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Folio (full-sheet leaves), 265 x 360 mm. (1), 104 engraved ff. With an engraved title-page and 104 numbered engraved prints (image size 205 x 295 mm), each with a verse caption in 2 columns in the foot of the plate. Half vellum (ca. 1880?). Rare complete set of Jan van der Straet's magnificent series of 104 large hunting prints, including falconry, fishing and even bee-keeping, engraved in the years 1578 to ca. 1596 by Philips Galle and others associated with him. It includes scenes of catching birds of prey and of hunting with them, not only hawks or falcons, but also owls. The other hunting prints show the hunting of elephants, various wild cats, wild boars, bears, crocodiles and other big game, apes (putting on boots!), smaller animals such as rabbits, badgers and porcupines, but also unicorns, fauns (playing pan-pipes!), giant snakes, dragons (or are they komodo dragons?), sea monsters and other mythical creatures. Some scenes are certainly disturbing for anyone who cares about animals: one shows a live elephant with its trunk cut off. The title-print has scroll-work and other cartouches with about 30 animals in or looking out of them, and the arms of the dedicatee, the jurist Henricus van Osthoorn, at the foot (3 horns quartered with 3 fleurs-de-lis, helmed, mantled and crested with a hand holding a horn). - Philips Galle (1537-1612) published 43 prints in the present series with a different title-print in 1578, engraving most himself but with a few by Antonius Wierix II. Galle published the complete series with the present title-print in its earliest state ca. 1596 with 61 additional prints engraved by his son, sons-in-law and pupils Cornelis Galle, Adriaen Collaert, Jan Collaert II and Karel van Mallery. At least some of the original 43 plates became rather worn and were therefore replaced by very close copies, apparently before Philips Galle's death in 1612. - Johannes Galle (1600-76), was the grandson of Philips Galle and son of Theodore Galle (1571-1633). He took charge of the family print publishing firm when his father died in 1633 and continued it until his own death in 1676. Nicolaes Visscher in Amsterdam sold much of Galle's stock of prints and copper plates in 1677, but also sold the present series under his own name, so any set bearing Johannes Galle's name on the title-page must have been published between 1633 and 1676. We have found no exact matches in the literature, but the paper certainly dates from the second half of the 17th century and the most similar examples date from the years 1658-91. - With a ca. 1900 armorial bookplate of C. M. Wakefield (motto "spero") and the modern armorial bookplate of the Verne d'Orcet family at Château du Veuillin in Apremont-sur-Allier (Nivernais), whose great library on the subject of hunting was begun by Joseph du Verne d'Orcet (1865-1933) and his son Pierre (1892-1960), both hunters, and continued by the latter's daughter Nicole, Countess Charles de Bernis. With numerous mostly marginal tears (about 18 repaired with tape), a few running into the caption and about 5 into the print image, one leaf with browned margins and the last sheet cut down close to the plate at the head, fore-edge and foot, stitching holes from a previous binding in the gutter. Each leaf is a full sheet, but about 20 have been backed with half-sheets of 19th-century laid paper (watermarked: shell above CM or GM, apparently in both halves of the sheet, probably a few decades older than the binding). A rare complete set of a magnificent hunting print series, including falconry, printed ca. 1665/75 from the plates engraved 1578-ca. 1596. New Hollstein ... Johannes Stradanus 422-464 copy ed. 2 & 465-526 ed. 7 (dated “1634”) (3 copies, 1 with our title-page, 1 “1634” & 1 lacking title-page), ... Philips Galle 519-562 ed. 4 (dated “1634”) (7 copies incl. at least 1 incompl.), ... Collaert dynasty 1491-1529 ed. 3 (“after 1636”) (2 copies, at least 1 incompl.); Thiébaud col. 858 (mis-dated ca. 1585); cf. Schwerdt, pp. 226-228 (ca. 1596 & post-1676 eds., misdated 1578 & ca. 1580); Souhart, col. 446 (ca. 1596 ed., mis-dated 1580); Sotheby’s (Marcel Jeanson coll.), lot 542 (1633/1676? ed. without imprint, mis-dated ca. 1585) not in Harting, Bibl. accipitraria.
8vo. (8), 176 pp. With 7 chromolithographic plates, of which one folding. Publisher’s red cloth, upper cover lettered in black. Housed in black cloth solander box. First edition, first issue: a very rare and influential landmark work re-issued in 1902 under the title "Garden Cities of To-Morrow", outlining the concept of the Garden City. Howard (1850-1928), a British nonconformist who in the United States had come under the influence of Emerson and Whitman, aimed to realize the ideas of Edward Bellamy's utopia "Looking Backward", building "'by private enterprise pervaded by public spirit an entirely new town, industrial, residential and agricultural'. This was the idea upon which he enlarged in the book published in 1898 and which he carried forward nine months later by the formation of a Garden City Association" (PMM). The Garden City addressed the over-population of urban centres caused by the industrial revolution, promising inhabitants all the amenities of urban environments with the benefits of rural life. It was first actualized in 1909 with the creation of the Letchworth Garden City and again in 1919 in Welwyn. Thus, Howard "lived to see not only the spread throughout the world of the movement he had started singlehandedly, but the establishment of Town and Country Planning as a universally recognized obligation of the government in the civilized world" (PMM). The seven chromolithographic plates include a depiction of the famous "Three Magnets" diagram, illustrating Howard's utopian view that the Town and Country magnets "must be made one". - Binding carefully refurbished with colouring to head and tail of spine, spine somewhat faded. Light spotting to first few leaves; 1928 newspaper obituary of Howard tipped onto front free endpaper. Provenance: from the library of the British socialist Archibald Gorrie (1885-1941) with his handwritten ownership on the title page. Gorrie was a founder-member of the Leicester Branch of the Socialist League, which he served as secretary. PMM 387. Not in Stammhammer (Social-Politik).
