ADAM, After Robert (1728-1792)Biblio.com
336 résultats
177931060London 1779. Engraving by T. White. A fine engraving of a grand hallway at Syon House from Robert Adam's seminal work on British architecture.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown
17745385London 1774. Engraving by J. Zucchi. A fine architectural engraving of the interior of Kenwood House in Hampstead London re-modelled in 1761-1773 and now home to the Iveagh Bequest picture collection.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adelphi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown
177517124London 1775. Engraving by Joshua Record. In excellent condition with the exception of some minor foxing across the sheet and some waterstaining along the upper margin. A decorative engraving by the celebrated architect Robert Adam depicting an elegant room in Lord Derby's house in Grosvenor Square London.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown
177517122London 1775. Engraving by Joshua Record. In excellent condition. An elegant engraving showing the chimney in the anteroom of Lord Derby's house in Grosvenor Square London.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adelphi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown
177817136London 1778. Copper engraving. Engraved by P. Mazell. In excellent condition. An elegant engraving the Porter's Lodge at Shelburne House in Berkeley Square in London.<br/> <br/> Robert and his brother James Adam forever changed the face of British architecture by introducing innovative Classical design ideas. From 1754-57 Robert lived in Italy where he had a long productive friendship with Piranesi which was inspirational for both men. Adam's first book on Diocletian's palace in Dalmatia is clearly very like the archaeological investigations Piranesi was making at the same time of similar ruins. Piranesi's friendship and passion for Roman Classicism were seminal influences on Adam and the greatest single factor other than his own talent in the work Adam produced on his return to England. Upon his return the brothers launched their career by building the Adelphi from the Thames to the Strand in London which although not a commercial success at the time included one of London's most cherished buildings the Adlephi Theatre. Together the Adam brothers designed and built some of the most famous buildings in England including such bastions of English architecture as Kenwood House Keddlestone Manor and Syon House. To the interiors of their English country houses the Adams brought wonderful ornamental elements in niches lunettes festoons and reliefs. Their classically designed buildings were so numerous in London that they changed the prevailing feel of the city and established their brand of neo-Classicism as the model of elegance and importance. It is asserted that the brothers originated the concept of the uniform facade attached to the typical English row house an architectural device that distinguishes London buildings. This monumental contribution is evidenced in the Adams' designs for Portland Place and Fitzroy Square and these were used as architectural models for the whole city. The brothers brought their talents into other areas by designing furniture to complement their beautiful interiors and by creating and publishing a treatise of design entitled 'Works in Architecture'. The work was published in three volumes over an extended span of time beginning in 1773 with the final volume being published posthumously in 1822.<br/> <br/> Cf. Brunet I.47; cf. Lowndes I p.8; DNB; Wilton-Ely The Mind and Art of Giovanni Battista Piranesi. unknown
1756113491Halle: Bey Christoph Peter Francken, 1756. 18 cm ;
175556661Kiöbenhavn uden ang. af trykker 1755-80. 4to. 11 samt. ensartede hellæderbind af flammet kalv. Rig rygforgyldning og ophøjede bind på rygge. Tome-og titelfelter i skind. Forgyldte bordurer på permer. Kapitæler på nogle få bind bind lidt slidte nogle hjørner lidt stødte. 10 kobberstukne titelblade og 1 bogtrykt. Trykt på svært skrivepapir. Indvendig ren og frisk. Pragteksemplar af "Fundationerne" som har tilhørt Adam Gottlob Moltke til Bregentved og til hvem flere af bindene er dediceret. På alle for-og bagpermer er Moltke's store forgyldte kronede hjerteskjold. <br/><br/><em>Komplet eksemplar af Hans de Hofmans store værk som indeholder en del plancher i form af portrætter kort og genealogiske tabeller bl.a. portræt af Tycho Brahe store vignetter m.m. </em> unknown
