21 369 résultats
13-1379Rome: Dominico de Rossi Jo. Jacobi Jo. Jacobi de Rubeis August 15 1693. Oblong folio. 46.5 x 69 cm. 18.25 x 27.25 inches page size. Suite of 12 engravings. Housed in a custom portfolio with painted boards leather spine large embossed leather label leather ties and leather corners by the celebrated Russian-American binder Alexandr Sasha Mosalov. OCLC Number: 504754030Set of 12 engravings of Raphael’s frescoes of scenes from the myth of Cupid also known as Eros and Psyche in the Villa Farnesina in Rome. Raphael’s paintings illustrate part of the story The Metamorphoses of Lucius Apuleius the only Latin novel to survive in its entirety. In this work Venus jealous of a beautiful mortal girl named Psyche sends Cupid on an errand to punish the girl. Cupid instead falls in love with Psyche and after a series of secrets betrayals and trials the lovers are reunited and Psyche is made immortal.The frescoes are painted on the vaults and ceiling above demilune reserves on the ground floor at the end of the entrance hall now known as the Loggia of Psyche. Images of leafy garlands of fruit accentuate the arches of the vaults also framing the classical images. The frescoes were commissioned by the Sienese banker Agostino Chigi called “magnifico†by his peers for his richly decorated villa and the elegant entertainments he hosted there. The paintings were recently restored and the Villa Farnesina is open to the public as a museum.Some foxing Rome: Dominico de Rossi, Jo. Jacobi (Jo. Jacobi de Rubeis), August 15, 1693 hardcover
183652758Mexico City: Palacio del Gobierno Nacional 1836. Fine. Official printed government notice of Mexico's continuing efforts to maintain control over Texas immediately after the loss at San Jacinto - here working with privateers to harass Texans at sea. When Mexico finally won its independence from Spain in 1821 its territory included modern-day Texas settled by a mix of Tejano Mexican and Texian Anglo-American populations in addition to indigenous tribes and enslaved African Americans. Tensions between the Tejano and Texian factions increased and finally erupted into full-scale violence in 1835 beginning what is now called the Texas Revolution. Its most famous battle at the Alamo occurred a few months before this broadside was issued. <br /> <br /> The decisive battle of the war San Jacinto occurred on 21 April a Mexican defeat that led to the formation of the Republic of Texas. While the Mexican general Santa Anna negotiated a surrender the Mexican government deposed him for it and refused to recognize an independent Texas. After San Jacinto Mexico avoided pitched battles but continued to take action to undermine and antagonize the new Texas nation. This broadside was one such effort issued just over a week after the defeat at San Jacinto. It announces the formal employment in the navy of private ships to aid in attacking Texans at sea and forming a blockade "para terminar la guerra con los colonos de Tejas é impedir el contrabando en los puertos y costas de la República". Privateers were necessary because the Mexican government did not yet have a robust navy a weakness that the United States would later exploit in the Mexican-American War of 1846-1848. <br /> <br /> Ephemeral broadsides like this survive in few numbers; many of this era during José Justo Corro's interim presidency show only two or three institutional holdings via OCLC. This particular imprint shows three institutional holdings in the US Baylor Texas A&M and Brigham Young. A rare piece of Texana. 12'' x 8.25''. Single letterpress broadside printed recto only. A bit of faint wrinkling. Crisp and bright. Palacio del Gobierno Nacional unknown
