ABRAHAM, dit LAUNAY. Jean.Livre Rare Book
285 résultats
1637437671637 Rouen. Claude Le Villain. 1637. 1 volume petit in-8, plein vélin taché, dos lisse orné du nom de l’auteur en long, trace de lacets. (4) ff. ; 309 pp. ; (3) pp.
1610M1953Antwerp c.1610. Very Good. Notes: Rare Cartographer Portantius Latin text on verso Size : 227x250 mm 8.875x9.875 Inches Coloring: Hand Colored Category: Maps Europe Estonia Latvia; unknown
1631126711631 un volume, reliure d'époque plein-vélin vieil ivoire parcheminé in-folio (28X41 cm) (jansenist's binding full vellum old ivory in-folio), dos long (spine without raised band) muet (without title), plat à fermoirs à lacets de cuir avec un lacet restant sur quatre, tranches lisses (smooth edges) lisières des pages abimées avec une usure en arrondi (écorné) en haut à droite sur toute les pages, déchirures légères en marge mais nombreuses,ex-libris manuscrit à l'encre brune : " ....Nail Tailleur de pierre et architecte à Angers..." , orné de 40 planches gravées sur Bois (engraving-wood) en noir par Francini dont le portrait de Francini signé " Bosse fecit" parAbraham Bosse, présence de léger trous en marge de la dernière gravure , cicatrices de mouillures (scars of waterstains), manque marginal de papier sur la page n'atteignant à aucun moment la gravure (lack of paper, but the engraving is intact), sans pagination (unpaginated) (1 p.), 4 pages de texte, 40 planches gravées, 1631 A Paris, Chez Melchior Tavernier, Graueur & Imprimeur du Roy pour les Tailles douces Editeur,
168643445Nuremberg: Johann Georg Endter 1686. <p>Linden Johannes Antonides van der 1609-64. Lindenius renovatus sive . . . de scriptis medicis libri duo . . . noviter praeter haec addita plurimorum authorum . . . a Georg. Abrah. Mercklino . . . 4to. 22 210 221-1101 55pp. Lacking Part II "Cynosura medica" approx. 170pp. containing Mercklin's subject index to Lindenius renovatus. Engraved frontispiece. Nuremberg: Endter 1686. 200 x 163 mm. Vellum ca. 1686 head of spine and hinges repaired. Occasional light foxing but fine. From the library of anthropologist Johann Friedrich Blumenbach 1752-1840 with booklabel bearing his autograph signature on the front pastedown and annotations and underlinings possibly his on at least 50 leaves. Modern bookplate of Gordon W. Jones M.D.</p> <p>First Edition of Georg Abraham Mercklin's considerably expanded version of van der Linden's bibliography of medicine. First published in 1637 Van der Linden's was the most complete medical bibliography of its time; it was also the most modern of early medical bibliographies both in its contents and format. Mercklin 1664-1702 supplied corrections biographical material on authors and additions that included the innovative listing of articles from the publications of learned societies.</p> <p>This copy is from the library of Johann Friedrich Blumenbach the founder of modern anthropology. He was the author of De generis humani varietate nativa 1775 in which he divided humanity into four races based on head shape skin color and hair type; he later added a fifth race and in the expanded third edition of De generis 1795 he introduced the famous terms "Caucasian Mongolian Ethiopian American and Malayan" to describe the "white yellow black red and brown" varieties of mankind. Brodman Development of Medical Bibliography pp. 29-33; no. 14. Fulton Great Medical Bibliographers pp. 35-36. </p> . Johann Georg Endter unknown books
