542 résultats
173424539Venetiis: Typis Johan: Mariae Lazzaroni 1734. First Edition printed in Italy. Two volumes. Quarto pp. iv 480; ii 356 xxiv. Bound with 9 folding engraved plates. Title-page in volume one printed in red and black. Bound with the half-title in volume 1 in contemporary vellum. One hinge strarting a little bit o/w a very nice clean crisp set. The OCLC locates 4 copies in this country of 6:CIT STA TYC LRU. Archbishop of Canterbury Potter was a learned classical scholar and first published this work in 1697-1698. It was translated into German and considered the standard for years. It contains a study of the civil government of Athens the religion of Greece; the military affairs of the Grecians. Some of their miscellaneous customs etc. Typis Johan: Mariae Lazzaroni unknown books
1975M3072In:: Medical Radiography and Photography Vol. 51 No. 1 1975. 1975. 4to. 2-19 pp. 26 figs. Printed wrappers. Fine. Medical Radiography and Photography, Vol. 51, No. 1, (1975). unknown books
1688WRCLIT56757London: Impensis B. Griffin & Sam keble 1688. 82pp. Small quarto. Extracted from nonce pamphlet volume. Small loss at blank corner of title at gutter else very good and crisp. First London printing of this work by the Bishop of Winchester first printed in Strasburg in 1557. Lowndes alludes to this printing but describes it as a translation into English which of course it is not. WING P2804A. ESTC R10516. Impensis B. Griffin & Sam keble unknown books
599537; 22; 17; 25; 21 folding leaves. Five vols. 8vo orig. wrappers orig. block-printed title labels on upper covers new stitching. Edo Osaka & Kyoto: 1832. First edition in Japanese and an important book. "Kincho or Rikkyo or Rikkei or Ryukei Sugita 1786-1846 the son of the famous Gempaku Sugita published a work in five volumes in 1830 this is wrong or a typo; the correct date is 1832 entitled Yoka shinsen which was a translation of the Dutch translation of Joseph Jakob von Plenck's Compendium institutionum chirurgicarum. Viennae: R. Graeffer 1780. The Yoka shinsen was important as the first complete translation of a Dutch surgical work into the Japanese language."-Mestler A Galaxy of Old Japanese Medical Books. III p. 157. Vols. I and II are concerned with tumors; Vol. III with ulcers; Vol. IV with wounds; and the fifth volume deals with pharmacology. In this volume many of the drugs appear with Latin and Dutch names and Japanese translations. Plenck 1738-1807 a member of the Viennese School was at one time or another professor of chemistry botany surgery anatomy and obstetrics at the Joseph Academy at Vienna. Fine fresh set. ❧ Sugimoto & Swain Science & Culture in Traditional Japan p. 386-"the crucial work on surgery was Yoka shinsen New selections on surgery by Sugita Ryukei 1786-1845; Genpaku's son by a mistress which was printed in 1832.". unknown books
6549Fine woodcut vignette on title see below. 32 pp. Small 4to early 20th-cent. calf double gilt fillet round sides a.e.g. London: P. Short 1600. First edition and of the greatest rarity this is the first of three issues as described by ESTC which locates only two copies of all the issues in North America. "Sir Hugh Platt 1552-1608 held by Richard Weston to be 'the most ingenious husbandman of the age he lived in'.was admitted at Lincoln's Inn. Much of his life was devoted to literary work and to the study of husbandry and gardening. He was also interested in all kinds of inventions and experiments.In 1600 appeared Platt's New and admirable arte of setting of corne a treatise in which this author advocates growing corn by setting the seed at regular distances apart the usual method of sowing corn at that time being by broadcast. On the title-page of this small quarto volume is a woodcut of a growing plant of corn over which is a spade lying in a scroll bearing the words 'Adam's toole revived'."-Henrey I p. 155 & no. 301. The book is divided into eight chapters and is signed by Plat at end. Fine copy. Natural marginal paper flaw to D2 carefully repaired. ❧ ESTC S122434. Fussell I p. 15-"Deals with the then new idea of setting corn seed at equal distances apart both in the row and between the rows so that seed might be conserved and the crop enhanced." McDonald Agricultural Writers from Sir Walter of Henley to Arthur Young 1200-1800 p. 58. unknown books
