George BARBIER - Fernand SIMEONBiblio.com
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192284386Paris: Lucien Vogel 1922. Fine. Lucien Vogel Paris s. d. 1922 12.50 x 25 cm broché First hors commerce edition printed for the author's friends in 60 copies numbered on hollande and justified in pencil by George Barbier. Work illustrated with wood engravings by Fernand Siméon. Handsome and rare copy despite clear foxing at the foot of the leaves. Lucien Vogel unknown
19143009Barbier: La Fontaine de Coquillages Robe de Soir de Paquin. G.d.B.T. #3 March pl. 27. L'Etourdissant Petit Poisson Robe d'été G.d.B.T. #5 May pl.44.Brissaud: Ta Maman va Bien Tailler du Matin et Robe de filete de Jeanne Lanvin. G.d.B.T. #4 April pl. 37.Sais-Tu Ta Leçon Costumes Tailler de Fantasie de Jeanne Lanvin. Gd.B.T. #5 May pl. 40.A published in G.d.B.T. Gazette du Bon Ton 1914 Gazette du Bon Ton
19141682Paris, Corrard Meynial, 1914. 1 volume in-4 ((290 x 202) en feuilles sous portefeuille éditeur rigide imprimé et illustré sur le premier plat, rabats de papier décorés, lacets de soie noire (absents). Douze poèmes de Henri Jacques inspirés par les 12 COMPOSITIONS ORIGINALES DE GEORGE LEPAPE COLORIÉES AUX POCHOIRS. 1 des 300 exemplaires numérotés sur Japon impérial. Tirage original rare de ce beau volume des années de geurre de la collection "Modes et Manières d' Aujourd'hui" (7 portefeuilles de 1912-1922 illustrés par George Barbier, Georges Lepape, Charles Martin, André Marty, Robert Bonfils et Fernand Siméon). Excellent état.
0295970820New. Brand new and still unused unknown
B0GLTZYRGCNew. Brand new and still unused unknown
B0000CICA0New. Brand new and still unused unknown
0486242579New. Brand new and still unused unknown
B002BLRMMUNew. Brand new and still unused unknown
18423iiiEh0040New York: S. Tuttle 1842. Book. Used-Acceptable. Decorative Hardcover. 8vo or 8° Medium Octavo: 7¾" x 9¾" tall. 608 pp. Book shows heavy use with clean text. No dj. Extra mylar wrapper included. Back cover board heavily worn and damaged. Corners bumped. Water warped pages. Spine strengthened with adhesive tape. Light foxing on page edges. S. Tuttle Hardcover
1925225061925 1 Aquarelle en couleurs, signée et datée au milieu à gauche, 1925, papier collé sur carton, 24.5 x 20 cm., encadrée.
192284386Lucien Vogel | Paris s. d. [1922] | 12.50 x 25 cm | broché
15829Paris, Augsute Poulet-Malassis, juin 1848. 4 feuillets in-folio imprimés recto-verso.