168643445Nuremberg: Johann Georg Endter 1686. <p>Linden Johannes Antonides van der 1609-64. Lindenius renovatus sive . . . de scriptis medicis libri duo . . . noviter praeter haec addita plurimorum authorum . . . a Georg. Abrah. Mercklino . . . 4to. 22 210 221-1101 55pp. Lacking Part II "Cynosura medica" approx. 170pp. containing Mercklin's subject index to Lindenius renovatus. Engraved frontispiece. Nuremberg: Endter 1686. 200 x 163 mm. Vellum ca. 1686 head of spine and hinges repaired. Occasional light foxing but fine. From the library of anthropologist Johann Friedrich Blumenbach 1752-1840 with booklabel bearing his autograph signature on the front pastedown and annotations and underlinings possibly his on at least 50 leaves. Modern bookplate of Gordon W. Jones M.D.</p> <p>First Edition of Georg Abraham Mercklin's considerably expanded version of van der Linden's bibliography of medicine. First published in 1637 Van der Linden's was the most complete medical bibliography of its time; it was also the most modern of early medical bibliographies both in its contents and format. Mercklin 1664-1702 supplied corrections biographical material on authors and additions that included the innovative listing of articles from the publications of learned societies.</p> <p>This copy is from the library of Johann Friedrich Blumenbach the founder of modern anthropology. He was the author of De generis humani varietate nativa 1775 in which he divided humanity into four races based on head shape skin color and hair type; he later added a fifth race and in the expanded third edition of De generis 1795 he introduced the famous terms "Caucasian Mongolian Ethiopian American and Malayan" to describe the "white yellow black red and brown" varieties of mankind. Brodman Development of Medical Bibliography pp. 29-33; no. 14. Fulton Great Medical Bibliographers pp. 35-36. </p> . Johann Georg Endter unknown
1672ABC_50310Amsterdam 1672. 8vo. Jacobus Wagenaar 18th-century sprinkled paper over contemporary gold-tooled calf with a brown paper label lettered "Hobbes" on the foot of the spine mottled edges. With an engraved frontispiece a woodcut vignette on the title page an engraved portrait of Thomas Hobbes and a folding table on the classification of sciences. 16 744 64 pp. First Dutch edition of the seminal work by Thomas Hobbes 1588-1679 one of the most original political philosophers of his era. Written during his exile in Paris amidst the English Civil War 1642-1651 Leviathan presents the state as a vast artificial monster composed of individual men whose authority is necessary to protect citizens from the natural state of war. Hobbes argued that survival property and power drive human behaviour making submission to a strong sovereign preferable to the chaos of anarchy. The present Dutch translation was made by Abraham van Berkel 1630-1688 who was closely associated with the Dutch freethinking circles around Spinoza. For this translation van Berkel wrote an important preface explicitly stating the political aims of publishing his Dutch Leviathan at that particular moment in Dutch history. A close reading of the Dutch text reveals several telling deviations from the English original one of which may represent a deliberate reinterpretation of Hobbes meaning presumably intended to adapt Hobbesian ideas more effectively to a Dutch context.With 2 stamps of the Breslau library on the verso of the title page and a later pencil annotation on p. 722. The boards are rubbed the spine is worn with a tear and loss of material at the head. The leaves are somewhat browned and foxed.l Graesse III 311 u; Knuttel Verboden Boeken 185; STCN 095379150 4 copies; USTC 1808932 5 copies; cf. PMM 138 English ed. hardcover
