1 294 résultats
65171E-321. Very Good. Hardcover. Hardcover. 12mo. Published by Random House New York 1963. 86 pgs. Signed by Herbert Hoover on the limitation page. #165 of a limited edition of 200 copies. Slipcased in a paper slipcase with a pastedown label present. Bound in cloth boards with titles present to the spine and front board. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. "This book is a mosaic of the author's thoughts over a lifetime of fishing taken from unpublished addresses before such audiences as the Gridiron Club of Washington correspondents the Bohemian Grove the Key Largo Anglers Club etc." EB; 8vo 8" - 9" tall . hardcover
1935059676New York: Covici Friede Publishers 1935. 1st Edition 1st Printing. Hardcover. Very Good/No Dust Jacket. 317 Pp. Beige Cloth Stamped In Blue With Blue Topstain. First Edition First Printing 1935 Van Rees Press No Additional Printings Noted Beige Cloth With Blue Topstain As Published. 1/4000 Copies Of The First Printing. Front Cover Immaculate Spine And Rear Cover Also Bright And Clean Except Some Very Faint Age Toning To Spine -Much Less Than Usual- And A Small Area Of Light Discoloration Near Center Of Rear Cover. Lacking The Scarce Dust Jacket. Beginning To Fray Along Lower Edge Of Spine At Two Lower Tips And Top Two Corners Of Spine; 1" Frayed Along Center Of Rear Spine Edge Only. Contents Immaculate No Foxing Or Marks. Small Previous Owner's Name John L. Garner On Front Endpaper. Front Hinge Slightly Loose But Hinge Sound No Cracks Or Damage Book Is Otherwise Square And Tight. <br/> <br/> Covici Friede Publishers hardcover
1910D7471Paris 1910. Limited Edition. Hardcover. Very Good. Original paper-covered boards; small folio with 6 plates by Paul Iribe. One of 934 copies "sur Japon." Spine and corners lightly chipped; a little faint foxing or dust-smudges here and there; nternally nice and clean. <br/><br/> hardcover
19372092902141000846Otsuka ko gei-sha 1937. Soft Cover. Fine. Size: A3 Otsuka ko gei-sha paperback
1822045078London: Sherwood Neely and Jones; Thomas Moule 1822. Volumes I-V dated 1822; Volume VI 1823. First series of volumes picturing and describing the estates of essentially everyone considered to be of importance in Great Britain. Includes 72 engraved plates in each volume including frontis engravings all present and complete. Contemporary of that period bindings in black textured leather with dual spine lables in red extensive gilt decoration to spines marbled endpapers. Good to very good with expected rubbing to the covers and extremities joints good but several hinges internally cracked and secure text blocks sound top inch removed from each title page likely to remove a name short internal tears to preliminary blank of fourth volume occasional foxing to pages and plates but most very clean text pages occasionaly age-yellowed small modern name stamp at the top of each preliminary blank no other markings. Hard Cover. Good. 8vo - over 7¾" - 9¾" tall. Sherwood, Neely and Jones; Thomas Moule Hardcover
18841506110093Bibliotheque Artistique; Librairie des Bibliophiles 1884-01-01. First Edition. Hardcover. Good. 0x0x0. 3 volume set. One of 25 copies. Full blue Moroccan leather gilt ruled. All edges gilt. 5 raised bands. Silk patterned end pages. In blue slip case. Edge wear to box. Front board of Volume I detached. Clean unmarked pages. This is an oversized or heavy book which requires additional postage for international delivery outside the US. Bibliotheque Artistique; Librairie des Bibliophiles hardcover
1971T217118Hanover Gallery London 1971. 1st Edition. SOFTCOVER. 4to in black and blue printed textured stiff card covers. Gouache drawings by Scott from his 1970 - 1971 series 'A Girl Surveyed' exhibited at the Hannover Gallery reproduced on 20 leaves of thick textured art paper folded and bound accordion style printed by Sergio Tosi of Milan. This is number 29 of 50 numbered copies signed by both Scott and Lucie-Smith __CONDITION : An extremely well preserved FINE very clean and tight unmarked copy single reading crease to spine hint of tanning to spine and covers. A very nice copy of the rare signed edition. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Hanover Gallery, London paperback
