Architecture

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"RYFF, W. H. (RIVIUS, WALTHER HERMENIUS).MareMagnum

Der Architectur furnembsten, notwendigsten, angehörigen Mathematischen und Mechanischen künst, eygentlicher bericht, und verstendliche unterrichtung, zu rechtem verstandt der lehz Vitruvii, in drey fürneme Bücher abgetheilet. Als Der newen Perspectiua... - [RENAISSANCE MATHEMATICS AND MECHANICS]

FESTIVALS. ARCHITECTURE.ABAA

La Sontuosa Illuminazione della CittÃ di Torino per l'Augusto Sposalizio delle Reali Maesta' di Carlo Emmanuele Re di Sardegna e di Elisabetta Teresa di Lorena.

17374025Turin:: Gio. Battista Chais 1737. FIRST EDITION. Folio: . 35.8 x 24 cm. Engraved frontis. XXXVII p. XVII p. 14 plates. A-G2 A-D2 E1 Bound in contemporary marbled boards worn and soiled rebacked in later sheep. An unusually nice copy internally with just the slightest toning to some plates a few spots clean tear to center of one plate at fold no loss and light finger-soiling in the margins. Magnificent engraved ornamental frontispiece by Prenner with the arms of the house of Savoy. Fourteen etched and engraved plates including the folding fireworks plate. Title page in red and black. Text in Italian and French. One of the most beautiful 18th c. Italian festival books and of the Piemontese Baroque. Both the festival and the book commemorating it occupied the combined efforts of some of the most important artists and architects of the period. The decorations of the buildings the apparatus the fireworks and the machines were invented by the architects Borra Massone Piovani Bernardi Agliaudi and Bernardo Vittone. The plates were etched and engraved by Daudet Belmondo Bianchi Maltese Prenner and HÃ©risset. The ten double-page and four full page plates depict scenes of the festivities held on the occasion of the wedding of Carlo Emanuele III Duke of Savoy and King of Sardinia 1701-1773 and Elisabeth Therese of Lorraine 1711-1741 on April 21st 1737. TheÂ images include numerous illuminations as well as a large fireworks display over an allegorical grotto richly decorated with statuary the arms of the bride and groom and an elaborate central fountain. A brief account of the display of the Turin's famous shroud for the King and his subjects on 4 May is also included as is a plate illustrating the crowd gathered at the Royal Pavilion to view the relic. The plates: 1. View of the Porta del Po designed by Guarino Guarini. 2. View of the Contrada del Po with illuminations. 3. View of the Castello Reale 4. The enormous fireworks "macchina" with scenes representing the marriage of the personified river Po and Hymenaeus the God of marriage. The fireworks show was held upon the arrival of the royal couple. 5. View of the Castello illuminated. 6. View of the royal pavilion with illumination. 7. View of the courtyard of the Palazzo Reale. 8. View of the Piazza San Carlo and the Porta Nuova. 9. FaÃ§ade of the Palazzo Reale decorated and illuminated. 10. FaÃ§ade of the Basilica of Corpus Domini. 11. View of the ghetto. 12. Displaying of the Shroud of Turin to the assembled crowd in the royal pavilion. 13. The vineyard and villa of Santa Maria la Regina Villa della Regina. 14. Garden of the Veneria Reale. Cicognara 1504. Vinet 600. Lipperheide 2761. Peyrot I 151. Berlin 3072. Ruggieri 848. Watanabe 1545 Gio. Battista Chais, unknown books

Liber Antiquus · États-Unis15 000,00 $US≈ 12 691,50 €

CARAMUEL de LOBKOWITZ, Juan; BELLINE, Joao AntonioMareMagnum

De la Architectvra Civil, en que fe contienen las Ichnographias, Orthographias, Figuras, y Delineaciones, que en los Tomos precedentes fe explican; Descripcam da ingenhosa maquina...