161220662Antwerp: Juan Baptist Vrints 1612. Other. Within the title cartouche an old small rust spot. In very good to excellent condition. 380 by 497mm 15 by 19 inches. Original antique copper engraving published 1612 in a Italian text edition Vriens edition of the " Theatrum Orbis Terrarum. This antique map shows the region of Lüttich in Belgium. The map is equipped with many small place names rivers woods etc. Uncolored copy in a strong impression. The map is ornated a large title cartouche and below a decorative mileage scale. Ortelius was born on 14 April 1527 in the city of Antwerp which was then in the Habsburg Netherlands modern-day Belgium. The Orthellius family were originally from Augsburg a Free imperial city of the Holy Roman Empire. In 1535 the family had fallen under suspicion of Protestantism. Following the death of Ortelius's father his uncle Jacobus van Meteren returned from religious exile in England to take care of Ortelius. Abraham remained close to his cousin Emanuel van Meteren who would later moved to London. In 1575 he was appointed geographer to the king of Spain Philip II on the recommendation of Arias Montanus who vouched for his orthodoxy. He travelled extensively in Europe and is specifically known to have traveled throughout the Seventeen Provinces; in southern western northern and eastern Germany e.g. 1560 15751576; France 15591560; England and Ireland 1576; and Italy 1578 and perhaps twice or thrice between 1550 and 1558. Beginning as a map-engraver in 1547 he entered the Antwerp Guild of Saint Luke as an illuminator of maps. He supplemented his income trading in books prints and maps and his journeys included yearly visits to the Frankfurt book and print fair where he met Gerardus Mercator in 1554. In 1560 however when travelling with Mercator to Trier Lorraine and Poitiers he seems to have been attracted largely by Mercator's influence towards the career of a scientific geographer. Wikipedia Juan Baptist Vrints unknown
160153035Antwerp. 1601. Ornate map of Luxembourg eastern Belgium and part of North Eastern France with flamboyant strapwork decoration to title across upper centre. Decorated frame. The stippling around the scale identifies this as the later of two plates of the same subject. Published in Ortelius' landmark atlas the Theatrum Orbis Terrarum. Copper engraving. Fine condition Later colour. Size: 48.5 x 37.5 cm. Ref: Van den Broecke 64. unknown
16671000441667. Paris Abraham Bosse 1667. Engraved frontispiece 87220pp. With an engraved dedication page. 8vo. Contemporary full mottled calf spine and corners expertly restored. Some browning. Bound in at the end the last 20 pages are: 1 - A. Bosse au lecteur sur les causes qu'il croit avoir euës de discontinuer le cours de ses leçons geometrales et perspectives dedans l'Academie Royale de la Peinture et de la Sculpture & mesme de s'en retirer. Paris A. Bosse 1667. 15pp. And: 2 - Discours tendant a desabuser ceux qui ont creu que l'Auteur d'un Traité qui a pour Titre Entretiens sur les vies et sur les ouvrages des plus excellens peintres anciens et modernes; avoit pretendu m'attaquer dans sa Préface. Paris A. Bosse 1667. 4pp. This scarce book is written in the form of a dialogue between Ariste an amateur who would like to build an architect a painter a "disciple" and the author himself. All the representatives of these different arts are asking for Bosse's advice. This allows Bosse to express once again his ideas regarding perspective in painting and architecture. Abraham Bosse who was born in Tours in 1602 is best known as an engraver but he was also the first professor of perspective at the newly founded Académie Royale from 1648 to 1661 when he was forced to leave due to disagreements with other Académicians. The two addresses that follow the book explain why in Bosse's own opinion he had been forced to leave his lob at the Académie and they also respond to comments made about Bosse by Félibien in the preface to the first part of the latter's Entretiens published a year earlier. c.f. Cicognara 91; Berlin cat. 2381; Abraham Bosse Savant Graveur # 310 311 & 312. unknown
16082092902141700962Not Available 1608. Soft Cover. Fine. Volume: 1 Not Available paperback
1667131Paris Par A. Bosse 1667 In-8 - 12x18,5cm. Reliure d'époque en plein veau moucheté, dentelle dorée sur sur les coupes. 5ff, 72pp, 10ff.