1936035841Oxford: University Press 1936. 1st Edition . Soft cover. Good. 15 Pp. Softcover First And Only Edition. Color Title On Both Covers And On Inside Of Rear Cover. Text Is A Memorial Poem By Edward James For His First Cousin Edward Vii. Surrealist Photo Montage On Cover Artist Unknown; This Could Be By James Or One Of His Surrealist Friends. Covers Worn Small External Tape Repairs To Top Center And Bottom Spine Edge; 1" Triangular Chip At Center Of Right Edge Of Front Cover; Content Clean But All Pages Detached As A Group While Still String-Bound. Edward James British Heir Usually Considered To Be A Son Of Edward Vii Author Was An Important Collector And Supporter Of Surrealism. His Family Home The West Dean Estate He Donated To Found A College Devoted To Fostering Skilled Useful Arts.He Took As His Personal Home A Smaller House On The Estate Monkton Which He Filled With Surrealist And Other Fine Art Including Work On The House Itself By Noted Surrealists. While In Hollywood He Advocated For The Saving Of The Watts Towers After They Were Abandoned By Simon Rodia. By His Design And At His Own Expense. Las Pozas "The Pools" Was Created By James Circa 1949-1984 More Than 2000 Feet 610 M Above Sea Level In A Subtropical Rain Forest. It Includes More Than 80 Acres 32 Ha Of Natural Waterfalls And Pools Interlaced With Towering Surrealist Sculptures In Concrete. Las Pozas Is Near The Village Of Xilitla San Luis Potosí A Seven-Hour Drive North Of Mexico City.Where It Is Now Maintained As A Foundation. <br/> <br/> University Press paperback
135619Portfolio. Condition: Very Fine. Ediciones Vigia Matanzas Cuba 2009. In English and Spanish. 36 pages. A deluxe specialty book wrapped around with collages drawings and even a special place marker wand! A book you will admire! 11 poems. Nice Firm Clean copy! Copy number 182. Two hundred copies manufactured and illuminated by hand by the Ediciones Vigia in its Del Estero Coleccion. In its preparation it used white cardboard acrylic paint guano cardboard white paper craff; as well as printed papers. They were too used a wooden rod cotton string and feathers natural; add small scraps of cloth for the flame of the oil lamp. Best known for the image of the bird-women Zaida's work bursts with the richness of theme and purpose from the sea-side houses to the iconography of popular gods to the pantheon of Cuban santeria to the baroque work of the cities towns full of beautiful and laborious bird men and women overflowing with feathers arrows wounds branches and colors. Size: L 4to 9.75 - 12'' tall. Contents: Todos los caballos pasan de largo ante mi puerta / All the horses pass by my door. Oracion al Quinto Viento / Prayer to the wind from Fifth Compass Point. Mensaje del pais magico / Message from the magic country. Caminando de espaldas / Walking backward. Conversaciones de madrugada / Conversations at dawn. Sabor a moras en la boca / The taste of blackberries in your mouth. En el extranjero / In foreign countries. Santa Marta / Saint Marta. Nido de pajaro / Bird's nest. Todos los caballos pasan / All the horses pass by my door. Espiritu de Sindo / Sindo's Spirit. Zaida del Rio a painter draftsman poet and engraver. She appeared on the Cuban visual arts scene in the 1970s. She is recognized as one of the key figures of contemporary Cuban art. Several periods are recognized in Zaida's painting. The first thing was the countryside with its tobacco houses the children the landscape. Then came the horses. Then came the circus and its colorful characters. Then The Bird Women. Then came the triptychs on Afro-Cuban religion. Later came the peacocks; and finally 'The Cosmic Dance of Shiva' 2010 in which the artist moved by Hindu philosophy expresses the great passion that she gives to this oriental culture. Poetry::1975-Present English/Spanish RBR29 hardcover
191029550HARDBAcK NODUSTJACKET 1910 1st Edition THUS VG-/VG- AS-IS NOJACKET Rubbing to boards EDGES TINY bump at top of spine wear along edges of boards. TINY Tear along front hinge. Name written at top edge of page after free end page. Pages are supple and binding is firm. Raven on Tree Branch Green B/W Frontispiece Drawing of Raven<br />110 pages and all are are present. This book but does have SLIGHT wear. The inside pages look very good and for the most part just show some very light discoloration from age. The outer cover has LITE wear and some areas SCRATCHES RUB ON BACK. front cover which has Black Raven standing on White Columns with 1 Foot Rasied with Gold Background with LITE Scuff Rub Wear tears cover of Green Cloth Hardcover bk. 5 1/4 X 7 3/4 in. Gold Gilt Spine Cvr Readable. Back Green cloth cvr light rub Wear GREEN SPINE CVR HAS BRIGHT GOLD GILT Title<br /> Reilly and Britton Company. Chicago hardcover