167535334London: William and John Leake 1675. Two parts in one 8vo. 28 148; 16 159 1pp. Contemporary mottled calf covers ruled in blind rebacked to style flat spine ruled in blind red morocco lettering piece<br/> <br/>Provenance: F. H. early initials on the title<br/> <br/>The final edition complete with both parts of among the most influential English gardening books of the 17th century.<br/> <br/>"Sir Hugh Platt 1552-1608 held by Richard Weston to be 'the most ingenious husbandman of the age he lived in' . devoted his life to literary work and to the study of husbandry and gardening. He was also interested in all kinds of inventions and experiments and in consideration of his services in this field was knighted by James I on 22 May 1605 . His work on gardening entitled Floraes paradise . appeared in 1608 the year of his death . He wrote his book from his own practical experience as well as from information supplied to him by other gardeners . Floraes paradise continued to be published after the author's death but with the new title of The Garden of Eden and edited by Charles Bellingham . In 1660 was issued The second part of The Garden of Eden . Readers who questioned the authenticity of this work were invited to 'see the original manuscript under the authors own hand.'" Henrey. Styled on the title as the sixth edition it is the second combined edition of both parts and the final edition published in the 17th century. The second part includes its own title and pagination.<br/> <br/>Fussell pp.15-16; Henrey 299; Hunt 340; Wing P2388; ESTC R31801. William and John Leake unknown books
164724501London: Printed by M. S. for H. Blunden at the Castle in Corne-hill 1647. 1st Edition variant issue Wing B-3408A. Another issue of the same year has the printer's name "Matth. Simmons. in the yeare 1647". Period full leather with modern rebacking to style. Red morocco title label in second spine compartment. Modern eps. An overall VG copy text paper beginning to brown at edges with some associated chipping/repaired hole to lower right quarter of E2 affects last few words of two lines on p 25 and first few words of four lines on page 26/occasional po marginal pencil annotation a/o check mark. 18 155 7 28 4 pp. Separate t.p. for "Clavis". Last 4 pp: 2 pp 'Catalogue of Bookes' viz. bibliographical list by Behmen 1 pp of "Faults Escaped in Printing" & a blank. Inserted table & plate imperfect lacking 'folded' left side approx. 1 - 1.5". 4to: ¢4 -¢1 a half-title a2 a3 B1 A4 -A1 C - 2B4 2C2. <br/><br/>Bohme a German philosophical mystic who had a profound influence on such later intellectual movements as idealism and Romanticism. Born of poor parents in Goerlitz Germany as a boy he tended cattle later becoming a shoemaker marrying & fathering 4 children. Boehme at the robust age of 37 in 1612 wrote his first treatise Aurora oder Die Morgenroete in Aufgang. In 1613 an unauthorized copy of the manuscript was copied and circulated by Karl von Ender. Its reception "raised him out of his homely sphere and made him the centre of a local circle of liberal thinkers considerably above him in station and culture." However the local pastor primarius of Gorlitz Gregorius Richter leveled a charge of heresy. The local muncipal council administered an admonishment to no further "meddle in such matters." This charge Boehme publicly followed for 5 years. In 1618 Boehme again started writing expository & polemical treatises. The majority of his works were written though not formally published from 1619 - 1624. A second major work Der Weg zu Christo was published in 1624 and signaled a renewal of clerical hostility. Boehem however was destined to suffer but a short period of this second persecution; he died of an illness on 17 November 1624. Boehme has been said to have a "fertility of ideas" and a "trasncendent greatness of religious insight." Boehme was studied by Sir Isaac Newton and influenced the work Henry More as well as and especially William Law 1686 - 1761. Xl Questions concerning the Soule was translated by the English mystic John Sparrow in collaboration with John Ellstone & financed by Humphrey Blunden. This the first of several works by Boehme that Sparrow & Ellstone were to translate into English between 1644 - 1662. Boehme proved to be highly popular in England where there were regular societies of Behmenists at the time. This work XL Questions went into a second edition in 1648 and a third edition in 1665. 11th EB. A scarce title in the Boehme canon. We find no copies currently offered via the major on-line databases OCLC records but 4 institional cc and the work has only appeared at auction 3 times in the last 25 years the last in 1989. Printed by M. S. for H. Blunden, at the Castle in Corne-hill hardcover books
