4 698 résultats
1957156242Los Angeles: Twentieth Century-Fox 1957. Final Draft script for the 1957 film. <br /> <br /> The first screen adaptation of the 1926 novel by Ernest Hemingway. One of the most honest film adaptations of its era attributable mainly to the screenplay by novelist and Hemingway acolyte Peter Viertel. Featuring a standout performance by Errol Flynn as the hedonistic hard-drinking burned-out Mike Campbell. in other words as himself. <br /> <br /> Shot on location in Pamplona Paris Biarritz and Mexico.<br /> <br /> Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 97 and production No. 683 dated February 20 1957. Distribution page present with receipt removed. Title page present dated February 20 1957 noted as Final Script. 154 leaves with last page of text numbered 142. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 3/11/57 and 6/3/57. Pages with silverfish damage to the corners of the first few pages and final revision page else Near Fine wrapper Very Good plus with toning and creasing at the extremities and a small dampstain to the heel bound internally with three gold brads. Twentieth Century-Fox unknown
1924141664Berlin: Film-Kurier 1924. Original German programs for the two-part film series "Die Nibelungen" including one for "Die Nibelungen: Siegfried" and one for "Die Nibelungen: Kriemhild's Revenge" produced by German film magazine "Film-Kurier." Text in German. <br /> <br /> Based on the thirteenth century epic poem "Nibelungenlied." "Film-Kurier" was the first German film journal published daily beginning in 1919. The journal's classic era lasted until 1933 when its publisher Alfred Weiner had to flee Germany due to his Jewish origins. The issues from this era remain striking to this day because they were printed using a gravure reproduction process. Each day's issue would focus on a single film. <br /> <br /> 9 x 11.75 inches. Each program six pages folded loose leaves as issued. Very Good plus with a horizontal fold tiny pinholes to the corners and an occasional short closed tear. <br /> <br /> Masters of Cinema 46. Film-Kurier unknown
1948152186N.p.: N.p. 1948. Draft script for the 1948 British film. Copy belonging to production manager Mickey Delamar with his name in manuscript pencil to the title page and his manuscript annotations throughout. With revision pages laid in throughout the script along with a distribution receipt signed by Delamar and with a reference photograph from the film showing actors Vivien Leigh and Ralph Richardson. <br /> <br /> Delamar worked as a producer production manager and assistant director on over 30 films and was active in the film industry for four decades. His credits include Charlie Chaplin's "A King in New York" 1957 Francois Truffaut's "Fahrenheit 451" 1966 and Terence Young's "Mayerling" 1968.<br /> <br /> Based on the classic 1877 novel by Leo Tolstoy about how all happy families are alike but each unhappy family is unhappy in its own way. <br /> <br /> Set in St. Petersburg. <br /> <br /> Black titled wrappers. Title page present with credits for novelist Tolstoy and screenwriters Jean Anouilh Julien Duvivier and Guy Morgan. 190 leaves with last page of text numbered 165. Mimeograph duplication rectos only with pink and white undated revision pages throughout. Housed in a navy spring binder as originally used. <br /> <br /> Pages supple but Very Good only overall with curling at the edges. Photograph about Very Good with moderate soil and toning. Binder Good with soil overall. N.p. unknown
148341London: Lord Grade 1978. Draft script for the 1978 film here under the working title "Titoli di Testa." Copy belonging to script supervisor Franca Invernizzi with her extensive manuscript annotations on nearly every page and many page versos regarding camera shots takes timing and dialogue. Bound in after the script is an annotated list of scenes and several handwritten pages of Invernizzi's notes. Text in Italian.<br /> <br /> In 1920s Sicily a capitalist and a socialist vie for the affections of a grief-stricken woman whose husband was killed by a fascist mafioso. The follow-up to director Lina Wertmuller's Oscar-nominated 1976 film "Seven Beauties" and a lyrical formidable film in its own right. <br /> <br /> Set and shot on location in Sicily. <br /> <br /> Script:<br /> <br /> Black faux-leather untitled wrappers. Title page present with credits for director Lina Wertmuller. 326 leaves with last page of text numbered 301. Xerographic duplication rectos only with white undated revision pages throughout. Pages Very Good with some revision pages lightly worn and toned to the edges wrapper Very Good lightly edgeworn with several tape repairs to the spine with perfect binding.<br /> <br /> List of scenes:<br /> <br /> 10 leaves with last page numbered 10. Xerographic duplication rectos only. Pages Very Good plus with light edgewear. Lord Grade unknown
