SENDAK, MauriceBiblio.com
71 307 résultats
157837New York: Harper & Row 1971. Edition of 200. Signed in pen by Sendak lower right. This image from Where the Wild Things Are was created in 1971 as part of a project with 19 different images from 8 different books comprising Maurice Sendak's favourite images that he felt would stand alone without text for framing or hanging on the wall. Original process lithograph on white wove paper. Sheet size: 26.5 x 58.0 cm. unknown
157828New York: Harper & Row 1971. Edition of 200. Signed in pen by Sendak lower right. This image from Where the Wild Things Are was created in 1971 as part of a project with 19 different images from eight different books comprising Maurice Sendak's favourite images that he felt could exist on their own without text for framing or hanging on the wall. Original process lithograph on white wove paper. Sheet size: 26.5 x 58.0 cm. Excellent condition. unknown
1971157823Harper & Row 1971. Edition of 200. Signed in pen lower right by Sendak. This image from Where the Wild Things Are was created in 1971 as part of a project with 19 different images from eight different books comprising Maurice Sendak's favourite images that he felt could exist on their own without text for framing or hanging on the wall. Sheet size: 26.5 x 58.0 cm. Original process lithograph on white wove paper. Excellent condition. unknown
1971157822Harper & Row 1971. Edition of 200. Signed in pen lower right by Sendak. This image from Where the Wild Things Are was created in 1971 as part of a project with 19 different images from eight different books comprising Maurice Sendak's favourite images that he felt could exist on their own without text for framing or hanging on the wall. Sheet size: 26.5 x 58.0 cm. Original process lithograph on white wove paper. Excellent condition. unknown
1925140940039London: Published for The Royal Society by Harrison & Sons 1925. First Edition. Very Good. First edition of Paul Dirac's first major paper as published in Proceedings of the Royal Society of London Series A Vol. 109 Dirac's paper pp. 642-653; total pages 561-653 plus obituary notices of Fellows I-XXXIV. In publisher's original wrappers with new spine pages toned and with creasing to bottoms stamp to blank verso of plates. Very Good. Published for The Royal Society by Harrison & Sons unknown books
1925140940039London: Published for The Royal Society by Harrison & Sons 1925. First Edition. Very Good. First edition of Paul Dirac's first major paper as published in Proceedings of the Royal Society of London Series A Vol. 109 Dirac's paper pp. 642-653; total pages 561-653 plus obituary notices of Fellows I-XXXIV. In publisher's original wrappers with new spine pages toned and with creasing to bottoms stamp to blank verso of plates. Very Good. Published for The Royal Society by Harrison & Sons unknown
192500001491925. Original Wraps. Very Good. Three off prints on Theory of Numbers: Théorie Des Nombres & Sur les nombres de Fermat. Comptes rendus des séances de l'Académie des Sciences t. 180 p. 799 séance du 16 mars 1925 4to off print numbered p.1-2.; Sur Le Nombre N= 1/9 1023 & 1 8vo. 3 1p. ; Sur Les Nombres De Fermat. Fn= 22n 1. 8vo. 5 3p. Plus approximately 65 pages of manuscript notes in French with calculations. <br/><br/>The majority of the manuscript pages appear to deal with quadratic forms in Leonard Dickson's - Studies in the theory of numbers. 1930 which contains numerous original investigations in the theory of quadratic forms in three or four variables. In Dickson's earlier work on the History of the Theory of Numbers 1919-23 he provided little interpretation and made no attempt to contextualize the results being described. It is probably with this background that Kraitchik devoted much of the manuscript sheets to Dickson's work. Other manuscript notes dealing with other equations from Euler "Continuous la table" dated March to December 1939. The last group of manuscript pages in 8vo deal with equations from a publication of Landarsic Backman dated November 1931 and May 1938. There are a few loose sheets with calculations but no identification. These may be sheets used to make rough calculations. Together this manuscript collection and off prints offer a very good example of Kraitchik's thinking in regards the theory of numbers. Although Kraitchik is often thought of in relation to Recreational Mathematics he really spent considerable time with the Theory of Numbers. The present collection of 3 off prints and manuscript sheets most of which are on square lined sheets is thus quite rare and significant for this noted 20th century mathematician. paperback books
B104651-1<p>Paris 2007. Suite of 10 original color photographs overpainted in the negative in white and/or black all signed on the print 8 in brown ink 2 in white. 301 x 202 mm. ca. 11 7/8 x 8 inches. Loose in folder. No. 2 of an edition of 3 in all. Each is inscribed by Lemaître in brown ink on the verso: Prise de vues: 1981. Enrichissement: 1989. Tirage: 2007. 2/3. Hazily solarized studies of a nude model with brush-painted Lettrist interventions in white or black the images printed in pale green or pale sepia tones. One of the compositions is printed in two versions in different tonalities and with a second stage of Lettrist inscription in the image. The suite was exhibited at the Atelier Lettrista Verona in February-March 2008 as Maurice Lemaítre Corps écrit/offert.</p> [Paris], 2007.
