Deutsch, 18. JahrhundertAntiquariat.de
24 115 résultats
211-Do.J. Feder in Braun, grau und braun laviert, mit doppelter Einfassungslinie, auf chamoisfarbenem Bütten. 11,7:17,5 cm. Minimal stockfleckig und vereinzelt farbfleckig.
157-Ho.J. Feder und Pinsel in schwarzer Tusche und blauem Filzstift, auf chamoisfarbenem festem Papier, unten mittig mit Bleistift signiert ?Georg Heck?, unten links nochmals mit Kugelschreiber signiert ?G. Heck?. 28,2:21,6 cm.
139-Do.J. Feder und Pinsel in Grau, grau laviert, über Skizze in schwarzer Kreide, auf Bütten mit Fragment des Wasserzeichens: großes bekröntes Lilienwappen; mit mehreren Beschriftungen innerhalb der Darstellung. 34,2 x 21,5 cm. Die Aufschriften in holländischer Sprache bedeuten: ?Een karans van moerbije..? = Ein Maulbeerkranz, ?Olijf krans? = Olivenkranz; ?Plutus beelt? = Plutus Statue. Die Allegorie bedeutet: Frieden bringt Wohlfahrt. Die Frauenfigur links trägt einen phrygischen Hut, Symbol der Freiheit. Der Caduceus in ihrer rechten Hand bedeutet Frieden. Die Frau mit dem Olivenkranz (auch ein Friedenssymbol) entzündet Waffen neben einer Figur mit einem Blasebalg und einer Flamme. In der Korngarbe befindet sich eine Skulptur des Plutus, Gott des Reichtums. Für den Hinweis auf den Künstler und die Bestimmung des Bildmotivs danken wir Dr.E.P. Löffler, Rijksbureau voor kunsthist. Documentatie, Den Haag (Brief vom 14.09.2004). Vergleichsliteratur: Ausst. Katalog: ?Götter und Helden für Berlin. Gemälde und Zeichnungen von Augustin und Matthäus Terwesten. Zwei niederländische Künstler am Hofe Friedrichs I. und Sophie Charlottes. Berlin-Brandenburg, Stiftung Preuss. Schlösser und Gärten, 1995, Nr. 7.1 f.). Wohl Entwurf für eine Dekorationsmalerei.
D19670Very Good. KURT SELIGMANN: ORIGINAL DRAWINGS 1. Landscape pencil drawing by Kurt Seligmann executed on the original printed bellyband which accompanied the catalogue published in conjunction with the landmark show Exposition Internationale Du Surréalisme held at the Galerie Beaux-Arts Paris from January - February 1938 which included Seligmann's artwork "Ultra-furniture" a stool made of four bent female legs. A unique untitled/unsigned item in good condition 13"w x 3.25"h flat bellyband folded once with moderate toning at the fold and a piece torn which has been repaired with tape. 2. A full sheet of 11 untitled/unsigned vertical costume drawings and stacked occult-like symbols all executed with blue ink on both sides of a sturdy irregular edge textured paper. Undated in very good condition approx. 7.5"w x 10.75"h with some mild traces of use. 3. 2 untitled/unsigned original vertical pencil drawings by Kurt Seligmann executed on delicate sketch notepad paper recto only. Undated in very good condition each approx. 3"w x 5"h with a rough top edge removed from the notepad corner paper loss and mild toning. 4. Full sheet red colored crayon and pencil on sketchbook paper featuring a fully executed Unicorn costume design not unlike costumers Seligmann designed for Gian-Carlo Menotti's 1958 ballet "The Unicorn the Gorgon and the Manticore" commissioned by the Walker Art Center Minneapolis. Notations in pencil on back "Kurt Seligmann costume designs for ballet". Undated in very good condition approx. 8.75"w x 11.75"h with a rough top edge removed from the sketchpad corner paper loss and mild toning. <br/><br/> unknown
1930857New York: Bibo & Lang Exclusive Distributors 1930 First edition second issue. Quarto 12" x 9" 15 & 1 pages plus covers. Original pictorial stapled paper wraps.<br /><br /><p>Moderately soiled & rubbed wraps beginning to separate about 3 inches brief wear at edges & corners light foxing a Very Good copy of a fragile book. </p><p>The second issue of the first Mickey Mouse book which adds Bobette Bibo's age on the title page revises the lyrics of The Mickey Mouse Song removing "Kill Him" & adds two comic strips. The game board & adjacent perforated sheet with the games pieces so often lacking are present & uncut.<br /></p> Bibo & Lang paperback books
19493116331New York: Viking Press. Fine in Very Good dust jacket. 1949. First Edition; First Printing. Hardcover. First edition. Warmly INSCRIBED by M. F. K. Fisher to her neighbor in year of publication on front end-paper. Close to fine in very good dust jacket. Usual discoloration at spine on jacket with shelf-wear at crest of spine. Traces of shelf-soiling on rear cover of jacket. Uncommon early inscription with her farm in Hemet she whimsically called 'Bareacres' noted. ; 5 3/4" x 8 1/2"; 253 pages . Viking Press. hardcover