161614327Antverpiae [Anvers / Antwerpen], apud Petrum & Joannem Belleros [Beller], 1616. Un vol. au format in-12 (171 x 106 mm) de 8 ff. n.fol., 176 pp. et 8 ff. n.fol. Reliure de plein veau moucheté blond, filet vertical à froid porté sur les plats, dos à nerfs ornés de filets gras à froid, doubles caissons d'encadremetn dorés, roulettes dorées, larges fleurons dorés, pièce de titre de maroquin havane, titre doré, palette dorée en tête et queue, toutes tranches mouchetées.
10172Charenton-le-pont Paris: Établissements Nicolas Maison Fondée en 1822 1997. Second-hand softcover. <p>ÉTABLISSEMENTS NICOLAS MAISON. Liste des Grands Vins Fins. a collection of 37 commercial catalogues. FIRST EDITIONS Établissements Nicolas Maison: Charenton-le-pont Paris 1929-1973 and 1993-1997. Various formats with associated ephemera.</p> <p><br /> ÉTABLISSEMENTS NICOLAS MAISON <br /> <br /> Liste des Grands Vins Fins. a collection of 37 commercial catalogues<br /> <br /> <br /> Charenton-le-pont Paris : Établissements Nicolas Maison Fondée en 1822 1929-1973 and 1993-1997. First and only editions. Printed by Imprimerie Draeger Frères Montrouge.<br /> <br /> A set of thirty-seven extravagantly produced annual fine wine commercial catalogues issued by the Parisian wine merchant Établissements Nicolas Maison between 1929 to 1973 together with associated tariff cards advertising cards and ephemera and Carte Fines Bouteilles commercial catalogues issued for the years 1993-1997. This set lacks only the extremely rare 1927 and 1928 catalogues. No catalogues were published in 1937 1940-1948 1952 and 1968. In French.<br /> <br /> Continuing the trend established by Nicolas earlier in the 1920s with the publication of Monseigneur Le Vin and the extremely successful 'Nectar' advertising campaign Nicolas' groundbreaking catalogues were illustrated and designed by famous artists and typographers of the twentieth century including Cassandre Darcy Iribe Legrand Fantin-Latour Galanis Diginimont Buffet Chapelain-Midy Lorjou van Dongen and others. The illustrations are reproduced in a range of different techniques including screen printing lithography photo-montage and four color printing. Each catalogue or Liste is a design statement and a work of art in itself; not to mention a record of the extraordinary wines on offer and their price and availability over time. <br /> <br /> Liste 1929: 240x165mm black and gold illustrated stiff card wrappers stab sewn 2231pp; illustration by Jules Isnard Dransy 1883-1945; two advertising cards for the fine wines of Bordeaux laid in. Near Fine.<br /> <br /> Liste 1930: 240x180mm spiral wire bound gold illustrated stiff card wrappers 24pp; illustration not attributed Paule Iribe is sometimes suggested possibly Alfred Latour but using the designs of Dransy advertising card for the fine wine of Burgundy laid in. Small offset blemish to two plates boards faintly worn. Very Good.<br /> <br /> Liste 1931: 240x180mm spiral wire bound blue and silver illustrated stiff card wrappers 2242pp; illustration by Cassandre Adolphe Jean Marie Mouton 1901-1968 bi-fold letter from Nicolas to its customers arguing for the introduction of appellation control rules in Burgundy laid in. One or two faint blemishes Near Fine.<br /> <br /> Liste 1932: 240x180mm spiral wire bound black inlaid colour illustration stiff card wrappers 311pp; illustration by d'Edy Legrand Edward Louis Warschawsky Leon 1892-1970; small loss to wire binding in two spots faint foxing to several pages illustration not affected. Very good.<br /> <br /> Liste 1933: 240x180mm spiral wire bound silver inlaid colour illustration stiff card wrappers 311pp; illustration by Jean Hugo; bi-fold typed letter dated 18/2/1933 offering wholesale Bordeaux wine; small blemishes to wrappers light foxing to endpapers and title-page. Very good.<br /> <br /> Liste 1934: 240x180mm clear plastic comb binding colour illustrated stiff card wrappers 230 folded leaves2pp; colour illustration and vignettes by Alfred Latour 1888-1964. Gutters of wrappers lightly wormed not affecting text or structure; wrappers lightly soiled.<br /> <br /> Liste 1935: 240x180mm clear plastic comb binding bronze illustrated stiff card wrappers 351pp; illustration by Darcy Georges-Edouard 1883-; broadside on blue paper from Nicolas to its customers noting the anemic qualities of the 1934 vintage and trade card for Doyen Champagne laid in; faint offset toning to wrapper turn-ins else fine.<br /> <br /> Liste 1936: 240x180mm black plastic comb binding colour illustrated stiff card wrappers 48 folded leaves4pp; colour illustration and vignettes by Cassandre; general tariff card and tariff card for Jules Muller Kanzlerberg Grands Crus d'Alsace laid in; upper wrapper lightly scuffed faint foxing to endpapers comb not original ; internally fine.<br /> <br /> Liste 1938: 240x180mm clear plastic comb binding colour illustrated stiff card wrappers 504pp; colour illustration and vignettes by Galanis Demetrios 1879-1966; edges faintly age-toned rear wrapper lightly soiled internally fine.<br /> <br /> Liste 1939: 240x180mm clear plastic comb binding cream decorated initial stiff card wrappers 444pp; colour illustration by C Erickson Carl Oscar August 1891-1958; layout and typography by Cassandre; wrapper edges lightly soiled; faint age-toning not affecting the text or illustration; <br /> <br /> Liste 1949: "Sous le Signe de Paris" 240x180mm clear plastic comb binding cream illustrated stiff card wrappers 231 folded leaves7pp; illustration by Dignimont André 1891-1965; artistic direction by Cassandre; poster card and general tariff card laid in; wrapper edges lightly soiled; small chip to bottom edge of rear wrapper else near fine.<br /> <br /> Liste 1950: "Sous le Signe de Soleil Levant" 240x180mm clear plastic comb binding cream illustrated stiff card wrappers 432 folded leaves4pp; illustration by R Harada Rihaka 1890-1954; typography by Alfred Latour; 'Kino Rok' advertising card an bi-fold price list laid in; wrapper edges and fore-edge lightly soiled else near fine. <br /> <br /> Liste 1951: "Sous le Signe d'une Vierge Folle de Strasbourg" 240x180mm clear plastic comb binding cream printed stiff card wrappers 433 folded leaves5pp; illustration by Berthommé Saint-André Louis 1905-1977; typography by Alfred Latour; wrapper edges faintly soiled else near fine.