1927134524Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1927. Shooting script for the 1928 film. Metro-Goldwyn-Mayer file copy with rubber stamps on the front wrapper indicating such. Carbon typescript with descriptive text and intertitles in black type. A few typeovers and annotations in manuscript pencil throughout. A rare example of a silent film screenplay. <br /> <br /> Based on the 1923 stage adaptation by David Belasco and Tom Cushing about professional clowns Tito Chaney and Simon Siegel who take in an abandoned child and name her Simonetta Young who was 15 at the time. When Simonetta is older she joins the circus and meets Count Luigi Ravelli Asther who becomes infatuated with her. Ravelli consults a doctor about his fits of uncontrollable laughter and there he meets Tito who has come to seek help for his fits of uncontrollable weeping. The two decide to help each other but soon find they are both vying for Simonetta's love. <br /> <br /> Nominated for an Academy Award in 1929 for Best Title Writing the only year for that category. <br /> <br /> Set in Italy shot on location in Elysian Park a suburb of Los Angeles California. <br /> <br /> Blue studio wrappers noted as FIRST TEMPORARY INCOMPLETE on the front wrapper rubber-stamped production No. 1640 and copy No. 5236 dated November 19 1927 with credits for playwrights Belasco and Cushing and screenwriter Meehan. 72 leaves carbon typescript on watermarked onionskin stock. Pages Near Fine wrapper Very Good now encapsulated in mylar bound with two gold brads. <br /> <br /> Blake 2001 US. Metro-Goldwyn-Mayer [MGM] unknown
1960143342Tokyo: Toho Company 1960. Draft script for the 1960 film. With the stamp of cast/crew member Takahashi Toshihiro to the page edges and manuscript ink annotations to the rear wrapper. Text and titles in Japanese.<br /> <br /> A film that bought depictions of modern life into Japanese films of the 1960s particularly with respect to the idea of the independent woman. A young widowed bar hostess finds herself torn between a conventional life and potential financial independence when she must decide to either remarry or open her own bar. <br /> <br /> Set in Tokyo's Ginza district shot on location in Tokyo. <br /> <br /> White titled wrappers noted as 2 on the front wrapper. Title page present. 94 leaves with last page of text numbered f-31. Xerographic duplication printed on rectos and versos. Pages Near Fine wrapper Good with foxing wear to the binding and light soil overall. With perfect binding.<br /> <br /> BFI 694. Criterion Collection 377. Toho Company unknown
1957154176Hollywood: Roger Corman Productions 1957. Draft script for the 1957 film. Copy belonging to actor Dick Miller who had a sizable role in the film with his name to the title page and his manuscript pencil and ink annotations throughout. <br /> <br /> The finished film runs a little over an hour so the script at 127 pages was cut down substantially in the filming and editing process leaving a remarkable amount of content for study.<br /> <br /> An alienated wealthy coed at an all-girls boarding school inflicts increasing cruelties on the other students until her manipulation goes too far. An early role for Miller who appeared in 14 films directed by legendary independent filmmaker Roger Corman between 1955 and 1961 and would continue to work with Corman throughout his career.<br /> <br /> Brown titled wrappers. Title page present undated with credits for screenwriter Ed Waters. 128 leaves with last page of text numbered 127. Mimeograph duplication rectos only. Pages and wrapper Near Fine bound internally with three silver brads. Roger Corman Productions unknown
158698N.p.: N.p. 1972. Early Draft script for the 1974 film dated July 8 1972 over a year before production commenced. Script notably features the original ending with Bennie getting away-in true Peckinpah fashion Peckinpah would later rewrite the ending to show Bennie dying in a shootout. Annotations in manuscript ink and pencil on fifteen pages largely regarding spelling and grammatical corrections.<br /> <br /> Warren Oates stars as Bennie a bartender who travels through the Mexican underworld accompanied by his sex worker girlfriend to collect the bounty on the head of a gigolo. The only Peckinpah film not re-cut by the studio.<br /> <br /> Shot on location in Mexico. <br /> <br /> Yellow titled wrappers. Title page present dated 7/8/72 with credits for screenwriters Gordon Dawson and Sam Peckinpah. 128 leaves with last page of text numbered 126. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with two gold brads.<br /> <br /> Ebert II. Nilsen Warped and Faded. Rosenbaum 1000. Twilight Time 497. N.p. unknown
