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1920231621920. African American Military Service African American U.S. Navy photograph archive documenting naval service segregation training and enlisted social life from the interwar period through World War II with direct evidence of how Black sailors and Seabees moved through the Navy's expanding but racially divided wartime structure. The group centers on studio and snapshot portraits of Black servicemen in dress and work uniforms including several real photo postcards from the 1920s and a larger body of 1940s material tied to wartime service. A press photograph dated November 23 1942 anchors the archive within the Navy's 1942 expansion of Black enlistment into general service and the wartime organization of segregated Black Seabee battalions on the East Coast. Black men entered the Navy under long standing racial restrictions before broader wartime openings began in 1942 and Black Seabees remained largely segregated even as their labor and training became essential to amphibious and construction operations during the war.<br /> <br /> Photo archive of 14 silver gelatin photographs including 4 real photo postcards and one press photo various sizes ranging from 10 x 8 inches two 2 x 3 inches United States circa 1925 to 1940s. The most historically explicit image is a large Acme Newspictures press photograph showing Black Seabees disembarking from landing craft marked "USN 702" rifles raised as they train in surf; the typed caption on the verso reads in part "NEGRO SEABEES TRAIN IN LANDING OPERATIONS" identifies them as members of an "all Negro battalion" and bears the date November 23 1942. Other photographs shift from formal military portraiture to daily life: a large studio portrait of a smiling young Black sailor in a flat cap lettered "U.S. NAVY"; three interwar real photo postcards showing Black sailors in neckerchief jumper uniforms and in peacoat with flat cap one inscribed at front "Kansas City Mo" and "Adolphe J. Bell"; a headshot portrait with a cursive signature on the verso read as "Joe Louis"; three young sailors in white enlisted uniforms and white caps; three sailors posed indoors in dark dress uniforms; a mixed social table scene with ten people sharing food and drink including three Asian women and seven Black sailors in uniform; a domestic interior with a woman holding a child beside a sailor holding bottles; a casual image of a sailor in a recreation room with ping pong table; an outdoor snapshot near barracks or temporary buildings with servicemen and a dog; and a small vernacular image of three men one shirtless in tropical or warm weather surroundings. One real photo postcard is inscribed "Just to remember a pal - Stanely" and addressed to Lloyd S. Miller 219 Lexington St. Covington Virginia. Navy uniform history supports the archive's span across prewar and wartime decades from the flat hat and peacoat combinations in the earlier portraits to the white "dixie cup" caps and wartime enlisted uniforms in the later snapshots.<br /> <br /> The archive places Black naval service in view across two linked periods: the constrained interwar Navy when Black sailors were sharply limited by race and the wartime Navy after April 1942 when the service broadened Black enlistment while preserving segregation across much of its structure. Formal self presentation in studio portraiture named personal exchange through inscription and mailing address interracial or cross cultural off duty sociability at table domestic visitation barracks life recreation and a news service image of East Coast landing operations training. The 1942 Seabee press photo connects the personal photographs to a larger wartime system in which Black sailors were admitted into expanded service categories yet still sorted into segregated units and labor formations a tension now central to institutional collecting on African American military history and the history of segregation within federal service. Light to moderate wear throughout including edge wear creasing toning small losses corner softening surface abrasions and scattered staining; several images with fading or silvering and the press photo with caption label and agency stamp on verso. Overall in good condition. A compact concrete record of Black naval life before and during World War II with one dated press image and multiple inscribed vernacular portraits grounding the archive in both military policy and personal experience. unknown
191052132Washington DC: Press of Shaw Bros 1910. First edition. 8vo. 46 pp. Illustrated portrait. Inscribed to John H. Hunter by "the author". Scarce; the NUC locates only three copiesDLC ViU NcD only microfilm editions found on OCLC. Not in Nevins or Broadfoot. Original printed wrappers spine eroded. <br/><br/> Press of Shaw Bros unknown books