<br /> <br /> Liste 1953: "Sous le Signe de Don Quichotte" 240x180mm clear plastic comb binding black gilt and colour decorated stiff card wrappers 239 folded leaves5pp; illustration by Léon Gischia; ornaments and typographie by Alfred Latour; single leaf tariff card extract laid in; faint offset toning to several pages else near fine.<br /> <br /> Liste 1954: "Sous le Signe de quelques Jolies Filles des Provinces de France" 240x180mm clear plastic comb binding original glassine outer wrapper pink printed stiff card wrappers 433 folded leaves5pp; watercolour illustration by Van Dongen Cornelis Theodorus Maria1877-1968; typographie by Alfred Latour; bi-fold tariff card extract laid in; Near Fine.<br /> <br /> Liste 1955: "Sous le Signe des 'Still Life' vies silencieuses" 240x180mm clear plastic comb binding original glassine outer wrapper illustrated stiff card wrappers 231 folded leaves5pp; paintings by André Marchand 1907-1997; ornaments and typography by Alfred Latour; edges lightly soiled internally near fine.<br /> <br /> Liste 1956: "Sous le Signe de L'lle de France" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; paintings by Roland Oudot 1897-1981; typography by Alfred Latour; edges faintly age-toned else near fine.<br /> <br /> Liste 1957: "Sous le Signe d'une Petite Fille" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; watercolour illustration by Constantin Terechkovitch Kostia 1902-1978; typography by Alfred Latour; page edges faintly age-toned faint shelfwear else near fine.<br /> <br /> Liste 1958: "Sous le Signe du Soleil Provence" 240x180mm clear plastic comb binding illustrated stiff card wrappers 2344pp; paintings by Roger Limouse; typography by Alfred Latour; edges faintly age-toned else near fine.<br /> <br /> Liste 1959: "Sous le Signe du Mexique" 240x180mm clear plastic comb binding illustrated stiff card wrappers 243 folded leaves5pp; paintings by Christian Caillard 1899-1985; typography by Alfred Latour; wrapper edges faintly worn; page edges faintly age-toned else near fine.<br /> <br /> Liste 1960: "Sous le Signe des Antilles Françaises" 240x180mm clear plastic comb binding illustrated stiff card wrappers 235 folded leaves5pp; paintings by Robert Humblot 1907-1962; ornamentation and typography by Alfred Latour; wrapper edges faintly worn; page edges faintly age-toned else near fine.<br /> <br /> Liste 1961: "Sous le Signe des Fruits de la Terre de France" 240x180mm clear plastic comb binding illustrated stiff card wrappers 235 folded leaves5pp; paintings by Georges Rohner 1913-2000; ornaments and typography by Alfred Latour; bi-fold cream tariff card laid in; faint shelf wear else near fine.<br /> <br /> Liste 1962: "Sous le Signe de l'étè de la Saint-Martin" 240x180mm clear plastic comb binding illustrated stiff card wrappers 234 folded leaves4pp; paintings by Mineaux André 1923-1986; typography by Alfred Latour; faint shelf wear else near fine.<br /> <br /> Liste 1963: "Toreros" 280x220mm illustrated stiff card wrappers 232 folded leaves4pp; watercolour illustrations by Bernard Buffet 1928-1999; typography by Alfred Latour; light shelf wear wrapper edges lightly rubbed; internally near fine.<br /> <br /> Liste 1964: "Les Sept Péchés Capitaux" 280x220mm illustrated stiff card wrappers 236 folded leaves6pp; paintings by Claude Schurr 1921-2014; ornaments and typography by Alfred Latour; wrapper edges faint shelf wear top edges trifle dusty else near fine.<br /> <br /> Liste 1965: "Profondeurs Marines" 280x220mm illustrated stiff card wrappers 234 folded leaves6pp; watercolour illustrations by Chapelain Midy Roger 1904-1992; typography by Alfred Latour; two tariff cards laid in; wrapper edges light shelf wear lightly worn top edges trifle dusty one or two spots to endpapers otherwise internally near fine. <br /> <br /> Liste 1966: "Gens du Voyage" 280x220mm original glassine outer wrapper illustrated stiff card wrappers 2366pp: paintings by Guiramand Paul 1926-2007; typography by Jean Latour; wrapper edges lightly worn light shelf wear top edges trifle dusty and lightly soiled internally near fine.<br /> <br /> Liste 1967: " La Chaleur du Terroir" 280x220mm original glassine outer wrapper illustrated stiff card wrappers 237 folded leaves5pp; paintings by Maurice Savin Louis 1894-1973; ornaments and typography by Jean Latour; wrapper edges faint shelf wear; faint foxing to end-papers and top edges else very good.<br /> <br /> Liste 1969: "Le Paradis Terrestre" 280x220mm illustrated stiff card wrappers 2 32 folded leaves6pp two folding plates; paintings by Lorjou Bernard 1908-1986; typography by Jean Latour; wrapper edges rubbed light shelf wear; gift inscription in ink to Michel Bonnefond the owner of Ruchotte Chambertin on the front free endpaper else internally near fine.<br /> <br /> Liste 1970: "Les Saisons" 280x220mm illustrated stiff card wrappers 231 folded leaves7pp; paintings by Ghiglion-Green Maurice 1913-1989; typography by Jean Latour; front wrapper small scuff wrapper edges rubbed light shelf wear; cnrs gently bruised else very good internally near fine.<br /> <br /> Liste 1971 "Des Alpilles à la Mer" 280x220mm illustrated stiff card wrappers 233 folded leaves5pp; paintings by M E Sarthou Maurice Elie 1911-1999; typography by Jean Latour; bi-fold order form for the 1980 vintage laid in; wrapper edges lightly worn corners faintly bruised internally near fine.