1678233441678 [Amsterdam] : [Abraham Wolfgang],[S.l.], (1678),in12 pleine basane usée,[2] , 196 p., [1] Bl
166964891669 Amstelodami, sumptibus Andreae Frisii, [Amsterdam, Andrea Frisi], 1669. 3 parties en 1 vol. in-4: 18.5 x 24.5 cm [5] ff., [4] pl. grav. dép, 96 pp., [6] ff. d'index, [4] ff., 96 pp. Troisième et meilleure édition de ce curieux ouvrage, d'après Brunet, avec les gravures de la Table Isiaque d'après Enea Vico, absentes de précédentes éditions. Notre exemplaire comporte 43 gravures en taille-douce. Un frontispice gravés par Blooteling, 8 planches à pleine page, 26 figures dans le texte et 8 des 11 sections de la Table Isiaque réalisées par Giacomo Franco d'après les gravures de Vico parues en 1559, ces 8 sections sont regroupées en 4 grandes pl. dép. Il manque les 3 sections de la bande centrale de la table. Reliure de l'époque en parchemin. Dos lisse avec titre manuscrit à l'encre noir. Bel exemplaire
161230976Antwerp: Balthasar Moretus 1612. Other. In excellent condition. 356 by 453mm 14 by 17 inches. Original antique copper engraving from the 'Theatrum Orbis Terrarum' by Abraham Ortelius the world's first modern atlas published in Antwerp 1612. Depicting Rome & Latium this map is a fine example of 1610s European cartography. Image: 356 by 453mm 14 by 17 inches. An attractive and historically significant 17th-century map for the discerning collector. Abraham Ortelius 15271598 was a Flemish cartographer and geographer born in Antwerp. He is widely regarded as the creator of the first modern atlas the 'Theatrum Orbis Terrarum' Theatre of the World first published in 1570 by Gilles Coppens de Diest in Antwerp. Considered the world's first true atlas it established the modern format of uniform standardized maps bound together in a single volume. Appointed Geographer to King Philip II of Spain in 1575 Ortelius was one of the most influential figures in the history of cartography. His maps are held in the collections of the British Library the Library of Congress and major European institutions. The 'Theatrum' went through more than 30 editions and was translated into multiple languages making Ortelius's maps among the most sought-after in the world of antique cartography.The map is ornated with three cartouches in the upper left corner the title cartouche on the upper right side we find an oval text cartouche and in the lower left corner an inset. The privilegium is written on the lower right side. Villages and towns are shown as miniature views. Moreover the map is ornated with a ship.A fine example from Theatrum Orbis Terrarum Antwerp sought after by collectors of antique maps of Italy antique maps of Rome and antique copper engravings for sale. In good condition consistent with age. Light age-toning to the sheet as expected for a 17th-century engraving. Centerfold as published. Koe. Ort. 46; Broe: 209 state 2/2; Balthasar Moretus unknown
1603322945Antwerp: Abraham Ortelius 1603. framed. Map. Engraving with beautiful hand coloring. Image measures 14" x 18".<br/> <br/> Beautiful 1603 map by Abraham Ortelius depicting Ancient Latium including Rome from his "Parergon". It covers Latium from the Tyrrhenian Sea to Umbria with parts of Tuscany and Campania. Cities are identified as individual buildings with particular focus on Rome its walls and notable buildings like the Coliseum. Notes mountains rivers marshlands and forests beautifully illustrated in profile. <br> <br> The map also includes historical and mythological elements such as a reference to Pliny in the Fucine Lake adding depth to the map's depiction of the region. Three cartouches adorn the map. The first is an ornate title cartouche in the upper right quadrant. Another is a dedication to Marcus Velser Augustanus. The third contains an inset of Mount Circeo the supposed dwelling place of the mythical goddess Circe who enchanted Odysseus and turned his companions into swine. <br> <br> This is the second state of the map identified by the addition of a network of roads around Rome and the designation of the swamp extended in the lower right along with the letters "VOLCI". The map is in good condition with some toning and minor abrasion loss near centerfold and verso