1958141439Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br /> <br /> The first film to be credited to Suzuki by his assumed name a man released from prison needs money and goes to retrieve diamonds sought after by fellow yakuza members. <br /> <br /> White titled perfect-bound wrappers. Title page present. 107 leaves with last page of text numbered 12. Mechanical duplication. Pages Very Good plus wrapper Very Good plus. Nikkatsu unknown
1958141434Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br /> <br /> Based on a novel by Shinju Fujiwara. Five people assemble ten years after the end of the Pacific War at a military station to uncover a stash of morphine worth a fortune now whcih was buried by the medical officer Mashimoto at the abdication of the Emperor. One of members of the group does not belong there. <br /> <br /> Orange titled perfect-bound wrappers. Title page present. 131 leaves with last page of text numbered 46. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Nikkatsu unknown
1958141432Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br /> <br /> Title based on a song popularized by the leading actor Frank Nagai. A comedy featuring a drugstore owner who begins an extramarital affair when his wife and child go on vacation. <br /> <br /> White illustrated titled perfect-bound wrappers. Title page present. 95 leaves with last page of text numbered 18. Mechanical duplication. Pages Near Fine wrapper Near Fine. Nikkatsu unknown
160647Hollywood: Motown-Weston-Furie Productions 1971. Final Shooting script for the 1972 film. Copy belonging to early production designer Harry Horner with his name in manuscript ink on the title page. Noted as copy No. 23 on the lower right corner of the title page with manuscript pencil and ink annotations on six pages. <br /> <br /> According to the AFI Catalog immediately prior to the commencement of photography several last-minute changes were made to the production crew including the replacement of Harry Horner with Carl Anderson. The script found here also co-credits director Sidney J. Furie as screenwriter with Terence McCloy. Furie did not receive a screenwriting credit in the final film.<br /> <br /> Based on Billie Holiday's 1956 autobiography co-authored by William Duffy which recounts Holiday's troubled rise to fame failed romantic relationships and drug addiction. Diana Ross' film debut. <br /> <br /> Set in New York and Baltimore. <br /> <br /> Red untitled wrappers. Title page present dated November 11 1971 noted as Final Shooting Script with credits for screenwriters Sidney J. Furie and Terence McCloy. 134 leaves with last page of text numbered 130. Xerographic duplication rectos only. Pages Near FIne wrapper Near FIne bound in a Near Fine red three-ring binder. Motown-Weston-Furie Productions unknown
1922158284Beverly Hills CA: Warner Brothers 1922. Set of three vintage hand-tinted lobby cards for the 1922 film. <br /> <br /> Based on F. Scott Fitzgerald's 1922 novel. A young husband and wife spend money with aplomb anticipating a large payout once the man's grandfather dies. When the patriarch passes away and they discover they have been left nothing in his will. Considered today to be a lost film.<br /> <br /> 14 x 11 inches. Very Good plus some with pinholes to the corners lightly and evenly toned. Warner Brothers unknown
169083Manhattan Beach CA: Lightstorm Entertainment 1990. Revised Draft script for the 1991 film. Script pages watermarked "T20025"in red and "Property of Lightstorm Entertainment Inc. / Not for Duplication" on every leaf as called for.<br /> <br /> The second film in the long-running multimedia franchise incorporating six feature films a television series video games comic books novels toys and even an amusement park ride. Winner of four Academy Awards and nominated for two more including Best Cinematography.<br /> <br /> While the first film is arguably the most profitable low budget film ever made the sequel was the first with a production budget of over 100 million dollars featuring groundbreaking CGI and practical effects becoming one of the highest grossing R-rated films of all time. <br /> <br /> Set in Los Angeles shot on location in California and Santa Fe New Mexico. <br /> <br /> Black untitled wrappers. Title page present dated October 1 1990 noted as Revised with credits for screenwriters James Cameron and William Wisher. 123 leaves with last page of text numbered 124. Xerographic duplication rectos only with blue pink and yellow revision pages throughout dated variously between 9/10/90 and 10/1/90. Pages Near Fine wrapper Very Good plus bound internally with two gold brads.<br /> <br /> McPadden Heavy Metal Movies. Lightstorm Entertainment unknown
