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97019202London 1811 Longmans. New 3/4 leather over marbled boards folder pages 541-576 complete in itself clean minor bit of foxing contained in a folder. S C A R C E An early resource covers the name extentmountains & rivers of Tibet. Of the Kingdoms into which Tibet is divided: Great Tibet or Butan & Little Tibet. Lassa or Barantola its name extent cities & inhabitants. The religion of Tibet Dalay Lama adored as a God incarnated. Of the Hutuktus or apost- olical Vicars & inferior Lamas. The government of Tibet. An account of the Si-fan or Tu-fan & the country inhabited by them their history and destruciton of their Empire. Very early primary resource on Tibet and its culture. R A R E ! unknown
1895011295Paris Léon Chailley 1895 Demi-reliure Dédicacé par l'auteur
115005Chez l'Auteur, Duminil-Lesueur, 1806, 1 volume petit in-folio de 230x320 mm environ, (1) ff., 1 faux-titre, 1 titre, xl pp., 270 pages (paginé 250 par erreur), complet des 188 planches annoncées (la planche 18 pour la France a paru ultérieurement). Reliure demi basane marbrée fauve et cartonnage, dos à 5 nerfs portant titres dorés sur pièces de titre bleu roi, tranches finement mouchetées, gardes de papier décoré. Des épidermures, frottements sur les plats, quelques planches annotées, rousseurs éparses (accentuées sur les derniers feuillets) sinon bon état pour le reste.
1322Paris, Librairie de A.Courcier, (1851?), grand in-8, reliure demi-basane bleu récente, dos à nerfs orné de fleurons, 328 pages, illustré de 12 gravures à deux teintes hors texte et dun très grand nombre de vignettes sur bois par J. B. Arnout Père, rousseurs.
iv, 109 pp. Index. Three lectures on post-war monetary stabilization delivered by Professor Cassel at Columbia University in concert with the Julius Beer Foundation. Lecture titles include: Inflation and Stabilization of Currencies, The Stabilization of the Value of Gold, and The New Gold Standard. "Cassel was beyond doubt one of the outstanding figures in economic science during the inter-war period. His authority was second only to that of Lord Keynes, and his advice was eagerly sought on many occasions by his own Government and by foreign Governments." - Paul Enzig. Maroon exterior adorned with gilt titling and publisher's device. Average wear. Binding intact. Usual library markings. A sound copy. Masui p.1425. Book
Sin lugar de impresión, impresor ni año, pero: Valladolid, hacia 1598. Folio;10 hojas numeradas, con rúbricas notariales + 9 hojas, con rúbricas notariales + 11 hojas, con rubricas notariales + 2 hojas + 24 hojas + 26 hojas + 28 hojas. Cubiertas mudas en cartulina. Conjunto documental de excepcional interés sobre uno de los pleitos mas largos y sustanciosos del siglo XVI, plagado de falsedades, falsificaciones, falsos testimonios, prevaricación y soborno. Contiene, desde la transcripción de un documento fechado en 1447 y de otro fechado en 1439, en el reinado de Juan II, y que se presentan en juicio en la Audiencia de Valladolid en 1506, en un Pleito entre Martin de Velasco, Antonio de Velasco y la Condesa de Siruela, Doña Leonor de Velasco, la principal actora de este drama judicial, hasta las transacciones, arreglos y análisis final de los hechos por las partes en litigio. Aparecen mencionados los lugares de la Casa Fuerte de Cervera, la Merindad de Pernia, Vallegera, Salinas del Rio Pisuerga y obviamente Villanueva de Siruela. Asimismo aparecen las transcripciones de los Testamentos de Leonor Carrillo en 1452 y de Fernando de Velasco de 1457 y el de Juan de Velasco de 1480. Y las vicisitudes finales de este largo y costosísimo Pleito, con la concordia ante la Reina Juana y la Sentencia de la Chancillería de Valladolid. Y las recapitulaciones finales e irreconciliables de ambas partes.
Zaragoza, por Pedro Lanaja y Lamarca, 1646. 4to.; 10 hojas, 151 pp. Escudo real xilográfico. Encuadernación de época, en pergamino.