115159Madrid: Editorial Artika 2021. color plates with five preparatory studies for oil paintings 13 self-portraits -some show the aftermath of the accident that forever marked their painful daily reality- three portraits of friends and lovers 12 originals of fantasies and dreams -without correspondence in their oil paintings- and a sensual still life that refers to his final stage of landscapes and still lifes. die-cut wooden covers simulating the vegetation present in her works also collects fragments of the artist's diaries.The work is presented in a case that contains an art book a study book and a folder with a largefolding sheet of The Nalgón Bird. Techical specifications: https://artikabooks.com/en/works/the-dreams-of-frida-kahlo#technical-specifications. A bilingual Artist's book and an exhaustive study dedicated to the Mexican painter Frida Kahlo which includes analysis and research on her career and a selection of 34 works in pencil ink sepia or watercolor made in notebooks journal sheets or in letters sent to your family and friends. For the first time 130 drawings by the Mexican painter Frida Kahlo 1907-1954 are compiled and published with little-known pieces such as The Nalgón Bird 1946 and Self-portrait dedicated to Marte R. Gómez 1946. Conceived as an object/artist book. Its preparation required four years of research it was conceived as an art book and includes pieces that are kept in museums and 50 private collections. The art book reproduces the 130 drawings and texts by María del Sol Argüelles director of the Museo Casa Estudio Diego Rivera; by Juan Coronel Rivera and the researcher Helga Prignitz-Poda as well as 34 facsimile drawings and a folder with a large format sheet. Included is a text by the poet and grandson of Diego Rivera Juan Rafael Coronel Rivera who gives an explanation of Frida's life through four works also a text by the art historian Helga Prignitz-Poda one of the people authenticated work. Prignitz-Poda is the one who has helped locate the drawings which are located all over the world and contact collectors but here she makes an analysis of all the drawings. The reproduction of drawings such as Diego y yo 1930 Nude by Eva Frederick 1931 Portrait of Luther Burbank 1931 Henry Ford Hospital or The Lost Desire 1932 Frida y el aborto 1932 and Puebla de Los Angeles 1952 among others. This edition will allow us to peek inside Frida through her drawings of which only a few dozen are preserved. To publish this work a meticulous compilation work has been necessary since many of her drawings disappeared after her death while others were forgotten in museums and in private legacies that are difficult to access. Artika is a publishing house that specializes in artist's books. Limited editions are created in conjunction with great international artists and produced using painstraking artisan processes. ENGLISH AND SPANISH TEXTS. Limited edition of 2998. Editorial Artika unknown
1594B6281Venetiis Munich possib. Anvers: : Joann. and Raphael Sadeler c. 1594-1606. . An illustrated work in very good condition with plates clean and mostly wide margined; a few of the plates are reinforced with fine tissue paper; also occasional marginal tears repaired. Edition: First edition anthology of five works. Binding: 18th century full vellum; rebacked expertly saving the original spine; flat spine with gilt lettered and dated title on morocco label; edges marbled; renewed endpapers. Notes: Captions in Latin. The work depicts hermits saints with one of five parts devoted to female believers; this anthology is rarely offered. The members of the Sadeler family were among the most successful Flemish engravers and publishers of their time. Size: Oblong folio 335x263mm. Illustration: 103 copper-engravings; of these 102 illustrated; these include: three titles to the first three works; the paragramma with engraved border. The first work “SYLVA SACRA†being one complete series of hermetic saints with 31 illustrated plates plus a dedication; of the remaining four series of hermetic saints one is dedicated to female hermits: Work II or the “SOLITUDO SIVE VITAE FOEMINARUM†has 14 plates of 25; Work III or the “ORACULVM // ANACHORETICVM. // … MDC†has 22 plates of 26; Work IV or the “Solitudo // sive // vitae patrum // eremicolarum…†has 12 plates of 30; Work V or the “Trophaeum vitae solitariae. // … Venetiis†1598 Martin de Vos figur. has 23 plates of 26. Volume: five works in one volume References: Graesse VI: 211-212. Pages: Ll: bl. ill.102ff. Collation: all of 31 ill. plus 1 dedication; 14 ill.; 22 ill.; 12 ill.; 23 ill. Category: Book Europe Italy; Book Europe Benelux; Book Europe Germany; Book Plate Books General; Book Religious Christianity; Book Early Printed 1500; Joann. and Raphael Sadeler, hardcover
