66 901 résultats
19272911601927. unbound. View. Color aquatint. Signed in pencil with green stamp with artist's initials. Image measures 17" x 13.25" sheet measures 23.75" x 18.87"<br/><br/> Beautiful night scene of a New York City street. Minor wear along edges some paper specks in right margin and small crease to lower right corner. Tavik Frantisek Simon 1877-1942 born in Zeleznice Czechoslovakia traveled widely and visited the United States in the 1920s. His art represented impressions of where he'd been.<br/><br/> unknown books
190696872London: Wyman & Sons 1906-07. First editions of Simon's landmark work. Octavo original cloth two volumes. Both volumes are inscribed by Andre Simon with volume one inscribed twice by him. In near fine condition. British wine expert Hugh Johnson described French-born wine merchant André Simon as "the charismatic leader of the English wine trade for almost all of the first half of the 20th century and the grand old man of literate connoisseurship for a further 20 years". Simon's most distinctive work The History of the Wine Trade in England covers the history of the production and trade of wine in England from ancient Roman times through the end of the 17th century. Wyman & Sons hardcover
1964146190New York: Random House 1964. First edition of the playwright's first book review copy with the slip laid in. Octavo original half cloth. Boldly signed by Neil Simon Mike Nichols who directed the Broadway production and won his first Tony Award Gene Saks who directed the film adaptation; and Elizabeth Ashley who co-starred with Robert Redford in both the stage and screen versions. Additionally signed on inserted cards by Jane Fonda and who took over Ashley's role in the film and Herb Edelman who appeared in both versions. Near fine in a near fine dust jacket. Paul and Corie Bratter are newlyweds in every sense of the word. He's a straight-as-an-arrow lawyer and she's a free spirit always looking for the latest kick. Their new apartment is her most recent find-too expensive with bad plumbing and in need of a paint job. After a six day honeymoon they get a surprise visit from Corie's loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco where everything that can go wrong does. Paul just doesn't understand Corie as she sees it. He's too staid too boring and she just wants him to be a little more spontaneous running "barefoot in the park" would be a start. "A bubbling rib-tickling comedy" The New York Times. It is the basis for the 1967 film starring Robert Redford and Jane Fonda. The film's screenplay was written by Simon. Gene Saks directed Robert Redford reprising his Broadway role of Paul and Jane Fonda who replaced the play's Elizabeth Ashley. Mildred Natwick reprises her stage role as the bride's mother Charles Boyer is featured as the eccentric upstairs neighbor and Herb Edelman reprises his stage role as a telephone installer Random House hardcover
1988102093La manufacture 1988 In-8 relié toile verte, sans jaquette illustrée. 556 pages. Très bon état d’occasion.
1756CLL-362Amsterdam, Arkstée & Merkus, 1756 2 volumes in-12 de XXXIII, (3), 240 pp.- V (mal chiffrées VII), 268 pp., veau marbré, triple filet doré en encadrement sur les plats, armes dorées au centre, dos lisses orné de caissons de fleurons dorés, pièces de titre de maroquin rouge, filets dorés sur les coupes, tranches rouges (reliures de l'époque).
38958In-8, plein veau fauve glacé, dos à 5 nerfs plats garnis de triples filets dorés, orné de caissons garnis dun médaillon (1 et 6), et dun fer spécial romantique (3 à 5), filets, résilles et roulettes en tête et pied, triple filets dencadrement dorés sur les plats, roulette sur les coupes, large dentelle intérieure, tranches dorées (reliure signée de Thouvenin), 208 p. Paris, P. Didot l'aîné, 1820.