<br /> <br /> 1972 "Le Génie du Vin" 320x265mm illustrated stiff card wrappers sewn 28pp; thirteen gouache illustrations by André Derain 1880-1954 reproduced lithographically; printed by Draeger Frères Montrouge.; wrappers lightly soiled internally near fine. A 'Liste' was not published for 1972. Le Génie du Vin was instead published to commemorate the one hundred and fiftieth anniversary of Établissments Nicolas founded in 1822. <br /> <br /> Liste 1973: 280x220mm illustrated stiff card wrappers 231 folded leaves7pp; paintings by Guerrier Raymond 1920-2002; typography by Jean Latour; wrapper edges faint shelf wear lightly worn; page edges faintly age-toned; small blemish to p.36 else internally near fine. This was the last of the Liste des Grands Vins Fins published. The tradition was resumed in a slightly different format in 1993 with the publication of the 1992 Carte.<br /> <br /> Carte 1992: Nicolas Carte Fines Bouteilles 1992. 285x220mm illustrated stiff card wrappers 2-504pp. Illustrated by Philippe Favier 1957- ; spine faintly sunned else near fine.<br /> <br /> Carte 1993: Nicolas Carte Fines Bouteilles 1993. 250x310mm illustrated stiff card wrappers 631pp. Illustrated by Gérard Puvis 1950- ; wrappers faintly soiled corners faintly bruised; internally fine.<br /> <br /> Carte 1994: "Plantes" Nicolas Carte Fines Bouteilles 1994. 350x280mm illustrated stiff card wrappers stapled 24pp. Illustrated by François Boisrond. Wrappers faintly soiled one corner gently bruised; internally fine.<br /> <br /> Carte 1996: "Variations Naturelles" Nicolas Carte Fines Bouteilles 1996. 280x280mm illustrated stiff card wrappers stapled 28pp. Illustrated by Emmanuelle Cremer. Wrappers faintly soiled internally fine.<br /> <br /> Carte 1997: Nicolas Carte Fines Bouteilles 1997. 280x220mm illustrated stiff card wrappers stapled 32pp. Illustrated by Philippe Dupuy and Charles Berberian. Wrappers faintly sunned to one edge internally fine.<br /> <br /> Nicolas remains today France's preeminent wine merchant. During it's two centuries of trade it has significantly changed the way consumers drink and consider wine. First it was the first merchant to sell table wine in bottles rather than casks making it easier for the average person to drink a glass of wine at home rather than in a tavern. Second and more relevant here Nicolas' association of fine wine with fine contemporary and avant-garde art changed the way wine was marketed and perceived by the public. Nicolas' use of art to promote and communicate the qualities of wine has been much imitated since the 1920s and continues today to be used by premium wines and wineries throughout the world. <br /> <br /> Notwithstanding the contributions of the various celebrated contributing artists much of the unique character of the Nicolas Listes can be attributed to Alfred Latour 1888-1964 a French painter and engraver who worked extensively as a graphic designer for Nicolas and was a friend of Cassandre and many of the other contributing artists. After his death in 1966 his son Jean took over his position at the Établissements Nicolas Maison.<br /> <br /> A scarce collection of some of the most innovative and elegant wine marketing materials and ephemera ever produced.<br /> <br /> § OCLC suggests there are no holdings of a complete or partial run in institutions and that holdings of individual titles are scarce; a complete run of digital copies appears to be held by the Bibliothèques Patrimoniale/Forney Paris.<br /> § Oberlé Fritsch 597; Bibliothèque Forney <br /> <br /> </p> Établissements Nicolas Maison Fondée en 1822 unknown
196412A. Sautelet Et Cie Libraires Paris 1826 2 volumes in-8 ( 225 X 140 mm ) de I ) ( 1 ) f. d'avis, XIV pp., ( 5 ) à 390 pp. - II ) 442 pp., demi-chagrin vert à coins, dos lisses ornés de grands fers romantiques dorés, non rognés ( Reliures postérieures ). Edition originale anonyme, elle fut imprimée à 500 exemplaires seulement, aux frais de l'auteur et mis dans le commerce dès décembre 1825. À peine deux mois plus tard, BRILLAT-SAVARIN décède, sans connaître le succès futur de son ouvrage. Exemplaire de premier tirage, avec le "E" de "Bourse" placé à l'horizontale, au bas du titre du tome I. Dos légèrement éclaircis, rousseurs passim, bel exemplaire. De la bibliothèque Jacques et Hélène BON ( 2022, N°287 ) ( Ex-libris ). Vicaire, 116 - Carteret I, 146 - Oberlé, Fastes, 144.On joint, dans la même reliure, la suite complète d'Ad. LALAUZE d'un excellent tirage pour illustrer l'édition Jouaust 1879, tirée sur papier vélin fort: un portrait et 51 vignettes gravés à l'eau-forte montées sur onglets, sous serpentes. Ensemble 3 volumes.Ancien magistrat, BRILLAT-SAVARIN ne doit sa célébrité qu'à cet ouvrage, lentement élaboré durant son loisir, où se mêlent philosophie, recettes de cuisine et souvenirs. Grimod de La Reynière et Balzac en firent l'éloge. Pour Roland Barthes, « la langue de Brillat-Savarin est, à la lettre, gourmande : gourmande des mots qu'elle manie et des mots auxquels elle se réfère »
190324181London: Maclaren & Sons 1903. Book. Good. Hardcover. First Edition. 4to - over 9¾" - 12" tall. 360 pages. Green cloth with gilt titles and black decorations. Bitting page 435 lists the book with 336 pages. This book is described as Edition Deluxe on page 337 which would indicate that this was a limited edition for the subscribers. Full list of subscribers to the Edition de Luxe starting with Mr E. Archibald and finishing with Edward Yates. there are a total of 132 subscribers listed on pages 337 339 341 and 343 they appear at the end of the book with the advertisements index to illustrations index to contents and index to advertisements. Maclaren & Sons Hardcover
701143Galerie Jean Giraudoux Paris 1964 Grand in-4 carré ( 315 X 245 mm ) de 123 pp.-( 4 ) ff. toile blanche, illustrée du titre en rouge dessiné par COCTEAU sous coffret de toile tango de léditeur. Edition originale, et premier tirage des 30 compositions de Jean COCTEAU, imprimées en rouge. Tirage sur papier de toile enduit, comme les nappes de restaurant, pliées en double à la chinoise, à 915 exemplaires, et quelques hors-commerce, celui-ci un des 30 exemplaires de tête ( N°17 ), avec un beau DESSIN ORIGINAL signé de Jean COCTEAU une RECETTE AUTOGRAPHE signée avec PETIT DESSIN de Raymond OLIVER et une suite en noir des illustrations. Dos de l'étui légèrement passé, livre en parfaite condition. De la bibliothèque Jacques et Hélène BON ( 2022, N°521 ) ( Ex-libris ).