1941162231Los Angeles: Twentieth Century-Fox 1941. Second Revised Final script for the 1941 film. <br /> <br /> Based on Richard Llewellyn's 1939 novel. The men of the Morgan family earn a living working in their small Welsh town's mine where they face dangerous and unhealthy conditions and exploitation at the hands of the mine owners. Winner of five Academy Awards including Best Picture and Best Director.<br /> <br /> Set in Wales shot on location in California. <br /> <br /> Red titled Twentieth Century-Fox wrappers dated April 18 1941 noted as SECOND REVISED FINAL. Distribution page present stamped copy No. 240 with receipt removed. Title page present with credit for Philip Dunne noted as 2nd Revised Final and dated April 18 1941. 167 leaves with last page of text numbered 169. Mimeograph duplication rectos only with blue revision pages dated 5/19/41 throughout. Pages Very Good plus slightly yapped with light tide marks along the bottom edges of the first five leaves wrapper Poor bound with two gold brads. <br /> <br /> National Film Registry. Twentieth Century-Fox unknown
1963167069N.p.: N.p. 1963. First Draft script for the 1964 film. <br /> <br /> Based on Harry Kurnitz's 1961 American stage adaptation of Marcel Achard's 1960 French play "L'Idiote." One of the funniest films of the 1960s and the defining installment in the well-loved Pink Panther series. While "A Shot in the Dark" was ably preceded by "The Pink Panther" in 1963 it was the first film to feature the series' underrated maestro: Herbert Lom as Chief Inspector Dreyfus foil to Peter Sellers' Inspector Clouseau and the first to truly define the style of the side-splitting installments that would follow. The only script for this film we have ever handled.<br /> <br /> Fuchsia wrappers with a die-cut title window in the British style. Title page present dated 14th October 1963 noted as First Draft with credit for director Blake Edwards. 173 leaves with last page of text numbered 170. Mimeograph duplication on eye-rest green stock rectos only with several pink revision pages dated October 17 1963. Pages about Fine wrapper Near Fine bound internally with two silver brads with a worn title label affixed to the binding. N.p. unknown
1959149872Tokyo: Shochiku 1959. Draft script for the 1959 Japanese film. Text and titles in Japanese. <br /> <br /> Angered by their parents' refusal to buy them a television set two young brothers decide to go on a silence strike against all adults leading to a number of comic misunderstandings in their tight-knit community. <br /> <br /> Set in a suburb of Tokyo.<br /> <br /> White titled wrappers. 16 leaves with last page of text numbered 31. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good lightly foxed with some wear to the binding with perfect binding.<br /> <br /> Rosenbaum 1000. Criterion Collection 84. Vogel Film as a Subversive Art. Shochiku unknown
1950168509N.p.: N.p. 1950. Vintage eleven-page ribbon copy typescript short story circa 1940s-1950s subsequently serving as the basis for the 1972 adult film. Rare.<br /> <br /> An iteration of an explicit short story penned by an anonymous author sometime before or during World War II circulated underground in retyped typescript or carbon typescript copies during the 1940s and after.<br /> <br /> "Behind the Green Door" is notable as one of of the first American hardcore pictures to receive widespread distribution in the US and one of the first heterosexual pornographic films to feature an interracial sex scene. A breakthrough role for actress Marilyn Chambers who would go on to become one of the first icons in the adult film industry and even worked briefly in mainstream cinema. <br /> <br /> Eleven leaves last page of text not numbered. Ribbon copy typescript on onionskin stock rectos only. Pages Good or better bound with two staples on the top edges. N.p. unknown
166556N.p.: N.p. 1982. Draft script for the 1983 British comedy film. Noted as copy No. 58 in manuscript ink on the title page. Bound in with the script are ten pages of Xerographically duplicated storyboards for the short film-within-the-film "The Crimson Permanent Assurance." <br /> <br /> The final Monty Python film to star actor and writer Graham Chapman before his death in 1989 and a return to the sketch comedy format which characterized the group's earlier television series. <br /> <br /> Shot on location in Queensway Strathblane and Lancashire England. <br /> <br /> Red untitled wrappers with a die-cut title window in the British style. Title page present dated March 1982. 115 leaves with last page of text numbered 115. Mimeograph duplication on eye-rest green stock rectos only with five pink revision pages laid in at the rear of the script dated 26/5/82. Pages Very Good plus wrapper Very Good plus with light foxing throughout bound internally with two silver brads. N.p. unknown