18808798Paris, Librairie des Bibliophiles (Jouaust), 1880-1888. 12 titres reliés en 13 volumes in-12, 11 volumes tirés à 300 exemplaires numérotés sur papier vergé de Hollande (après 20 Chine et 20 Whatman), et 2 volumes (X et XI) à 500 ex. sur papier vergé de Hollande (après 20 et 15 Chine et Whatman), ex-libris Henri Vieillard sur le contre plat. Reliures uniformes d'époque demi maroquin vert, dos ornés de fleurettes dorées et mosaïquées, tranches supérieures dorées, couvertures conservées, reliures signées Levasseur, dos insolés, rares rousseurs, principalement sur les tranches. Collection complète, ensemble rare.I - DU BEC. Discours de l'antagonie du chien et du lièvre. 1880 ; II - CLAMORGAN. La chasse du loup nécessaire à la Maison Rustique. 1881 ; III - Le bon Varlet de chiens. 1881 ; IV* et IV** - TARDIF, Guillaune. Le Livre de l'Art de Faulconnerie et des chiens de chasse. 1882, 2 volumes ; V - CRETIN, Guillaume. Débat entre deux dames sur le passetemps des chiens et des oiseaux, suivi de la Chasse royale, poème de H. Sahel. 1882 ; VI - Le Livre du Roi Dancus, texte français du XIIIe siècle, suivi d'un Traité de faulconnerie également inédit. 1883 ; VII - H. ARCUSSIA, Charles. La Conférence des Fauconniers. 1883 ; VIII - DU SABLÉ, Guillaume. La Muse chasseresse. 1884 ; IX - BULLANDRE, Simon de. Le Lièvre, poème. 1885 ; X - LA FERRIÈRE, Comte H. de. Les Grandes chasses au XVIe siècle. 1884 ; XI - GOURDON DE GENOUILHAC. L'Église et la Chasse. 1886 ; XII - GRUAU, Louys. Nouvelle invention de chasse pour prendre et oster les loups de France. 1888.
26039Paris, Claude Fremy, 1558. 1 vol. petit in-8°, veau fauve, dos à nerfs orné de fleurons dorés, pièces de titre en maroquin rouge, encadrement d'un filet à froid sur les plats, filet doré sur les coupes, tranches rouges. Reliure du XVIIIe s., coiffe sup. habilement restaurée. Bel exemplaire. Ex-libris ms. sur le titre. (4) ff., 316 f.. 87 ff., (1) f. blanc. Signatures : +4 [a-z]8 [A-Q]8 R4; [A-L]8. Quelques mouillures angulaires, galerie de vers dans la marge de tête des premiers ff. du second ouvrage, un trou de ver traverse les 80 premiers ff. en marge de queue.
196124Paris, André Chouqueux, 1655 in-folio, [3] ff. n. ch. [sur 5] (titre, dédicace, aux lecteurs), [1273] pp. mal chiffrées 1251 (il y a deux ff. différents chiffrés 69-70 - signature Iiii -, puis neuf ff. différents chiffrés 599-600 - signatures FFff - , enfin trois ff. différents chiffrés 833-34 - signatures NNNnn) ; XXVII pp. (table des pièces), manque la table des matières après l'avis aux lecteurs ([2] ff. n. ch.), basane fauve marbrée, dos à nerfs cloisonné et fleuronné, double encadrement de triple filet doré avec fleurons d'angle sur les plats, tranches marbrées (reliure de l'époque). Coiffes rognées, coins abîmés mors supérieur fendu.
6663La Haye, Adrian Moetjens, suivant la copie à Paris, 1682. 2 tomes en 1 volume petit in-12 (128 x 65 mm), 23 ff. n. ch., 188 pp., 2 ff. n. ch.; 166 pp., 12 pp. Maroquin rouge, filet à froid en encadrement sur les plats, dos à nerfs avec titre, lieu et date en doré, coiffes et coupes décorées, dentelle intérieure dorée, tranches dorées, une tache sur le premier plat de reliure, deux coins légèrement abimés (Ottmann-Duplanil).
