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167018794Rome: Giovanni Giacomo de Rossi 1670. First edition. Hardcover. Very good. Oblong folio of engravings. The first work has 43 numbered plates beginning with a dedication: "Eminentissimo ac reuerendissimo Principi Camillo Maximo S.R.E. Cardinali amplissimo." The 43 plates were engraved by Pietro Santo Bartoli and are complete.<br /> Bound with: "D. Nicolao Simonello picturae omiumque bonarum artium cultori eximio." 15 engraved plates complete.<br /> Bound with: "Serenissimo Principi Medices Leonis X admirandae virtutis imagines ab Hetruriae legatione ad Pontificatum a Raphaeli Urbinata ad vivum et ad miraculum expressas in Aulaeis Vaticanis." 15 engraved plates complete.<br /> The dedicatee of the first work Carlo Cardinal Massimo was created a cardinal in 1670; he died in 1677. This helps date the present work. <br /> The engravings are printed on one side only of each leaf. The leaves are bound along the left side in a contemporary or near contemporary binding of quarter leather gilt spine rules decorated paper boards. Edges corners and hinges are scuffed and worn small spine repair else this is very good with the engravings in fine condition.<br /> The engravings of each work are complete and rare thus. Giovanni Giacomo de Rossi hardcover
1782287287London: Boydell 1782. Second. hardcover. very good. Raphael. Illustrated with 106 engraved plates 45 in outline some foxing throughout. Tall folio recently rebound in 1/2 crimson morocco marbled boards. London: Printed for John Boydell 1782. Second edition. A very good copy in a fine binding.<br/> <br/> An elaborate artist's manual first published in 1759. It celebrates Raphael's cartoons purchased by William and Mary and then housed in their own gallery within Hampton Court. Ralph's book begins with 12 plates "of the Study of Geometrical Figures." These are followed by 4 plates of human bodies engraved as academic designs by B. Picart. The bulk of the book shows heads of figures from Raphael's cartoons. The plates each depict two heads which are shown in simple line drawings followed with a finished engraving of the same heads. This second edition contains one hundred and six plates as opposed to 75 plates in the first edition of 1759.<br/> <br/> Boydell unknown
192025761920. Soyer Raphael. Soyer Raphael. SELF PORTRAIT. Lithograph 1920 Cole 8. Second State. 8 11/16" x 6 18" Sheet 13 1/2" x 9" printed on Chine Applique. Edition of about 15 signed and titled in pencil. Small area of paper tape on margin verso else in excellent condition A very early Soyer print; rare. unknown
SKU0229259LWW 2015-06-04. Paperback. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking LWW paperback
2015__1466511044CRC Pr I Llc 2015. Hardcover. New. 1232 pages. 19.49x13.58x7.48 inches. CRC Pr I Llc hardcover
177221936Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Trimmed to platemark left margin. Good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
177217014Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 13;Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
177217012Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Sight size: 43 x 17 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 11; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
177214588Rome 1772. Copper engraving by Ottaviani after drawings by Ludovico Teseo printed in black with stunning later professional hand-colouring. Very good condition. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with later professional hand-colouring.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work and executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The whole series was remarkable not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 2; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
177217013Rome 1772. Copper engraving by Ottaviani after drawings by Savorelli and Camporesi printed in light brown coloured ink with contemporary hand-colouring. Good condition. Three repaired tears to the left blank margin. Sight size: 31 1/8 x 18 1/4 inches. A highly decorative print from the famous "Loggie di Rafaele nel Vaticano" series with contemporary colouring of the highest quality from the golden age of the hand-coloured print.<br/> <br/> A very fine image from the first part of a work titled "Loggie di Rafaele nel Vaticano" depicting the decorative work executed by Raphael and his assistants between 1518-1519 in the Vatican. This remarkable print one of the first to be published of the decoration of the Logge on the main storey of the Vatican apartments was probably planned as early as 1760 but was not executed until between 1772 and 1776. The project as a whole was carried out by the painter Gaetano Savorelli the draughtsman Ludovico Teseo the architect Pietro Camporesi and the engravers Giovanni Ottaviani and Giovanni Volpato. The plate is remarkable not only as the first important visual record of Raphael's work but also for the quality of the hand-colouring - the work on this image is in our opinion some of the greatest to be produced in Europe during the whole of the eighteenth century: the golden age of the hand-coloured print. The whole series was of importance not just for the size and magnificent colouring of the prints but also because of the influence they had on contemporary taste. The decision was made to "borrow" elements from Raphael's Vatican tapestries and insert them where the original frescoes were in too poor a state to be legible. The finished plates therefore represented an amalgam of design elements presented with a crisp freshness of colour that held enormous appeal and stimulated the taste for the "grotesque" in the neo-classical period.<br/> <br/> Cf. Brunet IV 1110; cf. Berlin Katalog 4068; cf. Lambert Pattern and Design V. & A.: 1983 p. 26; "Raphael Invenit: Stampe da Rafaello" 1985 Ottaviano 17; Raphael: Reproduktions-graphik aus vier Jahrhunderten Coburg: 1984 p. 104. unknown