repair near bottom margin. Van den Broecke #209. <br> <br> Abraham Ortelius 1527-1598 was a prominent Flemish cartographer geographer and cosmographer renowned for creating the first modern atlas "Theatrum Orbis Terrarum" which first appeared in 1570 and expanded over time to include 134 maps by 1592. Born in Antwerp he began his career as a map colorist and became a significant figure in cartography after being influenced by Gerard Mercator. His work was pivotal in the development of modern cartography integrating maps from various sources and reflecting his advanced geographical theories including early thoughts on continental drift. Appointed Royal Cartographer to King Philip II of Spain in 1575 Ortelius had access to extensive Spanish geographical knowledge. Despite the religious and political turmoil of his time he maintained a position of relative neutrality focusing on his scholarly and cartographic pursuits. His influential works also included "Synonymia Geographica" "Nomenclator Ptolemaicus" and "Parergon."<br/> <br/> Abraham Ortelius unknown
16247958Antwerp: Plantin-Moretus 1624. Copper engraving 32.5 x 48 cms modern hand colour Latin text on verso. Latium the hinterland of ancient Rome. Van den Broecke notes a minor change in nomenclature which was made for the 1624 edition 209.3 which is not present here although our example was published by Balthasar Moretus at the Plantin Press in the final edition of the Parergon. Ortelius's Theatrum Orbis Terrarum is generally considered the first modern atlas of the world originally published in 1570. Ortelius gathered and selected the best available cartographic knowledge and presented it in a single volume duly credited and finely engraved in a consistent style with explanatory text. The Theatrum was very decorative and hugely popular amongst the wealthy and educated running into over forty editions in Latin and the major European languages. For Ortelius himself however his accompanying atlas of ancient geography the Parergon was a "personal work" Koeman. He seems to have regarded himself first and foremost as an antiquary and rather than copying other people's maps he drew the originals himself; they were subsequently engraved for him by the master engraver Jan Wierix. The results have to be evaluated as the most outstanding engravings depicting the wide-spread interest in classical geography in the 16th century Koeman. Koeman Atlantes Neerlandici Ort 46. Van den Broecke 209.2 Map Plantin-Moretus unknown
1696324022Leyden and Utrecht: Pieter Vander Aa 1696. unbound. Botanical. Copper plate engraving with hand coloring. Image measures 12 1/2" x 8 1/2".<br/> <br/> Beautiful print of a flowering Rumex acutus plant. Abraham Munting 1626-1683 taught medicine and botany at the Academy of Groningem in the Netherlands. He had a particular interest in the uses of plants especially medicinally. This engraving is from "Naauwkeurige Beschryving Der Aardgewassen". Aging around edges and minor foxing. Please visit our gallery for more Munting prints.<br/> <br/> Pieter Vander Aa unknown
16362226<p>Le Blond 1636. Etching. A good impression on paper without a watermark. Trimmed just showing the platemark all around. 259mm x 324mm. G.D. 1080 Blum 154 only state Paris/Tours 2004 No. 128</p> Le Blond,
1656151129Paris: Chez Augustin Courbe 1656. First Edition. Hardcover. Very good. 45 522 12 p. 39 cm folio. Engraved frontispiece title page vignette decorations on dedication page and preface. Each chapter has full-page engraving and page top decoration making 12 of each as well as decorated first letters. Illustrations are by painter Claude Vignon engraved by Abraham Bosse. Two called-for portraits by Robert de Nanteuil are not present. Rebound in burgundy leather with 6 raised bands gilt impressing on spine. New endpapers. Title has chipped top corner. Faint dampstain on text block edge. Some small stains and darkened pages. French text. <br/><br/>Note the dedication to the Duke of Longueville. Chapelain received a pension from this nobleman allowing him to write this heroic epic about Joan of Arc. The poem's subject also allowed him to celebrate Jean de Dunois a medieval ancestor of the house of