Adolphe WILLETTE - ROEDEL - Paul DELMETBiblio.com
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188585634Paris: A. Quinzard & CieHenri Tellier 1885. Fine. A. Quinzard & Cie Henri Tellier Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. A. Quinzard & CieHenri Tellier hardcover
18855635Paris: Divers éditeurs C1885. A nicely bound collection of six works by Willette in one volume. The works included are: MELANDRI La Halle aux Baisers P. Ollendorf 1883 second edition. 12 pages with vignettes throughout. This is a particularly scarce work and we can find no other copy. ; MELANDRI Les Pierrots L. Vanier n.d. but 1885. First edition. 12 pages all folded and illustrated; MELANDRI Giboulees d'Avril L. Vanier 1885 First edition. 16 pages. full page and vignette illustrations.; A. MASSON Par devant Notaire L. Vanier 1886. first edition. eight pages with vignettes; A. MELANDRI Le petit chaperon blue L. Vanier 1888 First edition. 12 pages with vignettes. This is a particularly scarce work and we can find only one other copy. ; Émile VITTA Farandole de pierrots L. Vanier 1890. First edition. Two identical covers. The first is darkened with edgewear. 32 pages with numerous illustrations. To the rear is a pink leaf advertising the seven "Albums Willette." Six of these are present here only Pauvre Pierrot is not included. The covers are in plain cream cloth. Now darkened and a little stained. Slightly chipped leather label with gilt titles to the spine. 24cm x 16.5cm. . Un recueil joliment relié de six œuvres de Willette en un seul volume. Les œuvres incluses sont : MELANDRI La Halle aux Baisers P. Ollendorf 1883 deuxième édition. 12 pages illustrées de vignettes tout au long du texte. Il s'agit d'un ouvrage particulièrement rare et nous n'avons trouvé aucun autre exemplaire. ; MELANDRI Les Pierrots L. Vanier s.d. mais 1885. Première édition. 12 pages toutes pliées et illustrées ; MELANDRI Giboulees d'Avril L. Vanier 1885. Première édition. 16 pages. Illustrations en pleine page et vignettes ; A. MASSON Par devant Notaire L. Vanier 1886. Première édition. Huit pages avec des vignettes ; A. MELANDRI Le petit chaperon bleu L. Vanier 1888. Première édition. 12 pages avec des vignettes. Il s'agit d'un ouvrage particulièrement rare et nous n'avons pu trouver qu'un seul autre exemplaire. ; Émile VITTA Farandole de pierrots L. Vanier 1890. Première édition. Deux couvertures identiques. La première est noircie et présente des traces d'usure sur les tranches. 32 pages avec de nombreuses illustrations. Au dos une feuille rose faisant la promotion des sept « Albums Willette ». Six d'entre eux sont présents ici seul Pauvre Pierrot n'est pas inclus. Les couvertures sont en toile crème unie. Elles sont aujourd'hui noircies et légèrement tachées. Étiquette en cuir légèrement ébréchée avec titres dorés sur le dos. 24 cm x 165 cm. Divers éditeurs hardcover
6797784Cambridge University Press CUP . Hardback. New. Cambridge University Press CUP hardcover
1992213978Napoli: Electa 1992. Hardcover. VG-. Boards bowed and slightly warped. Jacket has wear around the edges with some small closed tears and bumping. Quarto. Hardcover. Cream cloth boards in illustrated jacket. 486 pages : illustrations some color ; 29 cm. Electa hardcover
59-0645Paris: Courrier Français 1892. Lithograph with matte. Image: 15 x 12.5 cm. Sheet: 38 x 28 cm. Matte: 49 x 36. Two tears in right margin 1.5 & 8 cm. Printer: Belfono. Supplément du Courrier Français du 14 février 1892.On the vero are manuscript statements by Will Rothenstein and 2 others Paris: Courrier Français, 1892. unknown
2014x-3319046624Springer 2014. Hardcover. New. 2014 edition. 407 pages. 9.25x6.25x0.75 inches. Springer hardcover
192054844Paris: E.F. d'Allignan 1920. One of 270 copies. 1 vols. Small 4to. Original wrappers slight staining. Very Good. In quarter blue morocco slipcase with chemise. One of 270 copies. 1 vols. Small 4to. E.F. d'Allignan unknown
18852308050061Paris: Leon Vanier 1885. First Edition. Hardcover. Like New. Caricatures Small folio 35 cm. Held in in publisher's blue boards with engraved vignette on upper cover. Rebacked. Excellent binding and cover. 41 engraved plates. Loose as issued. circa 1885 or 1890 Paris: Leon Vanier hardcover