75173Paris, éd. Alphonse Lemerre, 1873, EDITION ORIGINALE, très fort pt. in-4, cartonnage pleine percaline verte foncé, guirlande à frois sur la première de couv., auteur et titre dorés sur la première de couv. et sur le dos lisse éd., VI - (4) - 1156 pp., 24 pp. d'annexe, portrait en noir de l'auteur en frontispice, 1 portrait en noir pleine page de D.-J. Vuillemot, bandeaux, culs-de-lampe et lettrines, menus, non rogné, LE GRAND DICTIONNAIRE DE CUISINE d'Alexandre Dumas. Son dernier écrit et son plus RARE. Nous présentons ce "monument culinaire" en édition originale de 1873 ! Une Très Grande RARETE. Très bon état de la reliure de l'éditeur avec restauration par une professionnelle; quelques rousseurs éparses surtout en début de l'ouvrage et sur les tranches
Three volumes, complete. FIRST EDITION of this scholarly, encyclopedic, and highly entertaining history of French gastronomy. XIII, (3), 373, (1); (4), 383, (1); (4), 363, (1). Half-titles present (they are often missing). SIGNED (in pencil) ON THE HALF-TITLE OF VOLUME I BY JORDI, JOSEP, AND JOAN ROCA OF EL CELLER DE CAN ROCA IN GIRONA, SPAIN, CURRENTLY THE BEST RESTAURANT IN THE WORLD (according to the highly prestigious San Pellegrino survey). And SIGNED (in pencil) ON THE HALF-TITLE OF VOLUME II BY FERRAN ADRIA, OF EL BULLI, winner of the San Pellegrino survey a record five times. The author originally set out to write an extensive work covering all facets of private life in France, but only this first part--which covers everything related to cooking, wine, eating, and hunting--was published. Discusses the origins of cooking tools and techniques, the provenance of all kinds of foods (including, of course, foodstuffs that came from the New World), and much more, including an extensive section on hunting. A classic. PRINTED ON FINE LAID PAPER. 8vo. ELEGANTLY BOUND IN FULL CONTEMPORARY HALF RUSSIA AND MARBLED BOARDS, SPINE IN SIX COMPARTMENTS WITH RAISED BANDS. Minimal traces of wear to bindings, upper joint of volume I cracked but firm, else a fine and bright copy with very large margins and very white paper. Vicaire 510 ("Ouvrage tres interessant et tres utile...."); Bitting 280 ("This is one of the finest works upon the social life of the French people...."); Thiebaud 576. AN OUTSTANDING SET OF A RARE AND IMPORTANT WORK.
1698020160London: Printed for Robert Clavel 1698. Book. Near Fine. Hardcover. First Edition. 8vo 12.5 X 19.5cm. Each work with with separate title page but paginated continuously; pp. 276 Pages 47 and 265 misnumbered 46 and 253 respectively; NOTE: the general title and license pages are not bound in in this copy. The six title pages either dated 1698 or 1699. Titles as follows: An Essay Concerning the Multiplication of Mankind: Together With Another Essay in Political Arithmetick Concerning The Growth of The City of London 1698; Further Observations Upon The Dublin Bills 1698; Two Essays in Political Arithmetick Concerning The People Housing Hospitals etc of London and Paris 1699; Observations Upon The Cities Of London And Rome 1699; Five Essays in Political Arithmetick 1699 printed both in French and English on facing pages with two title pages - in French and English; Political Arithmetick or A Discourse Concerning The Extent and Value of Lands. 1699. Contemporary panelled sheep good with some light general wear and rubbing careful professional repair to the leather at the top of the spine and to the front board boards slightly splayed. Contents good and tight generous margins throughout a few small worm tracks light water staining to the bottom section of some leaves a few leaves a little browned. A very good copy of this important work. Sir William Petty fellow of the Royal Society invented the term "political arithmetick" for the application of statistics to economics. His works were important in the development of applied statistics. Garrison-Morton 1688; Wing P-1937; Norman 1688. Printed for Robert Clavel Hardcover
196133227Michael Joseph 1961. 8vo. Third Impression with title-vignette title in green and black and illustrations in the text half-title mildly browned edges mildly dust-soiled; handsomely bound in full dark green crushed morocco sides with gilt frame border back with raised bands second and fourth compartments ruled and lettered in gilt all other compartments ruled and tooled with a gilt marmite gilt top hand-made endpapers Renny illustration from original front board mounted on new leaf at front a most attractive copy ideal as a gift or for presentation. SIGNED BY THE AUTHOR ON TITLE in the usual blue ink with double line. Published a year after the first edition. SIGNED COPIES OF DAVID'S WORKS ARE VERY SCARCE. Michael Joseph, hardcover
8vo., Third Impression, with title-vignette, title in green and black, and illustrations in the text, half-title mildly browned, edges mildly dust-soiled; handsomely bound in full dark green crushed morocco, sides with gilt frame border, back with raised bands, second and fourth compartments ruled and lettered in gilt, all other compartments ruled and tooled with a gilt marmite, gilt top, hand-made endpapers, Renny illustration from original front board mounted on new leaf at front, a most attractive copy ideal as a gift or for presentation. SIGNED BY THE AUTHOR ON TITLE in the usual blue ink with double line. Published a year after the first edition. SIGNED COPIES OF DAVID'S WORKS ARE VERY SCARCE.