160437N.p.: N.p. 1997. Archive of material relating to the 1998 film. Archive includes four scripts dated variously between 1991 and 1997 and credited variously to screenwriters Christ Zois Zoë Lund and William Gibson as well as approximately ten pages of correspondence and ephemera relating to the film's production and a xerographically duplicated copy of Gibson's source story. One screenplay with the ownership name of Zois on the title page.<br /> <br /> From the archive of Christ Zois Abel Ferrara's frequent co-screenwriter.<br /> <br /> Of note are several pieces of correspondence regarding writing credits for the film dated variously between 1997 and 1998. Screenwriters Abel Ferrara and Christ Zois claimed that prior adaptations of Gibson's novel by Gibson Lund and others had no bearing on their own adaptation. Ferrara and Zois would ultimately receive sole screenwriting credit on the completed film. <br /> <br /> Based on the 1984 short story by William Gibson about two freelance industrial spies in Tokyo who decide to use a call girl to execute their latest mission. <br /> <br /> Shot on location in New York.<br /> <br /> November 1991 Draft:<br /> <br /> Self wrappers. Title page present dated November 1991 noted as Third Draft with credit for author and screenwriter William Gibson. 93 leaves with last page of text numbered 92. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner.<br /> <br /> October 9 1993 Draft:<br /> <br /> Self wrappers. Title page present dated Oct. 9. 1993 noted as SECOND DRAFT with credit for screenwriter Zoë Lund. 116 leaves with last page of text numbered 109. Xerographic duplication rectos only. Pages Near Fine partially bound with a binder clip at the top left corner. <br /> <br /> September 28 1997 Draft:<br /> <br /> Self wrappers. Title page present dated 9/28/97 noted as Draft with credits for screenwriters Christ Zois and Abel Ferrara. 75 leaves with last page of text numbered 74. Xerographic duplication rectos only. Pages Very Good plus partially bound with a binder clip at the top left corner. <br /> <br /> Undated Draft:<br /> <br /> Self wrappers. Title page present undated with credit for screenwriter Christ Zois. 99 leaves with last page of text numbered 98. Xerographic duplication rectos only. Pages Very Good plus partially bound with a binder clip on the top edge and housed in a red card folder. N.p. unknown
148810Tokyo: Toho 1970. Draft script for the 1970 Japanese film. With manuscript ink and pencil annotations to the rear wrapper and throughout the text. Included with the script is a mimeographed shooting schedule. Text and titles in Japanese. <br /> <br /> Annotations relate to the following: a names of the chosen cast members b set rehearsals and camera rehearsals c times for shooting e.g. Morning Afternoon Evening and Night phone numbers for production personnel d names of potential and/or hired camera assistants e names of potential and/or hired actors f indication of the production company chosen Toho Corporation as well as film stock and lens sizes to be used g additional notes regarding location of some settings h changes to dialogue and action and h some final post-production notes.<br /> <br /> Director Akira Kurosawa's first color film based on Shugoro Yamamoto's 1962 novel "Kisetsu no nai machi" A City Without Seasons. A series of vignettes about a slum in the suburbs of Tokyo and its impoverished inhabitants. Nominated for an Academy Award for Best Foreign Film.<br /> <br /> Set and shot on location in Tokyo.<br /> <br /> Script:<br /> <br /> White titled wrappers. Title page present. 90 leaves with last page of text numbered d-37. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with perfect binding.<br /> <br /> Schedule:<br /> <br /> White titled wrappers. 13 leaves with last page numbered 23. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good with a faintly toned spine and very faint foxing to the fore-edge side-stapled with two staples.<br /> <br /> Detailed notes with translation of annotations noted above with accompanying images are provided with the script. Toho unknown
