11 208 résultats
191320201913 Editions Lucien Laveur, Paris et Alex. Jouvène, Marseille, 1913. 2 volumes grand in-4 brochés, vignettes photographiques, couvertures rempliées. (viii), 318, 368 pages. 128 planches en phototypie, dont certaines à plusieurs sujets
18403532Modèles dans le Style du 15e Siècle. Mit gest. Titel u. 24 gest. Tafeln nach Pugin. Paris u. Lüttich, Noblet & Baudry, o. J. (ca. 1840). 4to. (34,5 x 25,5 cm). Lose Tafeln in illustr. Orig.-Halbleinwandmappe.
Second edition, 4to, 3 works in one, main volume followed by two supplementary volumes (second supplement bound before first), xxiii, [1 blank], 108, 26; [4], 19, [1]; xii, 120pp., 29 copper-engraved plates, supplementary volumes with there own title-pages, second supplement lacking half-title, some light staining to blank margins of first few leaves, recently expertly bound in half calf over marbled boards, spine gilt, red morocco title label, a nice copy. Chairmaking and carving were distinct branches of cabinetmaking during the late eighteenth century and the first half of the nineteenth century. This is the earliest book of prices specifically for chairmakers, the two supplements deal with new styles of furniture, mainly Regency.
gr-in folio, chromolithograph title and 51 plates, many heightened with silver and/or gold, with 25 accompanying description plates. in fine condition Eugene Plasky architecte d'ameublement. Superb illustrations of drapery and curtain-fabrics; extremely rare
66367Gent , AA50- vlees en beton 26-27, 1995 Bound, full cloth binding from the hand of handbook bindery Jansen Edegem, size: 28 cm x 23 cm, 124 pages, ****UNIQUE AND LIMITED edition of 11 numbered copies.---- SIGNED BY LUCIEN ENGELS ** THIS IS NUMBER 9. ISBN 9789077833117.
4 vols., sm. folio, First Edition, with many hundreds of fine coloured and monochrome photographs and facsimiles throughout; black cloth, upper boards blocked and lettered in gilt, gilt backs, patterned endpapers, a near fine set in unclipped dustwrapper. The set comprises: Vol. 1: Metalwork (2014); Vol. 2: Furniture (2014); Vol. 3: Tile (2016); Vol. 4: Lighting (2017).
197119316Paris: Société d'études et de publications économiques 1971. 1st. Hardcover. Very Good/Very Good. 11.2x10.0x1.0in. dust jacket with tear to front panel. Dust jacket in clear protector. <br>The first monograph on this Parisian design house. Illustrations in color and in black and white. Text in French and English. <br>240pp 3.65lb 11.2x10.0x1.0in Société d'études et de publications économiques hardcover
200429353Paris: Éditions de la Réunion des Musées Nationaux 2004. 1st. Soft cover. Near Fine. 10.6x8.3x1.1in. faint stain on top edge of text block. <br>The catalogue of the First Empire furniture in the Museum at Fontainebleau. 410 objects are described and almost all are illustrated in black and white in some cases with additional photographs. In addition 16 of the objects are illustrated by full-page color plates. Text in French. <br>458pp 3.46lb 10.6x8.3x1.1in Éditions de la Réunion des Musées Nationaux paperback
200722366London: Christie's 2007. 1st. Soft cover. New. 11.7x9.0x2.0in. 2 volumes. <br>The catalogues for an auction that didn't take place when Prince Charles raised the money to buy the collection for the nation. A superb reference for authentic Chippendale furniture in two volumes: 368 pages in volume 1 and 346 pages in volume 2. 634 lots are described and illustrated in color. <br>714pp 9.26lb 11.7x9.0x2.0in <br>EXTRA SHIPPING CHARGES NECESSARY Christie's paperback
199214255Paris: Michel Aveline Editor 1992. 1st. Hardcover. New/New. 13.2x9.5x1.1in. in shrinkwrap. <br>Alberto Pinto 1945-2012 was a French interior designer of considerable acclaim. This is the first monograph on Pinto highlighting the first 20 years of his work. Exquisite photographs illustrate some of the sumptuous interiors he created including his own apartment in Paris. <br>301pp 4.74lb 13.2x9.5x1.1in Michel Aveline Editor hardcover
193449765Tokyo æ±äº¬: Koyosha Henshubu 洪洋社. 編輯部 1934. First edition. Spiral_bound. vg- to vg. Quarto. 3pp. 20pp. 2. Spiral-bound illustrated red black and white wrappers. Volume 13 of the scarce series of Japanese photographic surveys on modernist furniture. At least 16 volumes were known to have been published between 1932 and 1934. This volume is the second part following vol.11 which focuses on the furniture and decorative furnishings from Japanese cafes during the early 1930s. The first three pages contain text captions in numerical order followed by 20 plates of beautifully printed b/w photogravure images of the furniture. The final two pages contain publishers advertisements.<br /> <br /> Text throughout in Japanese.<br /> <br /> Wrappers with some light staining and smudges to the wrappers. Light rubbing to extremities. Back cover with chipping to the bottom left corner as well as some small closed tears along the spiral binding and the left side. Interior with some light smudging and some sporadic minor to light water stains throughout mostly in the margins with images mostly still clean and bright. Wrappers and in very good- interior in very good condition overall. Koyosha Henshubu (洪洋社. 編輯部) unknown
