Schenk, Leonardus; Rademaker, AbrahamBiblio.com
399 résultats
173698589Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 6-14/16 inch high by 8 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. There is some slight dampstaining to the bottom right corner. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698579Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 7 inch high by 8-1/4 inch wide sheet of laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. There is some slight dampstaining to the bottom right corner. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698585Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 7 inch high by 8-1/4 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. Near fine. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698590Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 6-3/4 inch high by 8-1/4 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. Near fine. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698584Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 7 inch high by 8-1/4 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. There is some slight dampstaining to the bottom right corner. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698592Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 7 inch high by 8-6/16 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. There is some slight dampstaining to the bottom right corner. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698586Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 6-14/16 inch high by 8 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. There is some minor dampstaining to the bottom right corner. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698594Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 6-14/16 inch high by 8-1/4 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk."Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. Near fine. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698593Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 7-3/16 inch high by 8-1/2 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk."Delft" and what appears to be an initial are penned in ink in an early hand along the bottom margin. There is some slight dampstaining to the bottom right corner. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
173698588Amsterdam: Leonardus Schenk 1736. 1736. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 6-14/16 inch high by 8-7/16 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Alkamaar" and a number are penned in ink in an early hand along the bottom margin. There is a tiny bump to the bottom edge. Very good. <p>The print originally appeared in the view book: "Alle de voornaamste gesigten Van de Wydberoemde Steeden Alkmaar Delft en Dordregt Geleegen in de Provintie van Holland Vertoont in Seeven-en-sestig afbeeldingen Naar het Leeven geteekent door Abraham Rademaker En in het Kooper gebragt door Leonardus Schenk". Published Amsterdam Leonardus Schenk 1736. Amsterdam: Leonardus Schenk, 1736. unknown
172014400Amsterdam: Leonard Schenk c1720. 550 by 960mm 21.75 by 37.75 inches. Etching with engraving on two sheets joined. A view of the Overtoom in the eighteenth century. By the eighteenth century numerous country villas had been built along the Overtoom one of the main canal's linking Amsterdam with river Schinkel as well as pleasure gardens and numerous ale houses and shops. The Overtoom gained its name from the machine for moving a boat from one body of water to another where the level varied. Rather than with the aid of a lock in other canal systems the boat would be physically pulled across the land. The machine is depicted to the right of the print consisting of two large wheels it can be seen pulling a small boat onto the canal. Proof before letters with part of title in manuscript in a contemporary hand. Leonard Schenk fl.1720-1746 engraver mapmaker and publisher in Amsterdam. Abraham Rademaker 1677 21 January 1735 was an 18th-century painter and printmaker from the Northern Netherlands. Rademaker was born in Lisse. According to the RKD he was a versatile artist who painted Italianate landscapes but is known mostly for his many cityscapes and drawings of buildings that were made into print. R.W.P. de Vries auction 1925: 288. Leonard Schenk, unknown