B173285-1Paris Devambez 1915. 102pp. Prof. illus. in color. 4to. Flexible boards. Publishers slipcase. New fitted cloth clamshell case. One of 300 hand-numbered copies signed in red ink by the artist in the justification. Paris (Devambez), [1915?]. hardcover
1978BN190515Pergamon Press 1978. 1978. Hardcover. Psychopharmacology of Hallucinogens <br/><br/>Psychopharmacology of Hallucinogens Stillman R.C.; Willette R.E. Pergamon Press hardcover
5447France: S.P. S.D. Reprint. A limited edition 26/250 His 1 May 1915 illustration in Fantasio depicts a poignant wartime theme: "Living beautiful and dying by releasing a beautiful soul" featuring motifs of war casualties from the 1914-1918 conflict. This is not a page from the magazine it was printed as a poster and is printed later and numbered in pencil - but with no printer or publisher details. Fantasio was a First World War satirical magazine launched in August 1906 by Félix Juven. The only record of this print we can find is for the auction record of this copy. There is a little edgewear to the extensive margin but this could be easily hidden in framing. A lovely piece. Image area is 26.5cm x 41.5cm. The sheet is 41.5cm x 59cm. Blank to verso. Adolphe Willette 1857-1926 stands as a prominent figure among the bohemian artists of fin-de-siècle Montmartre renowned for his contributions as painter illustrator caricaturist and lithographer. He is today particularly remembered for his caricatures from the first world war. . Réimpression. Édition limitée 26/250 Son illustration du 1er mai 1915 dans Fantasio dépeint un thème poignant lié à la guerre : « Vivre en beauté et mourir en libérant une belle âme » avec pour motifs les victimes de la guerre de 1914-1918. Il ne s'agit pas d'une page du magazine mais d'une affiche imprimée ultérieurement et numérotée au crayon sans mention de l'imprimeur ou de l'éditeur. Fantasio était un magazine satirique sur la Première Guerre mondiale lancé en août 1906 par Félix Juven. La seule trace que nous ayons trouvée de cette gravure est le résultat de la vente aux enchères de cet exemplaire. Les bords de la large marge sont légèrement abîmés mais cela peut facilement être masqué par un encadrement. Une très belle pièce. La surface de l'image est de 265 cm x 415 cm. La feuille mesure 415 cm x 59 cm. Verso vierge. Adolphe Willette 1857-1926 est une figure éminente parmi les artistes bohèmes du Montmartre fin de siècle réputé pour ses contributions en tant que peintre illustrateur caricaturiste et lithographe. On se souvient aujourd'hui particulièrement de lui pour ses caricatures de la Première Guerre mondiale. S.P. unknown
200296246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. <br/><br/> Cambridge University Press hardcover
19598701Elizabeth New Jersey/Cleveland Ohio: Elizabeth Printing Service/National Consumers Committee for Research and Education Inc 1959. Very good . 9†x 6â€. Stapled wrappers. pp. Very good plus: minimal wear and light toning. <br /> <br /> This book tells the story of the Freehold New Jersey center for migratory farm workers and their families. It's notable because its author and illustrator were both African American women. Per the introduction the author Lenora B. Willette was<br /> <br /> “a Southerner by birth and she first became interested in the plight of the migrants displaced from the plantations through the mechanization of cotton. Active in civic affairs and in the Consumers League of New Jersey she worked to secure the Migrant Labor Law and was appointed one of the five public members to the first Board by Governor Walter E. Edge. She was chosen to make a study of migrant education in the southern and western states as the official representative of the State. Her recommendations were used as a guide in setting up a school of education for children—the Freehold Summer School for Migrant Children; the first of its kind in the nation.â€<br /> <br /> Willette was the also the president of the New Jersey State Federation of Colored Women's Clubs.