In –folio, full calf with ornaments and red tile with title on spine. Pp. 8 + 162 engraved plates + Joao Antonio BELLINE, “Descripçam da ingenhosa maquina…”, Lisboa, Pedro Ferreira, 1737 (pp. 8) + 3 blank leaves. Juan Caramuel de Lobkowitz (1606-1682) was a Spanish ecclesiastic scholar and architect, bishop of the Italian city of Vigevano since 1673. A poligrapher, he published more than 70 works on technics, science, philosophy, politics, mathematics and architecture: but the only constructions he realized and completed as an architect were the square and the façade of the cathedral, at Vigevano, where he was bishop from 1673 to his death. Born in Madrid, he was a precocious child and he completed his studies at the universities of Alcalà and Salamanca, in Spain. He became a Cistercensis monk and he was teacher at Lauven university, where he was also responsable for the military defense of the city. Then he moved to Prague, and in 1655 he moved to Italy: in 1657 he was the bishop of Satriano, and then of Vigevano, the city where he died in 1682. This rare book is the illustrated part (the plates) of Caramuel’s important work on civil architecture: as an architect, Caramuel was a strong substainer of the superiority of “oblique” architecture on the “straight” one (i.e. the Vitruvian): this book is considered the most ambitious Spanish architectural treatise to date. Author obsession with geometry and optical distortion was treated as an eccentric aptitude by the most of contemporaries: this work had a great impact in the New World, where Caramuel’s theories were spread by many scientists and the examples of “architectura obliqua” are numerous. The book begins with a “tratado proemial” on the Temple of Jerusalem (plates A-E); then we have 49 plates on the discussion of the sciences and techniques useful to architects and engineers; 65 plates illustrate either the ‘architectura recta’ or Caramuel’s improvements, and 41 plates explicate the laws or ‘architectura obliqua’: technics, architecture, mechanics and hydraulics are the main subjects of this book, the first of eight issued under the imprint “En la Emprenta Obispal por Camillo Corrado”: because of the late recognition of Caramuel’s relevance as a technics, mechanics and architecture scholar, the books were not widely distributed, and now are a notable rarity. The most of the engravings are by anonymous printmakers; on is signed by the Roman engraver Bernard Balliu (part 4, pl. 6), five by the milanese Giovanni Francesco Bugatti , seven by Cesare Laurentio and eleven by the Milanese Simone Durello. The late table on part III is not indexed and is manuscript numbered (it doesn’t appear in bibliographies).

Libreria Antonio Pettini · Roma, IT12 000,00 €

RUSCA, LuigiMareMagnum

Recueil des dessins ...... a Saint-Petersbourg, et dans l'interieur de l'Empire de Russie; [and] Raccolta dei disegni di diverse fabriche costrutte in Petroburgo, e nell'interno dell'impero Russo.

2 parti in 2 volumi. In-folio. [8] ll. comprensivi di titolo e occhietto, 69 pagine e 180 tavole incise di cui due frontespizi, testo in italiano e francese su pagine contrapposte; qualche macchia marginale su più piatti. Tavole marmorizzate originali, bordi rossi. Rilegato su carta di una rivista italiana contemporanea. Bella copia. PRIMA EDIZIONE DELLA PIÙ COMPLETA COLLEZIONE DI PROGETTI ARCHITETTONICI RUSCA PER ST. PIETROBURGO. Interessante opera dedicata allo Zar Alessandro I che svela il magnifico programma architettonico russo pochi anni prima dell'invasione di Napoleone. Luigi Rusca (1758-1822), allievo di Giacomo Quarenghi, lavorò a lungo al Palazzo Imperiale Russo all'inizio del XIX secolo. Era noto per il suo stile neoclassico e per la sua abilità nel gestire la costruzione e l'organizzazione di grandi opere pubbliche. Rusca era un grande favorito a corte e questi volumi sono dedicati allo Zar Alessandro I. Il testo fornisce interessanti note tecniche su tutti gli aspetti della costruzione come il tipo di materiale. 2 parts in 2 volumes. In-folio . [8] ll. including title and half-titles, 69 pp. and 180 engraved plates including two frontispieces, text in Italian and French on opposite pages; some marginal spotting on several plates. Original marbled boards, red edges. Bound in a leaf of a contemporary Italian review. Fine copy. FIRST EDITION OF THE MOST COMPREHENSIVE COLLECTION OF RUSCA'S ARCHITECTURAL PROJECTS FOR ST. PETERSBURG. An interesting work dedicated to Csar Alexander I which reveals the magnificent Russian architectural program a few years before the invasion of Napoleon.Luigi Rusca (1758-1822), a pupil of Giacomo Quarenghi, worked extensively at the Russian Imperial Palace at the beginning of the nineteenth century. He was well known for his neo-classical style and his skill in handling the construction and organisation of large public commissions. Rusca was a great favourite at court and these volumes are dedicated to the Csar Alexander Ist. The text supplies interesting technical notes on all aspects of building such as the type of material.

