33 318 résultats
194563891San Francisco CA: Carl Frederick Hobby 1211 Jackson Street ca. 1945. One large oil painting on canvas sized 13 x 18 in. preserved as original stretched canvas within the frame as presented to the artist’s niece and with the original green & gilt frame now professionally cleaned and w/ artist’s business card mounted on verso of frame along with numbering & size. Signed in lower corner this painting was presented by the artist following the War to his niece and held in the family until 2025. This original oil painting depicts a young Chinese-American mother and child buying an orange with fruit crates stacked beside in front of the mirror and pedestrian walking by as well as the advertising signage in the doorway in Chinese painted by Hobby. The sign reads 油糖èœèˆ– You tang chai pu — oil and sugar vegetable shop and produce in the crates below the window in the foreground appear to be cabbages oranges and possibly mangoes. Hobby wrote in his 1936 illustrated book “Chinatown San Francisco†that there were a variety of vegetable and produce “Chinese Food Shops†situated from Washington to Jackson Street selling blue-green melons mustard greens water chestnuts and more.Hobby 1886-1964 was the son of an Iowa City IA ophthalmologist and moved with the family as a teenager to San Diego CA about 1900 where he began working at 14 as a sketch artist and later published a book in San Diego in 1919 with his artwork. He studied art at the Cumming School of Art in Des Moines the Art Students League in New York and became portrait and landscape painter in San Diego until 1923. After a divorce from Plooma Crowther he settled in San Francisco in Chinatown where he became an instructor at the Art Center while also painting and sketching the densely populated area publishing “The Street of Dragon Lanterns Chinatown of San Francisco†in 1936 while contracting with the Madison & Burke Agency through World War II. Exhibits of his paintings and pen & ink sketches were displayed at the Oakland Art Gallery in 1928 and the Society for Sanity in Art in 1945. See: Maud McB. Maywood Palm City The Chula Vista Star July 9 1937 p. 6; Sketches of San Diego 1919. Carl Frederick Hobby, 1211 Jackson Street, unknown
1853D7142London: William Pickering 1853. The Aldine Edition of the British Poets. Hardcover. Very Good. Ornately gilt-ruled red morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands inside gilt dentelles a.e.g. with a fore-edge painting of a 19th-century cock fighting ring the "sport" was a favorite of Gray's; 16mo 100 x 160 mm; pp. xvi cxxiv 223. Just a little light scuffing at spine tips and along edges of boards. Internally bright and clean with handsome armorial bookplate Ex Libris John Train on front paste-down. A lavish copy. <br/><br/> William Pickering hardcover
1900349Sevilla: original 1900. original. Framed. Fine. F. Candella. Watercolor on paper unframed: 6.8" x 4.1" / 17.2 x 10.3 cm ca.1900 signed "FCandel "F" & "C" ligated Sevilla Spain. Colorful and humorous watercolor of a mounted horseman wooing his fair duena. original unknown
05169London: Printed for J. Johnson and Co. 1811. Bound by Taylor and Hessey<br /> With an Early Twentieth Century Fore-Edge Painting <br /> <br /> FORE-EDGE PAINTING. TAYLOR & HESSEY binder. COWPER William. Poems by William Cowper of the Inner Temple Esq. In two volumes. A New Edition. London: Printed for J. Johnson and Co. 1811. <br /> <br /> With an early twentieth century fore-edge painting by an unidentified artist showing a man and two ladies seated by a fireplace. The man is reading his newspaper and a dog is seated at his feet.<br /> <br /> Two octavo volumes bound in one 8 5/16 x 5 1/4 inches; 211 x 133 mm. i-xvi 1-438; i-vi 2 1-427 1 blank pp. <br /> <br /> Bound ca. 1811 by Taylor and Hessey Booksellers London. Stamp-signed in gilt on the fore-edges of the boards "Bound and Sold by" & "Taylor and Hessey". Full dark red straight-grain morocco covers elaborately paneled in gilt spine with three 'double' raised bands elaborately decorated and lettered in gilt in compartments decorative gilt board-edges and turn-ins later pink endpapers all edges gilt. Soundly but rather crudely rebacked with the original spine laid down.<br /> <br /> "Taylor & Hessey were busy throughout these fifteen years 1808-1823 not only in publishing and in binding but also in re-binding books published by others. They issued among other works Pope's translation of the Iliad and Thomson's Seasons; but they also put fine bindings upon books by Milton Crabbe Cowper Scott and others published by Johnson or by Sharpe or by Hatchard or by Reeves or by Longman. Taylor & Hessey usually bound their fine books in morocco-red blue brown crimson green-and "signed" their bindings by stamping their name in gilt in the fore-edge of the binding not the leaves note whenever the boards inside the leather were thick enough to carry the name of the firm. C.J. Weber Fore-Edge Painting pp. 106-7. London: Printed for J. Johnson and Co., 1811 unknown
In-folio, 29p. Comprend un texte de Fernand Léger, une lettre de Matisse en fac-similé, un texte de Kandinski. Avec 1 lithographie en couleurs de Miro en double page (couverture), 1 lithographie en noir de Giacometti, 1 lithographie en noir de Tal Coat, 1 lithographie en couleurs en double page de Chagall. Bel exemplaire, complet.