1855140948169Paris: Depot de la Guerre 1855. Three lithograph maps one of which is in two parts dissected and mounted on linen for folding by publisher labels on verso. Typically measuring 26" x 34". Housed in a contemporary arsenical slipcase with beautiful bluish green interior. Maps Very Good toned with age and very slightly soiled with a fair amount of offsetting to linen visible through margins and verso. Depot de la Guerre blindstamp at lower right. Pencil notations to labels. All maps except Carte Hydrographique De La Moyenne Egypte have eight panels; De La Moyenne has ten panels two of which are slightly smaller than the rest. Slipcase missing a 4" chip at foot rubbed and worn. Caution is recommended in dealing with said slipcase due to its arsenical endpapers. <p>Lovely maps of Egypt credited to a French-born chief engineer of Egypt's public works and explorer. Rare. Depot de la Guerre unknown
1935131704London: Chambers 1935. First UK Edition preceding all others. <br/><br/>A phenomenally popular novel in the UK and Ireland upon publication and basis for the iconic 1952 John Ford film "The Quiet Man" starring John Wayne and Maureen O'Hara. The UK edition went well into multiple printings the small first printing having always been extremely scarce particularly in jacket. <br/><br/>Very Good plus in an about Very Good dust jacket. Neat contemporary owner name on the front endpaper. Slight lean with a strip of fading along the bottom edge of the boards light foxing to the page edges. Jacket has a few chips and short closed tears at the extremities the largest being at the crown affecting a portion of the title "EEN" in "GREEN". A very presentable copy overall. Chambers unknown books
1796284281796. Small quarto. 8pp. Loose sheets. Contemporary manuscript notations. Moderately soiled and worn. Final page loose torn in center of text with minor loss. Early imprint from the colonial press at the French colony of Mauritius also known as the Ile de France. The text deals with the Governor's reserve powers; it is signed in type by Governor Magallon. The Dutch were the first Europeans to become interested in the island taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton the Dutch abandoned the colony in 1710. The French soon claimed it as "Ile de France" and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century Mauritius proved to be an important strategic naval base and as a result the British took charge of the island in 1810 and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony and in the 20th century agricultural production was expanded to include tea rice and other produce. Printing began on Mauritius in 1768. During the French period until 1810 only about 400 imprints were produced mostly in the form of official documents and newspapers though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC; Toussaint locates a copy at the Mauritius Archives.<br/> <br/> Toussaint A298. Toussaint Early Printing in Mauritius Réunion Madagascar and the Seychelles p. 17. unknown
1796284281796. Small quarto. 8pp. Loose sheets. Contemporary manuscript notations. Moderately soiled and worn. Final page loose torn in center of text with minor loss. Early imprint from the colonial press at the French colony of Mauritius also known as the Ile de France. The text deals with the Governor's reserve powers; it is signed in type by Governor Magallon. The Dutch were the first Europeans to become interested in the island taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton the Dutch abandoned the colony in 1710. The French soon claimed it as "Ile de France" and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century Mauritius proved to be an important strategic naval base and as a result the British took charge of the island in 1810 and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony and in the 20th century agricultural production was expanded to include tea rice and other produce. Printing began on Mauritius in 1768. During the French period until 1810 only about 400 imprints were produced mostly in the form of official documents and newspapers though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC; Toussaint locates a copy at the Mauritius Archives.<br/> <br/>Toussaint A298. unknown books