1908106072Brisbane: Flavelle Roberts and Sankey 1908. First Edition. Hardcover. Very Good. Brisbane Flavelle Roberts and Sankey 1908. Small octavo 114 2 recto blank with the device of the printers Outridge Printing Co. on the verso pages. Original olive-green cloth lettered in gilt on the spine 'Noble Opal' and the author's surname and front cover the full title; cloth slightly marked and lightly rubbed at the extremities; top edge endpapers and adjacent leaves a little foxed; an excellent copy. Flavelle's Gem Series Number 1. This copy is inscribed and signed to 'C.C. Brittlebank with kind regards from Sydney B.J. Skertchly. Corinda Qld. 6.3.08'. Sydney Skertchly 1850-1926 arrived in Brisbane in 1891 after a successful career as a geologist in places as varied as the Fenland and East Anglia Egypt California Burma and China. In 1895-97 he was assistant government geologist in the Geological Survey of Queensland; he was President of the Royal Society of Queensland in 1898 and a founder and first president of the Field Naturalists' Club in 1906 the 'Australian Dictionary of Biography' entry on Skertchly is most informative without mentioning this publication. The author's end-note to the reader states that the publishers 'asked me to write a series of little books on gemstones and gave me an entirely free hand. As this the first of them shows they will not be mere gatherings from other harvests but original works embodying the results of my own experience'. An early rare and important work on the subject and we know of no other volumes in the Flavelle's Gem Series. The inscription and signature date from what appears to be the month of publication reviews begin to appear in Queensland newspapers from 10 March 1908. Charles Clifton Brittlebank 1862-1945 the recipient of this copy was a notable mycologist and natural history illustrator. Among many original papers on geology and plant diseases Brittlebank's work includes the illustrations to French's 'Destructive Insects of Victoria' 1891-1911 Archibald Campbell's 'Nests and Eggs of Australian Birds' 1901 and many of the works of Daniel McAlpine whom he succeeded as Vegetable Pathologist to the Department of Agriculture in Victoria. This copy also carries the later pencilled ownership signature of Edward Edgar Pescott 1872-1954 horticulturalist naturalist author and bibliographer. We currently have for sale two unsigned copies of this item sourced from a significant collection on the subject. They prove the existence of distinctly variant issues: one contains an unnumbered advertising leaf for 'Queensland the Queen of the Colonies' verso blank tipped in at the rear the other is printed on textured and coarser paper resulting in a noticeably thicker volume 14 mm as distinct from 11 mm. This signed copy is yet a third variant: while it is printed on the better-quality paper it does not contain the additional advertising leaf and it was clearly never present. Flavelle, Roberts and Sankey hardcover
2324Barbier has sketched a multicolored fantasy seascape with a pastel toned mermaid at the center. Drawn on folio sheet with some show through of handwriting in an unknown hand on verso. The handwriting shows as soft arcs and fits in with the image. Signed in the middle of the drawing in small letters with date "GB Aug. 1929." Matted in gray and framed in silver toned wood. Frame measures 20 x 16 7/8 inches and matted drawing measures 13 x 9 1/4 inches. Additional images on request. Barbier is best known for his theater designs ballet costumes and particularly for his high fashion illustrations. He led a group of illustrators from the Beaux Arts School known for their flamboyance as much as their art. Barbier also created jewelry glass and wallpaper design and worked with Erté to design sets and costumes for the Follies Bergére. He died at the height of his career. In 1929 the year he created our drawing Barbier was the costume designer for the musical "The Street Singer. unknown
1925218871925 Aquarelle et encre de Chine signée au milieu à gauche, (1925), 21.50 x 20 cm (format à vue), 42 x 34 cm, sous verre.
2008fol214aLondon: The Folio Society. VG : in Very good condition with slipcase. Teg. 2008. Limited Edition of 1980 copies. Red-orange illustrated hardback goatskin leather cover; blue cloth hardback cover. 330mm x 230mm 13" x 9". 282pp. 135 facsimile miniatures comprising the Bestiarum. Heavy book extra shipping needed for overseas. A facsimile of manuscript Bodley 764 in the Bodleian Library Oxford. Handbound in dark-orange goatskin leather over bevelled boards blocked with a design by David Eccles. . The Folio Society hardcover