1925EEzz6788n1KLondon, Paris, New York, The Studio 1901 - 1925. 12 OLnbde. tls. m. marmor. Schnitt, 2 Priv. Lnbde., 1 Priv. HLnbd., 1 OKart. (dieser randrissig), alle Bände berieb., Stellspuren, einige Bände schwach fleck., 4 OLnbde. m. Inv.-NrnSchildch. am Rü., tlw. mit großem Exlibris, nicht bis in Einzelnste kollationiert aber augenscheinlich komplett. Vorhanden: Vol. 16-18, 19-21 (gesammelt in je einem Band), 10, 11, 13, 15, 35, 39, 54-57, 89, 90; Holme, Charles. Modern Pen Drawings: European and American. Special Winter-Number 1900-1901; ders., The 'Old' Water-Colour Society 1804-1904. - Umfangreiches Konvolut der englischen Kunst-Zeitschrift die sich vor allem dem Jugendstil in all seinen Facetten widmete. - In englischer Sprache.
IN 4 OBLONG. CART [MOY]. 4 PP. 49 H-T EN NOIR DONT 1 DOUBLE PAGE. [BE]
Testi: Mendes Murilo . F.to: 12x17,5; pagg. 144; COL e BN; rileg. brossura. Editore: All'insegna del pesce d’oro, Milano, 1965.
66161CBo.J. [2 Warenabbildungen] (Romulus Candea, geb. 1922 in Rumänien, gest. 2015 in Ahrensburg, zu Lebzeiten wohnhaft in Wien, Maler, Karikaturist und
19231000287AGMünchen, 1923. Öl auf Holz, signiert und datiert unten links [19]23, im originalen Rahmen. Rahmenformat 53 x 46 cm, Bildformat 38 x 31 cm, *Vollmer II, 103.- schöner gepflegter Zustand,
19221000285AGBerlin, 1922. Öl auf Leinwand, signiert und datiert unten rechts 1922 in zeitgenössischem florentinischem Holzrahmen. Rahmenformat 57 x 47 cm, Bildformat 49 x 39 cm, *Thieme/Becker XXI, 60f.- schöner gepflegter Zustand,
F.to: 18,5x21; pagg. 146; COL; rileg. brossura. Editore: Bijutsu, Tokyo, 1999.
Volledig in 2 delen, I: xvi,555pp., II: 342 zw/w illustraties, in de reeks "Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van België. Klasse der Schone Kunsten" nr.30 verhandeling (Jg.37), gebroch., met stofwikkels, 26cm., goede staat, bevat catalogue raisonné van Floris' werken, zeldzaam, [Monography and 'catalogue raisonné' on the Flemish painter Frans Floris, complete in 2 volumes and in good condition, rare], S85819
194034751London: Oxford University Press 1940. First Edition. Illustrated with 56 collotype plates 48 concerning paintings and represented by 36 full-page monochrome plates 3 full-page color plates 7 manifold monochrome plates and 2 manifold color plates. The remaining plates are composed of 5 full-page plates of calligraphy and 3 full-page plates of seals. The multi-folding plates provide the opportunity to view an entire painted scroll or long painting. Title-page printed in red and black. 72 paintings from pre-T'ang times into the Ch'ing dynasty are discussed. Each painting is described and the translation of its seals and inscriptions provided. Large Folio 15.25" x 11.5" publisher's original green polished buckram cloth the spine lettered in gilt the upper cover with gilt decoration of a Chinese seal. xvi 279 plates pp. A fine copy especially clean and bright the binding very strong and showing virtually no wear though with the mark of a cup which at some time was placed on the upper cover. The Supplement is in fine condition as well. FIRST EDITION SCARCE. The Moore collection contains extraordinary illustrations from some of them most important painters and calligraphers in the long history of Chinese art. The subject matter of the book is traversed by the authors of the volume with scholarship and taste their text being accompanied by the fine illustrations most of them in monochrome and some in colour. The authors are full and illuminating in their descriptions their biographical and bibliographical contributions along with their treatment of the inscriptions and seals. The reason for bringing the inscriptions and seals into the foreground is because "calligraphy has