1727P1225Leiden 1727. Excellent. Notes: from the book "Voyages tres-curieux et tres-renommez faits en Moscovie Tartarie et Perse." Image Size : 270x360 mm 10.625x14.125 Inches Platemark Size : 275x365 mm 10.875x14.375 Inches Paper Size : 312x392 mm 12.25x15.375 Inches Coloring: Black & White Medium: Copper Engraving Categories: Views Asia Middle East Iran; unknown
1764ST17496-042London: Printed for the Author 1764. FIRST EDITION. 520 x 365 mm. 20 3/4 x 14 1/4". iv 8 subscribers list 33 pp. <br/> Attractive modern light green half morocco gilt by J. F. Newman of Dublin his ticket on front pastedown raised bands spine panels with central patera ornament two darker green morocco labels reinforced hinges edges untrimmed. WITH 61 SPLENDID ENGRAVINGS 14 plans and elevations 47 views ON 54 PLATES eight double-page six folding by Bartolozzi and others. Front flyleaf with ink signature of Francis D. Bedford dated October 1886. Cicognara 3567; Fowler 2. Spine sunned to a light olive shade one corner bumped one plate with a little browning along the fold occasional mild marginal foxing or trivial smudges but A FINE COPY--fresh bright and clean internally with deep impressions of the type rich impressions of the plates and generous margins in a binding with few signs of wear.<br/> <br/> This is an extremely appealing copy of one of the great architectural books of the 18th century described by Cicognara as a "magnificent and grandiose work." Scottish architect Robert Adam 1728-92 was a product of the Scottish Enlightenment and moved in intellectual circles that included historian William Robertson who wrote the introduction here David Hume and Adam Smith. His interest in architectural drawing was stimulated by books in his father's extensive library which DNB tells us contained "a working collection of illustrated architectural books in English French and Italian and a series of manuals on architectural draughtsmanship." This curiosity developed into a passion during his 1755-57 tour of Italy which "was in every way a period of intense professional training during which the skills learned in Scotland were tested and given an international gloss by the Roman circle in which he now moved." DNB At the center of this circle was French architect antiquarian and artist Charles-Louis Clérisseau 1721-1820 the leading authority on Roman antiquities and architecture who introduced Adams to among others the great Piranesi. With Clérisseau as guide and tutor he explored and sketched various sites before arriving at the un-surveyed fortress palace built by the former emperor Diocletian at Spalatro the modern-day Croatian city of Split. Adam undertook a survey of the building and drew the architectural plans and elevations for this work while Clérisseau sketched views of the ruins. Adam planned this book as a way of promoting his career as an architect and worked with Clérisseau to have engravings made for it. According to Thom "while the traditional plans elevations and sections--what Robert Adam called the 'Geometricals'--were generally supplied by English engravers like Rooker Patton and Walker the all-important picturesque views and perspectives which Adam thought were essential to convey the emotional impact of the remains of Diocletian's Palace were engraved in Italy mostly by Bartolozzi Paolo Santini and Zucchi." Adams also wrote the architectural commentary. The publication was a success praised by the "Critical Review" in October 1864 as possessing "a taste and execution that has never been equalled in England." As DNB observes "during these two Roman years Adam succeeded in transforming himself from a provincial and rather green Scottish architect into a cosmopolitan figure ready indeed to put into effect 'the Antique the Noble & Stupendous.'" Now based in London he embarked on a distinguished career specializing in country houses and townhomes that reflected the deep influence classical architecture and his Italian sojourn had on his work. Our copy was once owned by another artist Francis Donkin Bedford 1864-1954 who exhibited landscapes at the Royal Academy and illustrated books during the Golden Age of children's book illustration in the late 19th and early 20th century. Printed for the Author unknown