1794124716Maradan A Paris, chez Maradan An II. 1794. Atlas in-Folio relié sous couverture d'attente cartonnée de l'époque. Le papier est manquant en dos de la reliure. Traduit de l'Allemand par le Cit. Gauthier de la Peyronie. Nouvelle édition revue et enrichie de notes par les C C. Lamarck, Professeur de géologie au Muséum National d'Histoire Naturelle ; Langlès, Sous-Garde des manuscrits de la Bibliothèque Nationale, pour les langues Arabe, Persane, Tatane-Mantchoue, & Billecocq, Homme de lettres. Contenant la Carte générale de l'Empire de Russie, d'après la nouvelle division de cet Empire en quarante-deux gouvernemens ; dix Cartes Géographiques ; soixante-dix-sept planches de botanique ; douze autres représentant des fourneaux, moulins, monumens & ; onze d'idoles et costumes ; et onze d'animaux, d'Histoire naturelle, d'Hiéroglyphes, &. Atlas bien complet des 108 planches dont douze dépliantes. Celles-ci sont toutes montées sur onglets et classées selon la disposition de l'édition in-8. Déchirure sans manque au bas de la planche 33 - 33 bis, sans manque.
190617961906 Correspondance d’Armand Simon (1906-1981) adressée à Henri Mercier (1917-2005) de la librairie bruxelloise La Proue. Artiste en marge du surréalisme belge, ermite de l’imaginaire, connu pour nourrir son art par ses lectures, Armand Simon vécut entouré d’une collection de plusieurs dizaines de milliers d’ouvrages. Cet ensemble donne à voir sur pièces son insatiable appétit de livres, et permet d’esquisser certaines constellations de sa carte du ciel littéraire. Les commandes donnent souvent l’occasion à des commentaires plus ou moins brefs. Parfois le propos est plus personnel. Le lien de fusion entre sa vie, son œuvre et ses livres apparaît avec force, parfois en quelques mots : « J’ai fait dans ma vie ce que je voulais intensément. Contre vents et marées, c’est peut-être ce qui a permis que je connaisse à présent un peu de succès. J’aurai [sic] acquis les livres que j’aimais Moi. ». Lorsqu’il évoque le Bruxelles de sa jeunesse, les plus vibrants passages concernent les librairies et les livres, dont il se souvient avec moult détails, par exemple, de « reliures affolantes ». Il convoque aussi des amis d’entre ses souvenirs : « René Magritte quand il vint chez moi avec Scut et Rigot en Août 45, trouvait que j’habitais une sorte de finis-terrae. Il est vrai qu’il était véhiculé par une auto du ministère à essence rationnée ». En 1965, Simon confirme à Henri Mercier sa participation à l’exposition collective Le Cabinet Maldoror, hommage à Geert van Bruaene (La Proue, 9-21 janvier 1965). Six ans plus tard, il lui écrit posséder, au fil d’une amitié de 49 ans, l’ensemble des publications d’Achille Chavée, dédicacées, qu’il se refuse à vendre à la pièce.C’est encore au sujet de sa collection qu’il manifeste un très rare signe de mécontentement. Après avoir manqué d’acquérir trois ouvrages de Hanns Heinz Ewers, il râle de ne pas avoir été prévenu plus tôt : « Ce sont des livres qui passent une fois dans l’existence. Ce sont des ouvrages qui se situent exactement dans l’esprit de ceux que je collectionne depuis plus d’1/2 siècle ». La lettre la plus ancienne (1963) évoque la projection du film Le Ballet paraphrénique (réal. Éric Duvivière) chez un de ses collectionneurs. Après avoir donné une définition de la pathologie « un dément qui vit une vie seconde […] et ses visions d’un monde second peuvent être dépourvues de toute angoisse. Le paraphrène vit seulement une autre vie de caractère obsessionnel et « fantastiquement » luxuriante », il s’excuse du long développement pour conclure « des dessins exécutés il y a 15 ou 20 ans préfiguraient étrangement nombre de séquences du Ballet ». Cette idée revient dans une autre lettre : « Depuis trente ans je n’ai dû dessiner que des images à caractère obsessionnel ». Ces correspondances où Simon s’exprime sans détour constituent surtout une masse bibliographique précisément datée durant les quinze dernières années de sa vie. Parmi les dizaines d’auteurs cités : Jarry, Tzara, Birot, Apollinaire, Follain, Guillevic, Genêt, Segalen, Saint-Pol Roux, Butor, Jaccottet, Bonnefoy, Paz, Agrippa d’Aubigné, Casanova, Hugo, Banville, Gautier, Rebeel, Claudel, Hermant, Audiberti, Tardieu, Vitrec, Arrabal, Artaud, Beckett, Tanning, Vian, Stas, Baillon, Douassot (Fred Deux), Carco, Tournier, Troyat, Martin du Gard, Lou s, Bataille, Fini, Sabatier, Schwob, Noël, Durrell, Moravia, Tellier, Faulkner, Lowry, Yourcenar, Camus, Mac Orlan, Borgès… "L’artiste est un funambule - il ne faut pas lui demander de choir dans la cage aux lions. Il faut savoir renouveler ses contorsions - j’en parle par expérience". Joints trois talons de chèques postaux.