185425890Boston / Cleveland: John P. Jewett / Jewett Proctor and Worthington 1854. Paper wrappers. A clean copy without the blue wrappers. 42 pp. Pamphlet. Attributed to Samuel R. Phillips by Halkett & Laing. Attributed to George W. Bungay in Brown University Dict. Cat. of the Harris Coll. Vol. 2. LCP Afro-Americana 1795. Halkett & Laing v. 9 p. 221. John P. Jewett / Jewett, Proctor, and Worthington unknown books
177233314Oxford 1772. 8vo 21.5 cm 8.5". 2 32 6 pp. <br><br>with his The history of the University of Oxford from the death of William the Conqueror to the demise of Queen Elizabeth. Oxford: Pr. by W. Jackson & J. Lister for J. & F. Rivington 1773. 4to 27.3 cm 10.75". 4 264 2 pp.<br>Â Â Â Â Bound together here are this author's first 32-page history tracing the story of education in Britain back to the Druids and his much more extensive follow-up on Oxford's development including e.g. passages on => politics religious controversies towngown contretemps and epidemics. Sir John Peshall sometimes given Pechell formerly Pearsall sixth baronet was a clergyman and antiquary known for his philanthropic activities; he was himself an Oxford man BA 1739 MA 1745.<br>Â Â Â Â Provenance: Front pastedown with bookplate of the famed Hookham Circulating Library. <br>Â Â Â Â <br>Â Â Â Â ESTC T63374 & T68757. Contemporary half calf and marbled papercovered sides rebacked and corners refurbished; marbled paper sides with surface wear. Front pastedown with bookplate as above pastedown and free endpaper with small pencilled annotations. Octavo history with small portion torn away in outer margin only of final "Additions" leaf; quarto history with dust-soiling to title-page around edges of bound-in octavo and following leaves showing impression of bind-in. Occasional light foxing only to both items mostly confined to margins; quarto with a very few early inked corrections and annotations. unknown books
16024955Venice: Giovanni Battista Ciotti 1602. First edition. Leather. Very Good/The first methodical Italian dictionary based on literary examples il Memoriale della lingua appeared ten years before the Accademia della Crusca issued its famous dictionary. Gamba points out that Pergamino who was a friend of Tasso utilized examples that the Crusca missed such as Tasso's dialogues Guido Cavalcanti Ludovico Dolce and Gian Giorgio Trissino. The first edition is quite scarce absent from recent auction records with copies scattered in a few important libraries. Gamba himself saw only the second edition of 1617. A third edition appeared in 1656. Folio 31 cm; 12 524 395 i.e. 375 lacks two unnumbered leaves errata at end. Title page in red and black. Printer's device on title page and colophon. Text printed in two columns. Woodcut head pieces; initials. Rebacked in period style retaining eighteenth-century boards in flecked calf gilt with double fillets. Title page and colophon a little worn but contents generally clean and bright. Few marginal worm trails. Discrete 19th-century library blindstamp on title page colophon and few other leaves. Reference: Bruni & Evans 4042; Michel VI 97; Fontanini I80 "il primo Vocabolario pieno e metodico"; Gamba 2757 1617 ed.; Vinciana 3839 1656 ed. "uno dei migliori vocabolari italiani pubblicati prima della Crusca." Giovanni Battista Ciotti hardcover books
05043Paris: A. de Vresse & Maison Martinet 1862. A Fine French Album of Sixty-Six Caricatures Including Twenty-Eight with Hand-Coloring<br/><br/>PELCOQ Jules illustrator. Actualités. Paris: A. de Vresse & Maison Martinet 1862-1863. <br/><br/>Folio 13 3/4 x 10 1/8 inches; 350 x 257 mm. Twenty-eight fine and mainly amusing hand colored lithograph plates all heightened with gum arabic and thirty-eight black and white lithograph plates making a total of sixty-six plates all signed numbered and titled Actualités. All plates mounted on stubs. A few of the black & white plates and one color plate No. 363 with light mainly marginal foxing. One of the color plates No. 133 lightly toned and color plate No. 226 with neat marginal repair just touching image.<br/><br/>Contemporary half red morocco over red pebbled cloth boards ruled in gilt. Front cover with rectangular black morocco label lettered in gilt. Smooth spine decoratively tooled and lettered in gilt marbled endpapers. A wonderful collection.<br/><br/>The Plates:<br/><br/>Color: Numbers 13 14 15 19 31 56 78 133 137 215 226 227 241 251 281 291 317 318 331 335 337 342 346 347 349 356 360 & 363 <br/><br/>Black & White: Numbers 4 5 6 43 77 99 102 107 115 116 122 135 147 148 155 161 162 163 165 168 201 210 217 223 227 265 282 292 317 318 324 325 363 386 389 389 397 & 398.<br/><br/>Note: Some plate numbers are duplicated but the plates are all different.