122 150 résultats
2166London: printed for the Companie of Stationers 1661. Hardcover. Good. Octavo. iv 78pp. Eighteenth-century green morocco repaired. ESTC R204219; STC 2nd ed. B2437aA. Bound with: The Holy Bible Containing The Old Testament And The New: Newly translated out of the Original Tongues And with the former translations diligently Compared and Revised by His Majesties special Command. Appointed to be read in Churches. London: Printed by Henry Hills and John Field 1660. Octavo. Unpaginated. 744pp. A8-Z8 Aa8--ZZ8 Aaa4. Added engraved title-page lacking. Titles within typographic border & with typographic ornament. Ruled in red. Darlow & Moule 526; Herbert 669; ESTC B2256 and The book of common-prayer and administration of the sacraments and other rites and ceremonies of the Church . London: printed by John Bill and Christopher Barker printers to the Kings most excellent Majesty 1662. Octavo. Unpaginated. 128pp. A8-H8. ESTC R35356; STC 2nd ed. B3623. <br/> <br/> London: printed for the Companie of Stationers, 1661. hardcover
1900ST17640-G101900-12. Three separately published works. <br/> 1 ROGERS BRUCE Designer. RUBAIYAT OF OMAR KHAYYAM. Boston and New York: The Riverside Press 1900 237 x 155 mm. 9 3/8 x 6 1/8". No. 165 OF 300 COPIES. Attractive amateur binding of dark brown morocco covers with heavily gilt central red oval onlay multiple gilt-ruled frames and repeating motifs raised bands two red morocco labels with gilt lettering top edge gilt others untrimmed. Housed in a matching morocco slipcase with gilt-ruled raised bands and lettering. Designed by Bruce Rogers using Brimmer type. IN VERY FINE CONDITION in a pleasing binding.<br /> <br /> 2 RUBAIYAT OF OMAR KHAYYAM. New York: Thomas Y. Crowell Company ca. 1910 225 x 160 mm. 8 7/8 x 6 1/4". Imitation dark brown morocco with a heavy grain gilt ruled border and frame central gilt lozenge painted green brown and teal surrounded by repeating floral motifs painted green smooth spine with intricate gilt lettering and floral motif. Illustrated by Willy Pogany. Edges slightly worn but in very fine condition.<br /> <br /> 3 THE RUBAIYAT OF OMAR KHAYYAM. New York: Dodge Publishing Company 1912 265 x 200 mm. 10 1/2 x 7 7/8". Fine brown calf with color embossed Arts & Crafts-style design on the cover featuring a grape vine and titling top edge gilt others untrimmed. With original extensively but neatly repaired lined presentation box. With 28 color tipped-on plates by Adelaide Hanscom and Blanche Cummings. Negligible scratches on lower boards but in VERY FINE CONDITION. unknown
1970C87176University of Delaware Press; Et Al. As New. 1970. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B0012MB5TK. 145 page text 470 illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee. Pieter Mulier the Younger -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . University of Delaware Press; Et Al hardcover
2080502106508950Not Available N.A. Soft Cover. Fine. Volume: 1 Not Available paperback
1963ZB446106NY: The New Yorker 1963. volumes 39#1-78#40 a continuous run lacking v. 55#50; 58#29; 59#39; 60#16 & 31; 72#33 & 41; 73#32; 75# 2 & 19 else all complete volumes and single issues in softcover well illustrated throughout minor ownership markings passim overall good. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. NY: The New Yorker paperback
167952434<p>London printed for the author and are to be sold at his house next the sign of the Kings Arms in the Bowling-Alley near the Abby in Westminster: and by Henry Million bookseller at the Bible in the Old-Bayley 1679. TITLE CONTINUED: Also proper directions to all such as keep bees as well to prevent their robbing in straw-hives as their killing in the colonies. By Moses Rusden an apothecary; bee-master to the Kings most excellent Majesty. Published by His Majesties especial command and approved by the Royal Society at Gresham Coll. FIRST EDITION 1679. Small 8vo approximately 170 x 95 mm 6½ x 4 inches engraved frontispiece by Henry Million 3 folding plates pages: 24 1-144 last page blank rebound in full modern calf gilt lettered green label author's gilt name and gilt rules to spine between raised bands new brown endpapers. Neat vertical repair to inner margin on blank side of frontispiece with pale browning to foot title page and frontispiece lightly dusty old ink name to top of title page 2 outer margins neatly replaced 1 outer margin slightly trimmed varying pale brown staining some with tide mark to lower part of pages 81-100 all text legible see attached images 1 corner neatly repaired pale age-browning to margins a few margins lightly soiled not affecting text old ink stain to first pastedown and small ink splash to last free endpaper 2 leaves lightly dusty. A good copy with some minor repairs and staining. Moses Rusden was appointed Beemaster to the King at the instigation of John Evelyn who had a copy of this title in his library. Rusden firmly believed that a hive was led by a King and not a Queen. In 1679 Rusden improved Geddie's hive and put a frame in it for the bees to fasten their combs upon. See: British Bee Books A Bibliography 1500-1976 page 61 No. 55; Walker Catalogue of Bee Books page 61; Geoffrey Keynes John Evelyn A Study in Bibliophily page 300 No. 83; ESTC R11920. MORE IMAGES ATTACHED TO THIS LISTING ALL ZOOMABLE FURTHER IMAGES ON REQUEST. POSTAGE AT COST.</p> London, printed for the author, and are to be sold at his house next the sign of the Kings Arms in the Bowling-Alley, near the hardcover
2022Manohar-9781032279008Routledge 2022. Paperback. New. Routledge paperback
2022Manohar-9781032279008Routledge 2022. Paperback. New. Routledge paperback
0081089New York: Wooster Projects 2008. Hardcover. Fine/Slipcase. 2008. Portfolio of 4 cibachrome photographs of Edie Sedgwick by Nat Finkelstein. Each photo signed and numbered by Finkelstein on the blank side. This copy is 1 of 3 artists proofs from a total of only 31 sets produced. Photos in full color and mounted between dibond aluminum and UV acrylic. Each measures 9 x 14 inches. In original black clamshell case. All contents Fine and like new. Published a year before Finkelstein's death. Nat Finkelstein 1933-2009 was a well known photographer who studied under Alexey Brodovitch and was a regular habitue at Andy Warhol's Factory from 1964 to 1967 and in fact was employed by Warhol as the Factory photographer. It is his photographs that mainly illustrated 'Andy Warhol's Index Book' and many of his photographs uncredited were published in Up-Tight the Velvet Underground Story. A rare and beautiful collection. Digital images available upon request. Wooster Projects hardcover
19562091202133212076Okokuha religious office 1956. Soft Cover. Fine. Number of books: 6 books in total Okokuha religious office paperback
191341566London 1913. Without wrappers but stitched. In "Philosophical Magazine and Journal of Science" Vol. 26 No. 156. December 1913. Pp. 937-1058 a. 6 plates.= the whole issue No 156. Moseley's paper: pp. 854-860 a. 1 plate. Fine and clean. <br/><br/><em>First edition of this groundbreaking paper which Rutherford considered A WORK ON PAR WITH THE VERY DISCOVERY OF THE PERIODICAL TABLE introducing the concept 'Atomic Number'.Moseley notes a regularity in the shifting of spectral lines when the elements he examines 50 elements are arranged according to atomic weight. He finds that bombardments of the various elements with cathode rays yeilds a systematic sequence of vibration frequencies and from this he derives the concept of atomic number which he recognizes as equal to the nuclear charge."Moseley working under Rutherford at Manchester used the method of X-ray spectroscopy devised by the Braggs to calculate variations in the wave-lenght of the rays emitted by each element. These he was able to arrange in a series according to the nuclear charge of the element. Thus if the nuclear charge of hydrogen is 1 in helium it is 2 in lithium 3 and so on by regular progression to uranium as 92. These figures Moseley called atomic numbers.he pointed out that they also represented a corresponding increase in extra-nuclear electrons and that it is the number and arrangement of these electrons rather than the atomic weight that determines the properties of an element. It was now possible to base the periodical table on a firm foundation and to state with confidence that the number of elements up to uranium is limited to 92. When Moseley'stable was completed six atomic numbers had no corresponding elements; but Moseley himself was able to predict the nature of four of the missing elements."Printing and the Mind of Man No. 407. Another paper on the same subject was published by Moseley the next year 1914.An important paper by Rutherford and Richardson is withbound: Analysis of the gamma rays of Thorium and Actinium Products. Pp.937-948 and 1 plate. </em> unknown