172361696Aux dépens de la Compagnie | à La Haye 1723 | 16.50 x 20.50 cm | 4 tomes reliés en 1 volume
1919015166Paris François Bernouard et Galerie Simon 1919 plaquette in-4 Broché
178187OFJJ3LS7HEAntwerpen 1781. 8vo. Petrus Josephus Rymers Contemporary half calf title in gold on spine. With an engraved frontispiece by the artist-engraver Jacob Harrewijn and many full-page woodcut illustrations in text of which 8 are full-page. 10 558 2 pp. Easily the most popular Dutch conjuring and recreation book of the 18th century. On long winter evenings families and parties amused themselves with the help of the book trying the various tricks and games. It contains about 2000 conjuring tricks card games exciting experiments with all sorts of materials word and number games riddles etc. It also includes advice on drawing and colouring on cosmetics means of curing a pain of making perfumed soaps removing stains etc. Reprinted for over a century the book continued amusing generations of children as well as adults in the home and at parties. Landwehr ascribes the book to Willem Goeree who first published it at Middelburg in 1679. Goeree probably choose the pseudonym Witgeest White spirit as a guarantee that the book contained only white magic not black magic. Its advice on drawing and colouring was taken from Goeree's Inleydinge tot de algemeene teyken-konst.Binding slightly worn with a small tear in the frontispiece and the lower margin of the title-page a little short-trimmed but otherwise in good condition.l Landwehr De Nederlander uit en thuis p. 148-50; Volkskunde 68 1967 p. 67f.; Waller 1870-7 esp. 1874 with the same text and "Den X. druk" on the title se above; Muller Pop. prozaschr. 555 "Men kan er menigen winter-avond de jeugd meê bezig houden"; De Vries Pop. prozaschr. 528-29 all other editions. unknown
171523270Amsterdam: Jan ten Hoorn title-page: sold in Brussels by Emanuel de Grieck 1715. Contemporary calf with ornamental flowers on spine. 8vo. With an engraved frontispiece by the artist-engraver Jacob Harrewijn title-page in red and black many full-page woodcut plates and numerous woodcut illustrations in text. Easily the most popular Dutch conjuring and recreation book of the 18th century. On long winter evenings families and parties amused themselves with the help of the book trying the various tricks and games. It contains about 2000 conjuring tricks card games exciting experiments with all sorts of materials word and number games riddles etc. It also includes advice on drawing and colouring on cosmetics means of curing a pain of making perfumed soaps removing stains etc. Reprinted for over a century the book continued amusing generations of children as well as adults in the home and at parties. Landwehr ascribes the book to Willem Goeree who first published it at Middelburg in 1679. Goeree probably choose the pseudonym Witgeest White spirit as a guarantee that the book contained only white magic not black magic. Its advice on drawing and colouring was taken from Goeree's Inleydinge tot de algemeene teyken-konst.Lacks title label on spine otherwise a good copy.l Muller 555; De Vries 528-529; see also: J. Landwehr De Nederlander uit en thuis p. 148 ff. Jan ten Hoorn (title-page: sold in Brussels by Emanuel de Grieck), unknown
1715ABC_45273Amsterdam 1715. 8vo. Jan ten Hoorn sold by Emanuel de Grieck Brussels Contemporary vellum blind-tooled with a centrepiece on both sides. Title-page in red and black with an engraved frontispiece containing 5 compartments showing tricks by Harrewijn after the frontispieces in the original editions by Jan van Hoorn in Amsterdam 57 charming woodcuts illustrating the various tricks in the text 7 full-page in the last section on fireworks. 