1926013405Paris Floury 1926 Cartonnage bradel
Madrid. en la Oficina de Pantaleon Aznar, s.a. (1750). 8vo.; 4 hojas, 347 pp., 1 h. Con un mapa, un estado, una vista de Orán y otra de la ciudad de Argel, todos ellos plegados. Encuadernación de época en piel, con ligero desgaste en el canto exterior del plano superior.
[Burgos, Juan de Junta,1550]. 4to.; ejemplar falto de la portada y de las tres hojas de preliminares, 145 folios (de 149), faltando tambien los folios 138 a 144, ambos inclusive. Impresión en letra gótica, de 40 lineas. Encuadernación de la época, en pergamino, con pérdidas en cabeza y pie de lomera y un trozo superior del plano posterior.
Coimbra: Conimbricae, apud Emmanuelem Rodericum de Almeyda, 1682. Folio; 2 hojas, 182 folios numerados, 26 hojas, la última blanca. Encuadernación de época en piel, con gofrados en seco en ambos planos. Lomera ornada.
157033006-178Ingolstatt Alexander Weissenhorn 1570. Title printed in red and black within woodcut-border. 16 232 8 leaves. 8vo. Contemporary blind-ruled vellum 1 of 2 metal claps small old library stamp and owner's ms. entry on title. Ingolstatt Alexander Weissenhorn 1570. Fourth issue of one of the many polemics written by Johann Nas 1534-1590 a Franciscan monk and counter-reformation preacher and controversialist notably at the court of the Archduke Ferdinand in Innsbruck where he followed Petrus Canisius. In 1580 he became Bishop of Brixen. - VD 16 N 102; STC German 643. GERMANY ; RELIGION ; Ingolstatt, Alexander Weissenhorn hardcover
0309F088366Very Good. Very good decorative brown cloth top edge gilt bright gilt lettering elaborate black stamped floral cover and spine. Boston: No reader's marks. Remarkably Tight bright. 40 illustrations/frontispiece all VG; 388 pages plus 8pps publisher's ads. Philadelphia: Lippincott 1876. Salt water; or The sea life and adventures of Neil D'Arcy the midshipman "With Illustrations". Illus. frontis and title page VG tissue guard at least 3 other handsome engraved full page illus. Top textblock some soiling; book slightly cocked. hardcover
5 edition. French Text. Paris, 1987; 4 vols., hardback, pp. 1683, b/w and col. ill., b/w plates. francaise hardback
720220 pp. 8vo 198 x 125 mm. modern aubergine cloth head of spine a little worn title on upper cover. Paris: Félix & Regnault-Delalande 1822.<br/> <br/> An extremely rare auction catalogue inventorying the collection of an obscure painter active at the turn of the century. A contemporary annotator has written in the surname for this anonymous sale on the title-page corroborating Lugt’s attribution. An 1817 almanac of Paris records a painter with the same surname working at rue de Rohan 6. Viglianis also exhibited a landscape at the 1814 Salon — no. 948 in the exhibition livret.<br/> <br/> 184 lots consisting primarily of prints lots 1-132 by artists such as Bartolozzi Bervic Bloemaert Cochin Le Bas Desnoyers Earlom Green Ingouf Massard Morghen Strange Wille Woollett etc. We then find original engraved plates by a number of contemporary artists. The final section of drawings includes the work of Bruandet S. Gessner H. Robert and “Joseph Pascal Viglianis†presumably the seller. With the list of vacations on the final page.<br/> <br/> A very rare catalogue in fine condition. In the characteristic binding of the Bibliothèque Heim. <br/> <br/> ⧠Lugt 10220. unknown
189471028Washington: United States Geological Survey 1894-1900. First edition of all seven folios. 21 2/4 x 18 1/2 inches each. Folio 3 Placerville. 3 maps. 1894. Folio 5 Sacramento. 2 maps. 1894. Folio 29 Nevada City Special. 9 maps. 1896. Folio 41 Sonora. 4 maps. 14x4" portion of rear wrapper torn off affecting lettering on inside rear wrapper; plates and text fine. 1897. Folio 51 Big Trees. 3 maps & 1 plate reproducing 5 photographs. 1898. Folio 63 Mother Lode District. 8 maps. 1900. Folio 66 Colfax. 3 maps. 1900. All in original printed wrappers and cloth spines. Cursive stamp of Chas. S. Sawyer to each volume. Bit of soiling ad corner wear but altogether a very good collection of this attractive group of atlases. United States Geological Survey hardcover