51-5056Paris: François-André Michaux 1810. Large 8vo. 18 x 27.5 cm. I149pp. et 14 engravings printed in color after the Redoutés 5 et Bessa 9; freshh paper. Engravers are Bessin and Boquet. Original boards worn and cracked along the spine. Pasted on the inside of the front cover is a combination prospectus and table of contents. Claus Nissen Die Botanische Buchillustration Ihre Geschichte und Bibliographe Nr. 1360; This volume not in OCLC.This volume 1 printed in 1810; volume 2 printed in 1812; volume 3 printed in 1813."Histoire des pins et des sapins de l'Amérique septentrionale considerée principalement sous les rapports de leur usage dans les arts et de leur introduction dans le commerce" v. 1 p. 9-12 149 1 1st and 2nd counts has separate dated title page with imprint: Paris de l'Imprimerie de L. Haussmann et d'Hautel M. D. CCC. X. The half title page reads: Histoire des pins et des sapins de l'Amérique septentrionale and has verso of half-title page reading: Se trouve à Paris chez: L. Haussmann et d'Hautel rue de la Harpe no. 80. Treuttel et Wurtz rue de Lille no. 17; même maison à Strasbourg. Gabriel Dufour et Ce. rue des Mathurins S. Jacques no 7. Bossange et Masson rue de Tournon no. 6. A Philadelphie: Chez Samuel Bradford and Inskeep South 3d. Street. There are 14 numbered hand-colored leaves of plates.Versos of half-title pages read: Se trouve à Paris chez: L'auteur place S. Michel no. 8; Treuttel et Wurtz rue de Lille no. 17; même maison à Strasbourg. Gabriel Dufour et Ce. rue des Mathurins S. Jacques no 7. Bossange et Masson rue de Tournon no. 6. Le Charlier à Bruxelles. A Philadelphie: Chez Samuel and Inskeep South 3d. Street Paris: François-André Michaux, 1810. hardcover
51-3527Paris: Didot Aîné 1809. Large folio. 39.5 x 56 cm. Contemporary textured cloth with gilt stamping on covers and spine; binding restored with some gilt lost. 72pp. and 67 of a possible 77 plates. Very good.OCLC Number: 763883198In folio : 2f. 72pp. et 67/77 planches hors texte et quelques culs-de-lampe et bandeaux.Veau fauve granité de l'époque dos lisse orné pièce de titre brune coiffes absentes large guirlande dorée en encadrement des plats frottements et épidermures plat supérieur détaché roulette dorée sur coupes angles émoussés tranches dorées.Édition originale l'ouvrage fut réédité en 1824. Façades vues en perspective ou à vol d'oiseaux détails d'ornementation jardins plans des plus belles maisons de Rome ; on trouve notamment les villas Albani Medici Panfili Barberini Borghese Mattei Farnesiana Negroni Pia Madama Sacchetti Altieri Bolognetti Monte Dragone Taverna Muti d'Este Aldobrandini Lanti Giustiniani Caprarola etc. Créateurs du style Empire Percier et Fontaine furent notamment les architectes de l'arc de triomphe des Tuileries Paris: Didot Aîné, 1809. hardcover
194512833Cummington MA: Cummington Press 1945. Limited Edition. Hardcover. Very good. Large octavo unpaginated. A notoriously fragile book and one of only "a few" per Edelstein see below copies bound in rose-colored Japanese Natsume straw-paper over boards. The calf spine is worn at the extremities but less so than is often seen and the binding is sound. Gentle wear to corners but a sharp internally clean example; very good. Lacking as usual the plain glassine dust jacket. This is number 260 of 300 limited copies another 40 were signed by Stevens. Edelstein A10 references an unpublished letter from Harry Duncan publisher of the Cummington Press to Stevens which reads in part: "Five copies will be mailed to you on Monday. One of these is covered with rose paper not with the green . Only a few copies have it all the available green paper not quite being enough for the entire edition." Furthermore of the six locations noted by Edelstein only Holly Stevens's copy is in the rose binding. A desirable copy. Cummington Press hardcover
299-Eo.J. Aquarell und Feder und Pinsel in Grau, über Bleistift, auf Bütten, verso von älterer Hand bezeichnet ?Brn v Klein fec?, am Oberrand der Zeichnung mit Ortsbezeichnungen von der Hand des Zeichners sowie einer Nummer. 21:29,5 cm. - Papierrand rechts und unten etwas unregelmäßig. Provenienz: Sammlung Heinrich Stiebel, Lugt 1367. Vergleichsliteratur: Ausst. Katalog: Arkadien am Mittelrhein. Caspar und Georg Schneider. Mainz, Landesmuseum 1998, Nr. 138 mit Abb.