1928173491Austria: 1928-33. Girljazzband" wows 1920s Austria A delightful Jazz Age scrapbook that doubles as liber amicorum and guest book assembled by the pianist and singer Anny Gloss recording in part her career with the Ninon Fleuron Jazz Ladies opening a window into the experiences of European women in jazz during the music's formative years. The first set of newspaper clippings record that in 1928 Gloss was teamed with the American "Jazz Queen" Elsie Teele at the "charming and elegant" Viennese bar the Bonbonnière with Teele billed as "the female Whiteman" - she gave the Austrian premier of Gershwin's Rhapsody in Blue in 1927. Much of the album is then devoted to Gloss's experiences at Hotel Radetzky in Hinterbrühl Lower Austria where she performed as part of the Ninon Fleuron Jazz Ladies. At the time the other members of the band were the eponymous Ninon Fleuron drums pseudonym of Rosa Sophie Radio 1899-1974 Mariska Gerö violin and Gretl Heller piano. One advert mentions them "Singing the Latest American Song-hits" while a newspaper clipping praises their "rendering of classical music". The album contains numerous messages sometimes addressed to her directly from friends audience members and well-wishers. While most of these are in German some are in English "Your music makes me feel 10 years younger". The Ninon Fleuron Jazz Ladies which had various personnel came to an abrupt end with Hitler's invasion of Austria in 1938. Gloss also performed under the name Anni Hölzl as demonstrated by the cast list for a 1931 performance of Der Kärntner Totentanz and the programme for a concert in which she had a soprano solo 1933. Octavo 241 x 190 mm ff. 60 final 20 ff. blank. Contents generally on rectos only numerous items of ephemera pasted in including c.20 newspaper clippings 15 original silver gelatin photographs of which two are signed by Ninon Fleuron messages and autographs in various hands one watercolour sketch of the Karlskirche Vienna one concert programme loosely enclosed. Original patterned cloth covers light orange endpapers. Binding just slightly shaken otherwise in excellent condition. hardcover
19802110502151003539Japan Map Center 1980. Soft Cover. Fine. Number of books: 21 books per box Japan Map Center paperback
Z1-F-046-00030The Athlone Press. Used - Good. Ships from UK in 48 hours or less usually same day. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library so some stamps and wear but in good overall condition. May contain underlining and/or highlighting. 100% money back guarantee. We are a world class secondhand bookstore based in Hertfordshire United Kingdom and specialize in high quality textbooks across an enormous variety of subjects. We aim to provide a vast range of textbooks rare and collectible books at a great price. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions. We provide a 100% money back guarantee and are dedicated to providing our customers with the highest standards of service in the bookselling industry. The Athlone Press unknown
2004C52684AW Fine Arts. As New. 2004. Hardcover. 1556603169 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - A revision of the 1979 French language edition with titles and descriptions in English reproductions of multiple states a chronology and concordances to Baer Geiser Mourlot and Cramer. 270 works illustrated and described. 240 pp. Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Works -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details; 1 x 12.4 x 9.4 Inches; 201 pages . AW Fine Arts hardcover
1991ZB3938081991-2002. volumes 1-20. 1991-2002. partly bound library markings textually clean & tight price is for the set. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. unknown
1853322372London: Rudolph Ackermann & Paris: Galignani & Co. 18 rue Vivienne 1853. First edition. Printed on pink paper; color lithograph from original front wrapper laid down and mounted on front blank repeating the color lithograph frontispiece. The binding in fine condition foxing to frontispiece depicting depicts a stage coach two riders a footman and two pairs of horses at top speed on their way to Gretna Green. In the distance is the pursuing coach. 70pp. 5-1/4 x 10-3/4 inches 13.5 x 27.5 cm. crimson crushed levant morocco by Morrell gilt-tooled spine; both covers with a gilt double fillet border and comer ornaments of hearts cupid's bows and arrows and leafy sprays; front cover gilt-lettered; marbled paste-downs and endpapers inner dentelles gilt surprisingly unsigned housed in a custom red cloth clamshell felt lined box. Armorial bookplate of Sir William A.H. Bass a noted racehorse owner and red leather bookplate of Cortland Bishop. The binding in fine condition foxing to frontispiece depicting pursuit of eloping couple. First edition. Printed on pink paper; color lithograph from original front wrapper laid down and mounted on front blank repeating the color lithograph frontispiece. The binding in fine condition foxing to frontispiece depicting depicts a stage coach two riders a footman and two pairs of horses at top speed on their way to Gretna Green. In the distance is the pursuing coach. 70pp. 5-1/4 x 10-3/4 inches 13.5 x 27.5 cm. Gretna-Green is a village in Scotland famous for elopements the first village in southern Scotland following the old coaching route from London to Edinburgh. Rudolph Ackermann & Paris: Galignani & Co. 18, rue Vivienne unknown
1925100676<p>New York and London 1925-1926. 1925-1926. Very good. - 1 An autograph letter 1 & 1/4 pages signed "Rosita Forbes". Writing from 28 Wilton Place London on May 23 1924 Rosita Forbes is concerned with her tax liabilities in England as a result of her just completed first American lecture tour. She addresses a Miss Smith of the Pond Bureau asking that should "British Income Tax people" inquire about her tour and her contracts with the Pond Bureau "please give no information of any sort but refer the questioners to us. Next time I come to U.S.A. I shall have to have a financial secretary to keep accounts!". She suggests she could return in October "but I don't want to arrive in America more than one day before my first lecture. Your country is too expensive."</p><p>2 A cablegram from Forbes dated May 9 1925: "AVAILABLE AMERICAN LECTURES FROM NOVEMBER FIRST OR EARLIER TILL MARCH CABLE CONFIRMATION."</p><p>3 A 3-page autograph letter 7 inches high by 4-1/2 inches wide "Rosita Forbes". Writing from 28 Wilton Place London on May 9 1925 Forbes addresses Pond stating that she has "always been ready to come out to U.S.A. by Oct. 30th. I cabled you to this effect yesterday.I sent you a quantity of press cuttings & a good Abyssinian dress picture a week ago. Now I send you some snapshots & a map with our complete route on it.I don't see how Weigall & I can clash because our subjects are so different.I hope this time you will save on railway fares!!!! Please try & arrange lectures in groups if possible! Macaulay is going to publish my Abyssinian book 'From Red Sea to Blue Nile' & also a novel 'Wings Aflame' in the autumn. Best of luck to us both!!!!" The title "Wings Aflame" may be a reference to her novel "If the Gods Laugh" published in 1925.</p><p>4 A retained carbon of Pond's cable dated May 13 1925: "NOVEMBER ONE TO MARCH SATISFACTORY CAN YOU REMAIN TO MARCH THIRTEEN HAVE ENGAGEMENT BOOK FOR NINTH"</p><p>5 A return cable from Forbes dated May 14 1925: "YES FORBES"</p><p>6 A retained carbon of Pond's letter dated June 11 1925 addressed to "My Dear Lady Rosita". In his letter Pond complains "I note that Macaulay has the books. I'm sorry one of the better publishers was not selected for they do publish rather sensational stuff". He goes on to comment about Abyssinian controversies. "Marian C. Cooper asks me to ask you not to judge his ideas of Abyssinia by his articles in ASIA which were edited without his consent nor the film The Golden Prince which was made up without his aid from some pictures he and Schoedsack made. .Powell in his book on Abyssinia criticized Cooper for things he had done and he does not wish you too to join in the hue and cry."</p><p>7 Retained carbon of Pond's June 16 1925 cable: "CAN I USE ABYSSINIAN PHOTOS FOR NEWSPAPER PUBLICITY ARTICLES.".</p><p>8 A cablegram from Forbes dated June 18 1925: "FORBES ANXIOUS SELL ARTICLES AND PHOTOGRAPHS ABYSSINIAN EXPEDITION CONSULT KENNADAY 215 WEST 33RD STREET AND DO WHAT BOTH CONSIDER BEST.".