elala5889vp: 1876-1907. Gregory worked for the Department of Marine and Fisheries for over 30 years attending to various matters including protocol. In this capacity he hosted many foreign dignitaries and arranged hunting and fishing expeditions. He was on close terms with four Governors-General. In 1883 Gregory played a major role in designing and realizing the Quebec contribution to the Canadian section of the Great International Fisheries Exhibition in London England although bureaucratic reasons prevented him from attending personally. In 1903 Gregory was awarded the Imperial Service Order by King Edward VII an award given for at least twenty-five years of government service. Gregory was a member of the Quebec Yacht Club where he served as the Honorary Commodore. He was also President of the Quebec Gun Club and an honorary member of the Tourilli Fish and Game Club. He appears to have been active in sporting circles in America as well as in Canada. Gregory was a contributor to ‘Forest and Stream’ for more than 40 years and the author of a number of short publications which included ‘Anticosti Its Shipwrecks: What Has Been Done Since Confederation to Prevent Marine Disasters’ 1881 ‘En Racontant: Récits de voyages en Floride au Labrador et sur le fleuve Saint-Laurent’ 1886 ‘Notes d’un voyage sur la côte du Labrador’ in l’Événement 16-22 mars 1869 and ‘De Québec à la Floride. Notes de voyage’ in la Revue canadienne 1886. Most of the letters are from politicians dignitaries literary figures barristers and aristocrats including Governors-General Dufferin Lorne and Minto. Further details upon request. various sizes elala5889 vp: 1876-1907 unknown
1967138581Paris: Concordia Compagnia Cinematografica 1967. Four vintage borderless reference photographs from the set of the 1967 film. Studio rubber stamp on the verso. One of the photos features Marina Vlady sharing a cigarette with Roger Montsoret. Based on a 1966 article on casual prostitution in France by Catherine Viminet. <br/><br/>One of three feature films Godard released in 1967 and like both "Week End" and "La chinoise" one that showcases Godard's increasing focus on deconstructing filmic narrative and structure and vocalization of leftist political ideas. <br/><br/>Godard has stated that his overall desire with the film was "to include everything: sports politics even groceries" to make "an attempt at description of a phenomenon known. as a complex."<br/><br/>5 x 7 inches. Fine condition. <br/><br/>Criterion Collection 482. Rosenbaum 1000. Vogel Film as a Subversive Art. Concordia Compagnia Cinematografica unknown books
1781217548London: Printed for J. Almon and J. Debrett 1781. First edition. A2 B-2B4. 4 190 2 ad pp. Errata leaf follows title page. 1 vols. 8vo. Uncut in later drab wrappers chipped and torn lower wrapper especially. Title leaf soiled with abrasion costing four letters in first line. Some old folds and minor soiling bottom corner of last leaf crumpled. First edition. A2 B-2B4. 4 190 2 ad pp. Errata leaf follows title page. 1 vols. 8vo. Courts Martial of Keppel & Palliser during the American Revolution. Written by Thomas Lewis O'Beirne 1748-1823 the Anglican divine whose first publication was the sermon he preached "An excellent sermon preached in St. Paul's Church New-York" NY 1776 as chaplin in Lord Howe's fleet at St. Paul's Chapel in New York after the disastrous fire in New York City of September 21 1776 probably set by Patriot arsonists. Upon his return to England in 1779 O'Beirne wrote a defense of Howe in "A Candid and Impartial Narrative of the Transactions of the Fleet ." L. 1779 and became more and more allied with the Whig party.<br/><br/>This is his defense of Admiral Keppel in the politically charged dispute with Sir Hugh Palliser and Lord Sandwich over their actions in the engagement with the French fleet off the coast of Brest in July 1778. Charges and counter-charges flew over that indecisive and costly encouter Kessel being accused "misconduct and neglect of duty" and of not having done enough to finish off the crippled French fleet. Indeed a claim was made at the time "that had the French been defeated at the time a diplomatic mission to America giving them the opportunity to abandon the French treaty would not have failed" DNB Palliser on the other hand was accused of neglecting to obey an order to come to the support of the rest of the fleet. The dispute ultimately resulted in court-martials of both men resulting in the acquittal of each although Palliser was censured and ruined while Keppel refused to serve under the current Ministry. <br/><br/>"The whole episode had severely weakened the standing of the Navy. Keppel asked not be sent to sea under the current Ministry and so the Admiralty retired him which led to a general resignation by his naval supporters depriving the Navy of many able officers in the continuing war against America." - DNB<br/><br/>The first edition of O'Beirne's account of the two court martials although well represented in institutions is rare on the market; and only one copy of the 2nd edition has appeared at auction over the last 30 years. ESTC T 9693 Printed for J. Almon and J. Debrett unknown books