1750702461750 | 19.50 x 28 cm | relié
193390892s. n. | Paris 1933-1934 | 30.8 x 36.8 cm | Reliure de l'éditeur
This is a very good hardcover copy in brown marbled paper covered boards and a red leatherette spine. Long ago released from a university reference library and bearing a bookplate and small handstamps to the margins of plates. Text by Alfred Darcel in French. Textile examples chosen by Ed. Guichard. 100 full-page plates, including 6 chromolithographs. Each plate with descriptive text. No date on title-page, but ca. 1910. No photographic plates of the pieces of furniture, just close-up detailed plates showing the decorative fabrics that cover the furniture. Massive reference work weighs 15 lbs. 19" high X 13" wide, 13 text pages + plates. This book will be securely wrapped and packed in a sturdy box and sent with tracking. Ex-Library
7895Paris, Eugène Bigot, s.d. grand in-4 en feuilles sous portefeuille de l'éditeur (122 planches en chromolithographie). Très belles planches.
1816315888Paris: Hamelin-Bergeron 1816. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Contemporary quarter tan calf rubbed. Signed by the publisher opposite opposite title page of volume 1 and along title page margin as receipt of purchase for 60 fr. Text and plates clean and fresh. Atlas vol. rebacked preserving spine. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Second edition of the definitive contemporary work on the lathe originally published in 1792-96. The illustrations show wood turning machinery and tools finished products and hand-colored depictions of 72 varieties of wood grain. Brunet I-785; Ogden Bibliography of Turning item 27 Hamelin-Bergeron unknown
1816315888Paris: Hamelin-Bergeron 1816. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Contemporary quarter tan calf rubbed. Signed by the publisher opposite opposite title page of volume 1 and along title page margin as receipt of purchase for 60 fr. Text and plates clean and fresh. Atlas vol. rebacked preserving spine. Second expanded edition. xxxii-50 i.e. 509; xi-1-542 pp. Atlas: first 8 plates with 9 hand-coloured figures per plate of wood grains; IX-XXXIX; Atlas Tome II LVII plates some folding. 96 plates in all. 3 vols. 4to atlas; 8vo text. Second edition of the definitive contemporary work on the lathe originally published in 1792-96. The illustrations show wood turning machinery and tools finished products and hand-colored depictions of 72 varieties of wood grain. Brunet I-785; Ogden Bibliography of Turning item 27 Hamelin-Bergeron unknown books
x, 54, [449 plates] pages. Index of proper names. "A very important contribution to the history of early European furniture." - Foreword. "The printed furniture designs illustrated here constitute perhaps the most accessible, cohesive, and valuable body of visual evidence for the aspirations and achievements of both furniture designer and cabinet-maker during the period which begins with the sixteenth century and ends, in England, with the execution of Charles I, in France with the Fronde, and in Germany with the Peace of Westphalia." - Introduction. Minor soiling to top edge, otherwise clean, bright and unmarked with light wear. A quality copy of this treasured reference. Please note: isbn on copyright page, 0901286052, is apparently incorrect. Book
189852137North La Crosse WI; Chicago IL; Detroit MI; Blawnox PA; Cambridge MA; Grand Rapids MI; Augusta ME: A.F. Spettel 806 Caledonia St.; Perkins 125 South 4th Street for the North La Crosse Reed & Rattan Works La Crosse Reed Furniture Works; Ford & Johnson Co.; Wolverine Reed Co.; Fibre Furniture; J.L. Hammett Co.; Grand Rapids Fibre Cord Company; Needlecraft Publishing Co. 1898-1929. First -- 11 sepia-tinted cabinet photos 2 albumen 9 photos of printed images embossed photographer’s name at lower edge of cabinet card a few w/ pencil & ink pricing & inventory information on backs minor dustsoiling edgewear; 2nd -- 25 original linen-backed photographs some sepia-tinted sized from 5 x 7 in. up to 6.5 x 8.5 in. nearly all the larger size nearly all w/ pencil & ink pricing annotations furniture descriptions and a few w/ La Crosse Reed Furniture Work stamp on verso soiling edgewear some creasing minor fraying; 3rd -- Oblong 8vo. 95 1 pp. photo plates throughout burgundy-coloured softcovers gilt lettering