192425021001London and Oxford: Ernest Benn Limited and Basil Blackwell printed by the Shakespeare Head Press Stratford-upon-Avon 1924. First and Limited Edition. Hardcover. Very good /fair. One of 500 copies large quarto size 60 pp. and 60 plates with original dust jacket and prospectus. Ernest William Gimson 1864-1919 is know as one of the greatest of the English architect-designers. "Today his reputation is securely established as one of the most influential designers of the English Arts and Crafts movement in the late nineteenth and early twentieth centuries" n.b. info and quote from Wiki. <br /> <br /> As with William Morris Gimson believed in working with his hands and making things that fit their purpose with beauty striving for a merger of the practical and the aesthetic. He obhorred things made by machine; doing one's work well as best as one could by hand was the lodestar of his life. Morris and Gimson became friends and Gimson designed a cottage for May Morris at Kelmscott. <br /> <br /> This work is a fitting tribute with opening essays by his friends two of whom provided line drawings to accompany the essays and sixty collotype plates printed by Emery Walker. This particular volume has an interesting association with the Ex-Libris of Rainforth Armitage Walker 1886-1960 based on a chapter heading illustration by Aubrey Beardsley in "Le Morte D'arthur". Per Mark Samuels Lasner in "The Bookplates of Aubrey Beardsley" p. 95 this Ex-Libris was not designed as an original bookplate by Beardsley only three of these are known but Walker had this Beardsley illustration printed as his Ex-Libris by Hugh Dent the printer of "Le Morte D'arthur". Walker was a an early fan and collector of the works of Beardsley and authored several books on the artist and his works. The subscriber list at the back of the book lists an "R.G. Walker" with an address in Bedford Park with the "G." crossed out in pencil; Rainforth Armitage Walker did live in Bedford so it is entirely possible the middle initial was a typo and it is in fact his name in the subscriber list. <br /> <br /> To add interest to this volume we have the original prospectus which as of this writing no other copies online have and the dust jacket see condition statement below as well as both the Errata slip and the spare paper spine label see description below. A prior owner perhaps R.A. Walker pasted into the book two reviews: the first from The Times Literary Supplement dated 17 April 1924 and the second from The London Mercury dated May 1924. <br /> <br /> ___DESCRIPTION: Bound in quarter natural linen with paper spine label fore- and bottom edges uncut the Ex-Libris of R.A. Walker on the front pastedown the title page with one of the eight in-text line drawings see p. 9 "The Cottage at Sapperton: South Side" the limitation statement on the verso of the title page this copy no. 21 of 500 the Errata slip bound in between the limitation page and the Contents the three essays followed by the section of collotype plates "made from drawings by Ernest Gimson and photographs of his completed work" p. 35 following the plates is a "List of the Original Subscribers" which include among many others C.H. St J. Hornby W.R. Lethaby May Morris B.H. Newdigate A.R. Powys and Emery Walker tipped onto the rear pastedown is the spare spine label; Caslon type on Batchelor's Kelmscott Hand-made paper large quarto size the binding measures 12" by 8 3/4" pagination: i-iv v-vii 1 blank 1-46 1 blank 60 plates printed on rectos only i-v List of Subscribers. The prospectus consists of a single leaf 11 3/8" by 8 1/2" on one side is a mirror of the title page with a short announcement above "Ready in March. and the other side with standard prospectus information including at the bottom a short section which could be used to order the book. The dust jacket is quite simple the front panel with just the book's title and "Four guineas net" at the bottom the spine again with just the book's title and the back panel with the press device of the Shakespeare Head Press. <br /> <br /> ___CONDITION: Volume better than very good the boards clean although showing some offsetting from the binding glue the linen on the sides clean a strong square text block with solid hinges the interior bright and clean other than a few very light stray marks and collated complete; the corners bumped with minimal rubbing the spine discoloured foxing to the top edge of the text block toning to the uncut fore- and bottom edges offsetting to the endpapers the two contemporary reviews