1719WRCAM35378Seville: Francisco Garay 1719. 4pp. Small quarto. Modern three-quarter morocco over linen boards spine gilt. Occasional stains holes at bottom of both leaves not effecting text last page of text closely trimmed. A good copy. A four-page ballad describing the enormous storm experienced by the Spanish fleet in 1719 and of the miraculous preservation of the ships which eventually arrived safely in Cadiz. It was this same great fleet which Spain had gathered at Cadiz and Corunna for the invasion of the west of England directed by James Butler the attainted Duke of Ormonde. A rare possibly unique piece of early 18th-century Spanish verse. Not recorded in Palau NUC or on OCLC. Francisco Garay hardcover books
94017Very Good. File folder perhaps 1.5 inches thick. Lots of photocopies and a modest exchange of correspondence. unknown
50599Munich 1957. Octavo 20.8 Ã 14.5 cm. Original printed wrappers; 62 2 pp. A fine copy. First appearance in print of Marina Tsvetaeva's epic poetic cycle about the October Revolution and the ensuing Russian Civil War which the poet experienced first-hand in Moscow before emigrating in 1922. The poems were written before her emigration while her husband Sergei Efron was fighting against the Bolsheviks in the Volunteer Army. According to the preface by Gleb Struve Tsvetaeva herself had planned to publish these texts as one book in 1928 but was unable to do so. In 1939 she handed the manuscript over to a professor at Basel University who made them available to Struve after the war. Scarce in the trade. unknown books
1943185431943. United States Marine Corps World War II photograph album documenting global American military operations across the Pacific and Atlantic theaters during the 1940s including combat scenes naval deployments and high level wartime leadership meetings. The album records the experience of U.S. Marine personnel during the global campaigns against Axis powers with photographs spanning the South Pacific Japan North Africa the Mediterranean Greenland and Alaska. Numerous images show Marines in active combat environments amphibious landings and wartime garrison life providing visual documentation of the operational geography of the war. The album also preserves photographic evidence of a significant wartime meeting in Hawaii on July 26 1944 when President Franklin Roosevelt met with General Douglas MacArthur and Admiral Chester Nimitz to determine the strategic direction of the Pacific campaign. Roosevelt ultimately endorsed MacArthur's plan to return to the Philippines a decision that shaped the final phase of the Pacific war.<br /> <br /> Photograph album compiled by a U.S. Marine during World War II containing 364 black and white silver gelatin photographs and 21 real photo postcards depicting American military operations across multiple theaters including Namur Island Peleliu New Guinea the Solomon Islands Tarawa Cape Gloucester Saipan North Africa and Alaska. Several photographs appear to be official Marine Corps press images with printed captions such as "Marines take cover in invasion of Tarawa" "Actual landing operations on South Sea Island" and "Two rear gunners in Guadalcanal bomb shelter." Other images show Marines moving through tropical marshes occupying foxholes standing watch in lookout towers assembling on invasion beaches and operating aboard naval vessels. The album also contains candid images of President Franklin Roosevelt General Douglas MacArthur and Admiral Chester Nimitz taken during the Pacific Strategy Conference in Hawaii with approximately twenty nine photographs documenting the leaders meeting and greeting during wartime consultations. Additional photographs depict local populations encountered by American forces in the South Pacific and North Africa scenes of war damaged buildings and the daily lives of servicemen both on duty and during periods of rest.<br /> <br /> Album containing 385 photographs in total including 364 silver gelatin prints and 21 real photo postcards with image sizes ranging approximately from 1.75 x 2.75 inches to 3.5 x 4.5 inches. Photographs mounted in an original tobacco leather album. The archive also includes several loose photographs handwritten greeting cards an invitation for officers and crew of the seaplane tender USS Pine Island dated April 26 1945 with program details and a shoulder sleeve insignia for an Engineer Special Brigade. Minor age wear present; photographs remain clear with strong contrast and legible captions. The album provides a wide ranging visual record of American Marine operations during the Second World War linking frontline combat imagery with documentation of the strategic leadership decisions that shaped the Pacific campaign. unknown