172014403Amsterdam: Leon Schenk Abraham Rademaker c1720. 560 by 960mm. 22 by 37.75 inches. Engraving with etching on two sheets joined. A view of the Overtoom in the eighteenth century. By the eighteenth century numerous country villas had been built along the Overtoom one of the main canal's linking Amsterdam with river Schinkel as well as pleasure gardens and numerous ale houses and shops. The Overtoom gained its name from the machine for moving a boat from one body of water to another where the level varied. Rather than with the aid of a lock in other canal systems the boat would be physically pulled across the land. The machine is depicted to the right of the print consisting of two large wheels it can be seen pulling a small boat onto the canal. Leonard Schenk fl.1720-1746 engraver mapmaker and publisher in Amsterdam. Abraham Rademaker 1677 21 January 1735 was an 18th-century painter and printmaker from the Northern Netherlands. Rademaker was born in Lisse. According to the RKD he was a versatile artist who painted Italianate landscapes but is known mostly for his many cityscapes and drawings of buildings that were made into print. R.W.P. de Vries auction 1925: 288. Leon Schenk, Abraham Rademaker, unknown
173298587Amsterdam: Leonardus Schenk 1732. 1732. Very good. - A 6 inch high by 7-1/2 inch wide handcolored engraving on a 7 inch high by 8 inch wide sheet of watermarked laid paper. The image was drawn by Abraham Rademaker and the copperplate engraving is by Leonardus Schenk. "Leyden" and what appears to be an initial are penned in ink in an early hand along the bottom margin. Near fine. <p>The print originally appeared as print number 69 in the view book: "Rhynlands fraaiste gezichten.Van Halfwegen Haarlem en Leyden af door Lisse Sassenheim Warmont de Noortwykerhout Noortwyk binnen en buiten Katwyk binnen en buiten Rhynsburg Oestgeest Valkenburg Leyden met deszelfs poorten kerken en voornaamste gebouwen tot Leyderdorp toe". Published Amsterdam Leonardus Schenk 1732. Amsterdam: Leonardus Schenk, 1732. unknown
172014409Amsterdam: Leonard Schenk c1720. 558 by 950mm 22 by 37.5 inches. Engraving with etching on two sheets joined. The most prominent feature of the of this view is The Ronde Lutherse Kerk or Koepelkerk is a former Lutheran church. The church was built in neo-classical style and has a characteristic copper dome. It was built in 1671 by Dutch Golden Age architect Adriaan Dortsman who also built Museum Van Loon a magnificent private residence at the Keizersgracht. When the Lutherans left the building in 1935 it became a concert hall. In 1993 the interior and characteristic green-colored copper dome were destroyed by fire. After a renovation period of 16 months the church was fully restored. Further down the canal the imposing Roonports tower can be seen. Leonard Schenk fl.1720-1746 an Jan Schenk 1698-1752 were brothers working as engravers and publisher's in Amsterdam. Abraham Rademaker 1677 21 January 1735 was an 18th-century painter and printmaker from the Northern Netherlands. Rademaker was born in Lisse. According to the RKD he was a versatile artist who painted Italianate landscapes but is known mostly for his many cityscapes and drawings of buildings that were made into print. R.W.P. de Vries auction 1925: 284 Leonard Schenk, unknown
17075C8G6MOZMOJ3Nuremberg Christoph Weigel; 1707. Folio. Würzburg Martin Frantz Hertzen Contemporary vellum with the manuscript title at the head of the spine and a paper shelfmark label at the foot. With an engraved allegorical title-page a letterpress title-page printed in red and black and 100 engraved emblems in the text measuring 10.5 x 12 cm. 10 200 4 pp. & 100 ll. First edition of a German emblem book addressing virtues and vices in 100 emblems compiled by the German preacher Abraham à Sancta Clara born Johan Ulrich Mergerle; 1644 - 1709. As the title states the book's purpose is to refresh the readers virtues and to deter from vices by way of emblems. The concepts are explained in well-known fables and accessible symbols and allegories like the sun moon fire sea weather seasons metals gems animals etc. Each concept is illustrated in an emblem accompanied by a motto in Latin and a poem in German and Latin. The emblems were engraved by Christoph Weigel after illustrations by Caspar and Jan Luyken from the Ethica Naturalis ca. 1700. Each emblem is followed by two pages of text explaining the emblem.With a library inscription on the flyleaf "villae epponis ad bibliothecam". The binding is slightly soiled. Some marginal thumbing occasional foxing and some occasional spots and smudges. Otherwise in good condition.l Landwehr German emblem books 11; Faber du Faur 1125; Goedeke III 25 240. hardcover
1737301340Amsterdam: By de Janssoons van Waesberge 1737. Hardcover. Very Good. 12mo. Volume One only. 3357pp. 25 engravings including frontispiece complete. Woodcut vignettes. Half calf and speckled papercovered boards woth red morocco spine label gilt raised bands. Tear along the margin of the plate impression on Plate 10 joints a bit worn but still a tight very good copy. Treatise holding up a mirror to the vanities and eccentricities of women influenced by Sebastian Brant's Narrenschiff Ship of Fools by a popular Decalced Augustinian monk and preacher son of a tavernkeeper known for his humor and eccentricity. A second volume was published in 1743. By de Janssoons van Waesberge hardcover