740462 pp. Small 8vo 200 x 130 mm. late 19th-cent. sheep-backed marbled boards joints a bit rubbed spine gilt. Paris: Perrot & Pieri-Bénard 1826.<br /> <br> <br> The very rare sale catalogue describing the history painter’s art collection and library. Le Barbier 1738-1826 espoused the Neoclassical tenets of David and Vien and executed a number of pictures in a similar style. He also engaged with sculpture tapestry and book illustration and consistently exhibited at the Salon de Paris beginning in 1781. In addition to a choice collection of art Le Barbier possessed a sizable library rich in literature fine arts and ancient history.<br/> <br/> This catalogue opens with a lengthy and useful biography of Le Barbier. 476 lots are listed including paintings drawings prints furniture and books. Lots 1-12 & 28-44 consist of paintings and drawings by Le Barbier. His collections of shells and minerals coins and curiosities are combined into lots 53 and 54 respectively. The contents of his library are enumerated from lot 59 to 373. This catalogue concludes with more than 100 lots of prints and print portfolios.<br/> <br/> A very good copy; unfortunate Scotch tape repair to tail of spine. Two contemporary ink corrections to the title and p. 41. With the engraved bookplate of Georges Pannier 1853-1944 the art dealer and collector of auction catalogues on the inside of the upper cover and the stamp of the Bibliothèque Heim on verso of title. <br/> <br/> ⧠Lugt 11299. Oxford Art online. unknown
192056974New York: George A. Fuller Construction Co. Westchester-Biltmore Country Club 1920-1922. Oblong 4to. 29 linen-backed silver gelatin photos sized 7.75 x 9.75 in. w/ negative numbers & dates at lower fore-edge of image w/in the negative a few stamped for the George A. Fuller Co. Surveying Dept. for Supt. Barber in pencil on verso. Recent black cloth post-binder brass screw posts stamping on front cover NF collection of photos. This revealing set of original photographs provide essential details of the stages of construction for the extraordinary Westchester-Biltmore Country Club. Bowman sought to create the quintessential 1920’s sportsman’s oasis easily reached by automobile or train from Manhattan which along with mechanics maids servers and gardeners eventually featured 45 holes of golf three polo fields bridle path horse racing track tennis courts and a casino. The images open with finishing the footings and foundation in Dec. 1920 with structural steel quickly arising by Dec. 30 1920. The photos show the massive winged structure taking shape steel i-beams set in place and stone and masonry facade installed in stages through August 1921. As shown in many of these photos the project moved quickly enough that the roof had been mostly completed and the facade finished by Jan. 1922 with a series showing snow-covered parking lot and scaffolds still carrying material up the side as the wings were finished staircases enclosed so that by April 1922 the main construction has been completed except for some work in the portico front entrance and finishing touches of masonry and architectural details. Fitzgerald’s Gatsby would have felt more than at home with the finished Club amidst the saltwater pool man-made lagoon 800 bathhouses and dance floor with the total build cost for the project exceedingly $ 6 million in 1922 or $ 100 million currently. Designed by both the Biltmore Co. and George A. Fuller Co’s favorite architects Warren 1864-1943 & Wetmore 1866-1941 who were also known for the Ritz-Carlton Biltmore Commodore & Ambadssador Hotels they were also the preferred architect’s for Vanderbilt’s New York Central RR. No copies of these photos either in the Warren & Webmore Architectural Photographs & Records 1889-1938 Columbia University Avery Library or listed in Warren & Wetmore Philadelphia Architects and Buildings Athaenaeum Uof Penn Philadelphia Hist. Comm. or PA Historical & Museum Comm. See: Westchester Country Club History John McEntee Bowman Founder 2018. George A. Fuller Construction Co., Westchester-Biltmore Country Club, hardcover