1872128345Paris, Librairie E. Dentu 1872 Grand in-4 32 x 23 cm. Reliures de l’époque demi-basane brune, dos à 4 nerfs orné d’un petit fer et de roulettes à froid, couvertures conservées, VIII-441 pp. en pagination continue, - 105 planches sous serpentes contenant 446 figures, table des planches, table alphabétique des articles.
8vo. 5 books in 1 volume. (I): (20), 119, (1) pp. With 7 numbered folded engraved plates. (II): 128 pp. With 17 numbered folded engraved plates. (III): 141, (1) pp. With 16 numbered folded engraved plates. (IV): 90 pp., 2 blank ff. With 10 numbered folded engraved plates. (V): 119, (1) pp. With 16 numbered folded engraved plates. In all, 66 engraved plates. With additional engraved title. Letterpress title printed in red and black. Contemporary full vellum with handwritten spine title. All edges red. A German translation of the well-known "Ruses innocentes", a work considered "one of the most successful French books on fowling" (Lindner) and that saw several editions between 1660 and 1743. A fine, complete copy. "This curious work [...] was for a long time very popular with French sportsmen, and is still much sought after by collectors of sporting books [...] Some of the illustrations are very quaint" (Harting). This edition is based on the 1695 Augsburg edition, the illustrations of which were mirrored and reproduced. They illustrate the various hunting techniques, traps and fishing nets described in the text. The engraved title reads, "Der Dianen hohe und nidere Jagdt-Ergötzungen" and shows the Roman goddess Diana surrounded by hunting weapons, hounds and prey. - With contemporary ownership "Hunger" to the title-page. Hungarian note of acquisition, dated 1919, to pastedown; two old shelfmarks to the flyleaf. - Binding slightly rubbed. Both title-pages folded, brownstained, a little wormed, small paper flaws rebacked. Small tears in several plates, slight loss of text. From the library of the Viennese collector Werner Habel, with his signed and stamped ownership, dated 1977, to the flyleaf. VD 17, 3:004037X. Lindner 11.0621.01. Schwerdt I, 5. Souhart 515. Cf. Harting 85 (1695 ed.); Thiébaud 408-412 ("Ruses innocentes").
74014Paris et à Londres, éd. Renouard et autres librairies, 1842, nouvelle édition revue, corrigée et augmentée (2e édition), 2 vol. in-8, demi-chagrin brun clair, plats papier marbré multicolor, filets, auteur, titre et tomaisons dorés sur pièce de titre en maroquin bordeaux, reliure de l'époque, XI - (1 bl) - 352 pp. + 282 pp., ill. par 2 frontispices (costumes de cuisiniers et page de titre ill. de dessins par Carême), 32 pl. dépliables de menus et de tables, soit un total de 34 pl. dépliables, tables des chapitres, A Messieurs Robert Frères, notice sur M. le Marquis de Cussy, avant-propos, disscours préliminaire, menus, Ex-Libris de Robert Viel, On ne présente plus Antonin Carême (1783 - 1833) un des plus grands chefs de cuisine du début du XIXe siècle. Nous présentons ici les deux tomes de son "Maître-d'Hôtel français" de 1842. Il s'agit de la "nouvelle édition" comme indiqué sur la page de titre et non de la "seconde" édition comme sur certains exemplaires; mais le résultat est le même il s'agit bien de la deuxième édition ! Très beaux EX-LIBRIS du grand chef de cuisine français des années 1930 (Paris, et Biaritz). Très bel état des planches et bien complet. TRES RARE Très bon état du papier et des planches avec quelques très petites rousseurs éparses; la reliure présente quelques petites épidermures avec une très bonne restauration faite par une professionnelle
4to. (4), 96, (8) pp. - (Bound after) II: [Deneken, Johannes]. Tractatus iuridicus von denen Dorff- und Landes-Rechten, wie auch insonderheit denen Herrn-Diensten, und der Hut und Weyde, worinnen von denen Dörffern, derer Einwohner-Stande, Unterscheyd, Ländereyen [...] vollkommener Unterricht geschiehet; aus denen allgemeinen kayserlichen, sächsischen [...] Landes-Rechten [...] von berühmten JCtis abgefasset [...]. Leipzig & Zell, Hoffmann, 1704. (6), 298 (but: 290), (2) pp. With engr. frontispiece. - (Bound after) III: Otto, Jakob. Absonderlicher Bericht Von Privat- oder Gemeinen Pfandungen [...]. Ulm, Kühne, 1686. 63, (1) pp. Contemporary vellum with ms. title to spine. I: First edition of one of the most important collections of hunting and shooting law; rare. "Fundamental treatise and source collection on the issue of free right of chase" (cf. Lindner 1569.01). "First edition of an important treatise on the origin of wood and field craft and the unrestricted right of the chase" (Schwerdt). - II: First German edition of this work on hunting law, including comments on the laws for servants, as well as on forestry, toll, and tithe laws. - III: Another rare work by the Ulm lawyer Otto, treating lien on agricultural objects. - Fine sammelband mit with three rare legal texts from the library of the Regensburg notary Sebastian Seelmann (cf. Kobolt), a member of Hardörffer's "Pegnesian Order of the Flowers" since 1668, with his autogr. note of ownership. I: VD 17, 23:277431P. Souhart 364. Schwerdt II, 55. Lindner 1569.01 (his own copy being incomplete, cf. ZK 41/I, 649). - II: Humpert 3611. - III: VD 17, 1:015688C.