tipped onto the front free endpaper with toning and the flyleaf the gift inscription also on the front free endpaper see Provenance below. The prospectus also a bit better than very good with no markings and relatively little edgewear but with some unintended creases and toning. The dust jacket is fair only the spine portion missing large pieces and showing old damp-stains as well as sunning the rest of the jacket with overall edgewear. Even with the jacket's issues this volume still special due to its completeness including the prospectus and provenance. <br /> <br /> ___PROVENANCE: In addition to this volume being owned by Rainforth Armitage Walker see details above it was also owned at one time by Joy Rodney Marsh 1914-2002 and her husband Millar J.C. White he "a well-known Berkeley resident and homebuilder" n.b. info and quote from Joy's obit in SF Gate online. This per a gift inscription on the front free endpaper dated September 20 1948 - the year is difficult to read which reads thus: "To Joy and Millar / In appreciation of their great kindness upon our visit to Piedmont / Wishing them every happiness / Recine and Ogar ". <br /> <br /> ___CITATION: Ransom Shakespeare Head Press no. 31 p. 12. <br /> <br /> ___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Ernest Benn Limited and Basil Blackwell (printed by the Shakespeare Head Press, Stratford-upon-Avon) hardcover
191029589HARDBAcK NODUSTJACKET 1910 1st Edition THUS VG/VG AS-IS NOJACKET Slight Rubbing to boards EDGES & LITE SCRATCHES TO CVR Green & Black illustrated Endpapers of Black Raven on Tree Branch Green B/W Frontispiece Drawing of Raven LITE wear along edges of boards. SMALL WHITE SPOT BACK GREEN CLOTH CVR . Pages are supple and binding is firm. 110 pages and all are are present. The inside pages look very good and for the most part just show some very light WEAR. The outer cover has LITE wear and . front cover which has Black Raven standing on White Columns with 1 Foot Raised with Gold Background with LITE Scuff Rub Wear tears cover of Green Cloth Hardcover bk. 5 1/4 X 7 3/4 in. . Back Green cloth cvr light rub Wear GREEN SPINE CVR HAS BRIGHT GOLD GILT Title<br /> Reilly and Britton Company. Chicago hardcover
184254385London: Fisher Son & Co 1842. Hardcover. Good- to near fine condition. Large Quarto. 6 II 3-80 2 76 2 100 4pp. 120 plates incl. two maps and three vignette titles. Original green pebbled morocco with gilt tooling and ruling along edges of covers gilt lettering ruling and tooling on spines; raised bands and protected by modern mylar. Gilt edges. Endpapers yellow. Engraved vignette titles. <br /> <br /> The author John Carne left England in 1821 and spent much time traveling in Israel/Palestine and in Constantinople Greece the Levant and Egypt. It is one of the few works of that time to include what is present-day Lebanon. The book with plates by Bartlett Purser and Allom was published some time after Carne returned to England initially in thirty parts of four plates each. Many of the plates in volume 3 are after drawings by Thomas Allom commissioned by the publishers to complete the illustrations. This work contains 2 full page maps and 118 steel-engraved plates depicting views throughout Syria and Asia Minor all protected by tissue-guards. All volumes with list of engravings at front volume three with general index at rear.<br /> <br /> Binding with light rubbing and scuffing along edges slightly more pronounced at top foredge of front cover of volume three. All three volumes lightly starting at inside covers but firm. Volume one with engraved bookplate on inside front cover signed Alfred Bilbrough May 1908. All three volumes with medium seize O printed to front free endpapers. Volume three with bump at lower spine lightly at foredge and some pages and plates with water stains at top margins not affecting images. Eighty of the engravings are fine with none or very light foxing in margins. Thirty-six engravings with light or minor damp-staining in plates four engravings with heavy damp-staining in images. Blocks lightly age-toned. Fisher, Son, & Co hardcover
