71 307 résultats
1942019148Deversoir Egypt: self-published 1942. Ephemera. Very good condition. Paperback. First Edition. Quarto 4to. The original manuscripts from which the first seven issues of the Squadron newsletter/newspaper frequency: weekly was printed. It is unknown if the publication continued beyond this initial run or how many copies of each issue was printed or distributed. Each issue consists of an average of 10 single-sided pages and contain original photographs original drawings including cartoons and news from home in a mostly humorous fashion and sometimes included information and opinions regarding the local area. There were several contributors. At least two differing typewriter fonts were used. There are articles/features on commanding officers as well as other non-commissioned officers. Stated on each issue: Free to Men in Uniform. Numerous pages are creased stained or worn and there are several paper clip marks. The 26th Group was activated on 1/20/1942 at Brookley Field Mobile AL. On 10/30/1942 or 11/01/1942 it arrived at Deversoir Egypt and in 01/1944 it set up base on the outskirts of Karachi India. Later that year affiliated groups were transferred elsewhere and the 26th Depot Repair Squadron was absorbed within the 80th Group relocated in 07/1944 to Agra India and attached to the 3rd Air Depot Group. self-published Paperback books
19801236771980. Signed. SENDAK Maurice. Poster signed ""The Art of Maurice Sendak"". New York: Harry N. Abrams 1980. Color poster measuring 21 by 26 inches closely framed. $3500.Lovely color-printed poster with an image of children decorating a Wild Thing as if he were a Christmas tree signed by Maurice Sendak.A note at the bottom of the poster indicates that ""This painting was commissioned for the December 30 1976 issue of Rolling Stone."" Sendak chose this poster to be included in his Posters collection one of only 24 to be selected. Hanrahan C8. The former owner of this poster was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Fine condition. unknown
19811236781981. Signed. SENDAK Maurice. Print inscribed. No place 1981. Color print measuring 15 by 21 inches; handsomely matted and framed entire piece measures 20 by 26 inches. $3500.Color print with a Christmas theme with two Wild Things prominently featured inscribed ""For ElizabethFor Christmas!Maurice Jan '82.""This charming print has as its most central vignette a hot air balloon with an image of Santa Claus on the balloon decorated with holly garland and Christmas ornaments with two Wild Things in the basket one playing a horn and the other a violin as they join in with a harpist and saxophonist close below on the ground. Not in Hanrahan. The former owner of this inscribed print was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing featuring the cake. Sendak often referred to Betty as ""Elizabeth"" in inscriptions as he felt that ""Betty"" was too common a name. The many inscribed drawings along with first editions signed books and other valuable items grew into one of the country's premier Sendak collections.Fine condition. unknown
19751236251975. First Edition. Signed. SENDAK Maurice. Really Rosie. New York: Screen Gems-Columbia 1975. Folio 9 by 12 inches original pictorial paper wrappers. $3500.First edition presentation copy of the piano/vocal score of the animated television special composed and performed by Carole King inscribed on the first page of music to a close friend and neighbor: ""For Andy who is Really Swell!Maurice Sendak June '77.""The animated television series Really Rosie was based on Sendak's books The Sign on Rosie's Door and The Nutshell Library. It featured music composed and performed by Carole King with the story and lyrics by Maurice Sendak. This score features music for piano vocal and organ with additional chord notations. Not in Hanrahan. The former owner of this inscribed book was Maurice Sendak's neighbor Andrew from Ridgefield Connecticut. Sendak bought a home and studio in Ridgefield in 1972 with his longtime partner Eugene Glynn and lived there until his death. Andrew first encountered Sendak in 1975 during one of his daily dog walks. Sendak owned many dogs throughout his life and they often starred in his books. Andrew was immediately taken with Sendak who reminded him of his recently deceased father. One day Andrew called Sendak at home and asked if he could join him on his walks. Andrew and Sendak thus embarked on a 37-year friendship that also included the Andrew's mother Betty as well as Andrew's brother. Sendak went on long walks and hikes with Andrew and his family regularly discussing general life events opera and books. He also invited them into his studio to show off works in progress. Andrew's mother Betty was an avid reader and collector and she and Sendak would talk late into the night about books. Sendak offered Betty advice about how to find and authenticate rare children's books which she used to build her collection. Additionally he frequently bartered for autographs i.e. a cake for an inscribed drawing. The many inscribed drawings along with first editions signed books limited edition books and other valuable items grew into one of the country's premier Sendak collections.Pinpoint foxing to edges of text block faint staining to rear wrapper only slight rubbing to wrappers. A near-fine inscribed copy. unknown