</p><p>9 Retained carbon of Pond's reply to Forbes cablegram now addressing her as "My dear Mrs. McGrath". "Paul Kennaday tells me that he has not been able to place your articles about Abyssinia. I am awfully sorry that this has not been done for we need publicity in this country to secure business and so far no one knows that you have been in Abyssinia or made a new journey.Things so far have not been going as good as I like but this does not mean that there will be no tour and a fairly good one. If you find that English bookings are going exceedingly well I suggest that you give Mr. Christy more time in November."</p><p>10 A 2-page autograph letter 5-3/4 inches high by 4-3/4 inches wide on "28 Wilton Place" letterhead signed "Rosita Forbes". The letter dated September 15 1925 overlaps with Pond's later letter of September 18th. "I am so sorry you are having trouble over my American tour - what bad luck. I think under the circumstances it would probably be better if I arrived on January 1st & stayed till early April.Would you mind on receipt of this letter cabling me the date you consider most suitable for me to come over as I have to arrange the letting of my house which is a matter needing time. I don't mind what date I come but as living is very expensive in U.S.A. I don't want to come until there is contract business in view!!".</p><p>11 A retained carbon of Pond's September 18 1925 letter to Forbes suggesting that the tour be moved forward to January "to commence your tour with your booking in Haverhill Massachusetts on January 5th."</p><p>12 A retained carbon of Pond's letter responding to Forbes letter of September 15. Dated September 25 1925 Pond writes "I think we are both agreed that it is better for you to arrive in early January. I am not cabling you about this as I wrote you on September 18th and you know my point of view. Your first engagement at present is January 5th."</p><p>13 A cablegram from Forbes dated September 29 1925: "DELIGHTED ARRIVE JANUARY FIRST / ROSITA".</p><p>14 A retained carbon of a letter from Pond dated October 8 1925 concerning a booking. "The Chicago Geographic Society is very anxious to have you this year but they are unable to pay more than one hundred $100.00 dollars. Are you willing to allow me to book you with them I giving you the minimum rate of seventy-five $75.00 dollars which was in force last year and retaining twenty-five $25.00 dollars to cover my own expense"</p><p>15 A 2-page autograph letter 7 inches high by 5-1/4 inches wide on "Broadlands Romsey Hampshire" letterhead signed "Rosita Forbes". Forbes sends the first sheet of her contract not here present and pictures for her lectures. "I shall probably have to come over on the 'Paris' of the Compagnie Transatlantique leaving Plymouth on the 16th Dec. as I can probably get better accommodation on her as I have done a good deal of writing for the Company.I am so sorry you are having so much trouble over my tour for I've always told everyone that of all the business men all over the world I've come in contact with you are the best to work with.".</p><p>16 A retained carbon of a letter from Pond dated October 30 1925 encouraging Forbes to come later than the December date she suggested. "There will really be nothing doing here until your first lecture on January 5th."</p><p>17 A 2-page autograph letter 5-3/4 inches high by 4-3/4 inches wide on "28 Wilton Place" letterhead signed "Rosita Forbes". The letter dated October 30 ok's the arrangements with the Chicago Geographical Society but questions "Won't the National or American Geographical Socs. have me this time" She confirms her early arrival in New York and makes a request "Please secure an inexpensive room with bath somewhere in N.Y. Consult Miss Smith because you are not very good my friend at cheap hotels!!!!"</p><p>18 A 2-page autograph letter 5-3/4 inches high by 4-3/4 inches wide on "28 Wilton Place" letterhead signed "Rosita Forbes". Addressing "Mr. Pond or Miss Smith" Forbes reaffirms her December arrival in New York. "Don't you think you cd. induce some of the newspapers to interview me on 'Curious Xmases' or 'My most extraordinary Xmas'. It wd. make publicity. I spent one Xmas in camp in the African desert on my way to Kafara. Another in an Arabian harem one in Persia & in Abyssinia they have a special ceremonial."</p><p>19 In a retained carbon of a Pond letter dated November 13 1925 he expresses his pleasure that Forbes has accepted the terms for the Chicago Geographical Society lecture. "The National Geographic which wanted you so eagerly before has now passed you by and so has the American. They are strange people."</p><p>20 A 2-page autograph letter 7 inches high by 4-3/8 inches wide on "The Nook Sunningdale" letterhead signed "Rosita Forbes". In the letter dated November 21 Forbes reassures Pond that despite her early arrival he doesn't ".have to bother at all about me till you want me to lecture.Mr. Wingate of the Dorland Agency is going to communicate with you re publicity on arrival as I've just written the feature article for the February issue of the Monitor on 'Morocco'".</p><p>21 In a retained carbon of a letter dated November 30 1925 Pond regrets that it is too late to place an article on various Christmases with any of the syndicates or magazine sections of newspapers. However he has an idea: "Iola Plaxton spent some time in Fleet Street as the special correspondent for the Daily and Sunday Express is now back in New York and keen to meet you. .she concocted a scheme provided you approved of your giving her an exclusive interview on this particular theme the minute you arrive. Meantime she is going to get an editor lined up to take it."</p><p>22 Retained copy of a cablegram dated December 22 1925: "ROSITA FORBES STEAMER 'PARIS' NY. RESERVED ROOM AT WALDORF ASTORIA. POND."</p><p>23 An undated promotional letter from The Pond Bureau signed in blue ink by James B. Pond and titled "Rosita Forbes Returns". In the letter he solicits future lecture possibilities. "Although Rosita Forbes has been announced before you are again reminded of her return tour. If you can still find a place for her do so for you will like her and she will please you. Send for open dates and terms."</p><p>24 An autograph letter 9-3/8 inches high by 6 inches wide on "Hotel Webster New York" letterhead. Dated January 7 1926 Forbes writes to the Pond office manager "Miss Smith" after her first lectures in Haverhill Mass. "I enclose two endorsed cheques value 200 $ & 230 $ - a long bill for steamer fare 2 lectures & expenses.Please send me here - I've left the Shelton too noisy - the 2 photos I gave to Mr. Pond the first day I saw him & ask him to send me a cheque soon as I have 10 dollars 1 cent a French franc & a half crown left in the world." Signed "Yrs. R.F."</p><p>25 On a "Hotel Webster New York" envelope Forbes notes her expenses: "They only gave me enclosed 150 dollars at Passaic last night instead of 200 as per contract". She then lists her expenses including a taxi fare totalling $2.52. Pond notes that he has paid the $2.50 and dates the envelope !/12/26 with the note "Remainder due tomorrow $50.00".</p><p>26 An autograph letter 9-3/8 inches high by 6 inches wide on "Hotel Webster New York" letterhead. Dated Jan. 13 -1926 and addressed to "Miss Smith" Forbes sends further financial accounts regarding the Passaic NJ lecture. "If you get a cable for me tomorrow or Friday will you let me know at once as I'm expecting a very important business wire from England. Yrs. wearily - just how you feel too!" Signed "Rosita Forbes".</p><p>27 A January 18 1926 carbon of a receipt addressed to George Byron Gordon of the Philadelphia Museum for payment of $150.00 for a lecture by Forbes. The receipt is marked "PAID".</p><p>28 A January 19 1926 carbon of a receipt addressed to Forbes detailing payments totaling $213.30 paid to her for expenses and lectures in Passaic NJ and Philadelphia.</p><p>29 A retained carbon of a letter from Pond dated January 19 1926: "When you arrive in Toledo on Thursday A Mrs. Rippon will meet you at th station and will take you to the Hotel Secour."</p><p>30 An autograph letter on 8-3/8 inch high by 5-1/2 inch wide letterhead signed "Rosita Forbes". Writing from the "Fortnightly Club 120 Bellevue Rd Chicago" Forbes informes Pond "I shall not be in U.S.A. on April 7th. I sail on the 'France' on April 3rd. If the Philadelphia Geographical Society want me they'll have to change their lectures round a bit & let me have an earlier date. Yrs. dirtily - is it possible to keep clean in Chicago!" The letter is humorously dated "Jan. 24th. I have reason to believe".