10 518 40 pp. The 1715 edition nominally the 10th but possibly the 11th of a very popular Dutch conjuring book that had been published for the first time by Jan ten Hoorn in Amsterdam in 1679 and frequently augmented in many editions far into the 18th century. The present edition mentions 2000 tricks tover-konsten instead of the 500 in the 3rd edition. The book was also translated into German.The Tover-boek contains sections on magic tricks card-games dice word and number games riddles and recipes and instructions for painting and etching as well as home remedies and recipes for preserving fruits and vegetables toiletries fireworks etc. collected from various sources. The section on drawing and colouring for instance is taken from Willem Goerees Inleydinge tot de algemeene teyken-kons published in 1678.With the owner's inscription of J. Ravelli on the last endpaper. Binding slightly soiled as are the first leaves otherwise in very good condition.l John Landwehr Simon Witgeests Natuurlyk tover-boek et alia in: Volkskunde 68 1967 pp. 67-82; Hoogendoorn Witg. 11 p. 993. hardcover
H162Leipzig in Commission der J. G. M¸llerischen Buchhandlung 1792. 8vo. 284 S. Kleisterpapierumschlag der Zeit. Umschlag etwas angeschmutzt und bestoflen erste Seiten etwas eselsohrig. Besitzvermerk auf der Titelr¸ckseite. Seltene Erwiderung von Witte 1738 Rˆbel - 1802 Rostock auf Humboldts und Niebuhrs Entgegnungen auf seine Schrift. unknown
157066372Lugduni Leiden: Apud Benedictum rigaudum Rigaud 1570. Fine. Apud Benedictum rigaudum Rigaud Lugduni Leiden 1570 10.50 x 17 cm relié New edition. The earliest edition is found at the British Library 1498; this is likely the first edition as Charles VIII died that same year. The work was reprinted several times during the 16th century. Bound in rigid half vellum late 19th century. Smooth Jansenist spine. Red shagreen title-label. Some light rubbing. Handsome copy with wide margins. Some pale marginal dampstains. The De Lubrico is a poem on human misery and deception composed in the manner of numerous works of the period with first the poem itself followed by its explanation and the circumstances that produced it scholia. Modern bookplate of the library of F. Renard pasted on front pastedown. Apud Benedictum rigaudum (Rigaud) hardcover
18371071961837. Cornopolis: Imprimerie de l'Encorné i.e. Lille: printed for the author chez Bloquel c. 1837. <br /> <br /> 12mo 3-107 1pp. With a folding hand-colored frontispiece. Printed on yellow paper bound with three "sermons" at the end. Early quarter calf marbled boards bookplate of E. Alexander.<br /> <br /> § Very rare and amusing treatise on cuckoldry; known in at most 4 copies Univ. of Chicago plus 3 in France. No copy recorded at auction or through the trade except for this one ex-Nina Musinsky. Musinsky's long note accompanies this copy: "First edition of an illustrated spoof printed on yellow paper. it provides plentiful anecdotes of adultery featuring cuckolds from every walk of life from Kings to shopkeepers. the book belongs to a tradition of French cuckold satires of which the earliest example.was published in 1708. bound in at the end are three facetious sermons.". unknown
1778S13109Leipzig:: Johann Friederich Junius 1778. 1778. 2 parts in 1 vol. Sm. 4to. xxiv 303 1 pp. Title vignette 4 folding engraved plates with 32 figs. head and tail-pieces. Original half calf decorative boards; very worn joints splitting extremities well worn. Title page signed by J. G. Kohler; bookplate of Ing. Dr. Edmund Neusser. First edition dedicated to the famous mathematician Leonhard Euler 1707-1783. Klugel based his writings on that of Euler's work on optics. In his parts VII and VIII he deals with the telescope and especially the microscope. / Euler's own work on the theory of the achromatic microscope was written as early as 1762 and 1771 when he dealt with the subject more fully. In 1774 Euler's pupil and friend Nicolas Fuss wrote a little book on how to construct an achromatic microscope. Klugel translated that work in 1778 and then followed that with this more thorough treatment being his Analytische Dioptrik also 1778. Due to the crudeness of design of the objective made in 1791by Francois Beeldsnyder 1755-1808 a colonel in the Amsterdam cavalry Mayall asserts and others uphold this view that he feels the discussion of the dates of origin or this instrument are at best unclear. :: Mayall. See also: S. Bradbury The Evolution of the Microscope pp. 179-180. / Georg Simon Klugel 1739-1812 German mathematician and physicist born in Hamburg studied under Abraham Kastner "the best teacher of mathematics in Germany" :: Vincenzo De Risi Gerolamo Saccheri 1667-1733 Euclid Vindicated from Every Blemish: Edited and Annotated . . . 