19621173981962. Signatures of each of the scientists who shared the 1962 Nobel Prize in Physiology or Medicine each signed during the Nobel Week of 1962 "James Dewey Watson December 5 1962" "Francis Crick 10th December 1962" and "M. H. F. Wilkins" each signed on individual off-white cards with a portrait of each above. In fine condition. Double matted and framed. The entire piece measures 16 inches by 23.5 inches. Contemporary signatures of these scientists are rare. The Nobel Prize in Physiology or Medicine 1962 was awarded jointly to Francis Harry Compton Crick James Dewey Watson and Maurice Hugh Frederick Wilkins "for their discoveries concerning the molecular structure of nucleic acids and its significance for information transfer in living material." unknown books
199593217Ide Et Calendes. New. 1995. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. Text in French. 818 works catalogued and illustrated many in color. Estève Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Ide Et Calendes hardcover
1967C84578U. of California Press. As New. 1967. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - - Corresponds to ASIN: B000V5R9LM. TWO 2 VOLUME SET. Volume 1: The Evolution of an Artist - xxiv 339 pages197 illustrations hors texte. Volume 2: A Catalogue Raisonne - x 238 pages California Studies in the History of Art 7 4to. -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . U. of California Press hardcover
175751567Arkstee et Merkus Amsterdam and Liepzig 1757. 2 vols. roy. 8vo. First Edition Large Paper text in French on laid paper with 84 fine engraved plates 52 large and folding ALL BUT TWO FINELY COLOURED BY HAND and numerous fine engraved head- and tail-pieces title and first Avertissement leaf of first volume creased; contemporary full tree calf sides framed in gilt backs with raised bands second and fourth compartments with red leather labels framed lettered and numbered in gilt all other compartments richly framed and tooled in gilt with floral sprays red sprinkled edges boards mildly age-marked upper joint of first volume cracked but sound all other joints mildly rubbed but bindings wholly sound A REMARKABLY BRIGHT FRESH CLEAN CRISP COPY WITH BROAD MARGINS IN WHOLLY UNRESTORED PERIOD BINDING. With the eighteenth century personal bookplate of Steuart of the Isle of Man overlaid by the nineteenth-century armorial bookplate of Sir John Ogilvy of Inverquharity on front paste-downs. From the broad margins this may well be a Large Paper or similar superior issue. The later bookplate is that of Sir John Ogilvy 9th Baronet 1803-1890 sometime MP for Dundee and Convener of Forfarshire. De Saxe 1696-1750 was a distinguished soldier of the first half of the eighteenth century serving first the Holy Roman Empire and then the Imperial Army before French service as Marshal General of France. He is remembered for his victories during the Austrian Succession most notably at Fontenoy in 1745 and for this most influential military treatise published shortly after his death. A SPLENDID COPY WITH NOTABLE PROVENANCE. Jähns II 1502; Brunet V 174. Arkstee et Merkus, Amsterdam and Liepzig, hardcover
17042202<p>48 378 12 pp. With an engraved frontispiece.</p><p>Contemporary mottled calf with ribbed and gold-tooled spine sprinkled edges.</p><p>Rare first and only edition of a peculiar and polemical work which uses a female abecedarium to attack Catholic invective against women. Arranged alphabetically—from <em>Avidum animal</em> to <em>Zelus Zelotipus</em>—the author ironically surveys women's wit eloquence moral qualities and physical appearance combining satire polemic and learned rhetoric. The book also offers insight into early-eighteenth-century Protestant debates on marriage gender and Catholic religious culture.<br />The author was an Amsterdam merchant and former Catholic priest who converted to Calvinism and became known for his vehemently anti-Catholic writings often directed against monastic life and clerical celibacy. <em>Zeege-pralende lof-tooneel der vrouwelyke sexe</em> must be read within this broader religious and ideological agenda: Johannes Mauritius presents Catholic denunciations of women as a deliberate strategy employed by "the Papists" to justify the prohibition of marriage and to lure men into the cloister. He was the father of the prodigy poet jurist and later Suriname governor Joan Jacob Mauricius 1692–1768 whose early intellectual development was shaped by his father's militant anti-Catholicism and literary ambitions.</p><p><strong>Condition: </strong>corners slightly bumped front joint splitting. Small faint stain on the first few pages see pictures. Otherwise in very good condition.</p><p><strong>Reference: </strong>Muller 482; De Vries 190; Scheepers I 452.</p> Johannes Strander
1913241781913 4 Aquarelle signée du cachet d'atelier en bas à droite, 1913, 50 X 35 cm., encadrée.