long been considered a major art by the Chinese who frequently valued the inscription on a painting as highly or even more highly than the painting itself. A number of the scrolls depicted have inscriptions which certify their authenticity and are also the calligraphy of famous scholars. These contain many valuable comments on the technique of painting and statements of historical and biographical importance. The seals on the scrolls are not only works of art in themselves but are important as a record of the painting or as an expression of appreciation of it."<br> The painters represented come from various dynasties in their noblest estate painters eloquent of the great virtues of the school--a peculiar magic in the interpretation of nature felicity in composition and linear aspect. The plates provide well the Chinese ideas of beauty and style. R. Cortissoz Oxford University Press hardcover
59849BBo.J. [3 Warenabbildungen]
2111902160600959Not Available N.A. Soft Cover. Fine. Size: 22.3 cm Not Available paperback
19752090502130302050Not Available 1975. Soft Cover. Fine. Number of books: 1 Not Available paperback
- Dreyer's vorlag & Flammarion, Paris 1991, 25,5x25,5cm, reliure de l'éditeur. - Edition originale trilingue norvégien français et anglais. Agréable exemplaire illustré de reproductions d'oeuvres d'Olivier Debré. Reliure de l'éditeur en plein cartonnage illustré d'une peinture d'Olivier Debré sur les plats, dos lisse, exemplaire complet sa fragile jaquette en papier parcheminé qui comporte un manque en tête du dos. Envoi autographe signé d'Olivier Debré au crfitique d'art Georges Raillard enrichi, sur la page en regard, d'un dessin original noir, bleu et orange. [ENGLISH DESCRIPTION ON DEMAND]
- Publications de la Sorbonne, Paris 1993, 21,5x29,5cm, reliure de l'éditeur. - Edition originale. Reliure de l'éditeur en plein cartonnage rouge, dos lisse, exemplaire complet de sa jaquette illustrée. Envoi autographe signé d'Olivier Debré à Pierre (Dumayet) enrichi, sur la page en regard, d'un grand dessin vert et bleu. Notre exemplaire est également enrichi d'un envoi autographe signé d'Emmanuel Pernoud à Pierre Dumayet. Agréable exemplaire illustré de reproductions d'oeuvres d'Olivier Debré. [ENGLISH DESCRIPTION ON DEMAND]
- Galerie Durand-Ruel, Paris Mai 1892, 14,5x19,5cm, relié. - Galerie Durand-Ruel | Paris May 1892 | 14.5 x 19.5 cm | Bradel binding First edition of this exhibition catalogue at the Galerie Durand-Ruel that took place from 7 to 21 May 1892. Illustrated catalogue with a bistre etching of Marie Auguste Lauzet from «La femme au chat» by Auguste Renoir on the frontispiece. Bradel binding in full paper with decorative motifs, title piece in green morocco, conserved wrappers (comprising small corner restorations), binding signed by Thomas Boichot. Preface by Arsène Alexandre. Pleasant and rare copy of this catalogue describing 110 works by Auguste Renoir. [FRENCH VERSION FOLLOWS] Edition originale de ce catalogue d'exposition à la Galerie Durand-Ruel s'étant déroulée du 7 au 21 Mai 1892. Catalogue illustré, en frontispice, d'une eau-forte en bistre de Marie Auguste Lauzet d'après "La femme au chat" d'Auguste Renoir. Reliure à la bradel en plein papier à motifs décoratifs, dos lisse, pièce de titre de maroquin vert, couvertures (comportant de petites restaurations angulaires) conservées, reliure signée de Thomas Boichot. Préface d'Arsène Alexandre. Agréable et rare exemplaire de ce catalogue décrivant 110 oeuvres d'Auguste Renoir.
2110502150906749Hanmoto fumei N.A. Soft Cover. Fine. Number of books: 1 Hanmoto fumei paperback
2092902138301069Tsujiokaya Bunsuke board N.A. Soft Cover. Fine. Number of pages: 1 print Size: 71x51cm Tsujiokaya Bunsuke board paperback