71261 p.l. ii 20 pp. 8vo 190 x 125 mm. orig. printed wrappers bound in early 20th-cent. cloth-backed marbled boards spine gilt. Paris: Chariot & Ch. Paillet 1817. A very scarce sale catalogue fully priced and with a number of buyers' names in a contemporary hand apparently offering the fruits of this collector or dealer's travels in the Netherlands. The title-page of the British Library copy bears an inscription that identifies the consigner as "Barbier Md. de Tableaux" but we cannot be certain whether this is the provenance for the entirety of the sale. This sale's expert Charles Paillet notes in the introduction that only a few pictures have been varnished and the rest have not been cleaned or restored. The present catalogue describes 115 lots of Northern paintings with works by van Eyck I. van Ostade T. Wyck Teniers Hoet van Huysum Bakhuizen and Steen along with pictures attributed to S. Ruysdael Hobbema W. van Mieris Cuyp I. van Goyen etc. The pencil annotations provide the hammer prices and several names of winning bidders. A nice copy with the original wrappers preserved. Natural paper flaw on pages 5-6 affecting one word. With the ownership inscription of Marcel Nicolle 1871-1934 curator at the Louvre and critic on the upper wrapper and stamp of the Bibliothèque Heim on verso of title. ❧ Lugt 9241. hardcover books
740462 pp. Small 8vo 200 x 130 mm. late 19th-cent. sheep-backed marbled boards joints a bit rubbed spine gilt. Paris: Perrot & Pieri-Bénard 1826.<br /> The very rare sale catalogue describing the history painter's art collection and library. Le Barbier 1738-1826 espoused the Neoclassical tenets of David and Vien and executed a number of pictures in a similar style. He also engaged with sculpture tapestry and book illustration and consistently exhibited at the Salon de Paris beginning in 1781. In addition to a choice collection of art Le Barbier possessed a sizable library rich in literature fine arts and ancient history.<br /> This catalogue opens with a lengthy and useful biography of Le Barbier. 476 lots are listed including paintings drawings prints furniture and books. Lots 1-12 & 28-44 consist of paintings and drawings by Le Barbier. His collections of shells and minerals coins and curiosities are combined into lots 53 and 54 respectively. The contents of his library are enumerated from lot 59 to 373. This catalogue concludes with more than 100 lots of prints and print portfolios.<br /> A very good copy; unfortunate Scotch tape repair to tail of spine. Two contemporary ink corrections to the title and p. 41. With the engraved bookplate of Georges Pannier 1853-1944 the art dealer and collector of auction catalogues on the inside of the upper cover and the stamp of the Bibliothèque Heim on verso of title. <br /> ❧ Lugt 11299. Oxford Art online. hardcover books
2324Barbier has sketched a multicolored fantasy seascape with a soft toned mermaid at the center. Drawn on folio sheet with some show through of handwriting in an unknown hand on verso. The handwriting shows as soft arcs and fits in with the image. Signed in the middle of the drawing in small letters with date "GB Aug. 1929." Matted in gray and framed in silver toned wood. Additional images on request. Barbier is best known for his theater designs ballet costumes and particularly for his high fashion illustrations. He led a group of illustrators from the Beaux Arts School known for their flamboyance as much as their art. Barbier also created jewelry glass and wallpaper design and worked with Erté to design sets and costumes for the Follies Bergére. He died at the height of his career. In 1929 Barbier was the costume designer for musical "The Street Singer. unknown books
DADAX1199756245The Folio Society 0000-00-00. 1st Thus. hardcover. New. 0.00x0.00x0.00. Buy with confidence. Excellent Customer Service & Return policy. The Folio Society hardcover
1925218851925 Aquarelle et encre de Chine signée du cachet au verso du dessin, titrée à la mine de plomb au verso, (1925), 20.53 x 13 cm (format à vue), 24.2 x 26 cm (format de la feuille).
1919225051919 1 Aquarelle en couleurs, rehauts d'or, (1919), papier collé sur carton, 26.5 x 20 cm., encadrée.
19301287H.-M. Petiet, Paris 1930. 1 volume in-4 (31 x 23,5 cm), 145 pp. + fnch., en feuilles sous couverture imprimée en noir et vert, chemise à lacets de soie et dos de parchemin et étui bordé recouverts de papier vert. Édition illustrée de 62 BURINS ORIGINAUX DE J.-E. LABOUREUR. Tirage à 301 exemplaires tous sur grand vélin d'Arches numérotés et signés au crayon par l'artiste. Notre exemplaire est enrichi des 3 BURINS REFUSÉS RÉSERVÉS AUX 60 PREMIERS EXEMPLAIRES et d'une planche supplémentaire.