</p><p>31 A lengthy 2-page autograph memo on 8 inch high by 6 inch wide notepaper signed "R. F." "Due to Rosita Forbes" Forbes outlines $489.28 in expenses and fees due her for Steamer fare and and Haverhill/Brockton lecture fees & expenses during the early part of January 1926. "Note A. You forgot to tell me that Mrs. Fuller wrote you about Dec. 1 offering me hospitality at Brockton. They were all very angry about it !!!! I cd. only say I had never been told of such an offer." The memo is accompanied by a calculator receipt from Pond's office confirming Forbes' math.</p><p>32 An autograph letter 9-3/8 inches high by 6 inches wide on "Hotel Webster New York" letterhead. Dated "Sunday Jan. 31". Addressing Miss Smith of the Pond Bureau Forbes writes: "I arrived here this morning by the 'Big Four' which only takes 1 night & 1 day instead of yr. nice -sweet - train which takes 2 nights & 1 day!! No letters!!! Please send me .the copy of Raisuli book i.e. "The Sultan of the Mountains: The Life Story of Raisuli" as I must look up some stories in it for an article.Please also let me know how many of Mr. Crane's lectures Vassar Smith Providence Bryn Maur. are arranged & what date" Signed in full "Rosita Forbes".</p><p>33 A 2-page financial memo dated Feb. 1st 1926 handwritten by Rosita Forbes on a folded 7 inch high by 5-1/2 inch wide sheet of "The Fortnightly / Chicago" letterhead. On the first page Forbes notes the amounts due to the Pond Bureau for lectures in Toledo Chicago and St. Louis. On the 2nd page she lists her expenses. The memo is unsigned.</p><p>34 In an autograph letter on 3 sides of a folded sheet of 5 inch high by 4-1/2 inch wide notepaper Forbes complains to Miss Smith of the Pond Bureau "When I asked the Buffalo Athletic Club for cheque they said by contract it was to be mailed to you but they presented me with 25 dollars as they hadn't time to look up the one way fare." She then outlines her expanses and asks that "Mr. Pond .send me a cheque for this before I go to Cambridge on Weds. & wd. you send a p.c. to Toledo & the March lectures asking them to pay me cheques at the end of lecture - otherwise I shall be in a recurrent state of bankruptcy!!" The letter is signed in full "Rosita Forbes" and is stamped "Ans'd Feb 16 1926".</p><p>35 A retained carbon of a letter from Pond to Forbes dated February 16 1926 in which Pond indicates his irritation with her. "I shall greatly appreciate it if when you have a contract calling for payment with me you do not request that a committee make payment with you.Apparently you asked Dr. Gordon in Philadelphia for your fee for he wrote me a rather long letter asking me why I had financial troubles with my lecturers. This give a very bad impression.I have not yet had any word from Brooklyn. The new chairman is apparently disgruntled.It certainly was most unfortunate that you missed Brooklyn and I do hope you will examine your contracts carefully in advance."</p><p>36 A February 13 1926 carbon of a receipt addressed to F. A. Coupal of the Buffalo Athletic Club for payment of $250.00 and $19.57 expenses for a lecture by Forbes. The receipt is marked "PAID".</p><p>37 A February 18 1926 carbon of a receipt addressed to Charles R. Crane of the Radcliffe College for payment of $200.00 for a lecture by Forbes. The receipt is marked "PAID".</p><p>38 A February 25 1926 carbon of a receipt addressed to Isaiah Bowman of the American Geographical Society for payment of $75.00 for a lecture by Forbes. The receipt is marked by Pond "Paid Mrs Forbes". Together with: a Typed Letter Signed dated February 5 1924 from Isaiah Bowman Director of the American Geographical Society praising Forbes lecture given during her first American tour. "She has a most entertaining story to tell and it could hardly be told with greater art."</p><p>39 A February 25 1926 carbon of a receipt addressed to Marion Miller of the Toledo Club Toledo Ohio for payment of $200.00 for a lecture by Forbes. The receipt is marked by Pond "did not fill date".</p><p>40 An autograph letter 9-3/8 inches high by 6 inches wide on "Hotel Webster New York" letterhead dated Sat. Feb. 27. "Dear Lady / Here is my bill.I think perhaps you'd better send it me on Monday or I might be penniless!! but most of all I want that poster about my films - 'Red Sea to Blue Nile' which I gave Mr. Pond at the Waldorf.So awfully sorry to bother you." Signed in full on the verso "Rosita Forbes". The bottom edge of the letter has some damage resulting in the loss of a very few letters.</p><p>41 A March 1 1926 carbon of a memo addressed to Rosita Forbes for payments due her of $100.00 and $16.51 expenses for a lecture by Forbes in Cambridge Mass.</p><p>42 A March 3 1926 carbon of a receipt addressed to Charles R. Crane of the Mary Wheeler School for payment of $200.00 for a lecture by Forbes. The receipt is marked "PAID".</p><p>43 A 2-page autograph letter 9-3/8 inches high by 6 inches wide on "Hotel Webster New York" letterhead dated March 4. "Dear Miss Smith / I had a letter from the man at Toledo insisting that Mr. Pond had agreed to let him know whether I was coming or not & that the Pond Bureau having failed to write he was justified in believing I was not coming. I think therefore that it is only fair to call Brooklyn & this quits as far as finance is concerned. I lost 100 dollars over Toledo owing to some slight forgetfulness!!!! & you lost 50 dollars over Brooklyn owing to some large forgetfulness!!!! .It was rather awful about Toledo because as i told you I was to be the guest at a big newspaper lunch. So much for this sad business!!".She goes on to outline her plans for lectures up until March 14. Chicago Minneapolis and Decatur Illinois. Signed "Yrs. R. F."</p><p>44 A March 25 1926 carbon of a receipt addressed to R.V. Nevins of the Algonquin Club Bridgeport Conn. e for payment of $200.00 plus $5.52 expenses for a lecture by Forbes. The receipt is marked "PAID".</p><p>45 A March 26 1926 retained carbon of a Pond letter. He expresses his disappointment as to the result of Forbes' tour. "I find that you only delivered nineteen professional talks receiving a gross amount for them of $1992.50. Considering your heavy expenses here in the way of living and moving about I am afraid you must have had a considerable loss."</p><p>46 A 2-page autograph memo 9-3/8 inches high by 6 inches wide on "Hotel Webster New York" letterhead dated March 27 1926. The memo outlines Forbes' expenses for her Bridgeport and Montclair lectures and the amounts owed her from the Pond Bureau. The memo is signed "R. Forbes".</p><p>47 An April 14 1926 retained carbon of a Pond letter. He hopes that she had "a pleasant and peaceful" journey home to England. He goes on to mention that she has a brief mention in Gilbert Frankau's newest book "Masterson".</p><p>48 A 2-page autograph letter signed "Rosita Forbes". The letter dated July 2 1931 on 9 inch high by 7 inch wide "Harefield House Harefield Middlesex" letterhead is a response to Pond concerning the lecture possibilities of the English explorer Bertram Thomas. ".before I got your letter I had warmly recommended you to him. I spent most of our lunch with him telling him to go to you but remember he'll be a serious speaker! I've told him he must make his book a bit light & he promised to try". She goes on to recommend the Turkish-Albanian soldier and statesman Izzet Pasha. "Use my name for all its worth with Bertram.</p><p>49 A July 10 1931 retained carbon of Pond's response to Forbes' letter of July 2. "I finally met Bertram Thomas. I found him a very disagreeable individual. I wrote him a letter telling him what I thought of him and he came and apologized to me. From what I know my call down was needed."</p><p>Though Rosita Forbes started travelling at an early age following her marriage to Major Ronald Forbes it wasn't until after a nervous breakdown following her husbands death in World War I that her travels started in earnest. At first she served as an ambulance driver in France during the war and subsequently traveled around the world "by way of American Hawaii Papua Sumatra Java Cochin China Siam." and again back to China where she was taken prisoner during the revolution and ended up doing Red Cross work for the Chinese army. In 1919 she resumed her travels through Africa and the middle-east and was in Jerusalem for the riots of 1920. "From here her journeys are chronicled in her lectures.After her return from Kufra she met and married Col. Arthur McGrath of the British War Office." Astonishingly all this had been accomplished by the time she was thirty years old.</p><p>Rosita Forbes described her journey around the world in her first book "Unconducted Wanderers" 1919. Disguised as a Moslem she travelled across the Libyan desert to the oasis of Kufara from 1920-21. This journey is described by her in "The Secrets of the Sahara: Kufara" 1924.</p> New York and London, 1925-1926.