542567Softcover. Near Fine. Typed carbon manuscript. Two volumes. Quartos. 393 leaves typed rectos only 1-196; 197-393 pp. Bound in quarter black canvas and flexible black wrappers with typed labels. Light edgewear very near fine. A collection of 16 stories which was published in 1946. On the contents page a title of a story is added in ink presumably by Sabatini and nearly every title has a penciled note as to where it was first published etc. in a different hand. In the typescript itself there are 42 revisions totaling some 57 words plus deletions on 29 pages numbered approximate – again all presumably by Sabatini; together with 10 typos corrected on 8 pages. The corrections and revisions are made in ink and red pencil. Sabatini’s stories are tales of bravery heroism intrigue and adventure. His manuscripts are exceptional uncommon. xxxcheck stories for any significancexxx. unknown
1937138231937. Soyer Raphael. Soyer Raphael. A TRANSIENT PORTRAIT OF A MAN. Lithograph 1937 Cole 49. 11 3/4 x 9 3/8 inches 290 x 240 mm.image 13 3/8 x 10 1/2 inches sheet; apparently trimmed. Edition of about 25 Signed and titled "Portrait of a Man" in pencil. Published by the W.P.A. Federal Arts Project but with its ink stamp in the lower margin scraped away leaving a thin spot. The scrape as noted trimmed as noted and with adhesive residue verso top else in very good condition. Ths print is rare Rare. Please note we also have the preparatory drawing for this print available Inventory #8476. unknown
7326Soyer Raphael. Soyer Raphael. CONVERSATION. Cole 21. Lithograph 1931-32. Hand colored in watercolor. 11 x 15 inches; 280 x 382 mm. with wide full margins. Edition of 25. Signed and titled in pencil lower margin and also further inscribed and signed in pencil. A very good impression of this scarce print with fresh colors. Although Cole does not mention that any of the prints of this edition were colored it was not unusual for Soyer to handcolor prints particularly a presentation print like this one. Rare and Fine. unknown
1480101696Cologne: Heinrich Quentell 9 September 1480. Folio 287 x 196 mm. Collation: a8a1 b-c6 e6 f8 g-h6. 45 of 46 leaves lacking a1 woodcut verso recto blank. Gothic types 40 lines manuscript Lombardic initials rubrication throughout. Woodcut device on colophon. Later roan-backed marbled boards; wear and loss to lower portion of spine printer's ink smudges to a8v b1 reinforced at gutter worming to gutter throughout and to margins of final two gatherings. Library ink stamps at upper corner of a2r and h6v. A treatise on papal authority published as a work by Juan de Torquemada but in fact written by the Dominican theologian Raphael de Pornaxio ca. 1388-1467. From the celebrated incunable and post-incunable collection of the Frankfurt physician and bibliophile Georg Kloss and sold at his sale Sotheby's May 1835.PROVENANCE: Georg Kloss M.D. bookplate his catalogue Sotheby's London 7 May 1835 et seq no. 3637REFERENCE: BMC I 262; BSB-Ink R-12; Goff T542; GW M3704460; ISTC it00542000 Heinrich Quentell hardcover
1960462h5691New York: Herzl Press / Thomas Yoseloff. Very Good. 1960. First Edition. Hardcover. "The first publication in any language of the complete diaries of the founder of the world Zionist movement. These diaries are Herzl's day-to-day record of his almost single-handed struggle and of successes achieved at the cost of his career his fortune his family - and his very life. Contains for the first time every word Herzl entered in the eighteen copybooks he filled. A fascinating document as well as an illuminating self-portrait of one of the most unusual personalities of recent times the acknowledged "father of the Jewish State." - slipcase. Pp. Vi 431; 432-827; 828-1270; 1271-1631; 1632-1961. "Volume 5 contains the annotations written by the editor; the list of code-words used by Herzl; and the index. The annotations arranged alphabetically contain brief biographies of practically all the individuals