Raphael

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Raphael; Pier Luigi De VecchiBiblio.com

The Complete Paintings of Raphael Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee

Simon Bolivar (1783-1830); Jose Rafael Revenga (1786-1852).Biblio.com

Decreto sobre el rèjimen i gobierno del hospital militar.

18272164Bolivar improves medical services in VenezuelaSimón Bolívar 1783-1830; José Rafael Revenga 1786-1852.Decreto sobre el rèjimen i gobierno del hospital militar.Caracas April 23 1827.8°. 18 pp.Recent paper covers.Decree by Bolivar to improve the military hospital at Caracas Venezuela and the medical infrastructure in general. Issued by his Secretary General José Rafael Revenga this lists 19 articles to which the hospital and all other medical establishments should adhere to. The final pages states that this decree was "Given at my headquarters in Caracas on April 23 1827-17°". Medical services had been largely the responsibility of religious organisations. Bolivar aimed to strip monastic orders of their influence and the present decree can be seen as an example of that development. This decree was issued just after settling temporarily the rebellion of Jose Antonio Paez in Venezuela. In 1826 Bolivar travelled to Venezuela to subjugate the resistance instigated by General Paez. This was resolved peacefully when Bolivar confirmed Paez's military authority in Venezuela and Bolivar's subsequent stay to celebrate. This in turn caused De Paula Santader to revolt in Bogota urging Bolivar to leave Venezuela in June. He left Paez in charge of Venezuela with the title of jefe superior. Thus when the present decree was issued in April Bolivar was still in Venezuela. José Rafael Revenga was Secretary of Foreign Affairs of Colombia since 1825 and became private secretary of Bolivar when he travelled to Caracas in 1826 making it likely that this was printed in Caracas. The first book was printed in Caracas in 1810.Condition: slightly spotted more on the last pages. Small hole in final leaf affecting text.Reference: not in Palau; Sabin.

ARTEM · Pays-Bas2 400,00 €

RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)Biblio.com

Decorative pilaster with fruit flowers and tendrils

177217002Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repairs to left margin not affecting image area. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 4; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown

Donald Heald Rare Books · États-Unis2 750,00 $US≈ 2 326,78 €

RAPHAEL Raffaello Sanzio d'Urbino (1483-1520)Biblio.com

Decorative pilaster with fruit flowers and tendrils

177217009Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Trimmed to just within plate mark along lower margin expert repair to upper left corner just affecting image area small repairs to right blank margin. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print. A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period. Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 5; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown

Donald Heald Rare Books · États-Unis2 750,00 $US≈ 2 326,78 €

LAFFERTY, Raphael Aloysius; introduction by SWANWICK, Michael; ELLISON, Harlan; WEBSTER, Bud; LUPOFF, Richard; KURLAND, Michael;Biblio.com

THE COLLECTED SHORT FICTION: THE MAN WHO MADE MODELS; THE MAN WITH THE AURA; THE MAN UNDERNEATH; THE MAN WITH THE SPECKLED EYES; THE MAN WHO WALKED THROUGH CRACKS; THE MAN WHO NEVER WAS; MAD MAN; THE MAN WHO LOST HIS MAGIC.