2014 p.52. at the University of Gottingen. He was appointed professor of mathematics at the University of Helmstedt and then was chair of mathematics and physics at the University of Halle. In this compendious work he corrected some of Euler's results and expanded with his own findings. In 1803-31 he published his famous dictionary of mathematics Mathematisches Worterbuch 5 vols. / Provenance II: I Johann Gottfried Kohler 1745-1801 Germen astronomer known for discovering a number of nebulae start clusters and galaxies. He was a colleague of Johann Elert Bode another German astronomer of importance. In 1785 Kohler was appointed jointly director of the Desden Mathematisch-Physikalischer Salon and the Kunstkammer. His catalogue of nebulae was published in 1780. He wrote a number of astronomical papers in German and the following in the Philosophical Transactions "Observations on the transit of Mercury 1786 May 4 at Dresden" P.T. 1787. See: Hockey Thomas The Biographical Encyclopedia of Astronomers 2009; Poggendorff pp. 1290-1. / II: Ing. Dr. Edmund Neusser 1852-1912 born in Krakow was appointed in 1893 a full professor and director of medicine in the University of Vienna. A highly respected clinician he specialized in disorders of the blood and wrote about the circulatory system liver and adrenal glands. See: Austrian Biographical Encyclopaedia. / DSB VII pp. 404-05; Poggendorff I 1277; John Mayall Cantor Lectures on the Microscope p. 61. See: Dieter Gerlach Geschichte der Mikroskopie 2009 p. 200. Johann Friederich Junius, 1778. hardcover books
195838022New York: John Wiley & Sons 1958. First edition of this classic in management science. Octavo original cloth. From the library of Nobel Prize-winning economist John Harsanyi with his signature on the front free endpaper . 'Outside the Carnegie group we should like to acknowledge especially our many hours of fruitful work and discussion with Robert A. Dahl on the subject of influence measurement and the help and guidance that John C. Harsanyi provided for our treatment of the relation between game theory and other theories of conflict' p. vi. 'Simon was attracted to the exciting intellectual environment emerging at the Carnegie Institute of Technology in Pittsburgh. After moving to Carnegie in 1949 Simon stayed there for more than five decades. At Carnegie Simon collaborated on work that established the field of organization theory. The founding work was a major study done with James G. March published as Organizations. The book continued the argument that decision makers are not able to act in an objectively rational manner; rather they are constrained by both cognitive and external limitations. So instead of assuming that each decision maker scans all possible alternatives and chooses the one that maximizes expected utility Simon argued that decision makers instead use 'satisficing' as a criterion for making decisions; they choose the first alternative that looks 'good enough.' March and Simon wrote in Organizations 'Most human decision making whether individual or organizational is concerned with the discovery and selection of satisfactory alternatives; only in exceptional cases is it concerned with the discovery and selection of optimal alternatives.' . . . One of Simon's insights was that the observed complexity of human behavior arose from simple and general underlying mechanisms that were applied to a complex task environment. Simon illustrated this with his famous metaphor of 'the ant on the beach.' The ant's goal is to reach some distant food. While the ant's path to the food seems very complex twisting and turning most of the apparent complexity is due to the grains of sand to be traversed. The complexity of the environment rather than the complexity of mechanism within the decision maker gives rise to the observed behavior. 