mentioned in the Diaries and short identifications of the place names and other geographical names appearing in the Diaries either in the dateline or in the entries themselves." - p.1635. Different black and white photographic frontis portrait of Herzl in each volume. Issued without dust jackets. All volumes clean bright and unmarked with light wear to burgundy boards lettered in silver upon spines. All bindings sound. Average wear to intact slipcase which features illustrations of Herzl on two sides. A quality copy of this profoundly influential record. ; 8vo - over 7¾ - 9¾" tall; Theodor Herzl Zionism World Zionism Israel Rothschilds. Added $20 to our cost for Meadland repair to slipcase paid 2 Feb 2023 . Herzl Press / Thomas Yoseloff hardcover
13449Soyer Raphael. Soyer Raphael. BACKSTAGE. Cole 36. Lithograph 1935. 15 1/4 x 11 1/2 inches. Editon of about 30. In excellent condition. Rare. Nicely framed unknown
11921Soyer Raphael. Soyer Raphael American born Russia 1899-1987. BACKSTAGE. Cole 43 Gettings 43. Etching and drypoint c. 1937. Edition size not known but likely only about 25 according to Soyer as told to Gettings. Signed in pencil lower right and stamped "Federal Art Project/NYC WPA" lower left. 8 3/8 x 6 7/8 inches image 13 3/4 x 11 3/4 sheet. Thematically similar to the artist's lithograph "The Team" Cole 23 Gettings 42 but with the addition of the two figures at left the man in the doorway appears to be a self-portrait. Soyer commented to Gettings in 1982 "I think it is the only complete drypoint I ever made." Soyer did several prints under the auspices of the WPA's Federal Art Project all in small editions all now rare. In excellent condition. unknown
192051561920. Soyer Raphael. Soyer Raphael. GIRL IN STRIPED SWEATER HELEN. Lithograph printed on newsprint about 1920 Cole 10 Gettings 7. Edition of about 15 signed in pencil. Printed with wide margins on three sides and to the sheet edge bottom as issued. 10 1/8 x 10 1/2 inches 255 x 265 mm. Chipping at edges resulting from brittleness of paper newsprint else a fine impression of this very scarce early print. Mounted to Japanese paper for support. According to Soyer's comment in the Gettings Hirschhorn catalogue the model "is the sister of Jacob Friedland who printed my first lithographs." unknown
7539Soyer Raphael. Soyer Raphael. THE LETTER. Cole 25. Lithograph 1933. Edition of 25. 14 1 /4 x 11 1/8 inches; 362 x 283 mm. image; 18 1/4 x 14 1/4 inches; 464 x 362 mm. sheet. Signed and titled in pencil. Rare. unknown
15877230London : Finished in Ianuarie 1587 and the 29 of the Queenes Maiesties reigne with the full continuation of the former yeares at the expenses of Iohn Harison George Bishop Rafe Newberie Henrie Denham and Thomas VVoodcocke. At London printed by Henry Denham in Aldersgate street at the signe of the Starre 1587 1587. 1587 Folio. Two volumes bound in one. Vol. 1: 10 250; 4 202 2 p.; Vol. 2: 61 13 183 1; 421 424-430 436-438 431-433 439-445 450-464 56 p. Vol. ! lacks the first 4 leaves general title Epistle Dedicatorie etc. Period style calf blind ruled on the boards the spine with six raised bands and titled in gilt. Armorial bookplate. Faint old water stain visible on the lower corner at both ends of the volume and evidence of old water to damage to some headlines towards the front of the volume. Generally clean and tight with with adequate at the head to good margins. ESTC S122178. Volume 3 is not present and contains 'The third volume of Chronicles beginning at duke William the Norman .' [London] : Finished in Ianuarie 1587, and the 29 of the Queenes Maiesties reigne, with the full continuation of the former yeare hardcover