1945191881945. African American U.S. Navy sailors photographed during World War II document the service of Black enlisted men in the segregated naval forces of the United States during the global conflict of 1939-1945. Eleven photographs depict African American sailors in uniformsome of them have signed their names below their images including multiple images of recruit George Bailey Brooks stationed at Great Lakes Naval Training Station near Chicago one of the principal training centers for Black naval recruits during the war. The photographs record both formal studio portraits and candid scenes of naval life providing visual evidence of Black participation in the wartime Navy at a moment when most leadership and combat roles remained racially restricted despite the rapidly expanding wartime demand for manpower.<br /> <br /> Eleven silver gelatin photographs showing African American sailors in U.S. Navy uniforms during the World War II era. Photographs measure approximately 4 x 3.25 inches to 8 x 10 inches and include a mixture of studio portraits and informal service photographs. Four photographs depict sailor George Bailey Brooks at Great Lakes Naval Training Station including three portrait images and one image of Brooks standing upright in uniform holding a training rifle. One portrait bears the date Aug 4 1945. Five photographs remain mounted to fragments of tan album paper on the verso suggesting removal from an earlier family or personal album. Additional images show young sailors posed at attention with training rifles and one photograph depicts a mixed gathering of white and Black sailors aboard a ship watching a band performance featuring three Black musicians playing double bass piano and guitar.<br /> <br /> World War II transformed the scale of African American participation in the U.S. Navy although the service remained largely segregated in both training and assignment. Training installations such as Great Lakes Naval Training Station became major entry points for Black recruits and also hosted the first class of Black naval officers known as the "Golden Thirteen" commissioned in 1944 after training at the base. Most Black sailors during the war were initially assigned to steward or service roles though the demands of the Pacific War led to expanded participation in construction battalions logistics units and specialized technical assignments such as the Seabees. The photographs of Brooks and other sailors in uniform capture this transitional moment in naval history when African Americans were entering naval service in unprecedented numbers while still confronting institutional segregation that would remain in place until President Harry S. Truman ordered desegregation of the armed forces in 1948 through Executive Order 9981. Eleven photographs ranging in size from approximately 4 x 3.25 inches to 8 x 10 inches. Light handling wear and minor age toning typical of mid twentieth century photographs. Overall condition very good. unknown
16711Handwritten logbook from a US sailor serving aboard the U.S.S. Buffalo during WWI including his experience of Armistice Day. 1918. Original cloth boards. 7 x 4 in. Hand-drawn illustration of sailor with a paintbrush in hand on front cover. 184 pages. Unpaginated. Clippings notes and drawings from Samuel F. Rolph's time spent abroad in the navy during WWI including many cartoons about military life. "Just little clippings and sketches picked up here and there and put in here to look back on some day and think of the days spent on the water. SFRolph. 1918." Below is a newspaper clipping about the owner of the logbook dated 9-13-18 "Henry D. Rolph and Samuel F. Rolph who are not in the radio section of the navy are now overseas."<br/><br/>Towards the end of the book is a notable entry from Armistice Day November 11 1918. "We were all excited and wondering who would get the honor of copying the "dope" about the signing of the armistice. All were willing to stand over our watch a little while. Here copied it. 1pm. I was at chow. When I cam back I copied a little regarding it also. All the whistles bells horns in the harbor were going full blast and I thought tot myself that must have been the way they all felt when old Liberty Bell was rung in 1776. It certainly was impressive even amid the chaos. For it meant a great deal." Includes an original mimeograph of the armistice announcement and an invitation for a celebratory "Exchange Committee" with allied British forces in Gibraltar. "Great celebration ashore. Parades. Governor spoke.Greatest crowds that ever were in Gibraltar." Several menus included along with 1918 Thanksgiving Day dinner menu for sailors on his ship: Tomato soup turkey potatoes mixed nuts and lemonade. A handwritten book filled with unique mementos from a WWI-era sailor in the US Navy. Soiling to cover as this was carried by a sailor on active duty. Light foxing and discoloration to pages. Very good condition. unknown books
1944186041944. Bilobran J. United States Navy sailor photograph album documenting naval service in the Southwest Pacific theater during World War II and preserving visual evidence of American naval personnel operating in the Pacific war zone. The album records daily life among U.S. Navy sailors as well as scenes from active military environments during the Pacific campaigns that followed the Japanese attack on Pearl Harbor in December 1941. The photographs include images of sailors aboard naval vessels wartime training and weapons operation and interactions with local populations encountered in Pacific combat zones. Several photographs depict American personnel arriving on the shores of Leyte in the Philippines a location central to the 1944 campaign in which Allied forces began the liberation of the Philippine Islands under the broader command structure of General Douglas MacArthur.