1796WRCAM48594Port Nord-Ouest: Chez F.N. Bolle 1796. 8pp. Small quarto. Loose sheets. Contemporary manuscript notations. Moderately soiled and worn. Final page loose torn in center of text with minor loss. About good. Early imprint from the colonial press at the French colony of Mauritius also known as the Ile de France. The text deals with the Governor's reserve powers; it is signed in type by Governor Magallon. <br> <br> The Dutch were the first Europeans to become interested in the island taking possession in 1598. After exploiting the island's dense forests for a century and introducing the cultivation of sugar cane and cotton in 1710 the Dutch abandoned the colony. The French soon claimed it as "Ile de France" and the island remained under the control of the French East India Company until 1767. During the long war between France and England at the beginning of the 19th century Mauritius proved to be an important strategic naval base and as a result the British took charge of the island in 1810 and the Treaty of Paris confirmed official British possession in 1814. It remained an important sugar producing colony and in the 20th century agricultural production was expanded to include tea rice and other produce. <br> <br> Printing began on Mauritius in 1768. During the French period until 1810 only about 400 imprints were produced mostly in the form of official documents and newspapers though there are also almanacs and a few other items. All are quite rare. No copies located in OCLC; Toussaint locates a copy at the Mauritius Archives. TOUSSAINT A298. Chez F.N. Bolle unknown books
1981307875New York: Harper & Row Publishers 1981. First edition. Color illustrations by the author. Oblong 4to. Publisher's red cloth. Fine in pictorial dust-jacket light edgewear. First edition. Color illustrations by the author. Oblong 4to. Inscribed with a Drawing. First edition inscribed with a drawing of a goblin offering a flower "To Sylvia with all my love! Maurice. July '81." The recipient is Sylvia Milgram d. 2000 museum coordinator at MOMA and Sendak's close friend. Hanrahan A110 (Harper & Row, Publishers unknown books
307875New York: Harper & Row Publishers 1981. First edition. Color illustrations by the author. Oblong 4to. Publisher's red cloth. Fine in pictorial dust-jacket light edgewear. First edition. Color illustrations by the author. Oblong 4to. First edition inscribed with a drawing of a goblin offering a flower "To Sylvia with all my love! Maurice. July '81." The recipient is Sylvia Milgram d. 2000 museum coordinator at MOMA and Sendak's close friend. Hanrahan A110 (Harper & Row, Publishers unknown
1985WRCLIT64742New York: Vincent Fitzgerald & Co. 1985. Folio 44.5 x 35.5 cm. Loose sheets and folded bifolia laid into publisher's cloth clamshell case. Illustrated with full-page lithographs. Bookplate on front pastedown of case small label residue in corner of upper panel of case else about fine. First edition. One of 120 copies printed on handmade Crisbrook paper by Wild Carrot signed by the author and the artist. Music rendered in facsimile of Thomson's manuscript printed by John Hutcheson and calligraphy by Jerry Kelly. The lithographs were editioned by the Printmaking Workshop of Paul Blackburn and each is numbered and initialed in the margin by Grosser. A collaboration by two long-time friends with Thomson's musical portraits accompanied by Grosser's lithographic portraits of the same subjects including themselves Jane Bowles the singer Theodate Johnson Mark Beard et al. The dates of composition of Thomson's portraits range from 1929 to the year of publication with many of the earlier works being newly rewritten for piano for this edition. Vincent Fitzgerald & Co. hardcover books
1920007670Paris: Galerie Simon 1920. Limited Edition. Wraps. Fine/Very Good. No. 19 of 100 copies signed by both Vlaminck and Vanderpyl. Folio. 32.5 by 23 cm. Unpaginated 16 pages. With Vlaminck woodcut of varying size on every page except limitation page. Glassine shows minor wear. Galerie Simon unknown
198686294University of Missouri Press. New. 1986. Hardcover. 0826204619 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 296 pages; many illustrations Catalogue Raisonné Catalogue Raisonne Catalog Raisonnee Complete Paintings University of Missouri Press hardcover
