbered copies on Hollande van Gelder signed by the artist in the justification from the limited edition of 175. Paris (Éditions de LEffort Moderne Léonce Rosenberg), n.d. hardcover