<br/> <br/>Pelcoq Jules 1825-1887. "Jules Pelcoq born in Belgium was a Parisian book illustrator and colleague of Honoré Daumier and contributed to Le Charivari and other French periodicals of the time. He also covered the French side for the Illustrated London News during the Franco-Prussian War. While covering the 1870 siege of Paris Pelcoq dispatched his work by balloon to London. Wood engravings were then made from his sketches once they arrived in England. His work captures the attempt by Parisian troops to break through the surrounding Prussian army and the plight of citizens on the edge of starvation forced to eat animals from the Parisian zoo. Pelcoq often signed his name with pseudonyms such as: Jipé or Pipey<br/><br/>By the 19th century caricature in France had become a highly evolved form of public discourse about famous figures politicians artists and writers etc. and the events of the day. During the 19th and early 20th centuries French periodicals such as La vie Parisienne Le journal amusant Le petit journal pour rire and Le Charivari became well-known for the caricatures they published. Caricaturists many of whom published under pseudonyms themselves became public figures. Paris: A. de Vresse [&] Maison Martinet, 1862 unknown books
1990247818Toronto: University of Toronto Press 1990. Soft Cover. Very Good binding. 637pp. No markings in text; paper binding. Very Good binding. University of Toronto Press unknown books
1905019291Cleveland: Arthur H. Clark Company 1905. Book. Very good condition. Hardcover. First Edition. 8vo - over 7¾ - 9¾" tall. 379 pages of text. Hardcover binding is moderately shelfworn and discolored with minor sunning to the spine and is overall somewhat dulled. Top edge gilt; other edges untrimmed. Contains six illustrations and facsimiles. Separate Publication from "Early Western Travels: 1746 - 1846" in which this work appeared as Volume XVIII as one of 713 copies published as sets. This copy is one of 459 separates. . Arthur H. Clark Company Hardcover books
171830530Amsterdam: Steenhouwer 1718. First Edition. hardcover. very good. Titles in red and black with engraved vignettes woodcut head and tailpieces. 2 vols. 12mo original sprinkled calf joints weak; ex lib. Amsterdam 1718. Very good.<br/><br/> "Gui Patin is unique in our annals . Scores of doctors have written letters; none save his remain as a permanent contribution to literature." Osler 5277. Voltaire praised Patin's letters "parce qu'il contient de nouvelles anecdotes que tout le monde aime et des satires que l'on aime davantage." BIOGR. MED VI 375.<br/><br/> Steenhouwer unknown books
19569257Pasadena California: Pasadena Art Museum 1956. Softcover. VG slight soiling. Grey wraps. 32 pp. 24 bw plates. Includes an introduction about the collection and how the title "The Blue Four" was chosen the large plates artist biographies and the catalogue of the collection. Pasadena Art Museum paperback books
P6721Petrograd: Partiia Sotsialistov-Revolutsionerov 1921. Octavo 19 Ã 13.6 cm. Original staple-stitched printed self-wrappers; 18 1 pp. Tear to lower front corner else very good. Rare apparently unrecorded and illicitly published pamphlet most likely issued by the Central Bureau of the Party of Socialist Revolutionaries. The SR Party also issued a similar journal in Petrograd in 1920 or 1921. A report by<br/>the Soviet Secret Police notes that a large number of SR pamphlets were confiscated in July 1922. The publisher was likely the SR activist Leonid V. Rossel' 1896-1943 who fled to Finland after 1917; it is possible that the pamphlet itself was actually printed in Finland. The text is a furious indictment of the Bolsheviks' "war" on the Russian peasants and its perpetuation of famine warfare censorship destruction and terror and violence against its own people by the state police. A highly interesting document either produced clandestinely in Petrograd or smuggled there by activists. Not held by the Russian State or National Library. KVK OCLC only record microform copies at the University of Alberta and USC. unknown books