stamped on front chipping head & foot of spine soiling edgewear wear to corners preserving part of original mailing envelope dated 1910 to North La Crosse Reed & Rattan Works; 4th -- 8vo. 78 pp. Photo-illustrated throughout w/o self-printed softcovers some soiling edgewear; 5th -- Oblong 8vo. 64 pp unpaginated with photo illustrations throughout beige printed softcovers lettering in gray & black on front cover soiling edgewear rubbing wear to corners; 6th -- 8vo. 40 pp. photo plates & text illustrations beige softcovers printed in decorative red black & orange on front cover minor dustsoiling edgewear thumbing; 7th -- 4to. 48 pp. Photo-illustrated title photo text illustrations throughout decorative printed borders Beige softcovers yapp edges Arts & Crafts cover art in gray green & brown on front cover lettering in black silver & red minor shelfwear rubbing preserving original price list and order forms in rear; 8th -- 4to. 23 1 pp. text and photo illustrations throughout self-printed colour-illustrated softcovers minor tear head of spine edgewear creasing still G copy stapled as issued all from the collection of Erma Wilson Multhauf of Cedar Falls IA and noted rattan furniture restorer who purchased the material from the La Crosse Reed Furniture Works when it went out of business after World War II. This amazing salesman sample photo archive for the North La Crosse Reed & Rattan Works and the La Crosse Reed Furniture Works provide an indispensable visual record of reed and rattan wicker furniture produced and sold in Wisconsin during the Arts & Crafts era. Wicker furniture experienced a tremendous rise in popularity during the last decades of the 19th century with many manufacturers producing items in Wisconsin and other Midwest States and the domestic reeds used by American manufacturers proved especially flexible and were more capable of being painted or stained while Rattan was harder to weave and could only be shellacked. The cabinet photos by Spettel and Perkins include images of high-backed fancy Victorian rockers a foot stool magazine rack sewing basket a Turkish chair a round table and several other wicker rocking chairs. Spettel 1866-1935 was brought into his brother Clement Spettel’s photography studio in 1886 because his business was so popular and they would thrive in North La Crosse WI until 1906 when Aloysius moved his business to North Dakota. The business location on 806 Caledonia was established by the brothers in 1888 and was initially called the New Gallery then the National Art Studio and sometime around 1897-98 it was simply A.F. Spettel while Clement worked at 320 North 4th on the City’s south side. Of particular interest is the “Perkins†Studio Cabinet photo as there is no known other example of a Perkins photographer at that location although that studio location served eight other known photographers between 1888 and 1900. The collection of factory linen-backed photographs depict a wide variety of Victorian rattan furniture including wing-back chairs & rockers stacking children’s stools children’s high chair rocker sewing baskets waste baskets and more. Nearly all of them have inventory numbers and prices on verso some individually priced others priced by the dozen ranging from $ 2.75 to $ 8.50. The Ford & Johnson Fiber-Rush and Malacca furniture catalogue includes a wide range of Mission-style and Arts & Crafts period furnishings including tables library tables settees rockers and more. The Art Fibre Weaving catalogue not only includes excellent photographic images of wicker furniture but also images of fibre art weaving classes schools and equipment. See: Edwin L. Hill A History of Photography in La Crosse Wisconsin 1853-1930 pp. 160-170 175; Raether Wisconsin Family Albums & Photographers’ Imprints and Biographies 1800s to early 1900s pp. 315-316; George M. Brown The White Directory of Manufactures of Furniture and Kindred Goods of the United States pp. 20-21; Tracing the Trends of Wicker Furniture Through History Patio Productions 2014. A.F. Spettel, 806 Caledonia St.; Perkins, 125 South 4th Street for the North La Crosse Reed & Rattan Works, La Crosse Reed Furni paperback
18605921860 Couverture rigide Paris, Victor Quétin éditeur, sans date [circa 1860]. Un volume in-8 oblong (16,5 x 25 cm), reliure demi veau, cartonnage percaline, dos à nerfs, coiffe supérieure absente, charnière du second plat fendue et fendue (second plat tenu par les lacets). Album de sièges : page de titre, 40 planches en couleurs (chaises et fauteuils Louis XV, canapés, divans, ottomanes...) ; album de tentures : page de titre, 40 planches en couleurs (croisées, décors de lit, paravents...). Rendu des couleurs superbe pour ces deux recueils de lithographies aquarellées. Bon exemplaire.
