Biancini Mario, Biancini BrunoMareMagnum
78 262 résultats
20 cm, br. edit; pp. 32
3 SS. auf gefalt. Bogen. Qu.-Folio. Lied ("Andante") für Singstimme und Klavierbegleitung: "Liebstes Heymatland, nimm meinen Abschiedsgruß - des Glückes schöner Lebenstraum entschwand, er entschwand und flüchtig wird mein Fuß [...]" (2 Strophen). Am ersten Blatt oben rechts in Bleistift bezeichnet: "J. Glaeser". - Gläser, ehemaliger Sängerknabe bei der Dresdner Hofkapelle, wirkte später als Kapellmeister am Theater in der Leopoldstadt (1817-22), in der Josefstadt (1822-27) und am Theater an der Wien (1827-30). "Als das Josefstädter Theater nach der Renovierung 1822 eingeweiht wurde, dirigierte der taube Beethoven mit Gläsers Hilfe seine Ouvertüre 'Die Weihe des Hauses' [...] Das Berliner Königsstädtische Theater berief Gläser 1830 zum Kapellmeister Er wirkte hier sehr verdienstvoll, bis 1842 eine ital. Truppe in das Theater einzog und ihn in seiner Tätigkeit einengte. So folgte er 1842 gern einem Ruf nach Kopenhagen" (MGG XVI, 479f.).
"Vedere la descrizione dettagliata Rossini G., "Il Barbiere di Siviglia" canto e pianoforte Cavatina "Largo al Factotum della città," Milano, Giovanni Ricordi, 1875 (timbro), cm. 25,5x35 oblungo, pp. 12. Condizioni di conservazione Esemplare in buono stato, presenta bruniture e macchiette,strappetto cuffia inf. del dorso, minimi difetti ai margini e agli angoli. Per altri volumi e documenti su questo e altri argomenti visitate il nostro negozio "Libreria Grandangolo" CONDIZIONI DI VENDITA Spedizione Fino a 5 kg piego di libri raccomandato, oltre i 5 kg pacco postale. Si ricorda che l'imballo viene eseguito con la massima cura. La merce viene spedita a pagamento avvenuto e viaggia a rischio e pericolo dell'acquirente. Per maggiori informazioni vedi la pagina SPEDIZIONI del nostro negozio. Ritiro diretto Siamo disponibili per il ritiro diretto a Modena e a Milano. Per gli indirizzi delle sedi vedi la pagina DOVE SIAMO del nostro negozio. Acquisti multipli Se si acquistano più, libri, la spedizione si paga una sola volta, purché, si rispettino gli scaglioni di peso. Estero / Foreign For international shipment, please contact us. Metodo di pagamento Pay Pal, bonifico bancario, versamento postale (cc/p, vaglia o altro). La spedizione avverrà, entro i primi 4 giorni lavorativi dopo la conferma di avvenuto pagamento. Si emette ricevuta fiscale e a richiesta fattura. Il pagamento deve essere effettuato entro 7 giorni lavorativi dalla data di acquisto, trascorsi i quali l'oggetto sarà, rimesso in vendita. Feedback Viene rilasciato dall'acquirente dopo il ricevimento di quanto acquistato. Data la sua importanza, vi invitiamo a leggere il breve testo della pagina FEEDBACK del nostro negozio. Pertanto, in caso di qualsiasi problema, non esitate a contattarci. Diritto di recesso L'acquirente ha il diritto di restituire l'oggetto entro 14 giorni ed essere rimborsato, escluse le spese di porto e imballo. L'oggetto deve essere restituito, dopo previa comunicazione, imballato e nelle medesime condizioni di come era all'origine. Creato da Turbo Lister Strumento gratuito per mettere in vendita i tuoi oggetti. Metti in vendita i tuoi oggetti in modo facile e veloce e gestisci le inserzioni in corso. "
Titel, 6 SS. auf 2 gefalt. Bögen. Qu.-Folio. "Componirt und der Frau Gräfin Nina Apraxin gewidmet von Fürst Metternich". - Der Sohn des berühmten österreichischen Staatskanzlers Klemens Wenzel Fürst von Metternich diente 1855 als Legationssekretär in Paris, 1856 als österreichischer Gesandter und bevollmächtigter Minister am Dresdner Hof. 1859-71 war er Botschafter in Paris, wo er am Hof Napoleons III. mit seiner Gattin Pauline gesellschaftlich eine bedeutende Rolle spielte und vergeblich versuchte, Frankreich im Deutschen Krieg auf die Seite Österreichs zu ziehen; nach dem Sturz des Zweiten französischen Kaiserreichs sicherte er die Flucht Kaiserin Eugénies nach England. Als Komponist pflegte er vor allem die Tanzmusik für Klavier. "In harmonischem Zusammenwirken mit seiner populären Frau nahm der musikalisch sehr begabte Fürst in seiner noch über zwei Jahrzehnte währenden Wiener Periode ein kulturelles Mäzenatentum wahr" (ÖBL VI, 250). - Gering angestaubt.