192729878n.p.: "Privately Printed for The Pierre Louÿs Society". Very Good. c.1927. Limited Edition. Hardcover. no dust jacket shelfwear to bottom edges with some exposure of boards spine lettering and illustration heavily rubbed otherwise a good sound copy. color plates chapter-head drawings Mild erotica originally published in 1898 and best remembered today if at all because of its delirious 1935 film adaptation THE DEVIL IS A WOMAN directed by Josef von Sternberg and starring Marlene Dietrich and Lionel Atwill. The illustrations color frontispiece 9 color plates with tissue-guards intact a title-page drawing and chapter-head line drawings feature lots of nekkid ladies Ms. Tice's specialty and bear captions along the lines of "She smiled with her legs as she spoke with her torso." This is stated on the limitation page to be one of "1250 copies of which 990 are for America." Although one is usually well-advised to take the professed numbers on these vintage-erotica items with a grain of salt what makes this one especially interesting though is that instead of a number written into the blank space below the statement the single word "presentation" is inked; in addition on the half-title page is a 3-inch-tall original drawing of yet another nudie that is SIGNED by Clara Tice. See second scanned image with this listing. Signed by Illustrator . "Privately Printed for The Pierre Louÿs Society" hardcover
185054009Belfast: Marcus Ward & Co 1850. Second edition. Softcover. Good- to fine condition. Folio. 6 6pp. 5 plates with tissue guards. Bound in black half-cloth over stiff turquoise wraps with triple-framed black lettering and Royal emblem on cover; protected by modern mylar. Gilt edges. Turquoise endpapers. Title page in red blue and black lettering with decorative augmentation framed in red with tissue guard. Dedication page to the Queen.<br /> <br /> "In presenting to the public the present work the publisher had to objects in view; first to bring under their notice one of the most ancient curious and valuable reliques of Irish Antiquity at present in existence by accurately drawn and coloured representations and secondly to<br /> produce a specimen of Irish Lithography at once tasteful elegant useful and instructive and if the present work attains these objects they will consider themselves fully repaid." Preface. Contains essay providing the historical context for the Ecclesiastical Bell and five chromolithographs protected by tissue guards depicting the bell and four views of the shrine.<br /> <br /> Wraps with some discoloration and light scuffing al corners and foredge. Light scuffing from removed plate on inside front cover. Endpapers lightly wavy due to water exposure. Previours owner's name inked to front free endpaper. Binding in overall good- interior in very good title page and lithographs in near fine to fine condition. Marcus Ward & Co unknown
51-4304Paris: 1718 Falconet1745. Small 8vo. 4 x 6.25 inches. 10 x 16 cm. Contemporary tree calf and gilt spine and 5 raised bands. Spine slightly worn endpapers browned but rest of book very fresh. A later edition of the Regent edition with the same plates but with more pages: 10 159 xx pp. 30 plates plus first states before letteringof some of the plates.Cohen-De Riccip. 452; OCLC Number: 1137465936. Some of the plates in 2 states one before lettering. Includes the famous "petits pieds" plate.in-12 Frontispice 5 ff. 159-1-XX pp. 30 gravures .Ouvrage illustré d'un frontispice de Coypel gravé par Audran 29 figures hors-texte d'après Philippe d'Orléans gravées par Benoît Audran dont 13 doubles montées sur onglets 1 gravure H.T. non signée attribuée à Caylus la "gravure des petits pieds" 7 vignettes en en-tête ou bandeaux non signées attribuées à Cochin et 1 fleuron de titre. Jolie édition excessivement recherchée le premier tirage de 1718 se limite à 250 exemplaires. Edition dite du Régent parce que c'est Philippe d'Orléans qui l'a fait exécuter et a fait graver les estampes par Benoît Audran. La figure des "petits pieds" attribuée à Caylus ne fait pas partie du livre n'ayant été gravée qu'en 1728 mais on l'y a ajoutée dans beaucoup d'exemplaires. L'édition fut rééditée en 1731 puis en 1745. Après la mort du Régent en 1723 Coypel détenteur des cuivres mit en vente des suites d'estampes de Daphnis et Chloé. Deux figures qui ont trait à l'éducation amoureuse de Daphnis par Licoemion furent détruites ce qui explique pourquoi en 1731 ces suites ne comprenaient plus que 26 estampes au lieu de 28. Cohen 648-652. Edition publiée par Falconet dans la traduction d'Amyot avec des notes d'Antoine Lancelot. quelques brunissures dans les marges des planches. Paris: 1718 [Falconet?,1745] hardcover
19294354Prague: Sfinx Bohumil Janda 1929 Octavo 195x130 mm. wrappers 29 5pp. Privately published for Nezvals friends as a New Year gift a single poem with fine drawings by Toyen. The poem is famous and has been set to music by a number of composers. No trade edition was issued. Worldcat locates no copies of this work. This copy from the library of Frantisek Dvorák fine Prague: Sfinx (Bohumil Janda) paperback