18101847Paris: Louis Tenré/Patris et Cie 1833 1810. Fifth Edition/First Edition. Hardcover. Contemporary half-calf and decorated boards. Very good. 454 pages/116 pages. 21 x 13 cm. La Cuisinier: Covering all aspects of cooking of post revolutionary France. Includes engraved frontispiece titled "intérieur d'une cuisine bien ordonnée" and 3 plates depicting ovens and cooking utensils. Albert was former chef de cuisine for Cardinal Fesch Napoléon's Uncle. L'art de Conserver: Appert's signature on verso of title page. One folding plate. Appert a confectioner chef and distiller developed the first method of preserving food by enclosing it in airtight sealed containers. Pasteur later admitted his pasteurization process was largely derived from Appert's earlier methods. Appert was rewarded with a prize of 12000 francs by the French Directory Napoléon who needed to supply the growing armies with stable sustenance. CAGLE 28 36. Some foxing to interior. Covers rubbed at corners otherwise very good. <br/><br/> Louis Tenré/Patris et Cie hardcover books
68657Paris et Nancy, chez Musier fils, quai des Augustins, au coin de la rue Pavée et chez C.S. Lamort, imprimeur près des RR. PP. Dominicains, 1772 (2e édition en partie Origininale) et 1777, EDITION ORIGININALE, recueil de 3 publications reliées en 1 vol. in-12, demi-veau bordeaux, plats papier marbré, filets - guirlande et titre "Traité sur les vins" tomaison "1" dorés sur dos lisse, tranches mouchetées, reliure amateru de la fin du 19e siècle, début du 20e siècle; pour le Maupin : Première Partie : X (en chiffre romains) - (1) - de 11 à 156 - (4) pp., préface, table des chapitres, approbation du 13 décembre 1770, privilège du Roy du 17 février 1770, culs-de-lampe, lettrines et bandeaux; Seconde Partie : X (en romain) - (1) - de 12 à 127 - (4) - (1) - 10 pp., approbation du 8 janvier 1772, privilège du Roy du 28 février 1772, avis de l'auteur; pour le Durival : 87 - (1 bl.) - (4 bl.) pp., notes, ill. de 3 pl. dépliables montrant des ceps avec des tailles dessinées par l'auteur et gravées par le graveur nancéen Yves-Dominique Collin, double signature "michon", la première sur la première blanche et le seconde sur l'avant-dernière blanche et à l'envers (ancien propriétaire de cet ouvrage), Maupin fut un écrivain et agronome français du XVIIIe siècle, spécialiste du vin. Il fut le valet de Chambre de la Reine Marie Lesczinska. On ne connaît ni sa date de naissance ni sa date de mort ! Ses premiers écrits datent de 1763 et les derniers de 1791. On dénombre 32 écrits sur les thèmes de l'agriculture et sur l'œnologie. "L'expérience sur la bonification de tous les vins" fut publié pour la première fois en 1770. Notre exemplaire date de 1772, soit une deuxième édition mais en partie originale par la correction et l'augmentation de la deuxième partie, non écrite en 1770 ! Cet ouvrage est le plus fameux et le plus Recherché de Maupin. Il fut traduit en plusieurs langues et même contrefait en Suisse ! RARISSIME. Claude Durival "le jeune" (1728 - 1805) fut un économiste et agronome français d'origine lorraine, auteur d'ouvrages sur l'agronomie en Lorraine. Il est le frère de Nicolas Luton Durival, historien et de Jean-Baptiste Durival, diplomate et stratège. L'ouvage présenté est en Edition Originale et répond à la question suivante : "Quelle est la méthode de culture la plus convenable à la vigne, relativement au climat, à la température, au sol du pays messin ?". Bien complet des trois très belles planches dépliables de Yves-Dominique Collin (1753 - 1815), miniaturiste et graveur en taille-douce, fils et élève de Dominique Collin. Cet ouvrage est inconnu des grands bibliographes spécialisés ! RARISSIME. Ce livre faisait partie de la Bibliothèque culinaire de Victor Michon (voir les deux signatures manuscrites), qui fut l'un des plus grands cuisiniers du début du XXe siècle. Il fut formé aux fourneaux de sa mère. Aujourd'hui encore, le Prix Victor Michon au Concours International Gastronomique d’Arpajon. fait partie des titres dont s'honorent beaucoup de chefs "étoilés". Cuisinier des Grands, il fut le cuisinier de l'Ambassade d'Autriche - Hongrie, située à l'Hôtel Matignon à Paris au moment de la Première Guerre mondiale. Il organisa le banquet de 3 000 couvert pour les fêtes russes, le menu offert au Roi des Belges par le président Félix Faure et le déjeuner d’Isabelle II de Castille. Mais ses recettes reflètent une cuisine à la fois bourgeoise et simple. Il présida au journal « Le cuisinier français » ainsi qu’à « L’académie Culinaire de France », créée en 1883. Sa bibliothèque privée comptait les plus grands noms de la gastronomie française : Grimod de La Reynière, Vincent La Chapelle, Jules Gouffé, Brillat-Savarin, Antonin Carême, Etienne, Urbain Dubois, Escoffier et bien d’autres dont notre exemplaire ! La tomaison "1" signifie qu'il fait partie d'un ensemble "œnologique" de textes rares, soit 3 livres au total, qui sont en vente dans notre boutique et sur le même site !! Très bon état de la reliure; très bon état du papier avec quelques très rares rousseurs; petit manque de papier au coin des pages 65/66 de la 2e partie du Maupin; anciennes traces de mouillure sur l'avis de l'auteur de la première partie du Maupin; très bon état des planches.
11242Contenant plus de 400 recettes de potages français et étrangers. In 12 plein chagrin rouge, reliure postérieure, muette. Dos lisse. Faux-titre, titre, III, 260 pages, non rogné, deux plats de couverture conservés. Etui cartonné, bordé du même chagrin rouge .Librairie Hachette & Cie 1875. Paris. Imprimerie de E. MARTINET rue Mignon 2. Edition originale.Fort rare. Vicaire 418. Pas chez OBERLE.