In-8° pp. 109 con 100 pag. di musica n.t. Bross. edit. ill.
2 SS. Folio. In lila Tinte. Zwei Lieder für Singstimme und Klavierbegleitung (aus Op. 1, "12 Lieder für eine Singstimme mit Begleitung des Pianoforte"): Vertonungen von August Montanus' "Schlummerlied" ("Die Abendglocken läuten den müden Tag zur Ruh") und Ludwig Tiecks Lied der Enkelin aus "Rothkäppchen" ("'s Misekätzchen ging spazieren"). - Der aus Dortmund gebürtige Jurist Nodnagel studierte an der Musikhochschule Berlin, bevor er Lehrer am Stern'schen Konservatorium Berlin und Mitarbeiter der "Allgemeinen Musikzeitung" wurde. 1899-1903 wirkte er in Königsberg als Redakteur und Lehrer am Konservatorium, bevor er als Musikschriftsteller und Gesangslehrer nach Berlin zurückkehrte. Der Nachlass des Komponisten wird vom Westfälischen Musikarchiv Hagen verwahrt.
97580Paris, Centre International d'Etude du XVIIIe siècle, 2002. 18 x 26, 634 pp., quelques notations, broché, couverture à rabats, très bon état.
23190No place or date. 14 x 13.5cm laid down on slightly larger leaf extracted from an Autograph Album very good condition. "Pussyfoot" is at the piano blacked up with thick whitened lips!.See image/ No place or date. unknown
31007Richmond VA / Columbia S.C.: Lithographed and Published by Geo. Dunn & Compy / Julian A. Selby n. d. 1st edition Harwell p. 141; Parrish & Willingham 7434. Not in Dichter & Shapiro EARLY AMERICAN SHEET MUSIC though 3 other Dunn Civil War sheet music publications are listed as is one other Selby. Printed self-wrappers with caption title. General wear & some foxing. A VG copy. 4 pp 1 sheet folded. Last page blank. 11 stanzas of musical scores w/ lyrics. 12-1/8" x 9-1/2" <br/><br/> Lithographed and Published by Geo. Dunn & Compy / Julian A. Selby unknown books
8½ num. SS. Großes Hochformat, 12zeilig. Originalumschlag mit hs. Deckelschildchen. Am Titel der vollständigen Niederschrift von Weinbergers Opus 233 der Vermerk: "Für eine ev. Clavier-Ausgabe muss diese Orchestral gemachte Fantasie bedeutend erleichtert werden". - Titel gestemp. "Professor Charles Weinberger [...]" und auf Bl. 5 verso mit dem eh. Vermerk "-10h A. 27.6. 18 [?]" und Adr. "VIII Langegasse 72/14". - Der Sohn von Wiens erster Offenbach-Sängerin Helene Weinberger zählte neben Millöcker, Suppé und Zeller zu den erfolgreichsten Operettenkomponisten um 1900.