191243120Nyu York New York: Forverts 1912. First edition. Original boards 8vo 266 266 268 pages. 20 cm. In Yiddish. Title translates as “Collected Writings.â€<br> Full set of Morris Rosenfeld’s collected works. Volume 1 contains poetry Volume 2 and 3 contain stories. Warmly inscribed by Rosenfeld in 1913 to Yiddish actor and director Mark Schweid 1891-1969: “To my dearest friend actor and poet Mark Shvayd. From Morris Rosenfeld 3. 2nd i.e. 3 of Feb 1913.†<br> “Rosenfeld known as the ‘Poet Laureate of Labor’ was a pioneer of Yiddish poetry in the US. Born in Russian Poland he came to New York by way of London in 1889 and worked as a presser in a sweatshop. His sweatshop songs were often sung by Jewish workers in factories and at mass meetings. Moshe Starkman notes in the EJ that when his Lider-Bukh ‘The Book of Songs’ 1897 was translated in 1898 by Leo Wiener under the title Songs from the Ghetto his fame spread to non-Yiddish circles. Starkman also notes that ‘his proletarian poems and national songs stirred the Jewish masses during their early struggles in the New World and at the beginning of the Jewish national renascence’ sic. Aaron Kramer notes as well that ‘Of all Yiddish poets Morris Rosenfeld alone.was acknowledged by the non-Jewish literary world as a notable singer;’ Wiener's translation of Songs from the Ghetto ‘immediately established Rosenfeld's reputation among America's literati.†EJ 1971 14: 285-286; Kramer trans: The Teardrop Millionaire and Other Poems 1955.<br> Mark Shveyd Schweid 1891-1969 to whom Rosenfeld inscribed this copy was a “playwright poet translator and artist born in Warsaw. His original Jewish given name was Volf-Mortkhe.…in 1911 he graduated from a Polish drama school in Warsaw and went on to act in Yiddish theaters and on the Polish stage as well. In 1911 he emigrated to the United States performed in New York’s Yiddish theaters and from 1921 was one of the principal artists in Maurice Schwartz’s Yiddish Art Theater. From 1926 he was also acting on the English-language stage.<br> He wrote poetry drama studies one-act plays plays and longer articles on theater. He debuted in print in 1907 with poems in Roman-tsaytung….From 1946 he was an internal contributor to Forverts Forward in New York.<br> Shveyd wrote adapted or translated roughly fifty plays†as well as 9 books. <br> “Shveyd also translated novels from Polish Russian German and English some of which were published such as: Israel Zangwill Troymers fun’m geto Dreamers of the ghetto vol. 1 New York: M. Yankovitsh 1929 341 pp.; Stanislaw Przybyszewski Fun’m obgrund Out of the depths original: De Profundis New York n.d. 79 pp.; Fyodor Dostoevsky Erniderigte un baleytigte Humiliated and insulted original: Unizhennye i oskorblennye New York: Max Jankovitz 1920s 2 vols. Two novels he adapted were published in Warsaw’s Moment†Yekhezkl Lifshits in Leksikon Fun Der Nayer Yidisher Literatur.<br> Schweid was director of the Bronx Art Theatre in 1930-1931; a partial collection of his papers is at the Center for Jewish History in New York. SUBJECTS: Yiddish language. Yiddish poetry. Short stories Yiddish. OCLC: 3758034<br> Vol I with inscription has unobtrusive number on spine and old Yiddish institutional stamp at bottom of inscribed endpaper with gutter taped at contents page. Otherwise a Very Good Condition set with important inscription. YID-46-36--’cc. Nyu York [New York]: Forverts unknown
194243230No Place New York: Polish Information Center 1942. ; 1st edition. Large double-sided single sheets broadsides 17x 12 inches. <br> Weekly English-language updates from the early years of the exiled Polish government information and propaganda agency from prior to its massive expansion in 1943. Reports cover German atrocities and Polish resistance to the Nazis including news about Polish contributions to the international Allied effort. There are occasional mentions of conditions in the Warsaw ghetto.<br> <br> Checking institutional holdings we could locate no copy later than Nr. 83 from 1943; we presume that to be the final issue in the series. <br> <br> This format would have been convenient for posting on walls etc. <br> <br> “The Polish Information Center was founded in 1940 and remained active until 1945…. its first director Stefan Gotfryd Ropp…. remained in his post for the first three years of the center's existence and was a major force in the creation of a Polish lobby influential in U.S. military financial and political circles particularly to counter American isolationism before the United States entered the war.<br> <br> Originally called Centrum Informacji Prasowej the center at first was funded with the proceeds from the sale of objects that couldn't be returned to war torn Poland. In its first year it operated unofficially but with the declaration of war by the United States it had to fulfill certain requirements from the Justice Department. Later the center became a branch of the Ministry of Information and Documentation. The center's main offices were located on Fifth Avenue in the heart of New York City but it eventually had representatives in Chicago Detroit Los Angeles and Pittsburgh.<br> br>The center had a well-educated and skilled staff involved in the collecting and dissemination of information on Poland and on matters relevant to Polish interests in the United States. Ropp himself wrote regular reports for the Polish Ministry of Foreign Affairs which are excellent examples of his visionary ideas….<br> <br> In 1943 the center's structure underwent significant changes and its budget was increased. The broadening of operations found immediate reflection in the way materials were collected: for instance specialized firms were hired to deliver clippings from hundreds of American newspapers….<br> <br> Also in 1943 Ropp was moved to London to head the Biuro Prac Kongresowych responsible for planning the peace conference and a new post-war Poland. Still the office grew steadily gradually attracting some of the best minds working for the Polish cause on American soil: from 35 experts in 1943 it employed 51 in 1944.<br> <br> In 1944 at the peak of its activities the center had at its disposal a budget of a million dollars….<br> <br> The year 1945 brought big budget cuts and half of the employees were laid off. The center shared the fate of many other Polish diplomatic posts as the loss of diplomatic recognition of the London government by the Western Allies resulted in the termination of its operations. By decree of Poland's President Wladyslaw Raczkiewicz on July 3 1945 the center was officially shut down†Hoover Institution. <br> <br> OCLC: 37937357. All holdings which could be checked are incomplete; some holdings are for as few as 3 or 4 issues total.<br> <br> All issues have a vertical fold crease; many have light foxing stains or crinkling. Paper remains bright and strong and was clearly stored in dry clean conditions for the past 80 years. Very Good Condition overall. A fascinating nearly consecutive weekly look at official Polish reporting on Nazi atrocities and war crimes in real time over a one-year key period of the Holocaust. B Holo2-163-9-LMM%-’cce. No Place [New York]: Polish Information Center unknown
5549Monroe La 1991. Very good. Two large folio scrapbooks: First scrapbook: 63 leaves illustrated with seventy-seven original photographs plus numerous programs certificates newspaper clippings including many photographically illustrated and other ephemeral items. Large square folio. Contemporary green cloth with white vinyl laid down to boards the front board titled with green wooden raised letters reading "The Monroe-Grambling Chapter of The Links Inc." Two letters missing as indicated by brackets above and a few chipped. Minor wear and soiling to covers. Occasional dust-soiling to contents but generally sound and clean. Second scrapbook: 8 leaves illustrated with nine original photographs plus several programs and numerous photographically-illustrated newspaper clippings all pages with hand-painted chains "linking" the scrapbook elements. Large tall folio. Handmade binding composed of large white artist's canvas panels duct-taped together along spines. Minor wear and dust soiling. An extraordinary pair of large-format lovingly-composed scrapbooks produced to document the history and achievements of the Monroe-Grambling chapter of the Links Incorporated a local Louisiana chapter of a notable national service organization comprised of and dedicated to supporting African-American women. According to a printed notice on the first page of the earlier scrapbook: "This book is intended to trace the history of the Monroe-Grambling Chapter of the Links Incorporated and to highlight a selected number of achievements." <br /> <br /> The compilers of the scrapbooks document the group's activities through original photographs ephemeral items such as programs certificates and documents and a legion of newspaper clippings most of which also picture members of the group. The contents are then artfully arranged with scrapbook elements such as ribbon construction paper frames manuscript headings and so forth. The ephemera in both scrapbooks include officer lists and event programs for chapter meetings banquets youth service events and so forth. The scrapbooks memorialize highlights of the Monroe chapter from its founding in 1973 through 1991. The scrapbooks memorialize the chapter's first meeting initiations from various years the chapter presidents service and volunteer events youth pageants arts festivals workshops namely the Beautillion Workshop over different years and more. The great majority of these moments are captured in original photographs or photographically-illustrated newspaper clippings.<br /> <br /> In general the Links Incorporated's volunteer efforts center around youth global awareness and the arts for which the chapter was recognized by numerous other organizations evidenced by the run of certificates near the end of the first scrapbook received from Grambling State University some of the school's Greek chapters the Monroe Mayor's Commission on the Needs of Women and Women in the Mainstream the Girl Scouts Carver Elementary School and more. The first scrapbook ends with a long run of pages celebrating "Individual Achievement" by various member as well as a few pages of "Connecting Links" to prominent local citizens including Grambling State's legendary head football coach Eddie Robinson.