<br /> <br /> The artist was presumably Lenora's sister Naida Willette Page who contributed the cover art as well as two full page internal illustrations. Naida Willette Page initially studied engineering at Howard University before making national news in 1950 as the first African American to be trained at Johns Hopkins for medical illustration. She graduated from Johns Hopkins in 1951 later worked as the Howard University College of Medicine medical illustrator and was the Art Director for the Journal of the National Medical Association where she often illustrated the covers that featured historic Black doctors. Several sources state that she's considered the first African American medical illustrator.<br /> <br /> A terrific combination of female author and illustrator. OCLC locates 8 copies over two entries. Elizabeth Printing Service/National Consumers Committee for Research and Education, Inc unknown
51-5167Paris: 1932-1939. 4 broadsides. 28 x 38cm. for the years 1932 1937-39. Reproductions of works by Willette on one side. Paris: 1932-1939 unknown
B175624-1Paris G. Ondet 1895. 8 lithographs loose as issued within chemise with 2 additional lithographs on front and back. Contents loose as issued. Lrg. 4to. Dec. illus. chemise. New fitted cloth clamshell case. Both the chemise and all plates are individually stamped 42 at lower left seemingly a limitation number. Printed on japon this publication would appear to be a deluxe separate issue of the lithographs. Ohé les moeurs! Chansons satiriques. 1re série a musical score for voice and piano subtitled "Douze lithographies de Willette" was published in Paris in 1895 with music by Paul Hucks and lyrics apparently by A. Sémiane. With only 8 or possibly 10 lithographs this copy would seem to be incomplete apart from the music and lyrics which may or may not have been included. A later edition of the score or possibly a later série of it from the same publisher appeared in 1910. [Paris (G. Ondet), 1895?]. hardcover
5887Couverture rigide. Bon/sd. in-8. Paris Le Croquis sd in-8 68pp broché Très bel exemplaire de l'édition originale numérotée sur papier Lafuma n° 84/150 après 5 Japon Impérial & 10 Hollande. Exemplaire non coupé. unknown
189625811896. An engraved poster welcoming the new year of 1896. A naked woman representing 1896 is at the helm of a boat which has the debris of 1895 in its wake. Tipped onto white backing cardboard. Signed in the plate A. Willette. To the bottom right is 'Phg V. Michel'. The debris of 1895 includes the words 'Panama' and 'Arton'. These appear to relate to Émile Arton a Jewish financier who was arrested in November 1895 for his part in financing in the Panama crisis. Adolph Willette was strongly anti-Semitic. Poster is clean and tidy with no significant marks. Black and white. Overall in Very Good condition. Poster size: 610 x 460 mm 24 x 18 inches. Adolphe Léon Willette 1857–1926 was a French painter illustrator caricaturist and lithographer as well as an architect of the famous Moulin Rouge cabaret. Willette ran as an "anti-Semitic" candidate in the 9th arrondissement of Paris for the September 1889 legislative elections. Rare. Une affiche gravée accueillant le nouvel an 1896. Une femme nue représentant 1896 est à la barre d'un bateau qui a dans son sillage les débris de 1895. Renversé sur carton blanc. Signé dans la planche A. Willette. En bas à droite se trouve 'Phg V. Michel'. Les débris de 1895 comprennent les mots « Panama » et « Arton ». Celles-ci semblent concerner Émile Arton un financier juif arrêté en novembre 1895 pour son rôle dans le financement de la crise de Panama. Adolph Willette était fortement antisémite. L'affiche est propre et bien rangée sans marques importantes. Noir et blanc. Dans l'ensemble en très bon état. Taille de l'affiche : 610 x 460 mm 24 x 18 pouces. Adolphe Léon Willette 1857-1926 était un peintre illustrateur caricaturiste et lithographe français ainsi qu'un architecte du célèbre cabaret du Moulin Rouge. Willette se présente comme candidate « antisémite » dans le 9e arrondissement de Paris aux élections législatives de septembre 1889. unknown
71-7388Paris: L’Estampe Moderne 1897-1899. Lithograph. 41 x 31 cm support mount. artist’s name in lower right of image ‘A. Willette’ with the blindstamp of L’Estampe Moderne Lugt 2790 printed by L’Imprimerie Champenois edited by Charles Masson and H. Piazza with the original tissue paper guard. Very Good mount sheet lightly toned and with a tear along right edge. Paris: L’Estampe Moderne, 1897-1899. unknown