190015849AB1900. ca. 1900 24 : 18 cm. 8 double-page hand-coloured paltes partly in aquatinta. Japanese boards with tile-label on front cover. Eight beautiful double-page coloured plates showing different Japanese landscapes. In birght shinning colours. Each plates with description in Japanese. - Binding loose. hardcover
191830329<p>HBDJ Stated 1st Published September 1918 ROMAN NUMERALS MCMXVIII ON TITLE PG LATER Priceclipped DUSTJACKET with GIBRAN PHOTO ON BACK DJ GOOD/VG SOLD AS-IS black cloth gold gilt titles withtiny corner cover chip Some PGS HAVE ink writing to margin or underlining & embossment Stamps few pgs tiny margin chips 70 pgs</p> ALFRED A. KNOPF NY hardcover
19683116405New York: McGraw-Hill Book Company. Fine in Near Fine dust jacket. 1968. First Edition; First Printing. Hardcover. First edition. Fine in near fine dust jacket. Small chip with adjacent tear at bottom fold of front jacket flap. Couple short edge tears & trivial shelf-wear. Author's most widely admired work. ; 6" x 8 3/4"; 269 pages . McGraw-Hill Book Company hardcover
64847Paris Morel 1867 Bd. 1 2 und 3 mit Schildern der Buchhandlung Max Mohr Berlin auf Titelbl. 2° 39 x 28 cm Bd. 1: 56 S. Text m. Textabb. u. 84 gestochene Taf. davon eine in Chromolithogr. u. eine doppelblattgross; Bd. 2: 114 S. Text m. Textabb. u. 64 gestochene Taf. davon eine doppelblattgross; Bd. 3: 90 S. m. Textabb. u. 73 gestochene Taf. davon eine in Chromolithogr. das Tafelverzeichnis nummeriert falsch mit 24 Taf.; Bd. 4: 114 S. m. Textabb. u. 74 gestochene Taf. davon eine in Chromolithogr. und eine doppelblattgross Brosch. Textteile u. lose Taf. in Orig.-HLwd.-Mappen Bibliotheksex.: priv. Rückenschildchen Schildchen a. Innendeckel Stempel a. Vorderdeckeln der Textteile jede Taf. mit kleinem Stempel am Steg; Rücken etw. unsauber u. an den Kanten berieben Kapitale tlw. lädiert Deckel tlw. kratzspurig; Tafeln öfter etw. staubrandig und fingerfleckig tlw. und randrissig; allg. gutes Ex. Jeweils EA. 010 Paris, Morel, 1867 (Bd. 1, 2 und 3 mit Schildern der Buchhandlung Max Mohr, Berlin, auf Titelbl.) unknown
1953BOOKS070197INew York: Tibor De Nagy Gallery 1953. PB. good wraps softcover. 4 B&W illustrations. A scarce poetry booklet in sewn wraps published in an edition of 300 copies. The covers are oversize and fragile and thus this copy as others exhibit chipping and loss to the fragile paper covers IMAGES AVAILABLE. A paper conservator could reinforce and repair the covers as has been done with other copies currently for sale. This copy has been untouched internally good plus but with COVER FAULTS. The cover problem for this publication comes from the covers oversize and extending out from the small book block. unpaginated. Tibor De Nagy Gallery unknown
51-5907Paris: Chez Dalibon 1826. Seven original brown paper livraisons with 41 plates on laid paper with tissue guards. 27.5 x 18.4 cm. OCLC Number / Unique Identifier: 32316540. Paris: Chez Dalibon, 1826 unknown
1930250601930. Caen Jouan et Bigot 1930. Un vol. au format in-4 340 x 258 mm de 4 ff. n.fol. et 30 planches sous chemise ˆ lacets de demi-percaline grÂge d'ÂŽdition piÂce de titre contrecollÂŽe au premier plat dos lisse. Edition originale rare. Tirage unique ˆ 300 exemplaires seulement. Exemplaire complet de ses 30 planches contrecollÂŽes sur carton fort reproduits par la Maison Jacomet d'aprÂs les dÂŽlicats dessins de Paul-Louis Beaumont. ''Souvent antiquaires et curieux ont dit leur regret que certaines constructions mineures d'accÂs parfois difficile certains coins singuliers tel bout de rue ou telle venelle demeurent presque inconnus faute d'un pinceau ou d'un fusain. Le recueil que nous donne M. de Beaumont va satisfaire pour une large part ces dÂŽsirs justifiÂŽs. Dans trop de cas hÂŽlas ! ces dessins ont une valeur testamentaire''. BÂŽnÂŽzit I Dictionnaire des peintres p. 553. Dos et premier contre-plat de la chemise prÂŽsentant de claires rousseurs. Du reste trÂs belle condition. Rare. b42961 unknown
1884110938Bibliotheque Artistique; Librairie des Bibliophiles 1884-01-01. Leather. Very Good. 0x0x0. 3/4 red leather gilt decorated bindings over marbled boards. One of 25 copies with double proofs of each engraving. Three volume set. oversized and overweight. B45 Please email for photos. Bibliotheque Artistique; Librairie des Bibliophiles hardcover