<br /> <br /> The second scrapbook picks up where the first leaves off documenting chapter activities for 1990 and 1991 but is much shorter. This second scrapbook includes material similar to the first but also a page dedicated to Founder's Day nine original photographs and the "Cultural Programme" from a chapter event titled "A Tribute to the Black Woman" and two programs for events during Black Heritage Month including one honoring the aforementioned Coach Eddie Robinson "the 'winningest' coach in football history".<br /> <br /> According to the organization's website: "The Links Incorporated is an international not-for-profit corporation established in 1946. The membership consists of more than 17000 professional women of African descent in 299 chapters located in 41 states the District of Columbia the Commonwealth of the Bahamas and the United Kingdom. It is one of the nation's oldest and largest volunteer service organizations of extraordinary women who are committed to enriching sustaining and ensuring the culture and economic survival of African Americans and other persons of African ancestry. The outstanding programming of The Links Incorporated has five facets which include Services to Youth The Arts National Trends and Services International Trends and Services and Health and Human Services. The programs are implemented through strategies such as public information and education economic development and public policy campaigns." These five facets are all represented in the present scrapbooks.<br /> <br /> A fabulous pair of substantial and informative scrapbooks documenting almost two decades of activities and achievements of a vital Louisiana chapter of a highly-regarded African-American women's organization. The Links Incorporated is still going strong today; as recently as 2022 the organization awarded a million-dollar grant to the Obama Presidential Center. unknown
168152N.p.: N.p. 1985. Archive of over 100 pages of material relating to the Brotherhood Crusade specifically business documents a Brotherhood Crusade folder containing booklets inserts posters stickers flyers and a bumper sticker all circa 1983-1985. Laid in is a piece of juvenalia dated "1-8-64" a four-page working essay on Charles Dickens presumably written by a young Danny Bakewell at 17 or 18 years of age.<br /> <br /> The archive of Bakewell's Brotherhood Crusade business materials contain over 100 pages of business documents from 1983 to 1985 including drafts of Bakewell's biography and resume Brotherhood Crusade press announcements various detailed senior leadership job descriptions a Brotherhood Crusade senior leadership flowchart and multiple Organization of Health and Management Services OHMS Session statements who apparently were utilized for consultation printing and editing job descriptions and offerings Bakewell's aforementioned bio and resume and various other editing and printing needs for Brotherhood Crusade's senior leadership. The archive includes an abundance of handwritten material as well as ribbon typescript copy and carbon typescript copy documents as well as Xerographically duplicated documents nearly all heavily annotated all in a generic manilla folder labeled "Bakewell Danny J. / c/o Brotherhood Crusade / 200 E. Slauson / Los Angeles CA 90011."<br /> <br /> The Brotherhood Crusade folder a two-color bi-fold with two interior pockets circa 1985 contains: a Brotherhood Crusade mission book. "The Brotherhood Crusade Honors Louis Gossett Jr." book 1984. Five fact sheets. An "I heart Give To The Brotherhood Crusade" bumper sticker. Four "I Believe In Brotherhood" stickers. A "You Support Your Total Community" poster. A "Your Contribution Makes A Difference" poster. And two copies of a flyer for a "Benefit Show and Dance for Babalosha Akin" held at the Omowale Malcom X Cultural Center."<br /> <br /> An intrepid civil rights activist and entrepreneur Danny Bakewell owner of The Bakewell Company the largest minority-owned development firm on the West Coast which includes among its holdings the legendary Black newspaper the Los Angeles Sentinel is the co-founder of the National Black United Fund and served as President for The Brotherhood Crusade for over 30 years retiring in 2005. Since 2009 Bakewell has served as Chairman of the National Newspaper Publishers Association NNPA and for 19 years has hosted the biggest family friendly annual food and music festival on the West Coast Crensaw's "Taste of Soul" which began in 2006.<br /> <br /> In 1968 partly in response to the 1965 Watts riots Walter Bremond and other members of the Los Angeles Black Congress established the Brotherhood Crusade a grassroots non-profit to serve as a framework for charitable fundraising from within the community focusing on self-help empowerment and social change. In 1973 Bakewell was appointed President and CEO and the Brotherhood Crusade launched the Black United Fund a self-help economic empowerment entity which received much of it's original funding through voluntary payroll deductions. Under Bakewell's leadership The Brotherhood Crusade became one of the premiere institutions of its kind in the country which has since distributed more than $40 million in the South Los Angeles community and provides human and social services to more than 100000 South Los Angeles residents annually. <br /> <br /> Documents 8.5 x 5.5 inches to 8.5 x 14 inches. Very Good plus to Near Fine.<br /> <br /> Brotherhood Crusade folder 9 x 12 inches. Very Good plus<br /> <br /> Folder Contents. Near Fine. N.p. unknown
53909Brian Wilson Aldiss 1925-2017 born in Norfolk England was not only a prolific writer of science fiction short stories and novels but also anthologized science fiction and studied the history of the genre as well. Much of the background material in his works stemmed from his military service from 1943 through World War II in the Royal Corps of Signals in India Burma and Sumatra. Aldiss was inducted into the Science Fiction Hall of Fame in 2004. He was for many years happily married to Margaret Aldiss an editor and bibliographer who produced three bibliographies of Aldiss’s works. This archive is unique in that it represents a consistent and intensely personal correspondence over two years between close friends. The letters eloquently written more often than not reveal a wealth of details about Aldiss’s personality emphasizing his worldliness his productivity the way he feels about the act of writing the love he has for his family and the way he views such things as life death and his own age progression.<br /> <br /> <br /> Included in the archive are the following:<br /> <br /> Xerox copy on a sheet of paper 8 ½†by 11†reproducing two articles published by The Salt Lake Tribune and Deseret News Sunday March 3 1985 regarding the speaking appearance of Brian Aldiss in Patrick Eddington’s home town Salt Lake City Utah. <br /> <br /> TLS. Letter on a sheet of paper 8 ¼†by 11 ½†dated 28.x.89 on Aldiss’s letterhead with the Boars Hill Oxford address. The author begins by describing an imaginary planet that his friend the late astronomer Peter Cattermole has designed for him. Aldiss writes “Reading his notes gazing at his map I feel like Keats On sic First Looking Into sic Chapman’s Homer. So I’m slowly getting my stuff together to write a novel about this planet. This’ll be a short one; I’m now too old and lazy to undertake another bloody great 3-volume operation.†Signed by Aldiss at the close.<br /> <br /> Typed letter most likely written by Margaret Aldiss typed on both sides of a sheet of paper 8 ¼†x 10â€. Dated the 5th of November year not given. This letter was written at the time that their children were in their teen-age years. In this bit of correspondence Margaret mentions how busy Brian is with his writing career. She writes “I am kept busy with my word processor putting all Brian’s stories through it and looking after this house.â€<br /> <br /> TLS. Typed on 2 sheets of paper 8 ¼†x 11 ¾†dated 21.xi.92 on letterhead with the author’s Boars Hill Oxford address. In this long letter to Patrick Aldiss writes quite a bit about his own writing bringing up his recently published book “Home Life with Cats†a copy of which he has enclosed for Pat. He also writes that it has been an indifferent publishing year for him listing what he has produced and claiming “ I do turn ‘em out.†He goes on to mention that his chief preoccupation is with his “slow-growing†novel “Burnell’s Travels.†As he states “BURNELL started as a couple of short stories; then I realized what I had a hold of. I began thinking about the novel last year when Margaret and I were holidaying in an idyllic spot in France lost in the green depths of the Perigord.<br /> “While we were there in that pleasant little farmhouse I finished REMEMBRANCE DAY… I then had about two days of real holiday in which to relax. But already thoughts of Burnell were bubbling. Ah how pleasantly idle was I in the early seventies. Since I’ve grown old I have lost the gift of idleness. I can’t stop writing- notes poems whatever. Partly this is the hope to leave something- a name as well as money- to my darling wife and four dear children. But in the main it’s just something of which you know difficult to articulate the drive to translate the world or more modestly one’s own ‘umwelt’ into words and pictures. Right†Aldiss has signed at the foot.<br /> <br /> TLS. Letter typed on a sheet of paper 8 ¼†x 11 ¾†with the author’s letterhead bearing his Oxford address dated Tuesday 1st of June year not specified. This piece of correspondence is special because it contains a detailed original sketch by Aldiss covering a substantial portion of the page of the Greek town Monemvasia. This charming sketch highlights the ruinous church the steep ascent the location of their hotel and a “1 mile beautiful walk.