200924684Oslo: H. Aschehoug & Co 2009. 1st. HC. New/New. 13.4x11.1x1.2in. Helene Hennie is one of Norway's most successful interior architects. In 2007 she was elected Designer of the Year by the internationally renowned magazine Andrew Martin Interior Design Review. <br>6.03lb 13.4x11.1x1.2in <br>EXTRA SHIPPING CHARGES NECESSARY H. Aschehoug & Co hardcover
187486092Ve A. Morel et Cie 1874 6 volumes. In-8 24,5 x 17 cm. Reliures postérieures demi-chagrin rouge, dos à nerfs, 440-535-476-506-498-480 pp., 2154 figures dont LXXXI planches en chromolithographie.
187858315Paris: V.L. Quetin ca. 1878. Oblong 4to. 11.5 x 7.75 in. 1 leaf lithograph title 94 i.e. 110 lithographed plates 1 leaf of index on blue-tinted paper stock. Quarter-green leather over pebbled green cloth raised bands embossed borders in blind gilt lettering on spine minor scuffing & wear rubbing bumping & wear to couple corners w/o ffep. still VG- copy w/ bright plates from the library of Victor Colas 256 13d Voltaires Paris notation on front marbled pastedown. A well-illustrated printer’s specimen book issued to depict the varieties of Second Empire French furniture featuring styles such as Louis XV Louis XVI and the decorative styles of Napoleon III’s designers. Victor Joseph Quetin 1822-1877 was an entrepreneurial printer who began producing these Furniture style books for Parisian craftsmen cabinetmakers and would sell these volumes of specimen sheets to manufacturers to show their prospective clients. The furnishings shown in these leaves encompass tables chairs toilettes some with bidets built in many with attached mirrors bed frames armoires buffets desks and desks with built-in bookcases. The index which is often missing provides an excellent quick reference to the styles types of furnishings as well as the specific plate. Demand increased as Paris & France underwent tremendous renovations and progress during the Second Empire and many of the furnishings inspired by the designs of Carlin Weisweiler and Riesener were presented to the public at the 1867 Exposition Universelle. His son Victor Leon Quetin b. 1852 would later in the 1870’s take up the family business released the albums under a new imprint of “V.L. Quetin†and also began issuing colour chromolithograph specimen catalogues of elaborate draperies bed curtains window treatments and casements. Also issued was a newspaper Journal le magasin de meubles†which offered details of the specimen catalogues he would assemble subscriptions and pricing with details on colour lithography and hand-colouring as well. His designs were dependent upon using a specialized machine which would enlarge reduce or even alter lithographic designs for clients. See: Victor Quetin De la papeterie a la lithographie D’Avoise a Meung-sur-Loire en passan par les Moulins de Paillard 16e-18e siecle; Alfred Lemercier La lithographie francaise de 1796 a 1896 et les arts qui s’y rattachent: manuel pratique p. 344. V.L. Quetin, hardcover
171556Paris, Au Siège de la Société, 1885-1886 2 vol. in-4, XIV-428 pp. et 480 pp. nbses ill. in-t. dt à pleine page, index, demi-chagrin rouge à coins, dos à nerfs, tête dorée, couv. cons. (rel. de l'époque).
35939Paris Editions de la Réunion des Musées Nationaux 2001 in 4 (30x24) 1 volume broché, couverture à rabats illustrée en couleurs, 240 pages, avec de nombreuses illustrations en noir et blanc et en couleurs. Avec un essai de Christian Baulez, conservateur en chef au Musée national des châteaux de Versailles et de Trianon. Catalogue de 71 numéros décrits et reproduits, de la première présentation de cet ensemble unique de laques du Japon provenant des collections de la reine Marie-Antoinette. Catalogue publié à l'occasion de l'exposition au Musée national des châteaux de Versailles et de Trianon, du 15 octobre 2001 au 7 janvier 2002. Très bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