190921213191909. London: Mills and Boon. 1909. 8vo. Original black cloth titles to spine gilt and to front board in red small photographic portrait of Gerald Du Maurier to front board with the very rare printed dust-jacket; pp. vi 344 32 Mills and Boon Catalogue; spine ends gently rubbed edges lightly foxed dust jacket browned especially spine panel a few nicks chips and tears and repairs to verso; overall an excellent copy.First edition issued not before 1913 of this English translation of LeBlanc's novel with a photographic portrait of the English actor Gerald Du Maurier as Lupin to the front cover in excellent condition and retaining the very rare dust jacket.The story originally appeared as a four-part play by Maurice LeBlanc and Francis de Croisset a Belgian-born French playwright and opera librettist. Titled Arsene Lupin the play premiered on 28 October 1908 at the Theatre de l'Athenee in Paris and met with considerable success. The following year it was translated into English and performed at the Duke of York's Theatre in London with Gerald Du Maurier in the role of Lupin. The play was subsequently adapted into a novel by LeBlanc and published in French in 1909. The same year saw the release of this English translation by Edgar Jepson author of adventure and detective fiction.This 1909 first edition of Arsene Lupin includes a 1913 Mills and Boon catalogue bound at the end and a brief list of 'new novels' from the same period facing the title page. These subsequent advertisements suggest that the publishers did not sell out the entire initial print run immediately. Instead they retained some printed sheets to be bound and released at a later date as demand rose. hardcover
3 vols., 8vo., First Edition, some mild spotting as usual; tastefully bound in contemporary blue half roan, marbled boards ruled in gilt, backs with five raised bands tooled in gilt, second and third compartments ruled and lettered in gilt, all other compartments framed in gilt, gilt tops, marbled endpapers, joints very lightly rubbed, a most attractive copy. MAURICE BARING'S COPY WITH HIS HOLOGRAPH SIGNATURE ON BLANK PRELIMINARY OF FIRST VOLUME, AND BOOKPLATE ON FRONT FREE ENDPAPERS OF ALL THREE VOLUMES. The set also carries the fine nineteenth century engraved armorial bookplate of Sir Andrew Noble of Ardmore and Ardardan on front paste-downs. The Trollope Society records that the author's sixth novel was written 'mainly in railway carriages, since his work for the Post Office entailed a good deal of travelling'. The story is drawn from his memories of his work as a clerk at the GPO in St Martin-le-Grand, and Richard Mullen has called it the most autobiographical of Trollope's novels. The novel was not reprinted in its original three-volume form. A UNIQUE AND ATTRACTIVE COPY OF A SCARCE WORK. NCBEL III, 882; Sadleir 6; Wolff 6796.
192848920Paris Eugne Fasquelle 1928 In-8, reliure articule en pollopas rouge vif, plats biseauts, premier plat orn d'une plaque en acier poli portant le titre de l'ouvrage grav en capitales, incruste entre deux frises dcoratives de style Art dco dans un grand caisson rectangulaire; nom de l'auteur et titre de l'ouvrage gravs sur une plaque de mme acier poli incruste sur le dos; doublures et gardes de papier color dans des tons vifs, tte dore, non rogn, couverture imprime (Reliure Jotau, brevet S.G.D.G.).Nouvelle dition, illustre en frontispice d'un portrait photographique de l'auteur. Tirage unique limit 3.000 exemplaires numrots sur vlin du Marais. Trs rare spcimen de ces reliures qui furent inventes et ralises entre les annes 1933 et 1955 par Joseph Taupin, sous le pseudonyme de Jotau. Les plats et le dos sont entirement mouls en pollopas (matire plastique proche de la galalithe mise au point par Kuhlmann), et s'articulent autour de deux charnires mcaniques de type piano. Le second plat porte ct de la signature Reliure Jotau, la mention brevet S.G.D.G. qui laisse croire que le procd fit l'objet d'un brevet dpos, ce qui est faux. Ce type de reliure fut abandonn, en raison du cot de fabrication et de la fragilit de la matire utilise particulirement cassante. Notre reliure, parfaitement conserve, est un extraordinaire tmoin d'une recherche trs avant-gardiste pour l'poque, et dont la conception peut tre compare certaines crations contemporaines. Une des trs rares reliures de couleur rouge vif.
1618LBW-8329[Paris, Nicolas Buon, 1618. 352 x 463 mm.