167724140<p><strong>1677 FAMED 1ed Raphael ART Vatican Frescoes Pope Sixtus Renaissance Woodcuts</strong></p><p>Raphael was one of the most famous and important Italian painters of the Renaissance. Most of his work is still regularly appreciated and studied in museums all over the world. Though perhaps the most famous collection of Raphael paintings is in the Vatican museum where spaces now known as the Raphael Rooms feature exquisite full-wall frescoes of his artwork.</p><p>Italian engraver Pietro Saint Bartoli published a series of engravings of Raphael's frescoes in the 17th-century. The plates themselves feature the text 'Vaticani Palatii Xystis' referring to the Vatican palace under Pope Sixtus IV who constructed portions of the Vatican for art such as the Sistine Chapel and the Vatican Library.</p><p>Bartoli's collection of Raphael engravings was dedicated to Cardinal Carlo Massimo following his death in 1677 – a collection of <strong>43 stunning oblong folio illustrations!</strong></p><p>Item number: #24140</p><p>Price: $3500</p><p>RAPHAEL Urbino</p><p><strong><em>Eminentissimo Ac Reverendissimo Principi Camillo Maximo S.R.E. Cardinali Amplissimo Bonarum Artium omniumq; Nobilium Disciplinarum Patrono ac Maecenati Meritissimo</em></strong></p><p>Rome: Io. Iacobus de Rubeis 1677. 1st edition</p><p><u>Details</u>:</p><p><!-- if !supportLists-->· <!--endif-->Collation: Complete with all pages</p><p><!-- if !supportLists-->o <!--endif-->43 engravings including title plate</p><p><!-- if !supportLists-->· <!--endif-->Provenance: Handwritten – <em>Thos. Taylor Richmond Surrey</em></p><p><!-- if !supportLists-->· <!--endif-->Language: Latin</p><p><!-- if !supportLists-->· <!--endif-->Binding: Vellum; tight and secure</p><p><!-- if !supportLists-->· <!--endif-->Size: ~10.75in X 15.75in 27.5cm x 40cm</p><p><!-- if !supportLists-->· <!--endif-->Exceedingly rare valuable and desirable</p><p>Our Guarantee:</p><p>Very Fast. Very Safe. Free Shipping Worldwide.</p><p>Customer satisfaction is our priority! Notify us with 7 days of receiving and we will offer a full refund without reservation!</p><p>24140</p><p>Photos available upon request.</p> Io. Iacobus de Rubeis hardcover
1925533276London: Hutchinson & Co 1925. Hardcover. Near Fine/Near Fine. First edition. 12mo. Bookplate of Lady Martin Harvey on the front pastedown corners a trifle bumped near fine in near fine pictorial dust jacket with tiny tears and very shallow nicking at the crown. Warmly Inscribed by Sabatini to Lady Harvey on the dedication page. Also laid in is a page and a quarter Autograph Letter Signed from Sabatini to Lady Martin warmly recounting their past acquaintance and sending along this copy of the book. Aside from the limited and signed set of the author's Collected Works Sabatini books are seldom found signed by the author. This title is exceptionally uncommon in jacket or signed and especially both. Hutchinson & Co hardcover
192254897Paris: Romagnol 1922. Limited first edition. Softcover. near fine. 1/300. Two volumes octavo. Vol. 1: 129 1 blank pp. frontispiece 16 three-quarter page colored vignettes scene divisions 8 hors texte full page colored plates; 20 woodcut ornaments in red and gray; Vol. 2: 56 plates loose in illustrated wrappers as issued comprising: two states each of the the cover illustration frontispiece and the 8 full page plates uncolored; colored with added reproductions of ink drawings -- the illustrator's studies -- appearing in the margin; 16 three-quarter page colored scene divisions and 20 woodcut ornaments all printed before letter. Illustrated tan paper wrappers with white and red lettering on the front covers protected in the original glassine as issued. Engraved images in the first volume and the first section of the second are protected in their original tissue guards. Housed in a custom decorative lustrous multicolored paper-covered slipcase with a protective insert for the spines lettered and embossed in red.<br /> <br /> Edition limited 301 copies this being a special unnumbered deluxe copy on japan paper of which 100 numbered copies are noted at the limitation page; unlike the ordinary numbered copies the limitation page here notes: "Exemplaire imprimé pour M. Georges Calmann-Levy."