RILEY, Bridget ] Maurice de SausmarezBiblio.com
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1970T241214Studio Vista London 1970. 1st Edition. HARDCOVER. The covers form a limited edition artwork by Riley made from very thick silvered plastic boards each copy has been individually screen printed in thick white ink. The cover artwork is protected by the original clear Glassine jacket. Only 110 copies were made this one is numbered 101 making it one of the ten hors-commerce copies reserved for the artist. Heavy square 4to quarto size 128pp plates bibliography index etc. Housed in a custom made full cloth clam shell case __CONDITION : An extremely well preserved AS NEW unmarked copy in the original Glassine jacket. An excellent copy. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. . . . . . . . . . . . . To see more of our Art Monographs and Artist's Books type DbbARTIST in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Studio Vista, London hardcover
31697Genève, Editions Gilbert Blanc - Atelier Art Litho, 1985. In-folio, non paginé, en feuilles, sous couverture illustrée rempliée et étui-boîte muet.
1958110353Paris, Jacques Vialetay, impr. Robert Blanchet 1958 2 volumes. Grand in-4 34 x 28 cm. En feuillets, sous chemise et étui rigides, couvertures rempliées, premiers plats illustrés d’une vignette, 253 pp. en pagination continue, composé en Libra de corps 20 par Robert Blanchet, 56 illustrations dont un frontispice réhaussé d’or et 8 à pleine page, 33 lettrines de Paul Jouve, gravées sur bois par Jacques Camille et Georges Beltrand. Tirage à 223 exemplaires numérotés. Celui-ci sur vélin de Rives, l’un des 25 exemplaires réservés aux collaborateurs, justifié au crayon “exemplaire d’artiste”. étui en partie passé, une petite brunissure au faux-titre et petite tache à la justification. Bel exemplaire.
1794284251794. Small quarto. 9 x 6 3/4 inches. 28pp. Stitched as issued. Contemporary notation on first page some contemporary underlining in text. Minor soiling. A remarkable early imprint from the colonial press at the French colony of Mauritius also known as the Ile de France in the south Indian Ocean. The text contains a report of the French Revolutionary Committee of Public Safety regarding prisoners arrested on the island of Réunion being held as enemies of the Revolution. The document was printed in the capital Port Louis which was called Port de la Montagne from 1792 to 1795. The Dutch were the first Europeans to become interested in Mauritius taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton in 1710 the Dutch abandoned the colony. The French soon claimed it as "Ile de France" and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century Mauritius proved to be an important strategic naval base and as a result the British took charge of the island in 1810 and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony and in the 20th century agricultural production was expanded to include tea rice and other produce. Printing began on Mauritius in 1768. During the French period until 1810 only about 400 imprints were produced mostly in the form of official documents and newspapers though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC; Toussaint locates a copy at the Archives Nationales in Paris.<br/> <br/> Toussaint A247. unknown
22111899. Original lithograph printed in colors for the set AMOUR. P. Cailler 109. 151/4 x 11 margins 21 x 16. . Deckled edge. In fine condition with full margins. unknown books
