Joe BRIDGE - Adolphe Leon WILLETTEBiblio.com
112 résultats
1921665761921. Fine. 1921 25 x 32.30 cm une feuille Extremely rare and humoristic menu pamphlet from the souper démocratique democratic supper organised by the République de Montmartre newly founded in 1921. The date shown is a parody of the republican calendar: ""17 Neigeôse An I"". A magnificent original wood engraving representing the Communards on the Montmartre hill and bearing the monogram Armand adorns the first board. In the spirit of the Paris Commune the République de Montmartre was created in the early 1920s by the Parisian artists Joé Bridge Adolphe Willette Jean-Louis Forain Francisque Poulbot Maurice Neumont Louis Morin Maurice Millière Raoul Guérin and Jules Depaquit. Their parties and banquets often organised in Montmartre's legendary venues Moulin de la Galette cirque Médrano Moulin Rouge were intended to unite the Montmartre community by mutual aid and sociability. This menu is a rare testimony of the beginnings of this joyful and festive organisation which is delivering here a very comical banquet where one serves Fois d'aristocrates truffés de chez Julien Julian's truffled aristocrat livers Salade d'Emigrés Salad of Expatriates and Fruits de la Révolution Fruits of the Revolution. It ends with the motto SALUT FRATERNITE et BON APPETIT ! CHEERS FRATERNITY and BON APPETIT! unknown
189348437Paris. 1893 – 1894. Later burgundy cloth-backed marbled paper boards original publisher's printed illustrated wrappers preserved. 11 issues. Folio. 396 x 294 mm. Each issue with title and cover illustration printed text in French throughout and advertisements to rear cover and with 33 illustrations by Toulouse-Lautrec Bonnard Ibels Willette Vallotton Hermann-Paul and others. An excellent complete set of the very scarce fin-de-siècle illustrated revue 'L'Escarmouche' with additional important ephemera and original material.Directed by Georges Darien the writer satirist and artist the anarchist 'L'Escarmouche' was short-lived even by the standards of the day appearing weekly for only three short months from November 1893 to January 1894 a very rare final number included here was issued as an afterthought and without illustration apart from the cover by Ibels in March 1894. Noted rather more for its illustration than any literary merit 'LEscarmouche' featured covers by Henri-Gabriel Ibels 4 René Georges Hermann-Paul 5 and Félix Vallotton 1.The illustration fine and typical examples from the French fin-de-siècle features 12 lithographs by Henri de Toulouse-Lautrec. Artistic contributors to the revue also included Louis Anquetin Pierre Bonnard Henri-Gabriel Ibels René Georges Hermann-Paul Félix Vallotton and Adolphe Willette.Also included inserted loose is the following additional material:- the original 'affiche' for 'L'Escarmouche' by Ibels 650 x 485 mm a large colour lithograph showing the interior of a bar with the patrons turned to watch soldiers marching past outside the image was reduced and printed in black for the cover of issue no. 1; - the reproduction of the same from 'Les Maîtres de l'Affiche'; - the catalogue for Ibels' first exhibition in 1894 which includes many of the drawings that appeared in 'L'Escarmouche'; - Ibels' carte de visite with some lines in manuscript; - Ibels' letter dated Janvier 1906 to Achille Astre Gustave Geffroy's secretary; - the manuscript for Arsène Alexandre's article on Toulouse-Lautrec published in PAN in October 1893; - the original prospectus for the exhibition of lithographs by Henri de Toulouse-Lautrec at the Musée de Luxembourg Décembre 1904 - Janvier 1905 in many of the artist's lithographs from 'L'Escarmouche' were published.- Also included is a letter from Ibels dated 21 Fevrier 1906 Manuscript receipt from Hermann Paul Visiting card of Ibels Catalogue of an exhibition of Hermann Paul's drawings and printsat Bernheim Jeune c. 1905.'L'Escarmouche' is one of the scarcest of the periodicals from the French fin-de-siècle and this exceptional set includes the final number - almost always missing from sets - issued two months after the penultimate number. OCLC reports a single complete set that at the Bibliothèque Nationale in France; sets without the final number are also scarce and we can only trace those at the Swiss Bibliothèque d'Art et d'Archéologie the National Library of Canada the National Gallery of Australia and Iowa only.not in Ray. hardcover
192272699Paris: Editions Sansot 1922. Fine. Editions Sansot Paris 1922 12 x 19 cm broché First edition on ordinary paper. Cover illustrated with a woodcut by L. Madeline. Spine sunned rare. Editions Sansot unknown
2007Q-1877809438Park Place Publications 2007-09-28. Paperback. New. New. In shrink wrap. Looks like an interesting title! Park Place Publications paperback
20171379730New York: Cambridge University Press 2017. First Edition. Hardcover. Quarto xxii 385 pages. In Very Good condition with a Very Good condition dust jacket. Evergreen and sea-green spine with white lettering. Dust jacket has mild shelving wear mild finger-staining mild wear along front cover head and tail edges and mild wear along spine head and tail. Rear board has mild dent along tail edge and mild wear along spine head and tail. Textblock has mild wear along the tail edge. Shelved in the Quarto/Folio area in Locked Annex. 1379730. FP New Rockville Stock. Cambridge University Press hardcover
2017129128Cambridge University Press. New. 2017. Hardcover. 0521780004 . - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - BRAND NEW FLAWLESS COPY NEVER OPENED - with a bonus offer-- . Cambridge University Press hardcover