†His simple sketch truly conveys the feeling of the town. Aldiss writes “Pat Monemvasia is wonderful! They dub it ‘Gilbraltar of Greece’ but the real Gibraltar is a lewd dump built over the meagre Brit military housing and stuffed with Indian shops; it’s a bazaar. Monemvasia is a mystery. It’s a hell of a great chunk of rock connected to the mainland only by a causeway. A natural fortress… The place is semi-ruinous; restoration is taking place. Mid-level is a narrow ‘road’ on which tourists live choc-a-bloc with tavernas and shoplets selling postcards honey pottery junk and the inevitable T-shirts. Above crowning the place and achieved by a taxing ascent is the old fortress once besieged by Turks Byzants Franks and any number of other bastards. The old church is being patched up: otherwise it’s acres of rock garden up there colonized by brilliant or modest plants euphorbias herbs… A mile below lies the Aegean breathing indigo. Marvellous place. Only eagles and artists should be allowed there.†The letter is signed at the foot by Aldiss.<br /> <br /> Xerox copy 8 ¼†x 11 ½†showing a partial view from above of Monemvasia .<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 ½†dated 17/3/95 on Aldiss’s Oxford letterhead. The letter opens with Aldiss thanking Pat for his generous gifts. He then goes on to mention that he will be attending the 16th Conference of the Fantastic referring to himself as “their Permanent Special Guest.†He continues highlighting his busy schedule by stating “Life is extremely full. In fact it overflows. I’m writing several things including a shambolic object which could be construed as autobiography or something – THE TWINKLING OF AN EYE. However what’s enclosed see below is a sort of core-plug through my geological time written for a friend. I thought you might be interested; it reflects more rackety times in Oxford Past.†Signed “Your pal Brian.â€<br /> <br /> The above letter was sent with an eleven-page 8 ¼†x 11 ½†computer-typed original manuscript of a story Aldiss was working on entitled “The Story of a Funeral: Remembering George Halcrow.†This piece as one might expect is chock-full of memories of how George met his wife how George found Brian a room when his first marriage collapsed and the first time Brian took Margaret out for a meal.<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 3/4†dated 9/4/96 on Aldiss’s Oxford letterhead. In this letter Brian thanks Patrick for his customary round of gifts one of which is a frame in which he debates “whether to change the picture from a view of old China to a view of young Margaret.†Signed “Yours ever Brian†at the foot.<br /> <br /> TLS. Computer-generated letter on a sheet of paper 8 ¼†x 11 ½†dated 9/9/99 dated two years after the death of his wife from pancreatic cancer and printed with the author’s Old Headington Oxford address at the head. The author writes “It’s good to hear that the project continues and develops. I will include my “Cat Improvement Co†poem in the envelope in case you can use it. I really don’t know any cat artists though.<br /> “It’s so good-hearted of you to think of naming a star after Margaret. She really deserves no less. Her name is spelled MARGARET ALDISS. The family will be proud and comforted to hear what you are doing.†Signed by Aldiss at foot.<br /> <br /> Xerox copy 10†x 8 ¼†reproducing a poem by Brian Aldiss titled “The Cat Improvement Company.†Eddington later printed this poem as a limited edition broadside published by The Green Cat Press in 2004. The Green Cat Press was a small press run by Patrick Eddington and fellow Utah artist Susan Makov. In the aforementioned letter Aldiss commentated that he knew no “cat artists.†In the end Patrick himself provided the illustration.<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 ½†dated 1/11/0 on letterhead printed with his Old Headington address. In this letter to Patrick Aldiss acknowledges having been through a lot in the last few years but he survives “thanks to some splendid ladies who have entered my life and to the creative urge which does not seem to abate.†He also mentions having in his possession a large deed box with his diaries from the sixties and seventies. He comments “I’m currently writing Journal No. 36. They have become fuller since I’m in the house alone with no one to talk to. Mostly they are A5 and illustrated with cuttings etc. I don’t know what to do with them this all-too-ample record of a foolish life. I expect to present them to the Bodleian Library. Then this house will be three deed boxes lighter…<br /> Of course I could leave them to my excellent daughter Wendy. She might possibly squeeze a little money from them- from the dirty bits as it were!†Signed by Aldiss at the close.<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 ½†dated 5/3/0 on letterhead printed with his Old Headington address. Aldiss opens with “You are a very kind friend! FedEx have delivered the star certificate in pristine order with the name of Margaret Aldiss inscribed upon it…. So there she is gleaming up there in Cyngus… It’s really a super thought of yours. I don’t mind admitting I shed a few tears over it tears of sorrow but also of gratitude that we had such a good pal. Much appreciated.†What follows is Aldiss’s acknowledgement of his grief for Margaret along with an almost schoolgirl-like discussion of his current infatuations with women. He ends the letter by very affectionately stating “what you say about my role on sic your life is very flattering. But we formed an immediate friendship- it has certainly been important in my life too. I’m happy to know you. I’ll never forget the warmth of your kindness to me.†Signed by Aldiss.<br /> <br /> TLS. Two-page letter written with a computer on sheets of paper 8 ¼†by 11 ½†dated the 26th of September year not mentioned but circa 2000 from Brian W. Aldiss to Patrick Eddington. With Aldiss’s Oxford address printed at the head. In this long and extremely personal letter Aldiss describes his recent travels in full detail. “The sloop was beautiful and comfortable. Five Turks looked after us hoisted the sails boxed the compass did the cooking etc. We were able to swim from the boat most days either in open sea or in a sheltered bay. The food and wine were good and plentiful; since we had paid for everything beforehand we were generous with the wine. But above all the other passengers were darlings- intelligent companionable and witty… I soon became fond of every one of them and I believe they became fond of me. In fact we came to prefer sitting on our stern deck just chatting laughing singing to tramping round the ruins ashore. The weather was perfect as we sailed slowly northwards on the Aegean.†At one point he even brings up the bleak effect of World War I on the Dardenelles reflecting that “The slaughter on that campaign was ghastly. The Turks lost an estimated 300000 killed the Allies 265000. I spent some sombre hours walking there among the pines thinking about my father. He Stanley Aldiss fought on Gallipoli; he was one of the lucky survivors.†Signed by Aldiss at the foot.<br /> <br /> Art After Apogee: The relationships between an idea a story and painting by Brian Aldiss & Rosemary Phipps. Avernus 2000. No. X in an edition limited to 100. Slender quarto in yellow wraps. Sent with the preceding letter. Inscribed by Brian Aldiss to his friend on the limitation page. A crude drawing of “The Cat & the Snake†is laid in.<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 ½†dated 3/7/1 on letterhead printed with his Old Headington address. A letter in which Aldiss tells Pat how busy he is. He writes “Never have I been so busy as now. Endless interviews regarding “A.I.â€. Of course I am fortunate but it really means no creative time at all. On Monday I returned from a conference at Liverpool University while on Thursday I have to fly to the South of France which of course will be very pleasant for a conference on the Noir in Film and Fiction. After that a more peaceful time I’m hoping before I retreat to a Greek island for a coupla weeks.†Signed at the foot by Aldiss.<br /> <br /> TLS. Letter composed with a computer on a sheet of paper 8 ¼†x 11 ½†dated 3/12/1 on Aldiss’s Oxford letterhead. In this letter Aldiss comments on the curious nature of the publishing business stating “My new reprint publishers Stratus have recently gone bust: but not before they reprinted ‘Brightfount Diaries.’ This new edition omits the original pictures. However here’s a copy. My first book. Terribly dated. Insane to have reprinted it… No wonder they went bust.†Next Aldiss discusses the “Cat Improvement Co†broadside wondering how many he will be able to acquire for himself without seeming greedy. Then near the close of the letter Aldiss muses on the changing medium of their correspondence revealing himself to be a diehard letter writer: “It’s a bit sad you are going on email. There is a pleasure in writing letters and certainly a pleasure in receiving your hand-written ones.†Also of interest in this letter is the fact that Aldiss encloses “another cat poem a rather sinister thing.†The letter is signed at the foot by Aldiss.<br /> <br /> Original manuscript poem printed from the computer on a sheet of paper 8 ¼†x 11 ¾â€. Originally sent with the preceding letter. The title at the head of this poem is “Domestic Incident.†The second stanza of the poem reads “All animal burly cat hideous but beautiful / My beautiful Sotkin puissant in movement / Jaw locked round jackdaw / He struggles through the door / Into kitchen his cave its grave/ Twice himself in elegant fury. / Darker fangs grind my bones.â€<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 3/4†dated 19/11/1 on Aldiss’s letterhead printed with his Old Headington address. In this letter the author comments on the search for Bin Laden as well as the "Cat Improvement Co." broadside. Brian has signed at the bottom. Enclosed in the letter are the two pieces listed below.<br /> <br /> A two-page 8 ¼†x 12 ½†computer typed original manuscript entitled “The Cat Machine.†This story is what can only be termed a sci-fi/ horror cat story involving a sort of Frankenstein-like cat that continues to grow eventually consuming a postman and a refrigerator then attacking his owner when his back is turned before disappearing into the night. The horror does not stop there- the machine cat goes on to become a world concern. On a lighter note the story does end with the machine cat becoming King of Albania.