<br /> <br /> Photograph album compiled by U.S. Navy sailor J. Bilobran during service aboard USS Douglas A. Munro in the Southwest Pacific theater during World War II. The album contains 203 black and white silver gelatin photographs mounted on black paper pages along with a pasted pamphlet from a Navy Day program and a hand drawn illustration. The photographs show sailors in uniform aboard naval vessels operating deck guns and handling firearms alongside informal scenes of recreation including dancing drinking and gatherings among crew members. Additional images depict sailors ashore in Pacific locations including Leyte in the Philippines where American forces conducted amphibious operations during the campaign to reclaim the islands from Japanese control. The album also includes photographs of Filipino civilians and guerrilla fighters along with images of Filipino women in traditional clothing illustrating encounters between American military personnel and local communities during wartime operations.<br /> <br /> Album containing 203 silver gelatin photographs measuring approximately 2.5 x 3.5 inches to 4.5 x 5.5 inches mounted in a brown faux leather photograph album bound with cord and measuring approximately 11.5 x 15.5 inches. Photographs accompanied by a Navy Day program pamphlet and a hand drawn illustration pasted onto the album pages. Minor wear consistent with age; photographs remain clear and well preserved overall. The album offers a substantial visual record of American naval presence in the Southwest Pacific during the Second World War and documents both combat environments and the daily experiences of sailors stationed in the Pacific theater. unknown
1917184961917. United States Navy sailor photograph album documenting naval mobilization during World War I circa 1917 to 1919 Each photo has a handwritten inscription below describing the content Preserving visual evidence of American naval personnel preparing for overseas deployment and recording daily life during wartime service. The photographs appear to originate from a sailor stationed in New York City during the period when the United States expanded naval operations following its April 1917 declaration of war against the German Empire. The United States Navy assumed responsibility for escorting troop and supply convoys across the Atlantic and combating German submarine warfare a central strategic threat during the conflict. The album contains numerous portraits of sailors in uniform as well as scenes of training inspection and barracks life offering a firsthand visual record of the personnel who participated in the rapid wartime expansion of the American naval forces.<br /> <br /> Photograph album compiled by a U.S. Navy sailor New York City and related naval contexts circa 1917 to 1919. The album is inscribed on the front cover "US Navy '17-19." Many photographs depict sailors posed individually or in groups sometimes wearing naval uniforms and at other times hospital gowns suggesting the presence of a naval medical facility or recovery ward. Several images document the urban environment surrounding the sailors' service including shipyards and city streets in New York. Each photograph carries a handwritten caption identifying individuals or describing the scene. Captions include "A letter from home" showing a sailor seated on stairs reading correspondence and "Sat A.M. Inspection" depicting a line of uniformed men with their boots and equipment arranged before them for review. Another group photograph shows sailors celebrating while holding a newspaper bearing the headline "Germany Surrenders" linking the album directly to the conclusion of the war in November 1918. The largest image presents a sepia toned view of a medical unit working with cadavers while masked personnel face the camera providing a rare visual glimpse into wartime medical training or anatomical study associated with naval service.<br /> <br /> Album containing 95 silver gelatin photographs ranging from approximately 2 x 2.75 inches to 2.75 x 4.25 inches with one larger photograph measuring approximately 5 x 7 inches. Photographs mounted in an olive green paper album secured with cloth cord and measuring approximately 7 x 9.5 inches overall. Each photograph bears a handwritten caption beneath the image identifying subjects or describing events. Minor age toning present; album and photographs remain well preserved overall. The album offers a concentrated visual record of American naval service during the First World War combining portraiture training scenes and contemporary wartime references such as the announcement of Germany's surrender. unknown
177762566Kiöbenhavn, August Friderich Stein, 1777. 4to. In later marbled paper covered board with cloth backstrip. Small stamp to verso of front board and title-page. Last blank leaf with 16-line agreement in contemporary fine legible hand, signed and sealed (Waterschout), dated December 8, 1780. Internally nice and clean. Printed on good paper. 56 pp, (1) pp.