181198077Catskill NY: Printed by M. Croswell for John Shaw Book-seller and Book-binder 1811. 1811. Fair. RARE MACKAY CROSWELL CATSKILL NEW YORK IMPRINT - Octavo 6-10/16 inches high by 4-2/16 inches wide. Hardcover bound in original marbled paper covered boards backed with a tan calf spine titled "American Revolution" in gilt on the spine. The covers are heavily rubbed and chipped and the front cover is detached. Pages i-xii 1 and pages 14-264. There is evidence of early worming to the top front corner of the first 2 leaves. There is some scattered foxing and staining throughout with occasional pencil annotations. An internally good copy of this rare imprint. <p>RARE CATSKILL NEW YORK IMPRINT.<p>Although for many years attributed to the Reverend William Cooper see Howes C-761 modern scholarship has identified the author as being Richard Johnson 1733 or 1734-1793 He wrote the text for Elizabeth Newbery who published the first edition in 1789. M.J.P. Weedon "Richard Johnson and the Successors to John Newbery" The Library 1949 pp. 25-63. Richard Johnson also wrote an adaptation for children of several stories of the "Thousand and one nights" under the pseudonym Reverend J. Cooper. It appeared under the title "The Oriental moralist or the beauties of the Arabian nights entertainments" accompanied with suitable reflections adapted to each story in 1790.<p>Mackay Croswell 1765-1847 was an important early printer in the Hudson Valley who started the first Catskill New York newspaper "The Catskill Packet" in 1792. Together with his brother Thomas he opened a book and print shop in Catskill in 1790. Mackay was soon joined in the the business of journalism by his brother Harry Croswell. In 1800 the paper was renamed "The Western Constellation" in 1800 and was co-edited by Mackay and Harry. For a brief period the brothers mentored a well-known future journalist Thurlow Weed who worked in their print shop. Catskill, [NY]: Printed by M. Croswell, for John Shaw, Book-seller, and Book-binder, 1811. hardcover
182717725<p>London: Henry Colburn 1827 Third edition enlarged of this gardening guidebook that was among the first of its kind written for women by a woman. The second and third editions are significantly expanded from the first edition 1816 which is about half as many pages and contains only two plates. Publisher's rose-colored boards. . Twelvemo. . With six hand-colored aquatint plates including large folding frontispiece 11 x 7 ". Expertly rebacked with printed paper spine label. Wear to corners. A very good unusually bright and wide copy. Maria Elizabetha Jacson 1755 – 1829 was a botanical writer and the daughter of a clergyman who owned land in Derbyshire and Cheshire. Her family had connections to Enlightenment culture in the midlands through Erasmus Darwin and her cousin Sir Brooke Boothby. She also knew Maria Edgeworth who described Jacson as a "gay garden lady" and was undoubtedly an influence on Jacson's work. Jackson took an interest in botany from a young age but did not publish her first book the children's educational volume Botanical Dialogues 1797 until she was in her forties. She later published Botanical Lectures 1804 and Sketches of the Physiology of Vegetable Life 1811 for an adult audience the former book being an introduction to the translation of Linnaeus's System of Vegetables 1783 by Erasmus Darwin. The Florist's Manual was her most popular and influential work.</p> Henry Colburn, hardcover
185183020London: John Van Voorst 1851. First edition. Hardcover. Very Good. 23 x 14.5 cm. Slim octavo. viii 74pp 2 ads. Small stamp on page vii. Complete with 6 lithographs of flies by Paul Jerrard of which 5 are vibrantly hand colored and one that is not in color of other tackle. Bound in original brown cloth. Spine is faded and head and tail of spine are chipped. ~ 8 cm closed tear to front free endpaper. With sections on salmon white trout trout pike grayling sea fly-fishing and lengthy appendix including a section on angling in America. Authorship is unattributed internally but various sources give either Mrs. Hutchinson or Richard Bowden-Smith as the author. Uncommon work. References: Heckscher 1075. Westwood & Satchell p 95. John Van Voorst hardcover
