Susan Weller; Jeanne S M WilletteBiblio.com
112 résultats
70-2247Laguna Beach : Diane Nelson Fine Art 1999. 4to. 39 pp. Very Good. Soft Cover. Illustrated paper wraps. Color plates throughout. Extremely Scarce.From the Collection of the Art Historian Peter Selz 1919-2019. Laguna Beach : Diane Nelson Fine Art, 1999. paperback
6797784Cambridge University Press CUP . Hardback. New. Cambridge University Press CUP hardcover
74309Couverture rigide. Bon/1901. in-8. Paris 1901 in-8 np reliure demi-chagrin dos à cinq nerfs Très bel exemplaire de l'édition numérotée! 100 dessins choisis dans le Courrier Français de 1884 à 1901. unknown
189225949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
5887Couverture rigide. Bon/sd. in-8. Paris Le Croquis sd in-8 68pp broché Très bel exemplaire de l'édition originale numérotée sur papier Lafuma n° 84/150 après 5 Japon Impérial & 10 Hollande. Exemplaire non coupé. unknown
190023933Paris.: Henri Tellier Editeur. c.1900. Full pink cloth leather title label to spine decorative patterned paper endpapers original publisher's printed wrappers with pictorial title heightened with gold by Willette preserved a.e.g. Small folio. 277 x 193 mm. Printed title with vignette by Willette leaf with 'Table' in blue and 15 songs with printed music each with title and illustrated with a full page lithograph by Willette. A good complete copy of 'Chansons de Paul Delmet' preserving the original pictorial wrappers by Willette.The work is dedicated to Félicia Mallet and includes poems set to music by Georges Auriol Léon Durocher Emile Goudeau Propser Marius Victor Meusy Albert Tinchant and Maurice Vaucaire.The songs are: 'Les Choux' 'Petit Chagrin' 'Les Petits Pavés' 'Joli Mai' 'Villanelle' 'Matin' 'Chanson de Rien' 'Désirs Perdus' 'Tourne Mon Moulin' 'Mirlitaine et Mirliton' 'Matin au Bois de Boulogne' 'Aubade' 'Petit Sentier' 'Avril' and 'Les Grands Yeux de l'Hôtesse'. Henri Tellier, Editeur. hardcover
19253433Paris: Éditions Lemercier 1925. First edition. Poetry and beautiful woodcuts. Some pages uncut. A little age toned but otherwise very good. 79 pages. 245 x 195 mm 9¾ x 7¾ inches. Première édition. Poésie et belles gravures sur bois. Certaines pages non coupées. Un peu d'âge tonique mais sinon très bon. 79 pages. 245 × 195 mm Éditions Lemercier unknown
2018ASAP-9781839374944Glenco Vocational Books 2018. New. Glenco Vocational Books unknown
2018ASAP-9781839374944Glenco Vocational Books 2018. New. Glenco Vocational Books unknown
1916007546Paris: Devambrez 1916. Limited Edition. Full Vellum. Near Fine. A unique copy with one autographed manuscript page and two original watercolor compositions one on the front cover vellum and the other serviing as a frontis. These special features are over and above being one of 300 copies in the limitation. 4to. 23.5 by 18.5 cm. Unpaginated the notebook of which this is a facsimile reproduction had a few early leaves paginated. 54 leaves with content often front and back but sometimes just the recto. Virtually all the color illustration is on the rectos and almost every recto has a full page color illustration or a color illustration which dominates the page. The facing versos have most of the newspaper clippings shorter commentary sometimes letters an occasional vignette. Scarce -- OCLC First Search identified just two institutions with holdings of the hard copy of the book. Cover is soiled and foxed yet painting comes through still vibrant bright vivid. Devambrez unknown
B173285-1Paris Devambez 1915. 102pp. Prof. illus. in color. 4to. Flexible boards. Publishers slipcase. New fitted cloth clamshell case. One of 300 hand-numbered copies signed in red ink by the artist in the justification. Paris (Devambez), [1915?]. hardcover
2172647Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172649Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172648Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
51-4713Paris : Devambez 1918 . Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room. Paris : Devambez, [1918] hardcover
2182824Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1881. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
21406Paris: Kleinmann. Print. Very good condition. Adolphe Willette original lithograph illustrated advertisement showing a topless young cabaret performer carrying a round gift box marked "Bonne Annee" stepping through a large oval frame as a young girl assists. Signed in the plate at lower left.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge whose many works in the illustrated press Le Pied de Nez le Courier Francais and Le Rire often appeared under various pseudonyms. He was active during the Belle Epoque and Art Nouveau period and was a member of the Cornet Society a group of artists musicians writers academics and playwrights who gathered at various restaurants around Montmartre. Known for his lithographs posters paintings and illustrations Willette was called the "Pierrot of Montmartre" because of his fascination with this comedia del'arte character. Willette's famous 'Parce Domine' painting with many Pierrot figures first decorated the Montmartre cabaret Le Chat Noir; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche.<br /> <br /> Image 11 x 8 1/2" hinged on one side only onto heavier stock 12 1/2 x 10 1/4" Kleinmann unknown