098-Io.J. Kohle mit gelber Deckfarbe gehöht, auf grauem Papier, links unten bezeichnet ?Unterberger ?. 35,8:27,8 cm. Provenienz: Sammlung Comte A. d?Auffay (?), Lugt 63.
115-Wo.J. Pinsel in Schwarz, mit schwarzer Tuschlinie umrandet, auf festem gelblichem Karton, rechts unten signiert und datiert ?Anneliese Wildeman 13.?. 28,4:25,6 cm. Insgesamt nicht ganz frisch. Provenienz: Hans-Franck-Archiv, Berlin.
088-Do.J. Feder in Dunkelbraun, grau und blau laviert, auf grautonigem Bütten mit Wasserzeichen: Baseler Stab, verso ältere Sammlernotiz und -nummer. 19:30,2 cm. Vergleichsliteratur: Ausst. Katalog: A. de Andrés/H.Chr. von Tavel, Windwende. Menschen und Landschaften in der Schweizer Malerei um 1800. Pfäffikon 2002, Nrn. 44-53 mit farb. Abb.
1925059684Boston / New York: Houghton Mifflin Company 1925. First American Edition Printing Unknown. Hardcover. Very Good/No Jacket. 464 Pp. Folding Map At End. Red Cloth Colored Boards. First American Edition Later Printing 1925 Using Sheets Printed In Great Britain. Some Wear Spine Lettering Quite Clear But Not Bright No Marks Fraying At Tips And Along Bottom Edges Of Boards. Black Silhouette Bookplate Of Ayscough In Robes Feeding Her Pekingese Hand Titled "Yo Fei And His Missus" Inscribed "To Mrs. Low With Love A Well-Acquainted American's Observations In China; It Would Be Hard To Find Any Comparable Early Twentieth Century English-Language Observations Of China Or America By A Chinese Writer. Florence Wheelock Ayscough Macnair 1875 -1942 Was A Sinologist Writer And Translator Of Chinese Literature Born In Shanghai China To Canadian Father Thomas Reed Wheelock And American Mother Edith H. Clarke. Ayscough Moved To The United States Aged Nine And Attended Shaw School In Brookline Where She Met Amy Lowell The American Poet. The Two Were Lifelong Friends. Ayscough's Family Returned To Live In China When She Was In Her Early Twenties. Ayscough Was A Lecturer On Chinese Art And Literature And Was The Author Of Eight Books On Chinese History Culture Literary Criticism And Translation. She Traveled As A Lecturer To Cities Including London Paris Berlin And New York. Ayscough Accepted A Permanent Lecturing Post At The University Of Chicago In 1938 Where She Lectured On Chinese Literature And Continued Her Translation Work And Documenting The History And Culture Of China. She Was Honorary Librarian Of The North China Branch Royal Asiatic Society In Shanghai For Fifteen Years. She Collected Modern Chinese Paintings Including Work By Xu Gu. Her Efforts Introduced This Chinese Art Form To The American Public. Her Writings Included Translations Of Classical Poetry And Essays On Chinese Art History And Philosophy. She Work Also Attempted To Correct Previous Inaccurate Attempts To Translate The Cultures Of Ancient And Contemporary China For Example Perspectives Of China As A Stagnant Culture. In Addition To Countering Negative Stereotypes With Positive Reevaluations She Also Sought To Correct Misinformation. For Example Her Review Of The 1931 Novel The Good Earth By American Writer Pearl Buck Ayscough Praised The Choice Of Contemporary Chinese Peasantry As The Subject But Criticized The Accuracy. Ayscough Had A Strong Influence On The Work Of Amy Lowell Being The Source Of Lowell's Interest In Asian Culture And Chinese Poetry; Ayscough Introduced Lowell To Chinese Paintings And Poetry In 1917. On A Visit To America She Brought With Her Chinese Word Pictures That She Translated Into