Willette, Adolphe LeonBiblio.com
112 résultats
2182824Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 19th century 1881. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
51-4713Paris : Devambez 1918 . Original lithograph poster. 117 x 75 cm. Repaired and mounted on cloth by the artisan binder Sasha Mosalov. . - French Revolution scene. In foreground a French general has his arm around a half-clothed Marianne. The French were victorious at Battle of Valmy in 1792 where they beat the Austrians. .Notes: - Translation of title: Banque de l'Union Parisienne. So that France will be victorious as in Valmy! For the liberation of the territory! Everyone subscribe to the 4th National Loan. - Signed: A. Willette 1892-1918. - Promotional goal: Fr. J8. 1918. - Item is no. 87 in a printed checklist available in the Library of Congress Prints and Photographs Reading Room. Paris : Devambez, [1918] hardcover
200296246Cambridge UK: Cambridge University Press 2002. First Edition. Hardcover. Fine/Fine. Scarce first edition hardcover book in dust jacket in Fine As New condition clean crisp unmarked unused and solidly bound. Shallow scratch on jacket front. A collection of essays about Giovan Pietro Bellori an important intellectual and critic of seventeenth-century Italy. Illustrated. Large 8vo. 396 pp. including notes selected bibliography and index. Scarce. <br/><br/> Cambridge University Press hardcover
2172647Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172650Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172649Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
2172648Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Rijksmuseum. Created in the 20th century 1901. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
42095Paris: Leon Vanier 1892. First edition hardback. 4to 31cm x 23cm 54pp vi. 7 black and white plates by Willette and Boutet de Monvel. Bound in full red calf gilt titling to the front board with the original card front cover bound in. The boards are warped the binding is scuffed and a couple of pages are lightly foxed. Overall this copy is in good minus condition. Paris: Leon Vanier, 1892. hardcover
189225949Paris.: Leon Vanier. 1892. Original red full cloth gilt title and emblem on spine. 4to. With seven hors-texte plates by Adolphe Willette 4 & Boutet de Monvel 3. The frontispiece plate by Willette is present in four states including two printed in sanguine on chine. The other illustrations are all in two states including one in sanguine on chine. Leon Vanier. hardcover
1916007546Paris: Devambrez 1916. Limited Edition. Full Vellum. Near Fine. A unique copy with one autographed manuscript page and two original watercolor compositions one on the front cover vellum and the other serviing as a frontis. These special features are over and above being one of 300 copies in the limitation. 4to. 23.5 by 18.5 cm. Unpaginated the notebook of which this is a facsimile reproduction had a few early leaves paginated. 54 leaves with content often front and back but sometimes just the recto. Virtually all the color illustration is on the rectos and almost every recto has a full page color illustration or a color illustration which dominates the page. The facing versos have most of the newspaper clippings shorter commentary sometimes letters an occasional vignette. Scarce -- OCLC First Search identified just two institutions with holdings of the hard copy of the book. Cover is soiled and foxed yet painting comes through still vibrant bright vivid. Devambrez unknown
B173285-1Paris Devambez 1915. 102pp. Prof. illus. in color. 4to. Flexible boards. Publishers slipcase. New fitted cloth clamshell case. One of 300 hand-numbered copies signed in red ink by the artist in the justification. Paris (Devambez), [1915?]. hardcover
189974842Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1899. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Avril 1899 23.50 x 30 cm une feuille et une serpente Rare original lithograph executed by Adolphe Willette for L'Estampe Moderne after the drawing exhibited at the Luxembourg Museum series number 24 published in April 1899. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe printing on verso; engraving preceded by a tissue guard captioned with the artist's name title and text. Lithograph inspired by a poem extracted from the collection Chatîments by Victor Hugo reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. A total of 100 prints were thus published covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This beautifully formatted print is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colours also make it the ideal support for these very beautiful lithographs. French collectors' interest in artistic posters intensified in the early 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a work of art in its own right on the same level as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