<br /> <br /> A notable limited illustrated edition of Sophocles' classic Greek tragedy issued with an additional full suite of plates. Vol.1 contains the text of Oedipus Rex "Oedipe Roi" in French and a significant portion of Raphaël Freida's original engravings and drawings integrated directly with the text. This integration is vital as Freida's artwork is not merely decorative; it serves to amplify the emotional intensity and psychological depth of the tragedy. The quality of the printing and the paper in this volume are of high importance. Volume 2 "États des Planches" States of the Plates is dedicated to showcasing the "states of the plates" providing a detailed look at the various stages of the engraving process allowing the viewer to observe the evolution of Freida's artwork from initial sketches to finished gorgeous engravings. This volume is of particular interest to those interested in the technical aspects of printmaking. It should be noted that surprisingly Freida's powerful illustrated edition has never been subsequently reissued.<br /> <br /> Volume one has some closed tearing on the original glassine and wrappers at the head and tail of the spine. A closed tear to the head of the spine itself. Volume with only a few minor instances of tearing to the glassine. Interiors with all images pristine and vibrant. Wrappers and glassines in very good- to very good interiors in near fine condition overall. Georges Calmann-Levy was at one time the head of the Calmann-Lévy publishing house in France the son of it's founder Kalmus "Calmann" Lévy 1819–1891. Romagnol unknown
192851501928. Soyer Raphael. Soyer Raphael. BRONX STREET. Lithograph 1928 Cole 11 Edition of 50 signed and dated in pencil. 7 x 8 3/4 inches 180 x 224 mm. Printed by Burr Miller. From Gettings: "This is Bourne Avenue in the Bronx the same street shown in Night Scene. I had finished an oil painting of this scene and copied it onto transfer paper. Miller then put it onto a lithographic stone and printed it." unknown
9699Soyer Raphael. Soyer Raphael. GIRL AT TABLE. Cole 32. Lithograph 1934. Edition of 25. Titled and signed in pencil. 15 1/2 x 11 1/2 inches. In very good condition though with tape residue at the edges of the lower margin top and bottom far from the image. Rare. unknown
1934122811934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
193420261934. Soyer Raphael. Soyer Raphael. TOWARD THE LIGHT Girl at Window. Lithograph 1934-35. Cole 35. 15 1/4" x 12 1/2". Edition of 25. Signed lower right and titled "Girl at Window" lower left. Printed by George Miller. A very rare and fine print. "This was done directly on the stone and was not based on a drawing or a painting. I just asked the model to face the light streaming through the window." Soyer quoted in Gettings Raphael Soyer - Sixty Five Years of Printmaking Hirshhorn Museum 1982. Until AAA began publishing Soyer's prints in editions of 250 his editions were very small usually 25 or 30. unknown
200093363CSIC. New. 2000. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ASIN: B003TL83FG. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
200093364CSIC. New. 2000. Paperback. 8400074521 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Corresponds to ISBN: 8400074521. Text in Spanish. 77 pages. Época Catalogue Raisonne Catalog Raisonné Complete Works Catálogo Razonado Obra Completa Raisonnee -- with a bonus offer . CSIC paperback
196794067Da Capo. New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE & UNMARKED TIGHT TO THE SPINE - - Corresponds to ASIN B000I9F3D2. 257 pages; 124 black and white illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Da Capo hardcover
197894068Da Capo Pr. New. 1978. Hardcover. 0306709864 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text pristine & unmarked tight to the spine - 257 pages. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Da Capo Pr hardcover
200586962Arcos Verlag. New. 2005. Hardcover. 3935339216 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 296 pages; over 130 illustrations including 32 in color. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Arcos Verlag hardcover
200191034IDE Et CALENDE. New. 2001. Paperback. 2825801534 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 336 pages; illustrated in black and white. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee -- with a bonus offer . IDE Et CALENDE paperback
191557649N.p. 1915. old staple at corner. Slight creasing; very attractive original condition. 4to. With extensive deletions alterations and additions by the author. A story about a dandy who takes on a bet that he cannot capture a certain highwayman. unknown
50934Amsterdam Covens Mortier & Covens Jr. ca. 1758. Reissue of the edition by L. Schenk Amsterdam 1747. With a rare French part. Folio modern suede-like fabric covers. 2 15 22 pag. Illustrated with 2 portraits : J. v. Campen by Lutma and A. Quellinus by H. Quellinus. And with 109 engravings and etchings. Some of these are folding of which some are very large. Illustrators are A. de Putter Hub. Quellinus and J. Vennekool. They based their illustrations on designs by the sculptor Artus Quellinus but plate 69 and 70 are after 'R.V.H.'. This is a good and complete copy besides the modern covers with the French text part. In the Dutch part the signature mark D was corrected by pasting over with a C. After 15 pages of Dutch text follow 22 pages in French with a seperate title page in French. This French part has a seperate signature marking: A-E2 F1. The British Library seems to have a seperate French copy OCLC-nummer: 939433060. Other copies in Dutch and international libraries lack the French part. Literature: Fuhring 4169-4199. BookID nr. B1845. unknown