1875018433Mexico: Imprenta de Ignacio Escalante 1875. Book. Good condition. Hardcover. First Edition. 4to - over 9¾ - 12" tall. ii 60 pages of text followed by 12 beautifully hand-colored plates of hummingbirds. The text has sustained water damage but those pages have been professionally washed and stabilized. Signatures page gatherings were reformed and resewn. Rebound with a new leather spine with gilt-lettered leather spine label and linen-covered boards. The tinted lithographed frontisportrait and six pages of text are affected by dark areas of discoloration from the water exposure and many pages have minor rippling as some treated pages were discreetly detached for treatment and re-inserted on an added tab. Minor rippling to the hand-colored plates but the images remain bright and are not noticeably affected. There is minor soiling to the plates. All page edges were trimmed by about a half inch to remove damaged paper and does not affect any text or plates; the size is about 10.5 inches height by about 7.5 inches. Imprenta de Ignacio Escalante Hardcover
1932105001932. Soyer Raphael. Soyer Raphael. BACKSTAGE THE TEAM. Lithograph 1932 Cole 23. 14 3/4" x 11." Edition of about 25 published by Asociated American Artists NY. Titled "Backstage" and signed in pencil. In very good condition. unknown
8268Soyer Raphael. Soyer Raphael. OLD FIDDLER. Cole 44. Etching 1937. Published by Federal Art Project WPA in an edition of unknown size. Signed and titled in pencil. With full margins. In excellent condition. Rare. "I did these etchings from pen and ink drawings. In those days you would see people standing around doing nothing. I would sketch them all the time. Sometimes I would ask them to hold a pose and give them twenty-five or fifty cents. The man with his hands in front is warming his hands over the sidewalk grate." Soyer quoted in Gettings. unknown
193726021937. Soyer Raphael. Soyer Raphael. OLD MAN WARMING HIMSELF. Etching 1937 Cole 45. 9 7/8" x 5 7/8." Signed and titled in pencil and with the stamp "Federal Arts Project NYC WPA." Edition of about 25 See Gettings Raphael Soyer Sixty Five Years of Printmaking Hirshhorn Museum 1982 #36; Cole states edition is of unknown size. Rare. "I did these etchings from pen and ink drawings. In those days you would see people standing around doing nothing. I would sketch them all the time. Sometimes I would ask them to hold a pose and give them twenty-five or fifty cents. The man with his hands in front is warming his hands over the sidewalk grate." Soyer quoted in Gettings. unknown
193251551932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. A fine impression but with a well-repaired tear top center. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice. I didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. This is on loan to the Museum of the City of NY until ```````` unknown
193270431932. Soyer Raphael. Soyer Raphael. JOHN REED CLUB - THE COMMITTEE. Lithograph 1932 Cole 22. Edition of 25 signed in pencil. 7 1/4 x 10 inches 185 x 255 mm. In excellent condition. Scarce. John Reed Club Committee members pictured are Nemo Piccoli Adolf Wolff Walter Quirt Ivar Rose and Anton Refregier. We weren't poor. As I said before you know I had nothing to lose in the Depression so I didn't feel it very much. And as far as what happened politically I became a member of the John Reed Club. That was a club of writers and artists leftists all and I think Rebecca influenced me very much. She was more aware of the politics. She was more aware than I. And I still look back to this John Reed Club as a great kind of for me it was a great education. Nikolai Cikorsky indoctrinated me into the John Reed Club and. . . . Well there I knew what was taking place all the unrest all over the place the beginning of Nazism that you mentioned and the advance of Communism all those things you know. And I became aware of those things. And that was my political education the John Reed Club the John Reed Club for Artists and Writers. There were a number of writers there were a number of artists and. . . . And what's his name again William Gropper. Joe Jones. Philip Bard. A number of these people. And they were all left and all young in those days. And I came there completely as a novice and didn't know much about it. Rebecca knew much more what was taking place. Raphael Soyer Smithsonian Oral History Archives interview with Milton Brown 1981. unknown
193225991932. Soyer Raphael. Soyer Raphael. THE TEAM. Lithograph with hand coloring 1932 Cole 23. 14 3/4" x 11." Edition of 25 published by Associated American Artists NY. A unique or one of a few colored by Soyer. Signed in pencil. In very good condition but with traces of glue verso. unknown