189875920Paris: Théophile Belin 1898. Fine. Théophile Belin Paris 1898 22 x 30 cm relié First edition printed with 200 copies on vellum illustrated with a frontispiece and 12 colour intaglio engraved plates by Willette printed in bistre in the text and in colour for the insets by Vigna-Vigneron comprising the frontispiece in 7 versions including 4 for the decomposition of the colour and 12 insets in 2 versions that is black and white and colour. Bound in pale pink suede spine in two false compartments multicoloured patchwork garland glued to the boards comb-patterned endpapers shimmering covers and spine preserved all leaves have been mounted on guards brown cloth slipcase binding signed D. M. and dated 2015. ""Belle publication côtée une des meilleures de l'artiste qui mérite plus d'attention. Vigna habile artiste restaurateur de gravures anciennes a innové un artistique procédé de reproduction en couleurs qui respecte l'original"" Carteret. Beautiful popular publication one of the artist's best which deserves more attention. Vigna a skilled artist restorer of old engraving invented an artistic colour reproduction process that respects the original Carteret. Théophile Belin hardcover
2007TN220305Palais Benedictine Fecamp 2007. 1st Edition. SOFTCOVER. Medium size landscape 4to in colour printed stiff card covers 46pp colour plates etc. Dual text in French and English __CONDITION : NEW unread and unmarked copy. . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Palais Benedictine, Fecamp paperback
42095Paris: Leon Vanier 1892. First edition hardback. 4to 31cm x 23cm 54pp vi. 7 black and white plates by Willette and Boutet de Monvel. Bound in full red calf gilt titling to the front board with the original card front cover bound in. The boards are warped the binding is scuffed and a couple of pages are lightly foxed. Overall this copy is in good minus condition. Paris: Leon Vanier, 1892. hardcover
124456589X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6102344473Author Solutions Inc. pp. 326 . Hardback. New. Author Solutions, Inc. hardcover
1906189471Paris: A. Blaizot 1906. 59/116. Softcover. VG light wear to wraps pages are clean and clear illustrations are crisp. Tan wraps with black and red lettering; 82 uncut and untrimmed pages; color frontispiece by Felicien Rops and original lithograph by Adolphe Willette. Printed in edition of 116 copies this being number 59. Text is in French. The Painters of the Integral Woman: Felicien Rops and A. Willette. A. Blaizot paperback
2011G1604587741I3N00Instant Publisher 2011. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. Instant Publisher paperback
1907396456Paris : F. Juven 1907. 1st edition. Hardcover. Very good copy in the original gilt-blocked cloth-backed paper-covered boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Remains particularly well-preserved overall. Physical description; 1 vol. : ill. ; 24 cm. Abundantly illustrated some col. Subjects; Caran d'Ache 1859-1909 Views on society. Caricature France History 19th century. Caricatures. Satire. French artists. French caricatures. Paris : F. Juven hardcover
1418499226.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
200296246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. <br/><br/> Cambridge University Press hardcover
1893208380Delagrave 1893. Bon Etat. in4. 1893. Cartonné. 150 pages. Delagrave unknown
231220Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1917. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
229157Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1916. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
229328Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Fng. Created in the unknown century 1915. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
18852308050061Paris: Leon Vanier 1885. First Edition. Hardcover. Like New. Caricatures Small folio 35 cm. Held in in publisher's blue boards with engraved vignette on upper cover. Rebacked. Excellent binding and cover. 41 engraved plates. Loose as issued. circa 1885 or 1890 Paris: Leon Vanier hardcover
189974842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
188585634Paris: A. Quinzard & CieHenri Tellier 1885. Fine. A. Quinzard & Cie Henri Tellier Paris s. d. 1885 25 x 33.50 cm 2 volumes reliés en 1 First edition on ordinary paper for each volume. Half-red sheep binding smooth spine decorated with triple gilt fillets pebbled paper boards marbled endpapers and pastedowns color illustrated covers by Adolphe Willette and Auguste Roedel preserved speckled edges. Poetry by Emile Goudeau George Auriol Léon Durocher Prosper Marius Victor Meusy Albert Tinchant Maurice Vaucaire for the first volume; poetry by Henri Bernard Maurice Boukay Théodore Botrel René Dubreuil Emile Goudeau Victor Meusy and Raoul Gineste for the second. Work illustrated with 17 original lithographs hors-texte by Adolphe Willette for the first volume and 15 original lithographs by Auguste Roedel for the second. Some rubbing at head and foot of spine. A. Quinzard & CieHenri Tellier hardcover
188481928Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette: ""John Bull au Congo"". Literary contributions by Albert Samain ""Tsilla"" Georges Auriol ""Les neiges de Bretagne"" Maurice Montégut ""Les confidences de l'abîme"". Handsome copy. Le Chat noir is a weekly magazine created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the purpose of promoting the famous cabaret of the same name of which it serves as a record. It published the texts recited during the performances. It is moreover an important literary and artistic testimony of the end of the 19th century centered around bohemia and the Parisian effervescence characteristic of that era. Au cabaret Le Chat noir unknown
188481921Paris: Au cabaret Le Chat noir 1884. Fine. Au cabaret Le Chat noir Paris 1884 31 x 45 cm en feuillets First edition one of the rare copies on laid paper. The issue consists of 4 pages and is illustrated with a comic strip by Adolphe Willette on an interior page: ""Monstres de Paris. Les peintres incompris : M. Carolus Durand"". Literary contributions by Alphonse Allais ""Moeurs de ce temps-ci"" Georges d'Esparbès ""Les juges"" Jean Lorrain ""Miss Miser"" Camille de Sainte-Croix ""La chanson de la mer de Victor Margueritte"" under the semi-pseudonym of Xernand Fau ""La guerre aux abus"". Handsome copy. Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name whose memory it sought to preserve. The texts declaimed during performances were published there. It constitutes moreover an important literary and artistic testimony of the late nineteenth century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