Longueville who was one of the great military leaders of the Hundred Years War. Apparently Chapelain let thirty years go by before he published the first half of this masterpiece leading some to argue that Chapelain wished to spin out his pension as long as he could. <br /> <br />This is one of the first French books engraved by a painter. Claude Vignon 1593 1670 was a French painter printmaker and illustrator who worked in a wide range of genres. Abraham Bosse ca. 1604 1676 was another French artist mainly as a printmaker and etcher. Most of his output was illustrations for books but many were also sold separately. Chez Augustin Courbe hardcover
17000066066La Haye Hague: Adrian Moetjens 1700. Hardcover. Very Good/No Jacket. Circa 1700. Hardcover 16mo. full burgundy calf gilt bands and title. 250 pp. Leather lightly rubbed and cornerworn; spine in nice shape showing only minor wear to its ends. Small sticker on front pastedown; donation and library stamp on title page and rear fly leaf. Unmarked readable text; endpapers foxed. Place-ribbon. In French and Latin. Comes in a protective mylar sleeve. Scarce. The author 1634-1706 originally published this title under the pseudonym La Motte Josseval. Digital images available upon request. Adrian Moetjens hardcover
1643178066Paris: Pierre Des-Hayes 1643. Hardcover. Good staining to boards and text block book plate inside front cover age toning throughout as expected with age. Text and illustrations are otherwise very clear!. Tan vellum boards with faded off-white title block on spine 8 28 pages 2 68 pages 34 unnumbered leaves of plates bw illustrations throughout. Text in French. The Universal Way of Mr. Desargues Lyonnois: To Lay The Axle & Place The Hours & Other Things on the Sun Dials. Added engraved illustrated title page special engraved title page with ornamental border following p. 28. The plates are mostly printed on both sides of the leaves and many appear multiple times final plate numbered '28'. Engravings by Abraham Bosse. Pierre Des-Hayes hardcover
1643178066Paris: Pierre Des-Hayes 1643. Hardcover. Good staining to boards and text block book plate inside front cover age toning throughout as expected with age. Text and illustrations are otherwise very clear!. Tan vellum boards with faded off-white title block on spine 8 28 pages 2 68 pages 34 unnumbered leaves of plates bw illustrations throughout. Text in French. The Universal Way of Mr. Desargues Lyonnois: To Lay The Axle & Place The Hours & Other Things on the Sun Dials. Added engraved illustrated title page special engraved title page with ornamental border following p. 28. The plates are mostly printed on both sides of the leaves and many appear multiple times final plate numbered '28'. Engravings by Abraham Bosse. Pierre Des-Hayes hardcover books
164340393Paris: Pierre De-Hayes. Very Good with no dust jacket. 1643. First Edition. Full stiff vellum. Diagrams; 12mo ; BOSSE Abraham 1604-1676 artist and engraver. Girard DESARGUES 1591-1661. La Maniere Universelle de Mr. Desargues Lyonnois Pour Poser L'essieu & placer les heures & autres choses aux Cadrans au Soleil. Paris: Pierre Des-Hayes 1643.8vo 175 x 125 mm. Two frontis'. Engraved allegorical title-page engraved dedication engraved title-page 66 engraved plates. Some staining some annotations. Contemporary stiff vellum some soiling some light wear book sellers description pasted to front flyleaf. FIRST EDITION of this important manual for setting up sundials including many engraved diagrams of sundials by artist and engraver Abraham Bosse. Berlin Kat. 4716; Brunet I 1127; Cicognara 817; Fowler 56. Property from the Thomas Sills Trust Chicago. Illinois. The entire book is bound in full entire stiff vellum. It is preserved in a neat library Thomas Sills Trust folder. No library markings on the book or in the text. . Pierre De-Hayes hardcover
1647453071647 Paris. Pierre Deshayes. 1647. 1 volume in-8, plein vélin fin XIXème à rabats, dos lisse. (8) ff. ; 342 pp. ; (1) f.
167014709Schipper Amsterdam 1670 1 vol. In-4 de 7 ff.n.ch. 371 pp. 2 ff.n.ch. (table); basane brune de l'époque, dos à nerfs orné, pièce de titre, tranches rouges (coiffes usées, deux mors fendus, coins émoussés).