1977102825Rizzoli; Thames & Hudson; Mercatorfonds. New. 1977. Hardcover. 0847800342 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 318 pages; black and white and some color images. Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee Rizzoli; Thames & Hudson; Mercatorfonds hardcover
194248769Paris: Gallimard 1942. Fine. Gallimard Paris 1942 14.50 x 21 cm broché First edition one of 13 numbered copies on vélin pur fil Lafuma-Navarre paper the only large paper copies. A very good unsophisticated copy. Gallimard unknown
194252427Paris: Gallimard 1942. Fine. Gallimard Paris 1942 14 x 20.50 cm broché First edition an advance service de presse copy. Three small wormholes and a clear dampstain to margin of upper cover one joint cracked at foot. Retaining its prière d'insérer. Very precious and moving autograph inscription signed and dated by Maurice Blanchot to his mother and sister: ""Personne ne reçoit tant de Dieu que celui qui est entièrement mort. Saint Grégoire. Pour sa chère maman et sa vieille Marg en toute affection. Maurice No one receives God so fully as someone who is entirely dead. Saint Gregory. For his darling mother and old Marg with all love. Maurice."" Gallimard unknown
1946483421946. Fine. 1946 21.70 x 11.50 cm 7 feuillets foliotés Autograph manuscript by the author 14 pages in octavo published in issue no. 12 December 1945January 1946 of L'Arche. A complete recto-verso manuscript in a densely written hand with numerous deletions corrections and additions. Essay published on the occasion of the release of Father du Lubacs Le Drame de lhumanisme athée. After the war the place of Friedrich Nietzschealongside the Marquis de Sade and Søren Kierkegaardin Maurice Blanchots thought reflects the decisive influence of Georges Bataille and the philosophers he held in highest regard. From this point on Blanchot devoted many texts to these figures and Du côté de Nietzsche stands as a key testimony of that engagement. The very title of his forthcoming collection La Part du feu to be published in 1949 including this article in a slightly revised form is itself a Bataillean reference. For Blanchot Nietzsches power through his use of language and style lies less in his most explicit and oft-commented theses than in the crucible of a more fluid and sometimes self-contradictory discourse: « L'influence de Nietzsche ne se réduit pas aux formes extérieures qu'elle a prises ; c'est probablement au contraire ce qui de Nietzsche a échappé à toute transmission manifeste cette part de lui étrangère aux influences directes qui a exercé l'influence la plus profonde. » This idea would remain central to Blanchots reading of the German philosopher. Nietzsches inconsistency and ambiguity are embodied in the theme of the death of God central to his work: « En aucune façon le thème de la Mort de Dieu ne peut être l'expression d'un savoir définitif ou l'esquisse d'une proposition stable » Blanchot observes. And he famously adds: « Se contredire est le mouvement essentiel d'une telle pensée. » In LEntretien infini 1969 Blanchot would once again revisit the Nietzschean question of the death of God where it meets that of the unity of man. A remarkable text by Maurice Blanchot on Friedrich Nietzsche illustrating the profound influence of Georges Bataille on his thought. unknown
196477110Paris: Scripta et Picta 1964. Fine. Scripta et Picta Paris 1964 28.50 x 38 cm en feuilles sous chemise-étui First edition illustrated with 48 color lithographs by the author one of 260 numbered copies on Arches wove paper the only printing with a few on japon. The work is further adorned with 40 initials designed by the distinguished bookbinder Paul Bonet. This is the most important illustrated book by Maurice de Vlaminck the fruit of nearly ten years of work. A handsome copy complete with its chemise and slipcase. Scripta et Picta unknown