17641721551764. ADAM Robert. Ruins of the Palace of the Emperor Diocletian at Spalatro in Dalmatia. vi 8 33 1 pp. with 61 engraved plates on 54 sheets some double-page. Folio 525 x 370 mm. bound in full contemporary calf. London: For the author 1764. First edition. "The book incorporated the first encyclical of Britain's most popular architect of the day who had now been in practice for several years with an immense patronage. Adam makes it quite plain that the great palace of Diocletian forms the source of his ideas upon domestic building and he modestly claims that it is the first private dwelling-house of the Romans to have been illustrated and described." Adam's account was based on his five-week visit to Spalatro in Croatia now known as Split; the sixty-one superb plates were executed after Clerisseau Zucchi and others some of the drawings survive at the Hermitage St. Petersburg. In his introduction Adam expresses his conviction that Diocletian had revived a taste in Architecture superior to that of his own times. Adam's "observance on unusual detail throughout is remarkable. Nothing is too minute to escape his notice. A careful reading of the descriptions shows whence Robert Adam derived his theories for the planning of his domestic buildings on a monumental scale like Syon and Kedleston" James Lees-Milne The Age of Adam pp. 67-69. A fine copy of this landmark book. Millard British 1. Harris British Architectural Books 4. Fowler 2. Berlin Katalog 1893. Cicognara 3567. John Fleming Robert Adam and His Circle 1962 pp. 235-240. Georg Kowalczyk Denkmäler der Kunst in Dalmatien 1910 reproducing 22 plates. unknown
176455620London: for the Author 1764. First edition. Modern full morocco. Very good. Large folio 53.0 by 38.0 cm. iv 7 subscribers' list 1 blank 33 1 blank pp; 53 of 54 leaves comprising 60 of 61 engraved plates 7 double-suite 6 folding each numbered according to the descriptive list on pp. 19-33. Plate I serves as frontispiece; five leaves each contain two or three smaller plates. Plate VI a floor plan of the palace restored is lacking. Recent full speckled light brown morocco boards lightly rubbed at extremities gilt dentelles spine with raised bands and gilt morocco lettering piece. A touch of mild soiling at the title; light foxing and staining almost exclusively confined to the margins throughout; adhesive at the joins in the large folding plates sometimes a bit darkened. A very good amply-margined copy.<br /> <br /> First edition of this magnificently illustrated work with views elevations sections and architectural details of the emperor Diocletian's palace at Spalato today known as Split. While the modern town was built into the ruins of the palace precinct the two temples the inner peristyle and most of the encircling walls remain. <br /> <br /> The origin story of the work is notable. Upon the death of William Adam 1689-1748 the leading architect in Scotland Robert Adam 1728-1792 and his two brothers succeeded to their father's practice. In order to remedy his deficiencies in architectural understanding Robert decided upon a Grand Tour of the monuments of classical antiquity so as "to acquire a proper manner and taste and an elegant style of drawing" Millard. Being the only significant unexplored classical sites in southern Europe Spalato would prove ideal for such a project. After meeting Charles-Louis Clérisseau 1721-1820 in Florence in 1755 Adam chose to engage the young French architect as guide and drawing instructor for the next two years. Clérisseau accompanied Robert Adam during the five weeks of the summer of 1757 devoted to exploring Spalato. The engravings were probably based on drawings by Clérisseau six of which are preserved in the Hermitage Museum who would also go on to supervise much of the engraving. The Critical Review October 1764 offered high praise for these illustrations which exhibited "a taste and execution that has never been equalled in this country." In his Decline and Fall chap. 12 Edward Gibbon offered a pithy critique: "There is reason to suspect that the elegance of his designs and engravings has somewhat flattered the objects which it was their purpose to represent."