<br /> <br /> “The Cat Machine.†An original collage/drawing in marker and ink on paper 11 ¾†x 8 ¼â€. With the author’s initials in ink in the lower right corner.<br /> <br /> TLS. Computer-typed letter on two sheets of paper 8 ¼†x 11 ½†dated 12/10/1 on Aldiss’s letterhead printed with his Old Headington Oxford address. Aldiss begins this letter with beautiful imagery and words writing “It’s just on five of the afternoon. Sunlight filters into my west-facing windows into my study and my small sitting room. You’d have to be a brute not to be moved by the beauty of the light.†The letter changes its tone a bit when Aldiss addresses the atrocities of September 11. He writes “The world has changed. It’s misery all uncertainty and foreboding. While appreciating that one must get a hold of the fanatic bin Laden I grieve at the incessant bombing carried out by US and UK planes and ships. Christ Kabul was already ruinous. It is always liable to seem like a war of the Rich against the Poor.†As per usual Aldiss also includes some extremely personal information in this letter pointing out that he has a “darling lover who lives only two doors away. Her name is Alison and great is my admiration for her. We went to a Greek island together last month and bliss it was.†Signed at the foot by Aldiss.<br /> <br /> TLS. Computer-typed letter on a sheet of paper 8 ¼†x 11 3/4†dated 12 February 2002 on Aldiss’s letterhead printed with his Old Headington Oxford address. In this communication Aldiss discusses the notion of collaboration between artists. He states “I hope your collaboration with Cees Nooteboom works out well. I had enough – quite pleasurable – problems collaborating with Roger Penrose to cure me of the wish ever to collaborate again.†Signed by Brian above the postscript. <br /> <br /> TLS. Brief computer-typed letter on a sheet of paper 8 ¼†x 11 ½†dated 5 March 2002 on letterhead printed with his Old Headington address. In this communication Aldiss refers to what Eddington calls “the screw up†and offers to return the broadsides stating at the same time “Unfortunately I feel oddly reluctant to append my signature.†Signed by the writer at the close.<br /> <br /> TLS. Computer-typed letter composed on a sheet of paper 8 ¼†x 11 ½†dated 11/5/4 on Aldiss’s Old Headington letterhead. In the body of the letter the author addresses the fact that he is as is typical very busy. He asks “How is your press studio getting on You sound busy. So am I doing all sorts of work. Plus trying to write a large ambitious novel The Walcot Novel; I have 65000 on the computer so far. Last week I spent two days in a recording studio reading aloud my novel ‘Affairs at Hampden Ferrers’ into the mike doing all the voices. Two days from 10 a.m. to 5 p.m. Quite fun if you concentrate. This for an audio book. I’ll send you a copy when it is published.†Signed by Aldiss at the foot.<br /> <br /> “An Account of My Daughter Charlotte May’s Wedding Sunday 30th May 2004.†An original 6-page computer-typed prose piece on paper 8 ¼†x 11 ½â€. This is an incredibly detailed account of the proceedings where at one point Aldiss asks “What would Margaret have made of it all†One feels her presence several times in this piece although she has passed. As in the piece Aldiss wrote about his friend’s funeral one sees here the constant musing about life’s experiences and the effect of these experiences as well as the process of growing older. He poignantly writes “We cuddled our drinks then sauntered about the pleasant open space chatting. Everyone looked so decorative young old and in-between alike. . Nafisa the darling Hashemite Princess accompanied by Martin and Nicky looking quite her old self though perhaps less bubbley sic than usual after her recent encounter with cancer…. And my old passion Hilary Sharp long since Hilary Parsons with her husband Adrian still easy to look at and he the perfect gentleman i.e. a little stiff. It’s many a year since we worked together Hilary and I in Parker’s bookshop. She was never tall and has put on some weight but I read in her face in her expression her eyes that little glint of mischief I well recalled as if everything including our advancing age was secretly rather fun.†Aldiss does bring up his new loving partner in life also in attendance Alison which adds to the atmosphere the feeling of progression from loss to a sort of “re-birth†in life. Inscribed by Aldiss to Eddington at the close of the piece: “Dear Pat- Just thought you might be interested! Regards Brian.â€<br /> <br /> A two-page email letter printed on paper 8 ½†x 11†dated August 29 2004. Subject: “Prints. Corfu. Albania. Games.†In this email Aldiss mentions that he will fly to Boston for the World Con noting that his older son Clive “on the premise that I am getting old and incapable is flying over from Athens to accompany me look after me and generally get in the way.†Despite discussing the fact that he is advancing in years the email contains much that is upbeat and positive. For example he writes “I took my darling and lovely ami Alison off to Corfu for a week’s break. It was perfect. The skies were always blue. It was warm. The sea was warm. We slept under a mosquito net… We ate in many a beach taverna… Generous Greek salads with feta cheese. The fish caught just before dawn were consumed as dusk gathered. And we drank endless bottles of retsina. And we laughed and kissed and screwed. I cannot tell you what a wonder what a darling Alison is extremely honest humorous and with a talent to be happy and amused. She has changed my life and maybe made me less of a bastard.â€<br /> <br /> Autographed Christmas/New Year Card Signed. Folded 6†x 4â€. No date. The card reads: “Dear Pat. Have a great festive season! As always Brian signed.â€<br /> <br /> ANS. Note on a card 6†x 4†with the Old Headington letterhead. He mentions that he has been abroad several times. Signed by Aldiss.<br /> <br /> Short computer-printed biography of Brian W. Aldiss on a sheet of paper 8 ¼†x 11 ¾â€.<br /> <br /> 11 empty envelopes addressed to Patrick Eddington one with a cat drawing in pen on the reverse of the envelope. unknown
1691D14221La Haye: Barent Beek 1691. Hardcover. Very Good. Early 18th century calf gilt-stamped lettering in red leather spine label gilt-stamped ornament in spine compartments 5 raised bands; 16mo 146x93mm; pp. 20 98 plus engraved frontispiece and 62 engraved plates 4 folding. Some light chipping along joints; light scuffing at spine tips and along edges of boards; front joint tender. Frontispiece and one folding plate with discreetly repaired tears; otherwise internally nice and clean. An excellent copy with an interesting provenance -- Bibliothèque Deprins bookplate; Hippolyte Destailleur 1822-1893 French architect bookplate and mss note tipped-in. <br/><br/>William III of Orange 1650-1702 King of England Scotland and Ireland entered The Hague on 5 February 1691 to spectacular celebration decoration and pomp. Numerous triumphal arches and pyramids were erected throughout the city illuminations of the city's public buildings were designed and a fireworks display was arranged for the evening of the King's arrival. The plates illustrate the arches pyramids emblems and the the fireworks show and several represent scenes of victory from the King's life including sea battles sieges and treaties. Although the plates are unsigned some have been attributed by Vinet to Adriaan Schoonebeck and Romeyn de Hooghe but 16 plates are by Jan Luyken; an English edition was published in London in 1692. Watanabe attributes the text to Bidloo but all other bibliographers leave it anonymous. It is most likely that these descriptions of the plates were supplied by the print publisher Barent Beek himself. Berlin 2954 Dutch edition; Landwehr Splendid Ceremonies 156; Vinet 750; Watanabe 2736. Barent Beek hardcover
188763320San Francisco & New York: The J.ames Dewing Company Publishers J. Dewing Publshing Co. changeover in 1888 1887-1888 i.e. 1890. Ten vols. Folio. 8 48; 2 49-96; 2 97-144; 2 145-192; 2 193-240; 2 241-288; 2 289-336; 2 337-384; 2 385-432; 2 433-478 8 pp. with titles Div. 1 & end of Div. 10 in red & black. With 120 sepia- and aqua-tinted photogravures and etchings along with illustrated printed tissue guards and 100’s of woodcut engravings etchings and tinted text engravings. Pictorial gray-blue publisher’s cloth cover art illustration of the Sierras and inset California Mission scene Div. 7 w/ ffep. as the original wrappers front & back covers couple minor closed tears to fore-edges minor gouge & chip to fore-edge of front cover Div. 4 occasional closed tears to a few leaves fore-edges occasional minor age toning some soiling & faint tide marks to a couple of the volumes dustsoiling & minor wear to a couple spines still a VG bright set. First edition thus of this version of John Muir’s Picturesque California which was originally issued in 30 monthly parts featuring hundreds of etchings photogravures and wood etchings of California and Western scenery drawing inspiration from Bryant’s Picturesque America. Featuring such authors alongside Muir as Joquin Miller Kate Field George Hamlin Titch Ernest Ingersoll Albert Gray C.C. Goodwin and others this wonderfully illustrated set fulfills “the mission of this work is to make the best possible representation of the marvelous scenery and sublime natural wonders of†California and West. Of additional interest is that this version includes Muir’s article on “Alaska†which appeared in all the 1888 editions but was omitted later in the 1894 printings. The array of artists and their photogravure’s opens with Thomas Moran’s “The Half Dome†and others of his as well as etchings and gravures from art by Keith Julian Rix Frederick Remington Arthir I. Keller John Durkin Frank Tabor Charles Dorman Robinson and more. See: Kimes John Muir: A Reading Bibliography by Kimes 187. The J.[ames] Dewing Company, Publishers, J. Dewing Publshing Co. (changeover in 1888), hardcover