192686618Montfort l'Amaury 1926. Fine. ""Pas le temps de bien entendre les mélodies grecques qu'il interprétera aussi bien sans mes indications d'ailleurs"" ""No time to properly hear the Greek melodies which he will interpret just as well without my indications anyway"" Montfort l'Amaury 9 novembre 1926 13.50 x 10.40 cm une page Autograph letter dated and signed by Maurice Ravel 2 pages on a cardboard note with letterhead bearing his monogram and his address ""Le Belvédère Montfort l'Amaury S.& O."" The composer preparing to leave for Switzerland puts his affairs in order and addresses various directives to his correspondent. The year 1926 had seen the birth in Paris of l'Enfant et les Sortilèges his celebrated lyrical fantasy on a text by Colette. Ravel receives ""une lettre de Bochie"" ""a letter from Bochie"" - patriotism never being far away! - and recommends one of the airs from his work: ""Je sais qu'on m'y demande des mélodies pour une Koloratur soprano l'air du Feu s'impose"" ""I know that they are asking me for melodies for a Koloratur soprano the Fire's aria is essential"" . ""S'il y faut de la dédicace on la remettra à mon retour"" ""If a dedication is needed it will be done upon my return"". He peppers his note with some humorous touches: ""2 reçus que j'ai oublié de laisser hier au bureau car je n'y étais pas passé uniquement pour l'apéro"" ""2 receipts that I forgot to leave yesterday at the office since I hadn't gone there solely for the aperitif""; ""une lettre du Courrier Musical : s'il n'y avaient pas ajouté un timbre je ne vous aurais même pas prié de leur répondre"" ""a letter from Courrier Musical: if they hadn't added a stamp I wouldn't even have asked you to reply to them"". His final lines are about the tenor Warnery who performed the Clock and the Cat at the creation of l'Enfant et les Sortilèges in Monte-Carlo a year earlier: ""Je crois que Warnery vient en novembre au bureau et vous prierai de lui demander à lui aussi s'il est utile que j'envoie les directeurs de Genève. Priez-le de m'excuser c'est effrayant ce que j'ai à faire avant mon départ. Pas le temps de bien entendre les mélodies grecques qu'il interprétera aussi bien sans mes indications d'ailleurs"" ""I believe that Warnery is coming to the office in November and I will ask you to ask him too whether it is useful for me to send to the directors in Geneva. Please ask him to excuse me it's frightening what I have to do before my departure. No time to properly hear the Greek melodies which he will interpret just as well without my indications anyway"". Charming and aesthetic letter from the composer featuring important compositions for voice and orchestra. unknown
190586627Levallois-Perret 1905. Fine. Levallois-Perret s. d. 1905-1908 13.40 x 21.70 cm trois pages sur un bifeuillet Autograph letter signed by Maurice Ravel 3 pages on a bifolium with letterhead of the Hotel de l'Ile de France with his autograph address at the end of the letter ""11 rue Chevallier Levallois Seine"" Transverse folds inherent to posting. Superb letter from Ravel with contrasted and incisive handwriting in which he hastily postpones a concert appointment. ""Chère Madame Mille excuses pour le malentendu qui est de ma faute sans doute. Je ne me souvenais pas du tout que vous n'étiez pas libre ce soir. Si vous l'êtes demain samedi j'en serais heureux. J'ai couru à Châtelet et suis parvenu à faire changer le jour pour mes places. Voulez-vous avoir l'amabilité de me prévenir soit par un télégramme soit par un message téléphonique. Les pneumatiques ne parviennent pas à Levallois. Une fois de plus pardonnez-moi et à demain soir j'espère. Respectueuses amitiés de votre dévoué"" Dear Madam A thousand apologies for the misunderstanding which is undoubtedly my fault. I did not remember at all that you were not free this evening. If you are free tomorrow Saturday I would be delighted. I ran to Châtelet and managed to have the day changed for my seats. Would you be so kind as to let me know either by telegram or by telephone message. Pneumatic messages do not reach Levallois. Once more forgive me and until tomorrow evening I hope. Respectful regards from your devoted unknown
2000102367Somogy. New. 2000. Hardcover. 2850564311 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 240 pages; illustrated in color. Somogy hardcover