Libreria Antonio Pettini · Roma, IT12 000,00 €

(ARCHITECTURE - ANCIENT ROMAN WORLD). ADAM, ROBERTBiblio.com

RUINS OF THE PALACE OF THE EMPEROR DIOCLETIAN AT SPALATRO IN DALMATIA

1764ST17496-042London: Printed for the Author 1764. FIRST EDITION. 520 x 365 mm. 20 3/4 x 14 1/4". iv 8 subscribers list 33 pp. <br/> Attractive modern light green half morocco gilt by J. F. Newman of Dublin his ticket on front pastedown raised bands spine panels with central patera ornament two darker green morocco labels reinforced hinges edges untrimmed. WITH 61 SPLENDID ENGRAVINGS 14 plans and elevations 47 views ON 54 PLATES eight double-page six folding by Bartolozzi and others. Front flyleaf with ink signature of Francis D. Bedford dated October 1886. Cicognara 3567; Fowler 2. Spine sunned to a light olive shade one corner bumped one plate with a little browning along the fold occasional mild marginal foxing or trivial smudges but A FINE COPY--fresh bright and clean internally with deep impressions of the type rich impressions of the plates and generous margins in a binding with few signs of wear.<br/> <br/> This is an extremely appealing copy of one of the great architectural books of the 18th century described by Cicognara as a "magnificent and grandiose work." Scottish architect Robert Adam 1728-92 was a product of the Scottish Enlightenment and moved in intellectual circles that included historian William Robertson who wrote the introduction here David Hume and Adam Smith. His interest in architectural drawing was stimulated by books in his father's extensive library which DNB tells us contained "a working collection of illustrated architectural books in English French and Italian and a series of manuals on architectural draughtsmanship." This curiosity developed into a passion during his 1755-57 tour of Italy which "was in every way a period of intense professional training during which the skills learned in Scotland were tested and given an international gloss by the Roman circle in which he now moved." DNB At the center of this circle was French architect antiquarian and artist Charles-Louis Clérisseau 1721-1820 the leading authority on Roman antiquities and architecture who introduced Adams to among others the great Piranesi. With Clérisseau as guide and tutor he explored and sketched various sites before arriving at the un-surveyed fortress palace built by the former emperor Diocletian at Spalatro the modern-day Croatian city of Split. Adam undertook a survey of the building and drew the architectural plans and elevations for this work while Clérisseau sketched views of the ruins. Adam planned this book as a way of promoting his career as an architect and worked with Clérisseau to have engravings made for it. According to Thom "while the traditional plans elevations and sections--what Robert Adam called the 'Geometricals'--were generally supplied by English engravers like Rooker Patton and Walker the all-important picturesque views and perspectives which Adam thought were essential to convey the emotional impact of the remains of Diocletian's Palace were engraved in Italy mostly by Bartolozzi Paolo Santini and Zucchi." Adams also wrote the architectural commentary. The publication was a success praised by the "Critical Review" in October 1864 as possessing "a taste and execution that has never been equalled in England." As DNB observes "during these two Roman years Adam succeeded in transforming himself from a provincial and rather green Scottish architect into a cosmopolitan figure ready indeed to put into effect 'the Antique the Noble & Stupendous.'" Now based in London he embarked on a distinguished career specializing in country houses and townhomes that reflected the deep influence classical architecture and his Italian sojourn had on his work. Our copy was once owned by another artist Francis Donkin Bedford 1864-1954 who exhibited landscapes at the Royal Academy and illustrated books during the Golden Age of children's book illustration in the late 19th and early 20th century. Printed for the Author unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis13 000,00 $US≈ 10 999,30 €

(ARCHITECTURE)Biblio.com

Photographic album of Gothic architecture and proposed designs for the Royal Courts of Justice London.

1868Biblio246120 albumen photographs primarily 6 x 8 in. to 15 ½ x 10 ½ in. mounted most in excellent condition with strong tones. Contemporary black morocco. Pencil captions. Photographs by Francis Bedford Francis Frith Antonio Beato Frank Mason Good and other photographers. This splendid album contains 120 fine medium and large format photographs of Gothic and High Victorian Gothic architecture. The images range from the great cathedrals and ruined abbeys of England and Europe to nineteenth-century English parish churches and country houses in the Gothic style. Panoramic views doorways facades windows columns architectural details and interiors are all represented. The album is a valuable resource for the study of Gothic architecture and for the history of the famous and obscure buildings it documents. Given the collection's wide-ranging coverage of Gothic architecture and its inclusion of photographs of eleven of the architect's own drawings this album may have been a reference collection assembled by George Edmund Street the leading English architect of his day. Street's career culminated in his design of the Law Courts of London the nation's greatest public building in the second half of the nineteenth century. In 1868 the eleven architects competing for the commission submitted designs placing of the building on the Thames Embankment. Street won the competition "the greatest architectural prize in this generation" Barry. Drawing on his intensive study of Gothic architecture Street designed the immense dramatic building from its foundation to its elaborate carvings and spires dazzling the judges with his finely wrought original drawings. Construction began in 1873 and was completed in late 1882 a year after Street's death due to over-work and exhaustion. This is a magnificent reference collection of medium and large format photographs assembled at the high water mark of Victorian Gothic architecture. hardcover