1585B6597Paris: Apud Dionysium Duvallium sub Bucephalo in vico Bellouasco; c. April 1585 colophon . A very nice copy of this rarely found work; old minor marginal repair tape of title slight marginal stains and very small in-text and marginal oxidation spots none affecting legibility; light damp staining of the lower margin. Endpapers watermarked. Binding: 17th century mottled calf spine with six 6 raised bands with gilt lettered title on two and remainder of compartments ornamented in floral gilt; all edges speckled red. Notes: This medical work on gynaecology attributed to or by Hippocrates and his school is accompanied by the commentary in French of French Renaissance physician Maurice de La Corde; it is rare with three known exemplars incl. Yale & Oxford. <br> <br> Size: Folio 311x201mm Illustration: Text in Latin and Greek. Text in two columns of Latin and Greek respectively with accompanying Latin commentary in one; except index printed in three columns.<br>Illustrated title depicting determined/ inspired Hippocrates riding on horseback through crises or critical times toward the sun – this with marginal text in Latin and Greek; each major section opens with an elaborate headpiece and initial. <br> References: Pasquale Sfameni in Enciclopedia Italiana 1933; Adams H-615; Choulant 31; Durling 2412. Graesse III 283; Hirsch II 76; Renouard Marques 287; STC French 227. Not in Osler. Pages: Ll: bl. 10 pp. 1-361 6 bl.2. Collation: bl. a1-4 e1-6 A1-Z6 Aa1-Gg6 Hh1-7 bl.2. Category: Book Medical; Book Early Printed 1500; Apud Dionysium Duvallium, sub Bucephalo, in vico Bellouasco; hardcover
19266068Paris: H. Floury 1926-27. First edition. 28 cm; 2 volumes. 4 307 4; 4 282 2 pages. Six original drypoint sketches each printed in two states included. LACKS as commonly the 4 original lithographs from the second volume. Volume 1 with 9 color lithograph plates including front cover 17 black and white lithograph plates and 32 black and white lithographs paired with a second striking in brownish ink. Volume 2 with 13 color lithograph plates including front cover 2 tinted "helogravures" and 32 lithograph plates each reproduced in black-and-white and green-tint versions. Volume 1 one of 175 copies numbered "75" in ink over original number scratched out and volume 2 one of 200 copies legitimately numbered "75" in ink. Bound in early 20th-century gray buckram with leather title labels. Original color lithographed wraps bound in. H. Floury hardcover books
1929133042New York: E.P. Dutton 1929. First Edition. First Edition in English and first edition in hardcover preceded by the French edition "Les mains d'Orlac" in 1920. With the publisher's wraparound band. <br/><br/>A seminal horror novel rare in dust jacket written by one of the most important French genre fiction writers of the early twentieth century. The basis for several films including the classic German silent film starring Conrad Veidt "Orlacs Hande" The Hands of Orlac 1924 and its American rival the sound version starring Peter Lorre "Mad Love" directed by emigre Karl Freund for MGM in 1935 and today considered one of the greatest horror films of the 1930s. <br/><br/>Near Fine in a Very Good dust jacket with the publisher's wraparound band "The Dutton Prize Mystery for November". The jacket's deco design is bright and striking with some toning to the spine jacket and band a chip at the crown affecting a portion of the title "The Ha" and part of "n" a portion of the publisher name at the heel the "Du" in "Dutton" and a few tiny chips nicks and closed tears. <br/><br/>Barron 1999 4-125. Bleiler 1948 US. Clute & Nicholls US. Hubin 1994 US. Locke US. Reginald 12140. Senn US. E.P. Dutton unknown books
1988014907Harper & Row. A poster illustrated by children's book author Maurice Sendak 1928-2012 pen signed by the artist as "Maurice Sendak" at lower right. Printed courtesy of Horowitz / Rae Book Manufacturers Inc. on fine quality art paper and distributed by Harper and Row Publishers Inc. on a single day of issue September 18 1988 to benefit Children's Services at the New York Public Library. Near fine. 18.5" x 23.75." The poster commemorated two cultural milestones: the 10th anniversary of the "New York is Book Country" book festival and street fair held annually along Manhattan's celebrated row of antiquarian and used book stores since it was first inaugurated in 1978; and the 25th anniversary of Sendak's hugely popular children's book "Where the Wild Things Are." The poster depicts one of Sendak's famous creations a horned and bearded Wild Thing with a Chrysler building cap consulting books by William Blake Primo Levi and the Brothers Grimm while gnawing on festival bunting. The