<br /> <br /> Adam clearly hoped the project would generate publicity as he sought to emulate the success of such works as Dalton's Antiquities and Views in Greece and Egypt 1751-1752 and Robert Wood's The Ruins of Palmyra 1753. The format of the present work is in fact modeled on Palmyra though Adam has included a far greater proportion of picturesque views than appear in Wood's opus. "The plates engraved by F. Bartolozzi E. Rooker F. Patton P. Santini A. Walker K. Cunego J. Bassire and Antonio Zucchi are of interest not only as fine examples of architectural engraving but as showing the source of some of the motives of the Adam style" Fowler. Adam's cousin the scholar and historian William Robertson wrote the proposal the dedication and the preface. Digital Cicognara Library 3567; ESTC T46923; Fowler 2; Millard British Books 1. for the Author unknown
1764145764London: for the author 1764 . Robert Adam's magnificent folio on the ruins of ancient Spalatro First and only contemporary edition of this superb work "one of the pioneering archaeological studies of the period" Thom which describes the villa - or rather fortress-palace - of the Emperor Diocletian built at Split the ancient Aspalathos on his abdication in 305 CE. During a five week detour from his Grand Tour Adam joined by the renowned French draughtsman Charles-Louis Clérisseau set about studying measuring and recording the grand ruins at Spalatro the plates finely rendered by a team of the best engravers are a mixture of plans sections and elevations 14 plates and views 47 plates. Self-published to promote the author's career the influence these designs had upon their author is evident throughout Adam's hugely successful and influential career. This folio represents the author's primary exposure to the inspirations that would define his own pervasively influential neo-classical "Adam Style". Provenance: gilt leather armorial book label of Granville Hastings Wheler 1780-1827 grandson of the experimental philosopher Granville Wheler 1701-1770; his label dated 1725 the year that his grandfather purchased Otterden Place Kent a house that was remodeled and enlarged by Granville Hastings who commissioned the architect William Pilkington. "It is said that the designs were based on Wheler's sketches of the 16th century house made from memory but it is far from clear that his influence extended beyond mandating the choice of the Tudor style for the new elevations" landedfamilies blog retrieved 4 January 2021. Folio 525 x 360 mm. 61 engraved plates complete 14 double-page or folding on 54 sheets including the pictorial title page by Francesco Bartolozzi Antonio Zucchi Edward Rooker and others after Charles-Louis Clérisseau. Early 19th-century half russia flat spine with six low raised bands decorated with gilt fillets closed by foliate finials gilt lettered direct in the second compartment others richly gilt with foliate and geometrical decoration sides and corners trimmed with a pretty gilt foliate roll Spanish on Turkish pattern marbled sides edges and endpapers. Binding professionally and judiciously refurbished. A very good copy handsomely bound with strong impressions of the plates. Colin Thom "'This Knoty Business': The making of Robert Adam's Ruins of the Palace of the Emperor Diocletian 1764 revealed in the Adam brothers' Grand Tour correspondece". hardcover
179735232Edinburgh: A. Strahan and T. Cadell. Very Good with no dust jacket. 1797. Fourth Edition. Hardcover. Full leather binding with innner denteles. Provenance-armorial bookplate John Martin Cripps ad collectore's J W Marsden. ". A guide to Roman government and culture with continuous references to classical literature. ." Contents unusually clean and bright. "Explaingin words and phrases from rites and customs. Government Magistacy Military Dress Exercises Gardens etc etc." 5.75" x 8.75". Marbled eps with matching text block edges. Nice copy. . A. Strahan and T. Cadell. hardcover
1797013285Edinbugh: A. Strahan and T. Cadell 1797 Edinburgh: Strahan and Cadell 1797. Fourth edition with improvements. Full-leather binding. 8vo. 616 pp. including index. Alexander Adam was the noted rector of the High School at Edinburgh Royal High School that educated Henry Lord Brougham the Lord Chancellor of England and many other notables of the Scottish Renaissance. Edinburgh High School which brought together students from all social classes is one of the bright spots of early educational institutions. It became the model for the first public school in the United States - Boston Latin School. This was a textbook of Adam's own devising written in English a guide to Roman government and culture with continuous references to classical literature. It caused some controversy when first published but with the support of Principal Robertson of Edinburgh University it was adopted by the High School. Laid paper no foxing. Second free front endpaper clipped likely to remove previous owner name. Rebacked with leather spine and spine label. Very good. A. Strahan and T. Cadell hardcover
