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(architecture)Biblio.com

THE JOURNAL OF THE ROYAL INSTITUTE OF BRITISH ARCHITECTS THIRD SERIES VOLUME 59 NUMBERS 1 THROUGH 12 NOVEMBER 1951 - OCTOBER 1952 lacking only #7 - 11 SEPARATE ISSUES

(Architecture: Materials; Linoleum)Biblio.com

Three Publications by Deutsche Linoleumwerke A.G.

192852792Berlin: Deutsche LinoleumWerke A.G. 1928. First edition. Softcovers. Near fine condition. Small Octavos 7 x 5". 24 48 56pp. Original stiff wraps with modern design in color and black lettering respectively orange and white lettering protected by modern mylar. Introductory pamphlets with architectural applications published in an edition of thirty respectively sixty thousand copies in the summer of 1928. Logo design and typeface in Bauhaus style. 1. Schallisolierung von Massivdecken mit Linoleum Sound Proofing of Solid Ceilings with Linoleum. Unterböden aus Trockenbaustoffen mit Linoleum Dry Building Material Sub floors with Linoleum. Part one and two with introductory text and fourteen technical drawings rendered in color lithography part two with nine measured drawings five of them in color. The last two pages with general information on linoleum contact address for technical questions and list of DLW outlets for the purchase of linoleum. Printed at Saladruck 2. Deckenkonstruktionen mit Linoleum Ceiling Construction with Linoleum. Introduction on ceilings in particular the change from ceilings with wooden beams to massive ceilings and the commercial technical and safety implications making the case for Linoleum. The preface deals with the economic viability offering a pricing chart various ceiling options followed by introductions of sixteen variant design: Kleinesche Ackermann Pohlmann "Marun" Zig-Zag Remy ceiling etc. Each ceiling is introduced with text technical drawings rendered lithographically eight of them in color and a cost calculation chart. At rear a floor plan for a city row house with last two pages as in first brochure. Printed at Eisnerdruck. 3. Estriche für Linoleum Composite Floors for Linoleum. This pamphlet treats cement and plaster floors magnetite screeds melted asphalt and wooden floors as sub floors for linoleum their characteristics and application including adhesives for linoleum. The chapter "Wood as Sub floor for Linoleum" is illustrated with sex technical drawings rendered in color lithography. The last two pages as above. Printed at Saladruck. Deutsche Linoleum,Werke A.G. unknown

Eric Chaim Kline - Bookseller · États-Unis350,00 $US≈ 296,14 €

(ARCHITECTURE - ANCIENT ROMAN WORLD). BARTOLI, PIETRO, Illustrator BELLORI, GIOVANNI PIETROBiblio.com

VETERES ARCUS AUGUSTORUM TRIUMPHIS INSIGNES EX RELIQUIIS QUAE ROMAE ADHUC SUPERSUNT CUM IMAGINIBUS TRIUMPHALIBUS RESTITUTI

1690ST17496-016Rome: Buagni 1690. 492 x 310 mm. 19 1/4 x 12 1/4". 6 leaves of text numbered in sequence with the plates; i.e. title page frontispiece To the Reader plates 3-15 text leaves 16-19 plates 20-52. Modern quarter calf over marbled boards raised bands spine panels with gilt starburst centerpiece. With allegorical frontispiece featuring a portrait of the dedicatee Cardinal Otthobono and 46 FINELY ENGRAVED COPPERPLATES OF ROMAN ARCHES half of these double-page all mounted on stubs. Cicognara 3608; Brunet I 758 and VI 29473. Slight signs of use to the covers first and last three leaves faintly foxed one- to two-inch light dampstain to bottom corners far from images or text other trivial imperfections but A FINE COPY--internally clean fresh and bright with excellent impressions of the engravings and in a pleasing binding showing virtually no wear. This work depicting the triumphal arches of imperial Rome is considered by Cicognara to be "the most beautiful of this genre and classic especially for the magnificence and elegance of the prints which are the masterpiece of Pietro Bartoli." Bartoli 1635-1700 was an antiquary as well as an engraver; he produced engravings of many Roman antiquities and helped to excavate Nero's Domus Aurea the sprawling complex built by the emperor in the middle of Rome after the fire in 64 A.D. had destroyed much of the city. Bellori 1613-96 was an author and antiquarian who served as curator of antiquities for Pope Clement X. He was later librarian and antiquary to Queen Christina of Sweden who also employed Bartoli. Bartoli's illustrations show the Arch of Constantine the Arch of Titus and the Arch of Septimus Severus examining the details of each. J. M. Suarez wrote the text discussing the Arch of Septimus Severus. The vastness of the present volume the very considerable detail of the plates and the richness of the engravings make this a very impressive book. Buagni unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis3 380,00 $US≈ 2 859,82 €

(ARCHITECTURE - ANCIENT ROMAN WORLD). BARBAULT, JEANBiblio.com

VUES DES PLUS BEAUX RESTES DES ANTIQUITÉS ROMAINES

1787ST17496-043Rome: Bouchard et Gravier 1787. 525 x 375 mm. 20 3/4 x 14 3/4". Near contemporary half calf over marbled boards smooth spine divided by gilt rules into panels with blind-stamped centerpiece red morocco label hinges reinforced with buckram marbled endpapers and edges. Engraved vignette on title page and 99 COPPER-ENGRAVINGS ON 60 PLATES. A 1911 letter from the editor of "Hobbies" magazine in response to a previous owner's questions about the contents of this volume laid in at front. The plate numbered 92 with an 18th century cemetery scene pasted to the verso; rear flyleaf with two engravings pasted on. Cicognara 3595; Brunet I 646. Spine label partly missing front joint cracked from tail edge to midpoint head and tail of spine chipped boards a bit chafed and with a drizzle of white paint to front cover but the binding still solid. Occasional mild marginal foxing or finger smudges but an excellent copy internally fresh and clean throughout and with pleasing impressions of engravings. Not an external beauty as is often the case with architectural tomes but quite attractive inside. This is a collection of beautifully engraved plates drawn from the work of a painter and engraver who made engravings for Piranesi's 1748 "Varie vedute di Roma antica e moderna" and collaborated with him on the majestic "Le antichità Romane" 1756. Inspired by his work with the master Barbault drew and engraved his own series of Roman views issued in "Les plus beau monumens de Rome ancienne" 1761 and "Recueil de divers monumens anciens" 1770. The plates in the present volume are drawn from those works. Barbault's picturesque scenes are characterized by a sense of romantic decay: in some the landscape is open and generally free from human intrusion the once-grand ruins rising proudly from the encroaching vegetation. One has the sense of being among the first to stumble across these hidden wonders. In others the artist juxtaposes temple remains with the shed of a contemporary farmer a humbling contrast between past grandeur and present poverty. Jean Barbault 1718-62 had studied painting in Paris with John Restout II before receiving a scholarship from the Académie des Beaux-Arts for travel to Rome in 1721. Once there he stayed building a career as engraver and establishing himself with Piranesi and his circle. Bouchard et Gravier unknown

Phillip J. Pirages Fine Books and Medieval Manuscripts · États-Unis3 120,00 $US≈ 2 639,83 €

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