English Which Lowell Turned Into Rhymed Poetry. Her First Book Fir-Flower Tablets With Amy Lowell Was A Translation Of Poems From The Chinese. A Chinese Mirror Published In 1925 Was An Analysis Of The Structure Of Chinese Society And Government In Particular The Symbolism Of The Beijing Imperial Palaces. She Published Tu Fu The Autobiography Of A Chinese Poet In 1929; Her Translations Of The Poems Of Tu Fu With A Biography Constructed Using His Poetry. In 1934 She Published Travels Of A Chinese Poet. These Two Works Contributed To The Introduction Of Tu Fu To The British Public. Ayscough Wrote Two Books Intended For Younger Readers; The Autobiography Of A Chinese Dog An Account Of Shanghai From The Perspective Of Her Pekingese Dog Yo-Fei And Fire-Cracker Land. Her Final Work Chinese Women Yesterday And To-Day Published In 1937 Examined Contemporary Chinese Women Leaders As Successors Of A Long Line Of Capable Though Secluded Chinese Women. Ayscough Also Contributed Articles To The Encyclopaedia Sinica. After Her Death Ayscough's Correspondence With Her Friend The Poet Amy Lowell Was Compiled And Published By Her Husband Professor Harley Farnsworth Macnair. The Following Year He Published A Biography Of His Wife Titled The Incomparable Lady. He Donated Her Collection Of 1292 Chinese-Language Books To The Library Of Congress. <br/> <br/> Houghton Mifflin Company hardcover
18004696s.l.n.d., circa 1800. 1800 1 feuille (192 x 270 mm), dessin au lavis d'encre noire. (Quelques taches claires ou rousseurs).
18414699[S.L.], 1841. 1841 1 vol. oblong (228 x 310 mm) de : [19] ff. de dessins au recto (dont 4 à laquarelle et 4 rehaussés à la gouache blanche et à lencre noire). Demi maroquin rouge à coins, plats recouverts de papier violine imitant le maroquin avec quadruple encadrement ornements dans les coins dorés, initiales «A. D.» au centre, dos muet avec encadrement et frise dorés.
18704804[Circa 1870]. 1870 Album in-4 oblong (250 x 350 mm) de : 62 dessins et aquarelles. Demi-chagrin noir d'époque, plats recouverts de percaline noire, Album sur le premier plat. (Reliure frottée, déchirure à la coiffe supérieure).
194816338Paris, Marcel Lubineau, 1948 ; in-4 en feuilles sous couverture crème rempliée, chemise-étui de l’éditeur en suédine rouge ; 236, (6) pp., 28 gravures de Camille Josso.
356-Eo.J. Pinsel in Grau, über Bleistift, auf gelblichem Velin, links unten monogrammiert und datiert ?18 AA (ligiert) 36.? sowie mit brauner Feder bezeichnet ?A. Achenbach.?. 12,1:19 cm. Verso am oberen Rand und den unteren Ecken Reste alter Verklebung. Provenienz: Sammlung Adolf Gruis, Berlin, nicht bei Lugt.
191-Wo.J. Aquarell, Feder und Pinsel in Schwarz, auf festem strukturiertem Papier, links unten signiert ?Lou Albert-Lasard.?. 36,1:51,4 cm. Da sie seit ihrem Berlin-Aufenthalt in den 20er Jahren ihren Namen mit s statt mit z schreibt, ist davon auszugehen, daß das Blatt nach 1919 entstand.
188161852A. Quantin | Paris 1881 | 22.50 x 33.50 cm | relié
1946014521Paris Vrille éditions Pro Francia - Collection Le Quadrangle vrille 1946 In-8 Broché, couverture illustrée Ed. originale
231131 Aquarelle en couleurs signée en bas à droite à la mine de plomb, 13 x 20 cm, (1963), encadrée.
310-Eo.J. Aquarellskizze über Bleistift, auf Zeichenkarton. 17,6:25,2 cm. Verso Bleistiftskizze.
117-Eo.J. Feder und Pinsel in Braun, braun laviert, über Bleistift und Kohle, auf chamoisfarbenem festem Velin, rechts unten monogrammiert ?WB.?. 24,5:24,7 cm.