29967Lakewood CO: Centipede Press. 2013; 2014; 2015; 2017; 2018; 2021; 2023; 2025. Limited edition. Limited edition. Eight volumes. Signed by the author of the introduction cover artist and editor. Publisher's original black cloth with silver titles to the spine with blind illustration stamped to the upper boards in the Jacob McMurray illustrated dustwrappers. Satin ribbon page markers in every volume. With black and white photographs of the author featured in the introductions. A near fine set the binding square and firm the cloth mostly bright and fresh with some mottling to the boards of volume I. The contents with light spotting to the top edge of the closed text block of volumes I and III are otherwise clean throughout and without previous owners' inscriptions or stamps. Complete with the original dustwrappers; that of volume I lightly rubbed nicked and mildly spotted to the underside with a few light marks to the front panel and a couple of scuffs and punctures to the upper spine fold. The other seven dustwrappers with just a hint of rubbing to the extremities of volumes VI and VII and a tiny nick to the rear flap fold of volume VII are free from fading loss or tears. Not price-clipped. Issued in an edition of 300 copies from which this set is numbered 48 across all eight volumes and signed by the cover artist Jacob McMurray in volumes I-VI in facsimile in volumes VII and VIII and authors of the introductions Michael Swanwick Harlan Ellison Richard Lupoff Michael Kurland Neil Gaiman Scott Bradfield and Gary K. Wolfe respectively in black and green ink on the colophon. Signed by the editor John Pelan in green ink in volumes I-VI and in black facsimile on the colophon of the last two volumes. The complete collected short fiction of R. A. Lafferty as of April 2026 comprises eight volumes of an expected 12 total and marks the first ever publication of Lafferty's entire corpus of short stories. The project was initiated by editor John Pelan a science fiction-horror author known for founding the publishing house Axolotl Press who sadly passed away in 2021 before the series' completion. 'The Man Who Made Models' volume I and 'The Man with the Speckled Eyes' volume IV were nominated for the Locus Award for 'Best Collection' in 2015 and 2018 respectively. In a writing career spanning more than three decades R. A. Lafferty has been nominated for a World Fantasy Award four Hugo winning the 1973 Hugo Award for his short story 'Eurema's Dam' and seven Nebula Awards. In 1990 the author was the recipient of the World Fantasy Lifetime Achievement Award. 'R. A. Lafferty is unique in the old unspoiled sense of the word. A genius as wild and joyful delightful and unpredictable as his comes along but once in a lifetime. Cherish him. If there were no Lafferty we would lack the imagination to invent him.' Michael Swanwick. Further details and images for any of the items listed are available on request. Lucius Books welcomes direct contact with our customers. Lakewood, CO: Centipede Press. 2013; 2014; 2015; 2017; 2018; 2021; 2023; 2025. hardcover

Lucius Books · Royaume-Uni2 000,00 £GB≈ 2 283,60 €

Raphael HolinshedBiblio.com

The Description of Scotland Written at the first by Hector Boetius in Latine and afterward translated into the Scottish Speech by John Bellenden Archdeacon of Murrey and now finally into English by R.H. Whereupon is inferred the historie of Scotland conteining the beginning increase proceeding continuance acts and government of the Scotish nation from the originall thereof unto the yeare 1571 gathered and written in English by Raphaell Holindshead: and continued from 1571 to 1585 by others

1587033313London : Holinshed Harrison Jooker et al 1587 A good copy of the Scottish part of Holinshed's Chronicles. First published in 1577 this work was revised and reissued after censorship in 1587. This is the 1587 reissue - said to have been used by Shakespeare in writing Macbeth. This copy is in a recent full calf binding with a panelled design to the boards with gilt titles and date. It has minimal wear. New endpapers and intial and final blanks have been added. Contains: decorative title page dated 1585 with some professioanl repair to the side edge; dedication pp 3-4; Contents list p5; authorship p6; The description of Scotland pp7-23 blank verso; title page - The Historie of Scotland dated 1585; dedication p 27-28; The Historie of Scotland pp 29-464; first table alphabeticall 12 pp; second table alphabeticall 15pp; finis. These two index sections do not cover Scotland - the third and fourth tables are missing together with the Colophon. There are 2 problems with the collation. The leaf with 325/6 is missing and has been replaced with a blank sheet. A fascimile of this leaf is loose in the book. There is considerable mispagination with pp 430-439 - part of the havoc created by censorship of the work at the time. The pagination is: 430-436 tie works 437-432 tie does not work - pp 438/431 should be after 437 and are missing but supplied loose in facsimile - 433-439 tie works. Overall the contents are in very good clean condition with the occasional small stain or mark ink drink at 98/9. However pp 419-424 are in much more fragile condition suggesting that they were added in from another volume. There is a large ink splatter affecting the gutter and some of the text in the lower part on pp 419-424 although all the text is readable. Side edges are browned and fragile in this section and there are some paper repairs on pp 421/2. There is a small burn hole in the text at pp 389/90 and tiny burn holes in the gutter of pp 401/2. Please enquire if you would like to see additional images. Holinshed, Harrison, Jooker et al hardcover