18522473San Francisco: October 4 1852. Very good. 2pp. with integral address leaf. Old folds mild staining and soiling three-inch closed tear to address leaf. An interesting letter documenting the family side of the California Gold Rush in which a San Francisco man writes to his brother offering to send his wife and daughters to Placerville as helpers. Interestingly at first Phillips addresses the letter to his brother in Ohio then scratches it out and writes in "Cal;" this most likely indicates the Phillipses hailed from Ohio and trekked to California along with scores of others in hopes of untold riches in the California gold fields. In his letter Phillips writes that his wife who has long been in San Francisco looking after a sick friend can now leave as he is better "And if you think best she will come up with the little girls and fix your carpets and superintend your affairs for a month or two untill your wife comes." The formerly sick friend Mr. Gardner could also accompany them apparently as "He is coming up to P. and he wants you to give him work for a short time. Mr. G. is a good sailsman sic having been in the dry goods business." While not overtly concerned with gold mining the correspondence is nevertheless interesting for providing details on family routines during the Gold Rush era when numerous families uprooted their lives and moved not only to places like San Francisco and Placerville but between such locations during the years of speculation. A nice example of history from below particularly notable for its domestic implications during the time of the great California Gold Rush. October 4 unknown
18555504Live Oak City Ca: January 27 1855. Still very good. 4pp. on a bifolium. Previously folded with manuscript docketing on lower half of second leaf verso. Minor wear along old folds with a couple of short separations. Minor soiling and dampstaining somewhat heavier to addressed area. A detailed mid-1850s California Gold Rush letter from Elias Hunt Jr. to his brother in the tiny of Poolville New York southeast of Hamilton. Hunt was camped in Live Oak north of Yuba City when he wrote this letter home on January 27th 1855. He tells his brother that he has good claims but that a lack of rain has not allowed him to work them:<br /> <br /> "It is hard for a man to get along. I am stopping here in hopes there will be some rain soon so that I can work my claims. I have some very good ones 2 only 200 feet square each. I could make some money if I had water. I have been offered $500 dollars for them but I refused it -- I think I can make an ounce per day; I know that I can make ten dollars for I have done that before."<br /> <br /> There is talk of irrigating the area but Hunt is not sure that it will be finished before he wants to return east:<br /> <br /> "There is a ditch coming in here to suply sic the place with water but it will not be completed until Spring some time in April & I should like to come home in June. I shall stay until there is water in the ditch then I can wash a part of my claims & sell the rest to a good advantage for they are situated immediately on the line of the ditch."<br /> <br /> Continuing upon his plans to return he writes:<br /> <br /> "I have had a very good offer to come home across the plains by a man in Sacramento. He is from Utica; his name is Hamilton. He is going to cross with four hundred Spanish horses or mares. He has offered me good money to come with him as I have been over to Carson Valley this last season. It will take some sixty days to do it if I should get through with my claims by the time time that he gets ready to start. I think I shall come with him if the Indians are not to hosstille sic. They were very bad this last season; they got possession of one of Uncle Sam's forts."<br /> <br /> Hunt continues writing about local hunting prospects and family in New York before delivering a Crockett-esque farewell -- "Please give my respects to all may inquire for me & let the rest go to Hell for all that I care." A good letter from one of the less trafficked areas of the California Gold Rush. January 27 unknown