177762566Kiöbenhavn August Friderich Stein 1777. 4to. In later marbled paper covered board with cloth backstrip. Small stamp to verso of front board and title-page. Last blank leaf with 16-line agreement in contemporary fine legible hand signed and sealed Waterschout dated December 8 1780. Internally nice and clean. Printed on good paper. 56 pp 1 pp. <br/><br/><em>Extremely rare first edition of the official Danish naval and merchant marine code of conduct - laying out the articles of agreement for both officers and common sailors engaged in long-distance trading voyages especially to colonial outposts in the West Indies Guinea the Mediterranean – in this particular case dated 8 December 1780 officially certifying that these “Kongelige allernaadigste Skibs-Articler†were read aloud to the crew of the frigate by its commanding officer Captain Diderich von Holsten prior to departure for Tranquebar the Danish colony in India. The certification notes the ship's weapons 138 cannon and states that the crew had acknowledged the articles and promised to observe them on the voyage and until the ship's return. The document is signed by Captain Diderich von Holsten and the Waterschout including his red seal from Dutch “water inspector†a Danish official established in 1695 responsible for registering all seafarers departing from Copenhagen on merchant voyages. Documents like these had a very practical purpose and were considered of the utmost importance and were kept in offcial archives consequently they almost never finds their way into the trade. Biblioteca Danica I 680. </em> hardcover
18800001455SOUTH EAST COAST OF ZANZIBAR 1880. On offer is a charming historically significant autograph letter signed ALS dated January 26 1880 handwritten by British serviceman C. Turner RM Royal Marine aboard the HMS London a renowned ship with a storied history including its work suppressing the slave trade writing from the south east coast Zanzibar. Over 4 pages beginning by chiding his brother and sister for not writing Turner writes of personal matters: 'Get me a nice girl the one I left in Chatham has given me "turnips" she said she couldn't do without a young man for so long' to most interestingly that the ship has 'been chasing slave ships from a boat 100 miles away from ship went ashore with Collings to chase the slaves in the woods; met a panther 3 yards in front Collings fired but didn't kill him; I fired my rifle as he was about to springe and killed him 2 feet from me. He measured 5 feet I have got the skin and won't go slave catching again this commission. signed Best love your nearly killed brother.'. Good. 32mo - over 4" - 5" tall. Manuscript. unknown
17519La Haye, J. Neaume, 1743. Deux tomes en un volume in-4, orné de 12 cartes dont 9 dépliantes et 21 planches dont 5 dépliantes, nombreuses figures ou inscriptions épigraphiques dans le texte (quelques pliures de planches renforcées). Veau brun d'époque, dos à nerfs orné, coiffe supérieure manquante, mors supérieur fendu.
22753Paris, Desprez, 1766. Un fort volume in-4. Une carte dépliante hors texte gravée sur cuivre d'après d'Anville représentant la côte de Coromandel; 2 plans dépliants également gravés sur cuivre hors texte (Madras et Pondichéry). Pâle mouillure angulaire en milieu d'ouvrage. Demi-veau, dos à nerfs orné. Mors fendus, manque de cuir, coiffes usées. Reliure de l'époque.