monster towers above signs storefronts and awnings belonging to a few of Manhattan's oldest and most prestigious book stores. At its peak Manhattan's 6-block "Booksellers' Row" oriented along Fourth Avenue included over 36 used and specialty bookstores such as Argosy Schultes and Biblio & Tannen. By the 1960s many of these businesses were forced to relocate because of increasing rents. Sendak's creative vision where all of the bookstores are again concentrated along Fourth Avenue and where books cost 25 cents is a nostalgic tribute to a bygone era. Maurice Sendak was an award-winning children's book illustrator and author. Always interested in design Sendak began his career by illustrating comic books and designing toy company shop windows. "Where The Wild Things Are" was followed by "In the Night Kitchen" 1970 and "Outside Over There" 1981. Sendak also created wrote and produced animated children's television programs. This poster may be shipped in a tube. . Fine. No Binding. 1st Edition. 1988. Harper & Row unknown
1784WRCAM48601Isle de France: Imprimerie Royale 1784. 4pp. on a single folded sheet. Quarto. Moderately worn with loss at fore- edge and gutter margins not affecting text. Lightly soiled and dampstained. Good. An early and unrecorded imprint from the colonial press at the French colony of Mauritius also known as the Ile de France. The text comprises a poem in eleven stanzas by an anonymous soldier from the Regiment of the Isle de France who retired to the island of Bourbon. As most early imprints from Mauritius are official documents this piece a work of local literature is particularly interesting and desirable. <br> <br> The Dutch were the first Europeans to become interested in the island taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton in 1710 the Dutch abandoned the colony. The French soon claimed it as "Ile de France" and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century Mauritius proved to be an important strategic naval base; as a result the British took charge of the island in 1810 and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony and in the 20th century agricultural production was expanded to include tea rice and other produce. <br> <br> Printing began on Mauritius in 1768. During the French period until 1810 only about 400 imprints were produced mostly in the form of official documents and newspapers though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC and not recorded by Toussaint in his bibliography of Mauritius imprints. Imprimerie Royale unknown books
1784284321784. Quarto. 4pp. on a single folded sheet. Moderately worn with loss at fore edge and gutter margins not affecting text. Lightly soiled and dampstained. Early and unrecorded imprint from the colonial press at the French colony of Mauritius also known as the Ile de France. The text comprises a poem in eleven stanzas by an anonymous soldier from the Regiment of the Isle de France retired to the island of Bourbon. As most early imprints from Mauritius are official documents this piece as a work of local literature is particularly interesting and desirable. The Dutch were the first Europeans to become interested in the island taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton the Dutch abandoned the colony in 1710. The French soon claimed it as "Ile de France" and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century Mauritius proved to be an important strategic naval base and as a result the British took charge of the island in 1810 and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony and in the 20th century agricultural production was expanded to include tea rice and other produce. Printing began on Mauritius in 1768. During the French period until 1810 only about 400 imprints were produced mostly in the form of official documents and newspapers though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC and not recorded by Toussaint in his bibliography of Mauritius imprints. unknown books