'In solving problems' March and Simon wrote 'human thinking is governed by programs that organize myriads of simple information processes - or symbolic manipulating processes if you like - into orderly complex sequences that are responsive to and adaptive to the task environment and the clues that are extracted from that environment as the sequences unfold' ' Mie Augier & Edward Feigenbaum 'Herbert A. Simon: 15 June 1916 - 9 February 2001' Biographical Memoirs Proceedings of the American Philosophical Society Vol. 147 No. 2 June 2003 pp. 196-7. Fine in a near fine dust jacket. Rare and desirable with a noted provenance. John Wiley & Sons hardcover books
51-6349Lyon: pour Anthoine de Harsy 1587. 2 vols. Folio 24 x 35cm. New qtr. roan bindings by the artisan binder Sasha Mosalov. I : 8 ff. ff. 1-363 manque le dernier f. blc ; II : 4 ff. ff. 365-674 43 ff. d'index manque le dernier f. blc. Cette édition de la traduction de Jacques Amyot 1513-1593 parut la même année que l'édition parisienne de Barthélemy Macé. Publiée pour la première fois en 1572 elle fut corrigée et rééditée par Amyot plusieurs fois. Jolie marque typographique d'un crabe retenant par ses pinces les ailes d'un papillon et avec la devise Matura. Tome I inscription ancienne en anglais sur le titre et le dernier f. de l'épître au Roi mal placé. Pâles mouillures et rousseurs piqûres rares petits trous de vers titres salis.OCLC Number / Unique Identifier:716733193Notes:Titre conventionnel : MoraliaTrad. par Jacques Amyot selon l'eÌpiÌ‚tre deÌdicatoireEd. par Simon Goulart selon les avertissements aux lecteurs signeÌs S.G.S. en teÌ‚te de chaque tSig. pied de moucheⶠ2A-ZⶠAa-OoⶠPpâ´ Ppâ‚„ bl. 2eÌtoileâ´ Qq-ZzⶠAaa-ZzzⶠAaaa-VvvvⶠXxxxâ´ A-FⶠG⸠G bl.Empreinte : u t : e.us see BoLa 3 M.D. LXXXVII Lyon: pour Anthoine de Harsy, 1587 unknown
51-5369Lyon: Paul Frellon 1594. 8vo. 11 x 17.2 cm Contemporary flexible vellum. 30 1110; 2189 60pp.OCLC Numberrs 404873986 and 38116158.2 parties en 1 vol. in-8 de 32-1110 pp. mal chiffrés 1010 1 f. blanc ;2-189-66 pp. Vélin souple ivoire reliure de l'époque. Sans le tomeII et dernier.Expertise by: Elvire Poulain-Marquis 5 rue de Saintonge 75003 PARIS Lyon: Paul Frellon, 1594 hardcover
196467965New York: Random House 1964. First edition of the playwright's first book. Octavo original half cloth. Boldly signed on the half-title page by both Neil Simon and Robert Redford who starred in the role of Paul on both the Broadway play and the film. Near fine in a near fine dust jacket. Paul and Corie Bratter are newlyweds in every sense of the word. He's a straight-as-an-arrow lawyer and she's a free spirit always looking for the latest kick. Their new apartment is her most recent find-too expensive with bad plumbing and in need of a paint job. After a six day honeymoon they get a surprise visit from Corie's loopy mother and decide to play matchmaker during a dinner with their neighbor-in-the-attic Velasco where everything that can go wrong does. Paul just doesn't understand Corie as she sees it. He's too staid too boring and she just wants him to be a little more spontaneous running "barefoot in the park" would be a start. "A bubbling rib-tickling comedy" The New York Times. It is the basis for the 1967 film starring Robert Redford and Jane Fonda. The film's screenplay was written by Simon. Gene Saks directed Robert Redford reprising his Broadway role of Paul and Jane Fonda who replaced the play's Elizabeth Ashley. Mildred Natwick reprises her stage role as the bride's mother Charles Boyer is featured as the eccentric upstairs neighbor and Herb Edelman reprises his stage role as a telephone installer Random House hardcover books