199091300Prestel Pub. As New. 1990. Hardcover. 379130965X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - -- 720 pages. From Library Journal: "If you think that Maurice Prendergast 1858-1924 only produced decorative park and beach scenes rendered in an abstract style.this work will set the record straight. Thanks in large part to the generosity of the Eugenie Prendergast Foundation Mathews has .labored for over six years as part of a team of art historians to create a monumental ten-pound slip-cased tome that documents the total artistic output of the two Prendergast brothers Maurice and Charles A Catalogue Raisonne.The comprehensive catalogue raisonne with its highly detailed essays by eight art historians features 2200 illustrations 100 of which are in color. All works discussed are represented by an image and catalog entry and range from the sketchbooks monotypes and applied graphics of Maurice to the carved and painted panels and sculpture of Charles 1863-1948. A Herculean achievement the catalogue raisonne will long serve as a cornerstone in the arena of American art history reference. " Catalogue Raisonne Catalog Raisonné Complete Works Life and Work Raisonnee -- with a bonus offer . Prestel Pub hardcover
199794025Verlag Gerd Hatje. New. 1997. Hardcover. 3775706410 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in German. 225 pages; many mostly color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Leben Und Werk Oeuvre-Katalog Kritischem Oeuvrekatalog Raisonnee Verlag Gerd Hatje hardcover
198693216Cordelia. New. 1986. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- HARDCOVER. Text in French English Danish. 160 pages; 144 plates including 103 in color. Estève Catalogue Raisonne Catalog Raisonné Complete Works La Vie Et L'uvre Oeuvre Raisonnee Cordelia hardcover
200893626BIBLIOTHEQUE DES ARTS. New. 2008. Hardcover. 2884531408 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in French. 415 pages; illustrated. Catalogue Raisonne Catalog Raisonné Complete Works La Vie et L'uvre Oeuvre Raisonnee BIBLIOTHEQUE DES ARTS hardcover
109294Garden City N.Y. Doubleday Doran and Co. 1945. . First edition first printing signed by the illustrator; 8vo; frontispiece and 12 black and white full-page plates by Dali internally clean and bright; publisher's blue-grey cloth stylised maze design in blind centre square in red with gilt lettering gilt titles to spine on red ground minor bumping to spine ends with the price-clipped pictorial dust-jacket by Dali some toning loss to head and foot of spine minor loss and nicks to extremities tear to foot of spine at joint small repair to reverse of front panel; housed in a custom brown cloth clamshell box lined with attractive geometric patterned paper titles to spine gilt.<br /> An attractive first edition signed by Salvador Dali on the front free endpaper.<br /><br />A macabre tale by the pioneering Swiss fantasy author Maurice Sandoz and later the basis for a 1953 horror film of the same name. Its surrealist overtones are perfectly matched by the illustrations by Dali whom the author had met in Rome in the late 1930s.<br /> Garden City, N.Y., Doubleday, Doran and Co., 1945. hardcover
1969184602London: The Bodley Head 1969. Inscribed by the artist to a fellow illustrator First UK edition presentation copy inscribed by the author on the front free endpaper "For Raymond Briggs Maurice Sendak Dec. '75" together with an ink drawing of the milkman with a speech bubble. Sendak's "modern fairy tale of multiple themes" was first published in the US in 1967. Briggs and Sendak were connected through their publishers Judy Taylor and Julia Macrae. Both women were part of a group of female editors who "transformed the children's book world in the 1960s" and who each formed close relationships with their authors The Guardian. Briggs 1934-2022 was an illustrator graphic novelist cartoonist and author. His posthumous book label is opposite the half-title. The winner of numerous awards including the Kate Greenaway Medal twice the Hans Christian Andersen Award the Boston Globe-Horn Book Award and the Kurt Maschler Award Briggs noted that "the whole point of illustration is that it is literary. If it is not it remains a drawing only. Something must be 'going on' in the illustration" Horne p. 124. He is chiefly remembered for Father Christmas 1973 Fungus the Bogeyman 1978 When the Wind Blows 1982 and the perennial classic The Snowman 1978. Small quarto. Frontispiece and illustrations throughout by Sendak. Original brown boards spine lettered in yellow front cover with illustration in colour brown endpapers. With dust jacket. Lower corners worn; extremities of unclipped jacket worn some foxing and surface abrasions: a very good copy in like jacket. The Guardian 25 March 2015; Alan Horne Dictionary of 20th Century British Book Illustrators 1994. hardcover
7121 En feuillets, sous chemise et étui en toile fuchsia de l'éditeur. 39,5 x 30 cm, 112-[8] p. Paris, Denoël, 1967. Edition originale