05039Paris: Librairie Charles Tallandier 1898. A Fine Pictorial Inlaid Binding by Franz Ostermann<br /> Specially Bound for Sir Henry Harben<br /> <br /> BINDING. OSTERMANN Franz binder aka FRANZ. PRÉVOST L'Abbé. LELOIR Maurice illustrator. Histoire de Manon Lescaut et du Chevalier des Grieux. Préface de Guy de Maupassant. Illustrations de Maurice Leloir. Paris: Librairie Charles Tallandier 1898. <br /> <br /> Large octavo 9 13/16 x 6 3/8 inches; 250 x 162 mm. xxiv 203 1 blank 2 list of illustrations & contents 1 printer's statement 1 printer's emblem pp. Twelve color plates two black & white plates each leaf of text with a black & white vignette. <br /> <br /> Bound ca. 1905 by Franz Ostermann stamp signed in gilt "Franz" on front turn-in. Full green crushed levant morocco.<br /> Front cover with an elaborate inlaid design taken from the second chapter heading vignette on p. 113 in multi-colored morocco's depicting Manon and Des Grieux. "Folding her in my arms I rained a hundred fond kisses on her lips and besought her to forgive my angry words confessing that I was a brutal wretch and utterly unworthy of the happiness of being loved by such an adorable woman as herself". Also with the gilt arms and Latin motto "Summis Viribus" Greatest Strength of Sir Henry Harben. Rear cover with a smaller but equally elaborate inlaid design in multi colored morocco's taken from the vignette on p. 85 depicting Des Grieux and and his his loyal friend Tiberge "I thanked M. de Tiberge for rendering me so important a service; and returning his confidence unreservedly.". Spine with four raised bands with in the center an inlaid design of Des Grieux surrounded by an anchor and a fine gilt design lettered in gilt in compartments. Double gilt-ruled board edges elaborate gilt floral turn-ins colored silk liners with gold thread floral design front and rear free endpapers also in colored silk with gold thread floral design additional green marbled endpapers all edges gilt. With the original pictorial printed front wrapper and plain rear wrapper bound in. Absolutely fine.<br /> Housed in the original quarter green morocco over green marbled boards same as endpapers felt-lined chemise spine with four raised bands lettered in gilt in compartments slightly faded in turn housed in the original matching green morocco edged green marbled board slipcase. <br /> <br /> Franz Ostermann 184 - 1938. Bookbinder of Alsatian origin who always signed his bindings with his first name. He trained in Strasbourg before moving to Paris and opening his workshop in 1872 at 80 boulevard Malesherbes. He moved his workshop to 28 rue Ampère in 1902. Thirty-one of his bindings were sold at auction at Drouot Richelieu in Paris in 2008 Piasa Livres Anciens et Modernes December 2nd 2008.<br /> <br /> Antoine François Prévost d'Exiles 1697-1763 usually known simply as the Abbé Prévost was a French author and novelist.<br /> <br /> The Story of the Chevalier des Grieux and Manon Lescaut Histoire du Chevalier des Grieux et de Manon Lescaut is a novel by Antoine François Prévost. Published in 1731 it is the seventh and final volume of Mémoires et aventures d'un homme de qualité Memoirs and Adventures of a Man of Quality. The story set in France and Louisiana in the early eighteenth century follows the hero the Chevalier des Grieux and his lover Manon Lescaut. Controversial in its time the work was banned in France upon publication. Despite this it became very popular and pirated editions were widely distributed. In a subsequent 1753 edition the Abbé Prévost toned down some scandalous details and injected more moralizing disclaimers.<br /> <br /> Seventeen-year-old Des Grieux studying philosophy at Amiens comes from a noble and landed family but forfeits his hereditary wealth and incurs the disappointment of his father by running away with Manon on her way to a convent. In Paris the young lovers enjoy a blissful cohabitation while Des Grieux struggles to satisfy Manon's taste for luxury. He acquires money by borrowing from his unwaveringly loyal friend Tiberge and by cheating gamblers. On several occasions Des Grieux's wealth evaporates by theft in a house fire etc. prompting Manon to leave him for a richer man because she cannot stand the thought of living in penury.