P5946Petrograd: Izdanie Petrogradskogo komiteta partii sotsialistov-revoliutsionerov 1917. Octavo 20 Ã 14 cm. Original staple-stitched printed self-wrappers; 32 pp. Wrapper lightly chipped else about very good. Political Literacy for Post-Revolutionary Russia. Scarce brochure that seeks to educate a literate but not highly educated audience about the program of the Socialist Revolutionary Party SR breaking down basic principles of capitalist and socialist systems and proposing a program of action. The party won the Constituent Assembly election of 1917 November 25 1917 generally considered to be the first free Russian election taking about 40% of the popular vote. SR was the primary competitor of Russian Social Democratic Labor Party RSDLP the party of Lenin until its name was changed to the All-Russian Communist Party following the October Revolution of 1917. While the Bolshevik RSDLP won the majority of the vote in urban centers and from soldiers on the western front they lost the overall election to the SRs whose candidate list had been printed prior to the split between the left and right wings of the SRs with the left wing forming a coalition with the Bolsheviks. The Bolsheviks had hoped that this election would provide them the popular mandate to govern. Lenin criticized the Constituent Assembly saying that it failed to represent the Russian people because the ballot had not indicated the split between the SRs right wing and the pro-Bolshevik left. SRs held power for two weeks before the Bolsheviks disbanded the Assembly and gained the upper hand. As ideologically hostile literature as well as documentation of an alternative path of development after the February Revolution the publications of the Socialist-Revolutionaries were subject to destruction in the years after the October coup. KVK and OCLC only show copies at LOC Stanford Staatsbibliothek zu Berlin and Bayerische Staatsbibliothek and State Library of NSW Sydney. unknown books
9308pamphlet. 23 pages. Tall slim 8vo modern wrappers; uncut & unopened. Newark 1891.<br/><br/> unknown books
18898588Baltimore: Self-published 1889. 1st. Original Wraps. Collectible; Very Good. Wonderful --and uncommon-- 1889 treatise on the "breaking and taming of wild and vicious horses" with over 200 illustrations complementing the text. Written by Oscar Gleason the inventor of "The Gleason Bridle" and "The Gleason New Break Harness". Solid and well-preserved and VG in its brown pictorial wrappers with one small spot at the front panel. Octavo 300 pgs. <br/><br/> Self-published paperback books
2016160042Berlin: Sternberg Press 2016. Softcover. VG. Fluorescent green and illus. wraps with intentionally glued spine; 18 text pp. plus many illustrated pages. Issued in conjunction with a 2015 exhibition of installation art by German contemporary artist Olaf Holzapfel b. 1967 and Israeli sculptor Nahum Tevet b. 1946. With an essay by Galia Bar Or and many views from the exhibition. Rare. Sternberg Press paperback books
1988126530New York: Universe Books 1988. Oversized Paperback. 160p. 8.5x11 inches essays illustrated with b&w and color art and photographs lightly-worn first edition trade paperback in pictorial wraps. Catalog for the exhibit: Unknown secrets art and the Rosenberg era. Universe Books paperback books
1828006534New York City 1828. Hardcover. Cloth spine. Marbled pastedown on boards. Leather centerpiece label on front board. Good. Original watercolors of rural Manhattan as it appeared in 1828. Among these and captioned are a farmhouse on Broadway and 8th Street; Kips Bay showing a boy sailing a small craft with a farmhouse in the background; a house in Bloomingdale the location of an early village now the Upper West Side along the river between 96th and 106th Streets; and a stately mansion surrounded by fields and less important buildings we would conjecture in or around Bloomingdale but captioned surely incorrectly the Battery. Most of the paintings are uncaptioned. Of these some are surely the Upper Hudson area or are scenes that we can't tell whether they are upstate or in the present day city. The artist also ventured away from the New York areas. Among the non-New York paintings are a depiction of the Cape Pogue Lighthouse on Martha's Vineyard which still stands; Fowey Harbour which is in Cornwall; and a few scenes which look very much like Scotland. Oblong 14 by 19.5 cm. 55 watercolors generally fully finished. Although the sketchbook has a label on its front board bearing the name of Walter Oddie who was a listed artist we believe a good amount of the artwork contained in this sketchbook is of his father-in-law Henry Meigs. Meigs had been a U.S. Congressman from New York and also held a number of other political positions in the city over the course of his career. More pertinently Meigs was known to be an amateur painter and as such an inspiration to Oddie. Given Oddies youth at the time -- he was 20 or 21 years old and from his diary for the years 1828 and 1829 now housed in the Winterthur Library we know he was just starting to paint we find it inconceivable that he would have had the skill yet to produce the sensitive and fine renderings of nature and buildings that typify this sketchbook. Further underlying our thinking about attribution is that some of captioning only