1791286London: A. Strahan and T. Cadell 1791. First edition. 1/2 near contemporary calf. Very Good. <p>VERY RARE. Reprinted numerous times throughout the late 1700s and into the 1800s this is the impressively hard to find first edition. WorldCat only identifies six institutions with a copy including the British Library. RareBookHub shows only later editions coming to a recorded auction including the scarce second edition but never the first edition.<br /> <br /> Condition: VG. Complete including errata leaf.<br /> <br /> Roman antiquities ; or an account of the manners and customs of the Romans; Respecting Their Government Magistracy Laws Judicial Proceedings Religion Games Military & Naval Affairs Dress Exercises Baths Marriages Divorces. Funerals Weights & Measures Coins Method of Writing Houses Gardens Agriculture Carriages Public Buildings &c. &c. Designed chiefly to illustrate the Latin classics. By Alexander Adam LL. D. Rector of the High School of Edinburgh<br /> <br /> </p> <br /> <p>BOOK INFO<br /> <br /> Published in 1791 by A. Strahan and T. Cadell in London. First edition. Bound in near contemporary 1/2 fine calf over finely woven cloth. Spine with gilt ruled compartments separated by raised bands; gilt-lettered spine label in compartment two. All edges marbled. Duodecimo 12mo 6 3/4" x 4 3/8". Collated and complete: xiii 1 594 2 pp.<br /> <br /> ABOUT THE AUTHOR<br /> <br /> Alexander Adam June 1741 – December 1809 was a Scottish teacher and writer on Roman antiquities. His popularity and his success as a teacher are strikingly illustrated by the great increase in the number of his pupils many of whom subsequently became distinguished men among them being Walter Scott Lord Brougham and Francis Jeffrey. Roman Antiquities is his best work which passed through a large number of editions and received the unusual compliment of a German translation.<br /> <br /> CONDITION REPORT<br /> <br /> The book is in Very Good antiquarian condition. Complete. Refreshed endpapers.<br /> <br /> Exterior and binding: Firmly bound with joint ends starting to crack. Slight loss of leather at head of spine. Rubbed edges wear and bumping to corners. Spine sunned dry and cracking a bit. Top edge darkened per usual.<br /> <br /> Interior: VG. Pages are mostly clean bright and lightly toned with some slightly darker toning in a few sections an infrequent spot of foxing on occasion or light sign of handling. The endpapers and blanks are a little toned and grubby and there are a previous owner's bookplate and a couple of inked previous owners' names. One leaf with some slight insect nibbling to fore-edge not affecting text. <br /> <br /> All in all a lovely collectible copy of an exceedingly rare first edition of an influential work on antiquarian Roman history and culture by a favorite teacher of Sir Walter Scott.</p> . A. Strahan, and T. Cadell unknown
1790189815Naples: Giuseppe Policarpo Merande 1790-91. Adam Smith in the birthplace of political economy First edition in Italian of the Wealth of Nations among the scarcest of the 18th-century translations. Barring certain insubstantial references in journals "Smith's ideas did not reach Italy until 1790" Gioli p. 153. The translation was a quintessential product of the Neapolitan Enlightenment which had seen the development of political economy itself by Galiani and Genovesi in the 1750s. According to the preface the anonymous translator had corresponded with Smith and had received advice as to his translation. The edition takes its wider lead from Blavet's French translation which appeared from 1779 to 1780 while adapting various phrases and concepts to an Italian context. The second edition in Italian was not published until 1851. 