2006HVD-44208-OS-0Los Gatos CA: AMP Publishers. Very Good-. 2006. 1st Edition Unstated; Fourth Printing. Paperback. 149 pages; Scuff to exterior edge of pages. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. . AMP Publishers paperback
21406Paris: Kleinmann. Print. Very good condition. Adolphe Willette original lithograph illustrated advertisement showing a topless young cabaret performer carrying a round gift box marked "Bonne Annee" stepping through a large oval frame as a young girl assists. Signed in the plate at lower left.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge whose many works in the illustrated press Le Pied de Nez le Courier Francais and Le Rire often appeared under various pseudonyms. He was active during the Belle Epoque and Art Nouveau period and was a member of the Cornet Society a group of artists musicians writers academics and playwrights who gathered at various restaurants around Montmartre. Known for his lithographs posters paintings and illustrations Willette was called the "Pierrot of Montmartre" because of his fascination with this comedia del'arte character. Willette's famous 'Parce Domine' painting with many Pierrot figures first decorated the Montmartre cabaret Le Chat Noir; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche.<br /> <br /> Image 11 x 8 1/2" hinged on one side only onto heavier stock 12 1/2 x 10 1/4" Kleinmann unknown
B169920-1Paris E.F. dAllignan Éditeur 1920. 9 1ff. 4 plates. 7 illus. 5 tipped-in color. Text reproduced from the artists manuscript. Sm. 4to. Wraps. Glassine d.j. New fitted cloth clamshell case. One of 200 hand-numbered copies from the limited edition of 270 in all. Paris (E.F. dAllignan, Éditeur), 1920. hardcover
191924533Paris 1919. Print. Very good condition. Signed printed original lithograph illustration possibly used for a cabaret such as 'Le Chat Noir' depicting a well dressed Parisian gentleman pursued by a topless cabaret dancer who has speared his hat on her umbrella. Signed in the print at the lower right.<br /> <br /> Willette 1857-1926 was a French caricaturist painter lithographer and architect of the Moulin Rouge. Willette's famous 'Parce Domine' painting first decorated the Montmartre cabaret 'Le Chat Noir'; it is now at the Montmartre Museum. Willette also contributed posters to Masters of the Poster Maitres de l'Affiche. <br /> <br /> 8 1/2 x 12 1/2" tipped on to heavier stock. unknown
0878391746New. paperback. New. Satisfaction Guaranteed or your money back. paperback
17684Le Rire Paris 1902-03. In/4 broché reliure factice belle ensemble 51 numéros In/4 broché illustrations en noir et en couleur. N° 422 déchiré sans manque - le n°6 mars 1903 : spécial Cake-walk a sa couverture déchirée avec manques le poster d'A. Faibvre a souffert de quelques "grignotage" sur une pliure le numéro 13 manque de papier en couverture et déchirure du numéro - manque le N°14. Revue satirique actualité sociale et politique moeurs illustrée par Caran d'Ache Forain Léandre Willette Cappiello Faivre Métivet Vallotton Rabier Roubille Poulbot. unknown
1919834G41Paris: H. Floury 1919. First edition. Cloth. Near Fine. 10.5" by 8". Adolphe Willette . A beautifully illustrated first edition autobiography by the renowned French artist Adolphe Willette. The first edition. In full red cloth binding with gilt lettering. With an illustrated title page colour portrait frontispiece and numerous vignette illustrations throughout. In addition to 47 full page illustrations some of which are in colour and printed on handmade paper. Collated complete. An autobiography by the French painter and caricaturist Adolphe Willette. Willette is best known as the architect of the famous Moulin Rouge cabaret. His graphical works made Pierrot the pantomime character a fictional hero of France. With a bookplate to the front paste down and stamp to the front free endpaper from the Royal College of Art in London. In full cloth binding. Externally excellent with light shelf wear to the edges and some fading to the spine. Book stamp to the front paste-down and library stamp to the front free endpaper. Internally firmly bound. Pages lightly age-toned to the edges but otherwise very bright and clean. Closed tear to the bottom of page 37. Near Fine H. Floury hardcover