44028501Edo n.d. ca 1830-40's. A group of 12 color woodblock print sheets: ca. 12.3 x 9 cm.;prints: ca.11.9 x 8.4 cm.all clean showing age excellent impression & registry no marks very nice examples in old album. AN OBSCURE SHUNGA ALBUM . . . EROTIC PRINTS FROM TWO SERIES MOST LIKELY THE ART WORK . . . OF EITHER KUNISADA I OR TOYOKUNI II . . . UNSIGNED AS USUAL . The book consists of pages from two series of Shunga erotic books:. As usual no Shunga erotica or Harubon erotic books were ever signed by the author as these were banned by the Shogunate. Nevertheless there was a proliferation of these 'contraband' books & prints printed through the Edo period 1604-1868 that were commonly distributed throughout Japan. . Three prints from JUNI KA GETSU NO UCHI TWELVE MONTHS OF THE YEAR and YON SHIKI NO UCHI THE FOUR SEASONS. The second to last print has no title. All of the above are clearly Edo period color prints. The second to the last print has no title but is clearly an Edo period item. The very last color print is a Meiji period work ca. 1870's. . We believe the two series originally consisted of 12 prints in all showing the erotic scenes of each of the twelve months. The same for the Four Seasons showing three prints for each of the four seasons. . Each print is clean more than likely from an accordion folded album or a usual printed book. All but 2 have the series title cartouche and a title cartouche indicating the season or month. The last two have no titles. . Each print is gently mounted to the book using typical Ace corners in white from the 1940-1950's period. . THE ARTISTS: Being unsigned by stylistic analysis and research we believe this book to be the artistic work of the two artistes cited below. . The book consist of the works of two famous woodblock print artists: of the period KUNISADA I & TOYOKUNI II. Because Kunisada I 1786-1864 was the star pupil of Toyokuni II since age 15 his works naturally are very similar to his master's style. In 1844 he took the name Toyokuni III therefore Kunisada I is the same person. He specialized in story books & portraits. He is well collected by world libraries & museums. See Roberts below. . Toyokuni II 1777-1835 may be the artist of one of the series. He also was a star pupil of Toyokuni I. He was a Ukiyo-e painter illustrator Bijin Ga pictures of B-beauties He is well collected by world libraries & museums. See Roberts below. . The last print clearly a Meiji 1968-1912 period work was again unsigned and unattributed. . EX-LIBRIS THOMAS K. TINDALE. Tindale was a famous author of the comprehensive book THE HANDMADE PAPERS OF JAPAN concerning Japanese Washi papers. The first fly leaf of this book has his embossed "Mon" or Japanese crest blind-stamped. See our book #360633 on our website. . This was among his collection which we acquired in the 1970's now being offered for the first time. . CONDITION: The book is in excellent condition it is an accordion folding album with brown silk cloth covers containing stiff Washi paper. . The front covers have a bit of old either worming or silverfish evidence of nibbled cloth in two places. It is minor and has been colored the same as the cloth so it is not a major issue with no damage to the interior pages. There is a small amount of loss to the cloth and the cover title slip is also a bit nibbled on the right edge again of no impact to the book or the prints. . The prints are clean polychrome woodblock printed in several colors with excellent impression & registry. Lovely miniature treasures. Each print is gently inserted in American "NewAce" white paper mounting corners. The prints can be easily removed from these corners. . There is one single print mounted to the right hand side of the book. The versos of the prints are clean the rectos fronts are also clean no damage marks or issues. The colors are vivid the red made from iron has nicely oxidized into a mellow brown-rust color indicating at least 100 years old. It takes 100 or more years for this color transition to happen this is a good sign of genuine Edo period examples. . Each print has excellent impression & registry indicating an early printing off the woodblocks printed in a high quality from expert printers/publishers again lacking any identifying