5 vols octavo 173 x 114 mm. Complete with all half-titles and index leaves; vols. I III and V lacking rear free endpaper final leaf of vol. II fixed as rear pastedown. Contemporary vellum spines with orange calf label vol. IV with additional brown calf label edges sprinkled blue and red. Light soiling slight foxing and damp staining to contents paper flaw to leaf E2 of vol. III touching several words: a very good copy. Einaudi 5343; Goldsmiths' 14107; Kress B.1987; Tribe 39; Vanderblue p. 29 but lacking the fifth volume. Gabriella Gioli "The Knowledge of Adam Smith's Wealth of Nations in Italy in the Eighteenth Century shortened and translated by the author" in Cheng-chung Lai ed. Adam Smith Across Nations: Translations and Receptions of The Wealth of Nations 2000. hardcover
174827496B1748. Prague: Franciscus Carolus Hladky. 1748. 16cm x 10cm. 12 415 2 p. Zeitgenössisches Leder auf Bünden. Leder etwas berieben und beschabt kleine Fehlstelle unteres Kapital bestoßen und mit etwas Materialverlust. Vorsätze stärker sonst nur leicht gebräunt. Zeitgenössische Notizen auf Vorsatz und Vorwort-Titel. Insgesamt guter Zustand. / Contemporary calf with raised bands. Calf with some rubbing and partly with minimal worming. Inside slightly foxed contemporary handwritten markings to end-papers and to title of preface. Overall stable and still in good condition. Seltenes Buch in lateinisches Sprache mit 2 Stichen: 1 ganzseitiges Kupfer eines Wappen und eine halbseitige Schlußvignette auf S. 2 / Rare book of 1748 with two engravings. Text in Latin. hardcover
179250300<p>This 1792 Neuchatel edition of Adam Smith's "Recherches sur la Nature et les Causes de la Richesse des Nations" is an early French translation by Jean-Antoine Roucher a poet and political writer associated with Enlightenment thought who later died during the French Revolution. Issued in five volumes this edition contributed to the spread of Smith's economic ideas across continental Europe. It is noted that the volume containing Condorcet's commentary was likely never published adding bibliographic interest. The work examines labor trade and national wealth and remains a landmark in economic literature. Near Fine. Full leather bindings remain tight and secure with gilt retained on the spines pages clean and free of tears or stains and corners showing minimal wear. 12mo 5 volumes. Collation: each volume separately paged. Illustrations: none stated. Edition: French edition 1792. References: PMM 221; Goldsmith 14106. Item Number SKU: 50300. PHOTOS AVAILABLE UPON REQUEST.</p> Jean-Antoine Roucher hardcover
1792018054Neuchatel Hambourg Leipzig: Fauche-Borel 1792. Cinque volumi in 8° piccolo di 4-XII-384pp.; 4-406pp.; 4-400pp; 4-437pp; 4-432pp. Il primo volume ha un faux-titre non gli altri. Legatura in mezza pelle marrone dei primi dell800. Seconda edizione della traduzione di Jean Antoine Roucher 1745-1794 poeta e letterato che aderì alla Rivoluzione ma venne ghigliottinato durante il Secondo Terrore dopo essere stato in cella con André Chenier. Jammes Cat2001: "Deuxième édition peu connue". Fauche-Borel unknown
1788018056Paris Londres: Duplain 1788. Due volumi in 8° di 4-IV-503pp-4; e 4-496pp. Bella legatura coeva in piena pelle del tempo dorso liscio ornato e dorato. Bell'esemplare di questa traduzione che contribuì non poco alla diffusione delle idee di Smith in Francia. La traduzione è di Jean-Louis Blavet anche se a lungo circolò la voce che in realtà fosse di Morellet che stava in effetti pensando in quello stesso tempo di procedere ad una sua versione. "The Blavet's version appeared at Yverdon in 1781 in 6 volumes 12mo and at Paris in the same year in 3 volumes 12mo and again at London and Paris in 1788 in 2 volumes 8vo the present edition. He had no intention of publishing it until his friend M. Ameilhon happened to complain of scarcity of interesting articles for his Journal de l'Agriculture du Commerce des Arts et des Finances which had just come under the control of the Mercantilist. It struck him that he might offer it to him which he did with the explanation that it was far from perfect. It was accepted and appeared in the issues of the Journal between January 1779 and December 1780. He did not anticipate that it would go further. The edition of 1788 likewise appeared without his knowledge or consent and was still more marred by errors than that of Yverdon". Lai Cheng-chung. Adam Smith Across Nations. Duplain unknown