<br /> <br /> The two lovers finally end up in New Orleans to which Manon has been deported as a prostitute where they pretend to be married and live in idyllic peace for a while. But when Des Grieux reveals their unmarried state to the Governor and asks to be wed with Manon the Governor's nephew sets his sights on winning Manon's hand. In despair Des Grieux challenges the Governor's nephew to a duel and knocks him unconscious. Thinking he had killed the man and fearing retribution the couple flee New Orleans and venture into the wilderness of Louisiana hoping to reach an English settlement. Manon dies of exposure and exhaustion the following morning and after burying his beloved Des Grieux is eventually taken back to France by Tiberge.<br /> <br /> Maurice Leloir 1853-1940 was a French illustrator watercolourist draftsman printmaker writer and collector. Leloir was the son and pupil of painter Auguste Leloir and watercolorist Héloïse Suzanne Colin daughter of painter Alexandre-Marie Colin. His brother Alexandre-Louis Leloir was also a well known painter and illustrator. Leloir married Céline Bourdier with whom he had a daughter Suzanne Leloir who married Philippe the son of Pauline Savari in 1912. Leloir first exhibited his work at the Salon des Artistes Français of which he became the secretary. With many other painters he was a member of the Crozant School in the valleys of Creuse. In 1907 he was the founding president of the Société de l'histoire du costume and he donated the family's collection of fashion prints to the society.<br /> Around the 1890s Leloir and his students flooded the picture book market inspired by photographs representing accurately costumes and attitudes of the past much appreciated by bibliophiles. He was a prolific illustrator of books especially for children such as the Richelieu by Théodore Cahu of magazines and fans. In 1929 Leloir traveled to Hollywood at the urging of Douglas Fairbanks to work on his last silent film The Iron Mask. He chronicled his experiences in his memoir Five Months in Hollywood with Douglas Fairbanks.<br /> <br /> Harben Henry Sir 1823 -1911. The pioneer of industrial life assurance Henry Harben rose to become President of the Prudential Assurance Company. He was knighted in 1897. He married Ann Such in 1846 with whom he had one son. In 1900 Sir Henry was elected the first mayor of the newly created Metropolitan Borough of Hampstead. In 1877 arms were granted to Henry Harben of Seaford Lodge Hampstead London.<br /> <br /> References: <br /> Fléty Julien. Dictionnaire des relieurs français ayant exercé de 1800 à nos jours. Paris 1988.<br /> Suares Alain. Le livre de l'émeraude. Paris 1927. Paris: Librairie Charles Tallandier, 1898 unknown
13596Used; Like New/Used; Like New. An elegant AMQS from the important French composer penned on his monogrammed stationery. Ravel has written 5 bars from his third waltz of Les Valses nobles et sentimentales notated on a hand-drawn stave. Addressed to a Madame Catherine Parker in Chicago with her name and address typewritten above the quotation and dated 27 January 1924. 1 page 4to personal stationery; separations at folds repaired verso with cello tape vertical fold touching holograph date with some loss faint uneven toning. Together with a reproduction portrait photograph.<br>The piano version of Ravel's Valses nobles et sentimentales was published in 1911 and an orchestral version was published in 1912. The title was chosen in hommage to Franz Schubert who had released collections of waltzes in 1823 entitled Valses nobles and Valses sentimentales. The piano edition is published with a quotation of Henri de Régnier: "â¦le plaisir délicieux et toujours nouveau d'une occupation inutile" the delicious and forever-new pleasure of a useless occupation. The suite contains an eclectic blend of Impressionist and Modernist music which is especially evident in the orchestrated version. unknown books