157439Yokohama Kanagawa: Kurosawa Production Co 1980. Draft script for the 1980 Japanese film. <br /> <br /> The story of a low-class criminal taught to be the decoy or kagemusha of a dying feudal lord based on the historical daimyo Takeda Shingen and depicting the 1575 Battle of Nagashino in the cinematic climax. <br /> <br /> When Toho Studios could not afford to complete the film George Lucas and Francis Ford Coppola convinced Twentieth Century Fox to cover the shortfall in exchange for international distribution rights recieving credits as executive producers on the finished film. Nominated for two Academy Awards including Best Foreign Language Film and winner of the Palme d'Or at the 1980 Cannes Film Festival. <br /> <br /> Set in Sengoku period shot on location in Iga Ueno Castle Himeji Castle Kumamoto Castle Yuhara Plain Hokkaido Japan. <br /> <br /> White perfect-bound wrappers. Rubber stamped copy No. 74 at the top right corner of the front wrapper. 166 leaves with last page of text numbered "146." Mimeograph duplication. Pages Near Fine with light toning wrapper Very Good with foxing overall and age toning to the page edges. <br /> <br /> Criterion Collection 267. Kurosawa Production Co unknown
1957161357N.p.: N.p. 1957. Revised Final script for the 1957 film. Specially bound copy belonging to producer Jerry Wald with his name in gilt on the spine. Eight reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Based on the 1945 Broadway play by Luther Davis in turn based on Frederic Wakeman's 1944 novel "Shore Leave." Three Naval pilots on a four-day leave in San Francisco attempt to ignore the distant call of war instead drinking dancing and seducing local women.<br /> <br /> Set and shot on location in San Francisco.<br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated April 5 1957 noted as Revised Final with credits for screenwriter Julius Epstein director Stanley Donen novelist Frederic Wakeman and playwright Luther Davis. 158 leaves with last page of text numbered 143. Mimeograph duplication on eye-rest green stock rectos only with blue revision pages throughout dated variously between 4/25/57 and 5/3/57. Pages Near Fine binding Near Fine. N.p. unknown
1959161414N.p.: N.p. 1959. Shooting Final script for the 1959 film. Specially bound copy belonging to screenwriter Jerry Wald with his name in gilt on the spine. 23 reference photographs from the film bound in variously among the script pages.<br /> <br /> Jerry Wald is best remembered for his long and successful association with Warner Brothers as both a screenwriter and producer of a number of notable films including "Mildred Pierce" 1945 "Humoresque" 1946 "Key Largo" 1948 and "Flamingo Road" 1949. In the 1950s he moved to Twentieth Century-Fox and was the producer there for "An Affair to Remember" 1957 "Peyton Place" 1957 and "Sons and Lovers" 1960.<br /> <br /> Based on screenwriter Fred Gipson's 1947 novel "Circle Round the Wagon" about two young brothers go on a hunting trip with an older friend. Fabian's film debut. Gipson's second published novel preceding his better-known 1956 novel "Old Yeller."<br /> <br /> Shot on location in San Bernardino.<br /> <br /> Bound in light blue cloth with navy quarter leather binding with five raised bands and gilt titles on the spine. Title page present dated July 9 1959 noted as Shooting Final with credits for screenwriter-novelist Fred Gipson and screenwriter Winston Miller. 143 leaves with last page of text numbered 111. Mimeograph duplication rectos only with blue revision pages throughout dated variously between 7/13/59 and 7/22/59. Pages Near Fine binding Very Good plus front board slightly warped. N.p. unknown
1924139464Germany: Decla-Bioscop / UFA 1924. Vintage program for the German premiere of the films "Die Nibelungen: Siegfried" and "Die Nibelungen: Kriemhild's Revenge" on February 14 1924. Contains a brief essay by von Harbou and three additional short essays on the making of the film. Photo illustrated throughout with stills of characters from the films. <br /> <br /> Also included is a supplemental program for UFA theaters featuring another brief essay on the film by starring actor Rudolf Klein-Rogge information and photographs relating to UFA theaters and advertisements. Text of both items in German. <br /> <br /> Based on the thirteenth century epic poem "Nibelungenlied."<br /> <br /> Program: Near Fine in heavy paper wrappers and string binding. Elegant owner name on the front wrapper with a light diagonal crease to same and light fading to the edges. <br /> <br /> Supplement program: Very Good in saddle stapled self wrappers top right corner clipped. Splitting to the spine with a light vertical fold crease and a couple of small chips. <br /> <br /> Rossler Filmfieber p. 51. Masters of Cinema 46. Decla-Bioscop / UFA unknown