makes sense if Meigs were the primary artist. We do consider it quite likely that Oddie may have done some of the sketchier work contained herein as well as contributing in bits and pieces to his father-in-laws work as well as perhaps copying some of it in this sketchbook. To us it isnt really so important who was responsible for particular paintings in the sketchbook. Rather the significance lies in the recording of New York City and its surroundings at the time we suspect that there may be no recording anywhere of some of the buildings and locations at this time. And of course not to be minimized is the beauty of the better paintings contained in the sketchbook.Whatever the degree of Oddies contribution the sketchbook does have something to say about his career and visa versa given that it contains the type of artwork for which he became known later. Oddie was born in Maryland Washington D.C. or possibly New Orleans but spent almost his entire life in New York and more specifically New York City Brooklyn or Long Island. In 1828 the year most of the watercolors in the catalogue were executed Oddie was spending much of his time in the city.Once Oddies interest in painting was sparked he was believed to have been largely self-taught but he did come to study art with Hudson River School painter Robert Walter Weir and Anthony Lewis De Rose a portrait and historical painter. From the diary we know that Oddie did work with De Rose in 1829; we believe that his tutelage with Weir came later. From the diary we know that Oddie was regularly going to art exhibits and critiquing what he saw. The diary also discloses or corroborates our prior sense that Oddie sometimes would work off of engraved prints. To what degree he was merely copying the prints as opposed to using the prints as a spur to his own imagination we can not determine with certitude. We tend to think the views of Scottish and Welsh castles contained in the Sketchbook were done by Meigs not Oddie and so they might well have been done from life.From the diary we know that Oddie had some day job that occupied him during the week and so he did most of his painting at that time on the weekends when he would often go for long hikes along the Hudson. Oddie also refers in the diary to having been in Hudson then and now the county seat of Columbia County and so it is very plausible that some of the upstate scenery is from around there. Again we think some of these paintings may have been done by Meigs.Oddie would become an associate member of the National Academy of Design where he frequently exhibited his artwork.One further note we spoke of questioning one caption referring to the Battery. In 1828 the urbanized part of the city didnt even reach 14th Street but the Battery as the oldest part of the city was thoroughly urbanized. Thus the painting could not be of the Battery. But the landscape is very consistent with the topography of Upper Manhattan. <br /> hardcover books
1932WRCLIT73415New York: Vandamm Studio 1932. Original 10 x 8" double weight sepia toned portrait photograph. Vandamm studio stamp and identifying text on verso small Vandamm blindstamp in lower right corner. Fine. A superb meditative character portrait of Judith Anderson in the role of Lavinia Mannon in the Theatre Guild revival of O'Neill's play staged by Philip Moeller which ran for 16 performances in May 1932 at the Alvin Theatre. The Vandamm Studio were the Broadway photographers of record for nearly four decades. While it is not possible to absolutely credit this photo to Florence she specialized in the character portraits while Tommy covered the photographs of staged productions. Vandamm Studio unknown books
191973486Dublin and London: Maunsel & Co. Ltd 1919. First Edition. Wraps. Very good. The first account of the Irish Citizen Army a small paramilitary group of trained union volunteers formed by James Larkin James Connolly and Jack White during the Dublin strike of 1913-14. This is also the first published work by Irish playwright Sean O'Casey who served as General Secretary of the Irish Citizen Army. Small octavo: 72 p. Original printed paper wrappers. Some general toning to the contents. Small nick to the spine head which has been mended with a tiny piece of tape and a bit of light creasing to the bottom corner of the front panel; else about very good. Maunsel & Co., Ltd unknown books
194241548Newark NJ: L'Adunata dei Refrattari 1942. 28p. staplebound pamphlet very good. Quaderno no. 3. The anarchist poet and journalist author associated with the Futurist movement had arrived in the United States in 1938. L'Adunata dei Refrattari unknown books