1963171123001New York: Harper & Row 1963. First Edition. Hardcover. Very Good. First edition first printing with base of title page bearing Library of Congress number 63-21253. Signed by Maurice Sendak on the half title page inscribed to a former owner and dated Dec. '64. Publisher's pictorial paper covered boards over grey cloth spine. Near Fine with light foxing to boards at edges tiny ding to bottom edge of rear board faint rubbing at corners. Slight offsetting to half title and adjacent page from laid in news-clipping announcing Maurice Sendak's upcoming speaking appearance at two schools. In a Very Good second issue dust jacket with Caldecott Medal on front panel and altered text on rear flap. After the book won the Caldecott Medal unsold copies were recalled by the publisher and supplied with new dust jackets boasting the award as found here. Jacket shows light rubbing and light toning light edge wear and a 2-inch closed tear at the top of the front panel; publisher's price of $3.50 intact at the top of the front flap though bottom corner clipped. A very sharp copy with an early signature. Harper & Row hardcover books
1967VBF32<p><b>SENDAK</b> Maurice:</p><p><i><b>Poems from William Blake's Songs of Innocence</b></i>.</p><p>London: The Stellar Press for The Bodley Head 1967. Eight illustrations by Maurice Sendak including one repeat: title/p.11 each printed in sanguine. 12mo.19 pp. 1 colophon; semi-stiff covers with wrap-around pictorial paper dust-jacket spine stitched as issued spine ends lightly rubbed.</p><p>PRESENTATION COPY Inscribed in ink on front free-endpaper: "Dear Sylvia – Mit Liebe! Maurice & Gene". The recipient Sylvia Milgram was Teacher-Coordinator for the Bureau of Art New York City Board of Education and a Lecturer at the Museum of Modern Art New York d. 2000. Gene is Eugene Glynn 1926-2007 psychoanalyst and Maurice Sendak's partner for more than fifty years.</p><p>First and only printing limited to 275 copies issued as a Christmas keepsake for presentation to friends of the publisher and of the artist. While on a promotional tour for the British publication of <i>Where the Wild Things Are</i> in northern England May 1967 Maurice Sendak suffered a major heart attack and he attributes his survival to the quick thinking of his editor Judy Taylor in getting him to hospital. In appreciation he prepared the drawings for this volume which was privately printed and distributed by The Bodley Head. Hanrahan A69.</p> The Bodley Head paperback books
194911058London: Cambridge University Press 1949. First Edition. Hardcover. Very Good. First Edition. Hardcover. Entire volume in library binding with spine labels reading "High-Speed Computing Machine" and "Maurice Wilkes." Subject article at pp. 265-287.<br /> The first published conference on electronic digital computers in England 1948 OOC 650 The conference was held on March 4 1948. The Proceedings published the six papers: <br /> 1. Hartree "A Historical Survey of Digital Computing Machines" OOC 651 <br /> 2. Newman "General Principles of All-Purpose Computing Machines" OOC 818<br /> 3. Wilkes "The Design of a Practical High-Speed Computing Machine the EDSAC" OOC 1018<br /> 4 Williams "A Cathode-Ray Tube Digital Store" OOC 1065 <br /> 5. Wilkerson Turing "The Automatic Computing Engine at the National Physical Laboratory" OOC 933<br /> 6. Booth "Recent Computer Projects" OOC 490. Minor shelf/edge wear minor toning at spine ownership stamp at front/rear pastedown else tight bright and unmarred. Blue cloth boards black leather labels at spine gilt lettering. 8vo. 556pp. Illus. b/w plates. Cambridge University Press hardcover
195792080Editions Pastorelly | Monte-Carlo 1957-1958 | 12 x 19 cm | 2 volumes brochés sous chemise et étui