72663Revue mensuelle du tourisme nautique, Paris, éd. Etienne Chiron, 1929 - 30 - 31 - 32, EDITION ORIGINALE, 4 vol. pt. in-folio (320 x 250 cm), pleine percaline verte chagriné éd., titre doré sur 1ére de couv. et sur dos, ill. par une vignette contrecollée en coul. éd. (différentes sur chaque volume), filets à froid sur les plats éd., titre et tomaison dorés (pt. encre) sur dos lisse éd., Tome 1 : 612 pp., ill. par 11 vignettes coul. contrecollées sur carton souple, 4 ill. en noir sur carton souple, nb. photos et dessins en coul. et en noir - Tome 2 : 452 - 80 pp., 16 vignettes coul. contrecollées sur carton souple, 5 ill. en noir sur carton souple, très nb. photos et dessins en coul. et en noir in-texte, un supplément de 80 pp. sur carton jaune souple avec de très nb. dessins en noir de Léon HAFFNER - Tome 3 : 418 pp., 11 vignettes coul. contrecollées sur carton souple, 4 plans dépliables de construction de bateau, très nb. photos et dessins en coul. et en noir - Tome 4 : 358 - 168 - 80 pp., 8 vignettes coul. contrecollées sur carton souple, 3 dessins en noir sur carton souple, table des matières alphabétique sur chaque volume, papier glacé, nb. lettrines et bandeaux en coul. et en noir, nb. cartes marines en noir, quelques publicités en noir, on y joint la carte dépliable (30 x 59 cm) ill. en noir "Voyages de découvertes et d'explorateurs des marins français depuis le Xve siècle" aux éditions Les Procédés Dorel, Paris, dessinée par L. Bergelin, Une REFERENCE absolue pour le yachting au début des années .30 ! Une iconographie incroyable, tant par les photos, les peintures et les dessins des plus importants connaisseurs de la marine de plaisance en France. Des sujets bien ciblés, la TSF à bord, La pêche en mer, La cuisine en mer, les peintres de marine, Les moteurs, Les salons nautiques, Les cours de navigation, Les paquebots et bien d'autres sujets, sans oublier l'histoire des bateaux, de la marine et de la construction navale ainsi que l'histoire des plus grands navigateurs français. D'une TRES GRANDE RARETEE. ATTENTION : ces 4 volumes sont très lourds ! Pour l'expédition en France, la livraison est gratuite MAIS pour l'Etranger prévoir un budget adapté ! Très bon état de la reliure; le papier est en très bon état sauf quelques petits manques de papier (5 petites manques lors de la séparation de deux pages !) et il manque les pages 525 à 532 sur le tome 1 (arrachées)
1934bn1392Librairie Dardel Reliure signée 1934 In-8 relié, reliure contemporaine de Marie-Dominique Choquet, plein cuir à grains caviar sur onglets pliés. décor de gouttes d'eau sur mylar, garde peau, gardes couleur. Ce sont des suminagashi de Katalin Perry. (Suminagashi : technique japonaise où les encres sont jetées sur de l'eau ce qui rend les motifs aléatoires). gardes blanches, titrage de Stéphane Gangloff, étui, n° 836/2750 sur Vergé des anciennes papeteries Blanchet frères et Kléber Rives (BFK Rives) ; magnifique reliure unique, parfait état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
195833225Macdonald 1958. 8vo. Second Edition on laid paper with frontispiece illustrated title and numerous full-page and smaller illustrations in the text some relevant annotations in pencil to several recipes; original olive cloth backstrip blocked in red and lettered in gilt a very good firm copy in unclipped dustwrapper the latter browned at fold-ins rubbed at joints and mildly browned at backstrip. SIGNED BY THE AUTHOR ON HALF-TITLE in the usual blue ink with double line. David's second book fitst published in 1951 and to many the finest of the three classic titles that changed the nature of English cookery for ever. In common with her first work 'A Book of Mediterranean Food' this volume is greatly enhanced by the wonderful Minton illustrations particularly the artwork for the wrap-around dustwrapper. In this second edition from Macdonald rather than Lehmann David adds a new Preface explaining the scope of the work and excludes certain details relative to wartime rationing as no longer necessary. SIGNED COPIES OF DAVID'S WORKS ARE VERY SCARCE. Macdonald, hardcover
8vo., Second Edition, on laid paper, with frontispiece, illustrated title, and numerous full-page and smaller illustrations in the text, some relevant annotations in pencil to several recipes; original olive cloth, backstrip blocked in red and lettered in gilt, a very good, firm copy in unclipped dustwrapper, the latter browned at fold-ins, rubbed at joints, and mildly browned at backstrip. SIGNED BY THE AUTHOR ON HALF-TITLE in the usual blue ink with double line. David's second book, fitst published in 1951 and to many the finest of the three classic titles that changed the nature of English cookery for ever. In common with her first work 'A Book of Mediterranean Food' this volume is greatly enhanced by the wonderful Minton illustrations, particularly the artwork for the wrap-around dustwrapper. In this second edition (from Macdonald rather than Lehmann) David adds a new Preface explaining the scope of the work, and excludes certain details relative to wartime rationing as no longer necessary. SIGNED COPIES OF DAVID'S WORKS ARE VERY SCARCE.
352047Imprimerie Colbert Marseille 1898 In-12 ( 190 X 125 mm ) de XI pp., ( 5 ) pp. nch., 87 pp, ( 3 ) pp. nch., VI pp. ( tables ), broché sous couverture illustrée d'une poissonnière de Marseille criant "Qué soun bello ! Que soun vivo !!". Frontispice reprenant la couverture. Edition originale rare de ce recueil, illustré, de recettes régionales : bouillabaisse, pâtés, terrines, aspices, tourtes, grillées, fumées LAllache, le Nonnat, la Poutine, le Pissalat, lanchois !! Couverture légèrement empoussiérée, bel exemplaire. Chef de cuisine à l'Hôtel de l'Europe d'Aix-les-Bains et à l'Hôtel du Louvre de Marseille notamment, Apollon CAILLAT ( 1857-1942 ) ne publia que cet ouvrage. Il participa en revanche à l'élaboration du Guide culinaire d'ESCOFFIER. Inconnu de Bitting, Cagle, Oberlé.
1789103995P., Barrois, 1789, in-8°, viii-389 pp, reliure plein veau marbré, dos lisse orné de fleurons et triples filets dorés, pièce de titre chagrin carmin, coupes guillochées, tranches rouges (rel. de l'époque), coiffe sup. lég. abîmée, coins émoussés, infime travail de ver en marge inférieure, bon état. Edition originale rare (Vicaire, 657)