E C Books · Royaume-Uni1 950,00 £GB≈ 2 226,51 €

PETRUCCI, RaphaelBiblio.com

KIAI-TSEU-YUAN HOU TCHOUAN ENCYCLOPEDIE DE LA PEINTURE CHINOISE. CHIEH-TZU YUAN

88002801Paris 1918 Laurens. Red cloth tall folio very good index of painters general table glossary 497 b. w. gravures 28 x 40 cm. minor wear to corners spine head/tail clean solid copy. RARE FIRST & ONLY LIMITED NUMBERED EDITION 550 COPIES . . . THE FIRST MONOGRAPH ON THE MUSTARD SEED GARDEN . . . IN A EUROPEAN LANGUAGE . This is a wonderful work with superb detail coverage of the JIE ZI YUAN HUA ZHUANG HUA NIAO PU: MUSTARD SEED GARDEN. GUIDE TO PAINTING a Chinese classic by Li Li-Ong & Wang Kai in 1679. . This work discusses and illustrates a great portion of the original with additional commentaries. Hailed as the most important Chinese book on painting ever issued it has been a continual source of instruction for Chinese and Japanese as well as for Western artists over the centuries. This covers landscapes flowers flowers birds and figures with critical notes on the principles and technical advice on painting. . Useful analyses of the methods of drawing for landscapes and for flower & birds. This superb work was begun in 1677 and finished in 1679. It has become a classic of Ming & Ch'ing painting and a guide to both scholars & artists throughout China. . A major European reference on this great Chinese classic few works in Western languages were written about this book therefore this is the one single and most copious of any resource. Issued in a huge folio size 30 x 41 cm. over all in heavy rag paper a monumental work ! . End of the book description. . . . NOTES ON THE SEPARATE ENGLISH TRANSLATION TYPED MANUSCRIPT: . TITLE: THE CHINESE PAINTERS This is a typed manuscript from the Justin D. Metzgar collection. This translation consists of the following parts from the original book in French. This is the only known translation excerpt to have been don't on this classic title . This item is sold separately from the above described book. . Preface Part I: THE TECHNIQUE: 1. Tools of the painter 2. The representative of forms 3. The division of subjects 4. Inspiration . Part II 1. Origins 2. Chinese painting before the coming of Buddhism 3. The intervention of Buddhism 4. Chinese painting in the T'ang Epoch 7th-10th centuries 5. Painting in the Sung epoch 10th to 13th centuries 6. Chinese painting in the Yuan epoch 13th to 14th . centuries 7. Chinese painting in the Ming epoch 14th to 17th . centuries 8. Chinese painting in the Ch'ing epoch 17th to 20th . centuries . 9. Conclusions . INDEX OF PAINTERS by dynasty epochs per above. . The above is the excerpt is the only translated part into English. A useful resource. . See spine.jpg photo posted to our website for the title page of this item. Other photos are of the Petrucci book. . End of typed manuscript item. . BIBLIOGRAPHY . K. Toda: THE RYERSON COLLECTION OF JAPANESE AND CHINESE ILLUSTRATED BOOKS p.406-410. J. Needham SCIENCE AND CIVILIZATION IN CHINA: vol.3 p.596 et al for more details. SZE Mai-Mai: THE TAO OF PAINTING: A Study of the Ritual Disposition of Chinese Painting. With Translation of the Chieh Tzu Yuan Hua Chuan or Mustard Seed Garden Manual of Painting 1679-1701. Please inquire with us as we may have this in stock. RAWSON Jessica. ed. et al.: THE BRITISH MUSEUM BOOK OF CHINESE ART.: page 124. . unknown

Rare Oriental Book Company, ABAA, ILAB - AN ART AND INTELLECTUAL PROPERTY COMPANY · États-Unis2 501,00 $US≈ 2 116,10 €

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