190375906Paris Ambroise Vollard 1903 1 vol. relié gr. in-4, plein maroquin tabac janséniste à gros grain, dos à nerfs, bordure intérieure de même maroquin tabac, doublures de maroquin beige ornées d'un décor géométrique composé d'un quadruple filet doré formant deux polygones qui s'entrecroisent, gardes de soie moirée beige, doubles gardes, tête dorée, non rogné, couvertures et dos conservés, étui bordé (Marot-Rodde), XIII + 456 pp. Premier tirage de cet important livre illustré d'inspiration mystique, le quatrième publié par Ambroise Vollard, comprenant 216 bois dessinés par Maurice Denis et gravés sous sa direction et celle de Tony Beltrand."Ce livre, constitué de préceptes où chaque existence peut trouver une application à ses mouvements les plus subtils et une règle constante, le peintre en interprète l'abstraite direction avec une imagination plastique tout imprégnée de l'iconographie chrétienne, mais aussi de ces nuances dont l'année liturgique enveloppe, pour un croyant, le monde des apparences et la suite des jours. Commémorations, fêtes, obligations, pratiques, sont évoquées dans un rapport familier, pour ainsi dire quotidien, avec Jésus. Des jeunes filles aux cheveux longs, des moniales, un premier communiant, des fiancés, des gamins dans la rue, une procession qui traverse la ville, le convoi d'un mort le long de la mer, autant de figures de cette association de tous les instants au divin, qui est bien dans l'esprit de L'Imitation. Le nabi transpose le langage des vices, des vertus, les oscillations de la conscience, en une écriture symbolique dont les étirements, les simplifications, les partis décoratifs et les valeurs de tonalité s'accordent aux états d'âme. Parfois une inspiration un peu folle, qui n'est pas pour déplaire, traverse cette sagesse. Si la grimace des démons nous y paraît d'une méchanceté forcée, certaines hardiesses de dessin, des raccourcis naïfs, des amorces d'envols, des prostrations stylisées attestent le passage d'une idée à sa traduction formelle. Enfin quelques délicieux paysages, surtout dans les culs-de-lampe, constituent - comme pour Le Voyage d'Urien - la géographie d'une exploration intérieure." (François Chapon, Le Peintre et le Livre, p. 68-72).Tirage limité à 400 exemplaires, celui-ci un des 115 numérotés sur Chine, deuxième papier après 5 Japon.Exemplaire en parfaite condition dans sa reliure janséniste de Marot-Rodde.
190375906Paris Ambroise Vollard 1903 1 vol. relié gr. in-4, plein maroquin tabac janséniste à gros grain, dos à nerfs, bordure intérieure de même maroquin tabac, doublures de maroquin beige ornées d'un décor géométrique composé d'un quadruple filet doré formant deux polygones qui s'entrecroisent, gardes de soie moirée beige, doubles gardes, tête dorée, non rogné, couvertures et dos conservés, étui bordé (Marot-Rodde), XIII + 456 pp. Premier tirage de cet important livre illustré d'inspiration mystique, le quatrième publié par Ambroise Vollard, comprenant 216 bois dessinés par Maurice Denis et gravés sous sa direction et celle de Tony Beltrand."Ce livre, constitué de préceptes où chaque existence peut trouver une application à ses mouvements les plus subtils et une règle constante, le peintre en interprète l'abstraite direction avec une imagination plastique tout imprégnée de l'iconographie chrétienne, mais aussi de ces nuances dont l'année liturgique enveloppe, pour un croyant, le monde des apparences et la suite des jours. Commémorations, fêtes, obligations, pratiques, sont évoquées dans un rapport familier, pour ainsi dire quotidien, avec Jésus. Des jeunes filles aux cheveux longs, des moniales, un premier communiant, des fiancés, des gamins dans la rue, une procession qui traverse la ville, le convoi d'un mort le long de la mer, autant de figures de cette association de tous les instants au divin, qui est bien dans l'esprit de L'Imitation. Le nabi transpose le langage des vices, des vertus, les oscillations de la conscience, en une écriture symbolique dont les étirements, les simplifications, les partis décoratifs et les valeurs de tonalité s'accordent aux états d'âme. Parfois une inspiration un peu folle, qui n'est pas pour déplaire, traverse cette sagesse. Si la grimace des démons nous y paraît d'une méchanceté forcée, certaines hardiesses de dessin, des raccourcis naïfs, des amorces d'envols, des prostrations stylisées attestent le passage d'une idée à sa traduction formelle. Enfin quelques délicieux paysages, surtout dans les culs-de-lampe, constituent - comme pour Le Voyage d'Urien - la géographie d'une exploration intérieure." (François Chapon, Le Peintre et le Livre, p. 68-72).Tirage limité à 400 exemplaires, celui-ci un des 115 numérotés sur Chine, deuxième papier après 5 Japon.Exemplaire en parfaite condition dans sa reliure janséniste de Marot-Rodde.
183570104Nouvellement Revues et augmentées d'après les manuscrits avec Notes, Éclaircissements et Glossaire par J. A. C. Buchon., 3 vol. in-4 reliure demi-basane verte, dos à 4 nerfs ornés, A. Desrez, Paris, 1835. Rappel du titre complet : Les Chroniques de Sire Jean Froissart Qui traitent des Merveilleuses Emprises, Nobles Aventures et Faits d'armes advenus en son Temps en France, Angleterre, Bretagne, Bourgogne, Ecosse, Espagne, Portugal et autres parties.