16-4469Paris: 1898-1922. 11 ALS covering a 24 year period on copyright matters.Adolphe Léon Willette 30 July 1857 – 4 February 1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. .11 LASDatées entre 1898 et 1922Concernent des droits de reproductions des droits d’auteu.La fascinante épopée du droit d'auteur Pendant près d'un demi-siècle Jacques-Louis Duchemin 1895-1978 membre et juriste du Syndicat de la propriété artistique puis son fils Wladimir Duchemin 1941-2018 directeur de la Société de la propriété artistique des dessins et modèles Spadem se sont battus pour mettre sur pied et défendre les droits des peintres·ses. Rémunération contrefaçon diffusion exploitation. ce fonds épistolaire exceptionnel nous fait entrer dans l'intimité des plus grand·es créateur·rices du XXe siècle. Provenance:Fonds d’archives Duchemin par descendance Paris: 1898-1922 unknown
19598701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9†x 6â€. Stapled wrappers. pp. Very good plus: minimal wear and light toning. <br /> <br /> This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was<br /> <br /> “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.â€<br /> <br /> Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs.<br /> <br /> The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator.<br /> <br /> A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
19594889Elizabeth N.J.: Elizabeth Printing Service for the National Consumers Committee for Research and Education Inc 1959. Very good plus. 16pp. Original illustrated wrappers stapled. Minor toning to spine. Internally clean. A scarce history of the Cultural Center for Migrants in Freehold New Jersey opened in the wake of the 1945 Migrant Labor Law "to provide a place where migrants could meet and find wholesome amusement and educational programs when they came to town during the weekends." Most of the area's 20000 seasonal workers came to pick potatoes in Monmouth County New Jersey in July after working in Florida in the spring and early summer. The present work is mostly comprised of the story of the cultural center written by Lenora B. Willette one of the center's earliest supporters. Willette's account includes background on the center's beginnings and early supporters as well as information on registration and membership activities at the center religious services "Patriotic Exercises" and a section of conclusions. OCLC reports nine copies mostly in New Jersey. Elizabeth Printing Service, for the National Consumers Committee for Research and Education, Inc unknown
189625811896. An engraved poster welcoming the new year of 1896. A naked woman representing 1896 is at the helm of a boat which has the debris of 1895 in its wake. Tipped onto white backing cardboard. Signed in the plate A. Willette. To the bottom right is 'Phg V. Michel'. The debris of 1895 includes the words 'Panama' and 'Arton'. These appear to relate to Émile Arton a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. Adolph Willette was strongly anti-Semitic. Poster is clean and tidy with no significant marks. Black and white. Overall in Very Good condition. Poster size: 610 x 460 mm 24 x 18 inches. Adolphe Léon Willette 1857–1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-Semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots « Panama » et « Arton ». Celles-ci semblent concerner Émile Arton un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm 24 x 18 pouces. Adolphe Léon Willette 1857-1926 était un peintre illustrateur caricaturiste et lithographe français ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889. unknown
73-2560Paris: Mairie du XVIIe 1987. 60x40 cm. Color poster. Very Good. Text in French.Provenance: Jean-Louis Debauve 1926-2016 aka Henry Jean-Louis DebauvveMagistrat honoraire spécialiste de la poésie romantique et du Symbolisme. historien et critique littéraire. - Membre de la Société polymathique du Morbihan - Docteur en droit Paris 1961 Paris: Mairie du XVIIe, 1987 unknown
65405-A-57654H. Floury Paris 1919. First edition with original red Morocco half-leather binding corners red morocco marbled boards. Top end edges gilt. 27x21 cm. With frontispice original lithographs tipped-in colour plates and many ills in the text. 183 p. Edges and corners of cover somewhat worn ex libris on inside front board pages slightly browned. H. Floury, Paris, 1919 hardcover
191946651Paris: H. Floury Éditeur 1919. Large 4to 27x21 cm. Contemporary half cloth with cloth corners; gilt title on spine; covers marbled paper; decorated endpapers. Original illustrated wrappers preserved. ii184 pp. With title-vignette title printed in red and black. With frontispiece in colours pasted in and 15 other colourplates 7 pasted in including 1 double-page plate 15 black and white plates 2 double-page. Together 31 plates. And many illustrations 18 full page illustrations in text almost all after designs of Adolphe Willette 1857-1926 painter illustrator caricaturist and writer. - Minimal tear in first hinge binding; small tear in inner margin of a few leeaves repaired but on the whole a good copy of his autobiography. H. Floury, Éditeur hardcover