57605Paris Louis Rouart o. J. 71 x 50 cm Textblatt und Inhaltsblatt 25 faksimilierten Blättern auf Bütten aufmontiert HLwd.-Mappe mit losen Blättern mit acht Schliesskordeln Mappe etwas fleckig und gebräunt am Rücken minim eingerissen. Text- und Impressumsblatt einseitig durchgehend gebräunt wegen dem Kontakt mit dem nicht säurefreien Kartonumschlag. Blätter sauber. Exemplar LXX. Einführung franz. von André Pératé.Maurice Denis 1870 - 1943 französischer Maler des Symbolismus und Mitbegründer der Künstlergruppe «Les Nabis»zusammen mit Pierre Bonnard Paul Sérusier und Édouard Vuillard. Auf seinen Italien-Reisen zwischen 1890 bis 1895 studierte er die Werke der Renaissance und im besonderen die Arbeiten von Piero della Francesca. Ab 1919 bemühte sich vor allem um eine Wiederbelebung der religiösen Kunst und gründete mit Georges Desvallières 1861–1950 die Werkstätten für Kirchenkunst. 1920 schuf er das Altarmosaik in der Basilika der Abtei Saint-Maurice im schweizerischen Kanton Wallis. 010 Paris, Louis Rouart, o. J. unknown
192648337Paris.: Galerie des Peintres Graveurs / E. Frapier. 1926. Loose as issued in original thick green waxed paper portfolio with flap printed titles to front cover in black. Folio. 518 x 344 mm. With 4 original lithographs each signed in pencil by the artist. One print in 2 states. From the edition limited to 225 copies with this one 25 lettered copies from the edition de tete but this set does not have the extra suite called for by the justification except from one plate in 2 states.Published in Frapier's series "Maitres et Petits Maitres d'Aujourd'hui"Plates are titled Saint François d'Assise" "Solitude" "Maternité à la fenêtre ouverte" in 2 states "Maternité au jardin". Galerie des Peintres Graveurs / E. Frapier. unknown
196784578U. of California Press. As New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000V5R9LM. TWO 2 VOLUME SET. Volume 1: The Evolution of an Artist - xxiv 339 pages197 illustrations hors texte. Volume 2: A Catalogue Raisonne - x 238 pages California Studies in the History of Art 7 4to. U. of California Press hardcover
2012122653Silvana. New. 2012. Hardcover. 8836624936 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - VOLUMES 1 & 2 One I Two II. Flawless copy brand new pristine never opened Text in English French and Italian. with a bonus offer-- . Silvana hardcover
1882LIQ-6296P. Chez Jean Lemonnyer 1882-1896. 12 volumes in-4° plein maroquin bleu marine, dos à 5 nerfs, titres et têtes dorées, dentelles intérieures dorées, couvertures conservées, reliures signées de VAUTHRIN.
1928130Editions Pierre Lafitte / Collection " Aventures Extraordinaires d'Arsène Lupin - Nouvelles Aventures " 1928. In-12 relié de 223 pages au format 19 x 12,5 cm. Elégante et belle reliure demi-basane, avec plats et page de garde en papier marbré. Dos rond à 4 nerfs avec titre et filets dorés. Belle couverture typographique, 4ème plat et dos conservés. Plats et intérieur frais. Rare édition originale, sans mention, ni grands papiers annoncés en superbe état général. Précieux exemplaire enrichi d'une magnifique dédicace autographe, signée et datée, pleine page, de Maurice Leblanc à Madame Jean Brunhes. Jean Brunhes était un géographe, titulaire d’une chaire de Géographie humaine au Collège de France. A noter que les dédicaces de Maurice Leblanc, sont de toute rareté.
1372814s. l.: Sur les Presses de l'Auteur, 1932 1 vol. in-4 (22 x 32 cm) en feuilles, [5] ff., 10 eaux-fortes. Couverture rempliée. 10 eaux-fortes à pleine page et 2 vignettes de H. Kerels. Tirage limité à 32 exemplaires, celui-ci n° 24. Quelques piqûres sur les premiers feuillets. (Benezit VII, 761)
8194Paris, «Le Livre», 1925 (achevé d'imprimer daté 1924) et 1927. Deux volumes in-8 (16,4 x 24 cm). Deux volumes brochés, couvertures rempliées. Titre passé au dos du volume Décors et costumes avec une toute petite déchirure sur le bord de la couverture, sinon beaux exemplaires. Premier volume : [10], 212, [1], [1 bl.] pp. Édition ornée de 14 aquarelles reproduites au pochoir par G. Saudé: la vignette de couverture, 1 frontispice et 14 vignettes dans le texte. Tirage limité à 465 exemplaires numérotés plus 25 hors commerce. Un des 400 sur Arches. Le frontispice est contresigné par Lepape au crayon. Deuxième volume : [4], x, [1], [1 bl.], [1], [1 bl.] pp. Album de 61 planches dont 7 décors à double page mises en couleur au pochoir par J. Saudé. Tirage limité à 225 exemplaires numérotés plus 5 hors commerce. Un des 200 sur Arches.