174087591GenÂve : chez Henri-Albert Gosse 1740. 185x115mm. frontispice LXXXIV- 3 ff. 514 p. 2 ff. - 546 p. 1 ff. - 533 p. 1 ff. 497 p. 1 ff. 721 p. - 684 p. cartonnage dÕattente de lՎpoque ÂŽtiquette de titre manuscrite au dos non rognÂŽ. 2824 chez Henri-Albert Gosse unknown
17307560BB1730. 4 Bde. Amsterdam Wetstein & Smith 1730. 8°. Titel in Rot und Schwarz. 1 Bl. XXXVIII 484 S.; 3 Bl. 495 S.; 3 Bl. 426 S.; 3 Bl. 507 S.Mit gest. gef. Frontispiz von J. Folkema nach B. Picart gest. Titelvignette gest. Kopfstück von G. F. Debrie 10 gef. Karten 68 Kupfertafeln davon 51 gef. nach Merian Scheuchzer u. a. Kalblederbände der Zeit mit reicher Rückenvergoldung zwei Rückenschildchen und Stehkantenverg. Haller I 718. Lonchamp 2560. Der nicht genannte Verfasser ist der Berner Ratsherr Johann Georg Altmann 16951758 der sich auf Abraham Ruchats 16801750 «Les délices de la Suisse» Leiden 1714 und auf Abraham Stanyans 16691732 «Account of Switzerland» London 1714 bezieht und mit seiner Kompilation ein polpuläres und mehrfach aufgelegtes Standardwerk schuf. Das Werk besticht vor allem durch seine reiche Bebilderung mit Ansichten von Schweizer Ortschaften in Nachstichen nach den Werken von Merian und Scheuchzer. Attraktives Exemplar in passendem zeitgenössichem Einband. Gelenke zum Teil etwas angeplatzt Kanten leicht berieben jedoch intakt. S. 481/2 mit Eckausriss. unknown
17147878CB1714. 4 Bände. Leiden Pierre van der Aa 1714. Kl.-8°. 18 Bl. 220 recte 224 S.; 2 Bl. S. 221228 233434; 2 Bl. S. 435676; 2 Bl. S. 6771027. Mit gest. Titelblatt doppelblattseitig 1 gest. Frontispiz doppelblattseitig 68 davon 50 gef. und 5 von 6 gef. Kupferkarten. Lederbände der Zeit mit reicher Rückenvergoldung. Lonchamp 812. Haller I 718. Barth 17210. Feller/Bonjour 529. e-hls für den Autor. Erste Ausgabe. Abraham Ruchat 16801750 veröffentlichte das vorliegende Werk unter dem Pseudonym Gottlieb Kypseler von Münster. In der Vorrede beschreibt er sein Anliegen die West- und Deutschschweizer einander näherzubringen. Ruchat geboren in Vevey gilt als der erste bekannte Geschichtsschreiber der Waadt. Er studierte in Lausanne Bern Berlin und Leiden Theologie und war ab 1721 als Professor für Redekunst in Lausanne tätig. Es fehlt die Gesamtkarte der Schweiz ansonsten ein sehr gutes Exemplar. Das Papier vereinzelt stockfleckig. Die Vorsätze leimschattig. Die schönen Einbände minim berieben. unknown
176490743Basle : chez Emmanuel Tourneisen 1764. 185x105mm. XXIV- Cartonnage du XIXe siÂcle ÂŽtiquette de titre manuscrite au dos.IllustrÂŽ de 4 planches dÂŽpliantes concernant les sciences naturelles dont Ã’Basse montagne de glace dans le GrindelwaldÓ 250 chez Emmanuel Tourneisen unknown
1714355Leiden 1714. Avec un Mémoire instructif sur les Causes de la Guerre arrivé en Suisse l'an 1712 par Gottlieb Kypseler de Munster 4 tomes Guter Zustand Originalausgabe Pierre van der Aa Kl.-8°. Ldr. Raetica/ Helvetica unknown
17787902CB1778. Nouvelle édition. 2 Bände. Neuchâtel Fauche 1778. 4°. 4 IV 454 2 S.; 4 391 1 S. Mit 2 gest. Frontisp. und 77 Kupfertafeln davon 15 gef. Lederbände der Zeit mit Rückenschild und Rückenvergoldung. Haller I 718. Brunet VI 25894. Haller I 718. Wäber I 38. Lonchamp 2560. Vierte nach Haller und Wäber die «beste» Ausgabe. «Diese Ausgabe ist vollkommen umgearbeitet und weit richtiger als die vorigen» Haller. Die Kupfer mit zahlreichen Orten der ganzen Schweiz diverse Karten und paläontologische sowie archäologische Darstellungen. Das Papier durchgehend gebräunt und stockfleckig. Die Einbände berieben. unknown
17307560BB4 Bde. Amsterdam, Wetstein & Smith, 1730. 8°. Titel in Rot und Schwarz. (1) Bl., XXXVIII, 484 S.; (3) Bl., 495 S.; (3) Bl., 426 S.; (3) Bl., 507 S.Mit gest. gef. Frontispiz von J. Folkema nach B. Picart, gest. Titelvignette, gest. Kopfstück von G. F. Debrie, 10 gef. Karten, 68 Kupfertafeln (davon 51 gef.) nach Merian, Scheuchzer u. a. Kalblederbände der Zeit mit reicher Rückenvergoldung, zwei Rückenschildchen und Stehkantenverg.
17147878CB4 Bände. Leiden, Pierre van der Aa, 1714. Kl.-8°. (18) Bl., 220 (recte 224) S.; (2) Bl. S. 221–228, 233–434; (2) Bl. S. 435–676; (2) Bl., S. 677–1027. Mit gest. Titelblatt (doppelblattseitig), 1 gest. Frontispiz (doppelblattseitig), 68 (davon 50 gef.) und 5 (von 6) gef. Kupferkarten. Lederbände der Zeit mit reicher Rückenvergoldung.
17787902CBNouvelle édition. 2 Bände. Neuchâtel, Fauche, 1778. 4°. (4), IV, 454, (2) S.; (4), 391, (1) S. Mit 2 gest. Frontisp. und 77 Kupfertafeln (davon 15 gef.) Lederbände der Zeit mit Rückenschild und Rückenvergoldung.