seal as usual. . The last print Meiji period has been re-backed folded twice and old tear mended. . Please review the color photos posted to our website for more details. . THE ARTIST & BANNED BOOKS: . During the Edo period the Shogun banned books that were not inspected and or sanctioned. Erotic books were again contraband and never showed the true name of the artist nor publisher printers seals or logos. Therefore these Shunga Harubon are difficult to attribute any artist. The only way is an "educated guestimate" based on the artist's painting style. At best it is a close of an attribution as possible. Few are listed in Shibui or other bibliographies containing Harubon. . It our best estimate that these two books were the work of either Kunisada I and or Toyokuni II based on our over 55 years of tenure and experience. . Color photos are posted to our website. . REFERENCE: . ROBERTTS Laurence P.: A DICTIONARY OF JAPANESE ARTISTS: PAINTING SCULPTURE CERAMICS PRINTS LACQUER. For Kunisada see pp. 96-97. For Toyokuni II see pp. 186-187. SHIBUI Kiyoshi: ESTAMPS EROTIQUES PRIMITIVES DU JAPON: GENROKU KOHANAGA SHU-E. . --. UKIYO-E NAISI. BIBLIOGRAPHY OF JAPANESE EROTIC ILLUSTRATED WOODBLOCK PRINTED BOOKS. HAYASHI Yoshikazu: ENBON KENKYU: RESEARCH ON EROTIC JAPANESE WOODCUT BOOKS. ILLING Richard: JAPANESE EROTIC ART: And The Life Of The Courtesan. UHLENBECK Chris. ed. et al.: JAPANESE EROTIC FANTASIES: Sexual Imagery Of The Edo Period. WINZINGER Franz: MEISTERWERKE DER EROTISCHEN KUNST JAPANS. LANE Richard: EROTIC THEME IN JAPANESE PAINTING: THE EARLY SHUNGA SCROLL. UKIYOE SHUNGA MEI HIN SHU SEI.THE COMPLETE UKIYO-E SHUNGA: The Foreign Image. An Anthology Of Writings. GROSBOIS Charles: SHUNGA IMAGES OF SPRING: Essay On Erotic Elements In Japanese Art. MANDEL Gabriele: SHUNGA: Erotic Figures In Japanese Art. EVANS Tom. et al.: SHUNGA: The Art of Love in Japan. UTAMARO Utagawa. Kitagawa: THE MERRY DRINKERS A Translation Of The EHON WARAI JOGO: A PICTURE BOOK SERIES OF SHUNGA EROTICA. . NOTE: Many of the above reference books are in our inventory please see visit our website for details search by author or title. . . unknown
720220 pp. 8vo 198 x 125 mm. modern aubergine cloth head of spine a little worn title on upper cover. Paris: Félix & Regnault-Delalande 1822. An extremely rare auction catalogue inventorying the collection of an obscure painter active at the turn of the century. A contemporary annotator has written in the surname for this anonymous sale on the title-page corroborating Lugt's attribution. An 1817 almanac of Paris records a painter with the same surname working at rue de Rohan 6. Viglianis also exhibited a landscape at the 1814 Salon - no. 948 in the exhibition livret. 184 lots consisting primarily of prints lots 1-132 by artists such as Bartolozzi Bervic Bloemaert Cochin Le Bas Desnoyers Earlom Green Ingouf Massard Morghen Strange Wille Woollett etc. We then find original engraved plates by a number of contemporary artists. The final section of drawings includes the work of Bruandet S. Gessner H. Robert and "Joseph Pascal Viglianis" presumably the seller. With the list of vacations on the final page. A very rare catalogue in fine condition. In the characteristic binding of the Bibliothèque Heim. ❧ Lugt 10220. hardcover books
195019696Paris: Points 1950. First edition. Paperback. Good. The rare 8th issue of this literary magazine edited by Bisiaux and Vail. Notable for the inclusion of "Shades of Darkness Three Impressions" by a young Canadian writer named Mordecai Richler. His first published work. This magazine in good condition. Paper is toned with age. Covers are lightly worn and there are a few small chips and tears at the edges. A small stain affects the base of the first dozen pages or so. Still a reasonably sound copy and still well-bound. Points paperback books
a891651684 first edition. no place or publisher given. square 12mo . later plain wraps. "Nopende het belaagen der Vryheyt. Mitsgaders een verhaal van de swackheyt der Spaanse Mogentheyt Philips de Tweede. Triangle floral vignette on title page. Name "Boccalin" printed at end of text. 8p. Good no wear some light toning throughout. . paperback