224329Toulon, 4 brumaire an XI (26 octobre 1802) grand in-folio (48 x 32 cm),
189688Brest, 14 août 1811 , 1 pp. grand in-folio en partie imprimée, grande vignette marine en en-tête, avec grandes armoiries impériales et Légion d'Honneur, encadrement gravé aux attributs de la marine de commerce, cachet rouge à l'aigle et timbres ; tache brune dans un angle, pli.
17370Paris, Chez Lamy, 1786. In-folio, (2)f. (titre et table), 362 pages, 10 planches hors-texte de portraits (soit 63 portraits), 7 grandes vues à pleine page, 28 vues à demi-page et une grande carte à double page de la partie occidentale d'Oberland canton de Berne. Manque la vue de la ville d'Avenche et le plan perspectif des cantons de Lucerne. De fines rousseurs et quelques claires mouillures marginales, un feuillet bruni. Bon état intérieur. Plein veau havane, dos à nerfs orné richement orné, pièce de titre et de tomaison, filet et roulette dorés d'encadrement sur les plats, roulette intérieure, tranches dorées. Mors fendus ( 2 sur environ 5 cms et 2 sur 15 cms), coiffe en pied accidentée, usures aux coins. Agréable reliure de l'époque, solide malgré les défauts signalés.
20447manuscrit autographe de 73 pages,sans date vers 1820,IN4 broché,non relié,en feuilles numerotées,a l’encre,dessins in et hors texte,
242860Imprimé en France, ventôse-1798 3 vol. in-8, LXIII-314 pp., 5 ff. n. ch., 319 pp., 4 ff. n. ch. et 409 pp., 5 ff. n. ch., demi-cuir de Russie vert, dos lisse orné (reliure romantique). Qqs mouillures marginales.
1742208961742 Au Havre de Grace chez la Veuve de Guillaume Gruchet, Imprimeur & marchand libraire 1742; Avec privilege du Roy, IN8 reliure moderne demi chagrin tabac a coins,dos a nerfs,exemplaire rogné ,court de marge,(4) ff., 415 pp., + table non chiffrée,19 pp., nombreuses figures de contours et 68 cartes gravées sur bois dans le texte.Complet,mouillures claires en bas de quelques dizaines de feuillets,quelques ratures anciennes dans l’epitre,sinon frais,.rare edition.
1852317692Washington, Jno. T. Towers, 4th edition with additions, 1852. 4°. Dark violet original cloth, somewhat faded and rubbed, with blind embossings gilt title on the front cover: 'Memoir and Maps of California.' 48 pages with 8 lithographed plates including frontispiece ( altogether 12 coast views ), but lacking the 6 maps. Contemporary stamp 'From National Observatory Washington' on the title page, slightly pushed through on the reverse and with a slight offset on the opposite panel. Front fly leaf with a little dirt, after the fly leaf the binding is slightly cracked. The rear attachment and inner cover are slightly browned in places by an insert. Slightly browned throughout the marginsin and slightly yellow stained in places. Overall good condition. Please note the photos ! --- Dunkelviolettes Originalleinen, etwas ausgeblichen und berieben, mit Blindprägungen und vergoldetem Titel auf dem Vorderdeckel: ' Memoir and Maps of California. ' 48 Seiten mit 8 lithographierten Tafeln inkl. Frontispiz ( zusammen 12 Küstenansichten ), jedoch ohne die 6 Karten. Zeitgenössischer Stempel ' From National Observatory Washington ' auf dem Titelblatt, etwas auf die Rückseite durchgedrückt und mit leichtem Abklatsch auf die gegenüberliegende Tafel. Vorderer Vorsatz mit kleiner Anschmutzung, nach dem Vorsatzblatt ist die Bindung leicht angeplatzt. Hinterer Vorsatz und Innendeckel sind durch einen Einleger stellenweise leicht gebräunt. Durchgehend im Ranbereich leicht gebräunt und stellenweise schwach gelbfleckig. Insgesamt gutes Exemplar. - Bitte beachten Sie die Fotos ! [11 Warenabbildungen]