19th Century Rare Book and Photograph Shop · États-Unis12 000,00 $US≈ 10 153,20 €

Architecture

Der Architectur furnembsten, notwendigsten, angehörigen Mathematischen und Mechanischen künst, eygentlicher bericht, und verstendliche unterrichtung, zu rechtem verstandt der lehz Vitruvii, in drey fürneme Bücher abgetheilet. Als Der newen Perspectiua... - [RENAISSANCE MATHEMATICS AND MECHANICS]

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Der Architectur furnembsten, notwendigsten, angehörigen Mathematischen und Mechanischen künst, eygentlicher bericht, und verstendliche unterrichtung, zu rechtem verstandt der lehz Vitruvii, in drey fürneme Bücher abgetheilet. Als Der newen Perspectiua... - [RENAISSANCE MATHEMATICS AND MECHANICS]

La Sontuosa Illuminazione della CittÃ di Torino per l'Augusto Sposalizio delle Reali Maesta' di Carlo Emmanuele Re di Sardegna e di Elisabetta Teresa di Lorena.

Ms. - The New Magazine for Women Spring 72 1972 Preview Issue

Diamond Leaves: Artist Books from around the World

Relazione della città d'Athene, colle provincie dell'Attica, Focia, Beozia, e Negroponte, ne'tempi, che furono queste passeggiate. - [EARLY ACCOUNT OF THE ANCIENT RUINS OF ATHENS]

Relazione della città d'Athene, colle provincie dell'Attica, Focia, Beozia, e Negroponte, ne'tempi, che furono queste passeggiate. - [EARLY ACCOUNT OF THE ANCIENT RUINS OF ATHENS]

Recueil de décorations intérieures. Edition originale de la plus grande rareté de ce précieux recueil d’architecture d’intérieur par le fils du peintre François Boucher, orné de 60 planches en premier tirage.

De la Architectvra Civil, en que fe contienen las Ichnographias, Orthographias, Figuras, y Delineaciones, que en los Tomos precedentes fe explican; Descripcam da ingenhosa maquina...

Mädchen vor dem Anna-Altar in der Stadtpfarrkirche in Rattenberg in Tirol.

Recueil des dessins ...... a Saint-Petersbourg, et dans l'interieur de l'Empire de Russie; [and] Raccolta dei disegni di diverse fabriche costrutte in Petroburgo, e nell'interno dell'impero Russo.

La Collection Spitzer. Antiquité. Moyen Âge - Renaissance. Edition originale du monumental et superbe catalogue de la Collection Spitzer ornée de 342 magnifiques illustrations, certaines rehaussées à l’or.

Recueil de testes

RUINS OF THE PALACE OF THE EMPEROR DIOCLETIAN AT SPALATRO IN DALMATIA

Photographic album of Gothic architecture and proposed designs for the Royal Courts of Justice London.

OEuvres du roi Stanislas : Dessins originaux et eaux-fortes ; [Varias]

ARCHITECTURE OU ART DE BIEN BATIR

The Architect and Contract Reporter a Weekly Illustrated Journal of Art Civil Engineering and Building Complete Run from 1899 to 1967. 136 Volumes

Den Danske Vitruvius [The Danish Vitruvius]. Indeholder Grundtegninger, Opstalter, og Giennemsnitter af de mærkværdigste Bygninger i Kongeriget Dannemark, samt de Kongelige Tydske Provintzer, Tilligemed en kort Beskrivelse over hver Bygning i sær. Dee... - [A MONUMENT OF BAROQUE ARCHITECTURE]

Description des principales pierres gravées du cabinet de S.A.S Monsieur le duc d'Orléans […]. « Le plus bel ouvrage qui eut alors paru dans ce genre. » (Michaud).

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