193531027AB1935. Harvard / Brandeis / Cambridge Mass. etc. c. 1935 - 1975. Octavo & Quarto. More than 2000 pages. Original Softcover / Stapled. Very good condition with only minor signs of wear. Henry David Aiken 19121982 U.S. philosopher. Aiken was born in Portland Oregon and taught at the universities of Columbia Washington Harvard 194665 and Brandeis 196580 specializing in ethics esthetics and the history of philosophy. He was influenced by the British analytic movement by the American naturalists especially Santayana and by David Hume's moral and political writings some of which he edited. Among the works he wrote are The Age of Ideology 1957 selections including a commentary on 19th-century thought; Reason and Conduct 1962 a collection of essays in moral philosophy; and Predicament of the University 1971. Source: Richard H. Popkin paperback
11872Soyer Raphael. Soyer Raphael. SIXTEEN ETCHINGS. Associated American Artists NY 1965. From the Deluxe suite of 25 on Japan paper this copy number 24/25. There were a further 60 printed on BFK Rives paper of which numbers 26/85 through 50/85 were issued in portfolios and numbers 51/85 through 85/85 were offered for sale separately. Printed by Emiliano Sorini. Folio cloth Foreword by Carl Zigrosser 16 signed numbered etchings the first printed on the Title Page and the other 15 loose in folders as issued. Wear to the portfiolio flaps else Fine. hardcover
9801Soyer Raphael. Soyer Raphael. SIXTEEN ETCHINGS. Associated American Artists NY 1965. From the Deluxe suite of 25 on Japan paper this copy number 3/25. There were a further 60 printed on BFK Rives paper of which numbers 26/85 through 50/85 were issued in portfolios and numbers 51/85 through 85/85 were offered for sale separately. Printed by Emiliano Sorini. Folio cloth Foreword by Carl Zigrosser 16 signed numbered etchings the first printed on the Title Page and the other 15 loose in folders as issued. Laid in is the Prospectus a small booklet which reproduces the portfolio. Fine throughout. Rare. hardcover
1613ABC_49546Augsburg 1613. 4to. Christoph Mang Contemporary gold-tooled vellum with a floral ornament within an oval frame in the centre of both boards set within a double fillet frame with floral corner pieces remnants of closing ties gilt edges. With an engraved title and 122 numbered engraved full-page illustrations of knights. 24 "123" = 124 ll. 124-136 1 blank pp. Rare first and only edition of a heraldic work on the patrician families of Augsburg with over a hundred beautiful full-page engravings. The work printed in both Latin and German includes descriptions in verse of various of these families such as Welser Peutinger Fleckheimer Hebenstreit and Zeller and traces their lineage back 400 years or more. The most prominent family members are depicted as knights on horseback in full armour together with their coat of arms which are described in more detail on the final pages. The work is quite scarce with only 9 copies recorded in institutions and 3 in sales records.The work was written and illustrated by the German engraver and publisher Raphael Custos or Custodis ca. 1590-1664. Together with his older half-brothers Lucas and Wolfgang Kilian he was a member of the Kilian family of engravers in Augsburg. He was trained by his father Dominicus Custos 1560-1612 and worked for his company for many years. Raphael's first major work was Regum neapolitanorum vitae et effigies 1606 for which he produced the engravings. Among his most famous works are Cabala Spiegel der Kunst und Natur in Alchymia 1615 Architectura civiles 1628 and Emblemata amoris 1622 a reprint of Otto van Veen's emblem book. He also engraved maps. His map of the Iller river basin published in 1619 is considered the oldest map of the Allgäu region.With a paper label "E5" mounted on the front pastedown. The vellum is somewhat soiled. Some of the leaves are somewhat foxed. Otherwise in good condition.l Lipperheide 4395; USTC 1925631 9 copies; VD17 23:246962D 8 copies; cf. Thieme & Becker 8 p. 220; not in Colas; Hiler & Hiler. hardcover