192596246Circa 1925. 1925. Good. - Quarto 13-3/4 inches high by 10-5/8 inches wide. Printed self-wraps consisting of loose signatures. What is offered here is the contemporary score for voice and piano for the composer Louis Edgar John's "Seven Mother Goose Songs". The title followed by the 10-page score is reproduced from the holograph score onto 6 sheets of Carl Fischer music paper. The score and lyrics appear to have been penned in ink probably in the hand of a copyist. The pages are slightly soiled with creases to the edges and some chips and tiny tears along the bottom edge of the leaves. There are short slits along the top and bottom of the cover signature's spine. Good. <p>Born in Doylestown Pennsyvania the composer Louis Edgar Johns 1886-1964 was professor of music at Skidmore College from 1923-1956. Head of the college's piano department he had studied piano and composition in Europe under Theodor Leschetizky Engelbert Humperdinck and Xaver Scharwenka. He also taught piano at Germany's Lowe-Konservatorium. In addition to overtures and songs Johns composed an opera "The Elfin Inn".<p>From the library of Louise Llewellyn Jarecka 1880-1954 concert singer & writer. The wife of the composer Tadeusz Jarecki. A student of Marcella Sembrich Jarecka was invited by President Wilson to sing at the White House. During the 1920's and 1930's she sang with many European Orchestras and in the Polish Opera.<p>RARE. Circa [1925]. paperback
1972563h5759USA: Charles Hansen Educational Music and Books. Good. 1972. First Edition. Plastic Comb. 56 pages. Includes several pages of background information about the story plus piano sheet music with lyrics and guitar chords for the following songs: At the Beach; The Best of Buddies; Charlie Brown's Calliope; Fundamental-Friend-Dependability; Gettin' It Together; It Changes; Lila's Theme; No Dogs Allowed!; Snoopy Come Home; Woodstock's Samba. Unmarked with somewhat above-average wear. A sound copy of this wonderful Peanuts collectible.; 4to - over 9¾" - 12" tall; Snoopy Peanuts Charlie Brown Lucy At the Beach The Best of Buddies Charlie Brown's Calliope Fundamental-Friend-Dependability Gettin' It Together It Changes Lila's Theme No Dogs Allowed! Snoopy Come Home Woodstock's Samba . Charles Hansen Educational Music and Books unknown
193034074Circa 1930. 1930. Good. - Fifteen bars of musical notation penned in ink by the Polish-American composer and conductor Tadeusz Jarecki on a 6-5/8 inch high by 10-1/4 inch wide sheet of ruled music paper. Signed "Jarecki" at top right the composition is titled "Snow White Kimono" at the top center with "Violin" penciled at the top left above the notation "Moderato". A note has been crossed out and corrected in pencil at bottom followed by a brief annotation. The sheet is soiled with creases along the edges and corners and a short tear to the right edge which touches on the last note of the second line. Good. <p>The Polish-American composer and conductor Tadeusz Jarecki was the son of the composer Henryk Jarecki. He studied with Taneyev in Moscow and Jacques-Dalcrose in Hellerau. In 1917 he won first prize at the Berkshire Festival for his String Quartet Op. 16. Leaving Poland permanently in 1936 he settled in New York in 1946. As a composer he was influenced by Wagner and Strauss. Circa [1930]. unknown
1922RO30323021Van de Velde. 1922. In-4. Broché. Etat passable, Couv. légèrement passée, Dos abîmé, Papier jauni. 92+93+ 51 pages. Nombreuses partitions. Guide du professeur partiellement désolidarisé. Accrocs au dos, dos frotté, mors partiellement fendus.. . . . Classification Dewey : 780-Musique
Folio (ca. 275 x 327 mm). 12, 5, 13-37, 15 pp. Ink on staved paper by Néocopie Musicale with 3 systems of 4 staves, as well as 10 staves respectively. In contemporary red wrappers with handwritten cover-title. One of Jolivet's first major works, which remained unpublished until 1989 (Salabert), described by the French violinist and leading interpreter of Jolivet's works, Devy Elrih (1928-2012), as "embracing a new musical language, and a reinvention of notation for violin and piano, as well as the relation of the two". Elrih goes on to characterize the composer's intention to "express himself free of any references to earlier works in this domain [...] as a 27-year-old man, full of life, lyricism and determination". - The sonata, with a duration of 13 to 15 minutes (as noted by Jolivet at the head of the manuscript), comprises three movements: "Ramassé", "Librement", and "Bousculé". The first movement also appears in the prelude of the 1930 work "Prélude et Grave pour violon et piano", revised in 1932 (K 44). Following the first movement (pp. 1-12), the second movement (pp. 13-17) was crossed out in crayon, page 13 bearing the note: "Refait: voir ondes, no. 1 des 3 poèmes pour ondes", referring to the 1935 composition "Trois Poèmes pour ondes Martenot et piano". The revised version of the second movement (paginated 1-5) is inserted between the first movement and the crossed-out second movement. The third movement comprises pp. 18-37. In the 15-page part for violin adjacent to the piano score, the second movment (pp. 6-7) is also crossed out. The violin part includes fingerings added in a different hand. - Analyzing the piece, the musicologist Lucie Kayas concludes that "the whole sonata produces a feeling of heterogeneity of the consecutive tonal, modal and dodecaphonic keys, as if, in contrast with the manner shown by the polytonal works of Jolivet's early youth, an idea of collage prevailed, now through juxtaposition rather than mere simultaneity". - The first movement was performed at the Société Nationale on 2 December 1933 by Gisèle Kuhn and Raoul Visa, while the complete sonata premiered at the Société Nationale on 9 February 1935 with André Huot (violin) and Olivier Messiaen (piano). - With three stamps of the "Societé des auteurs, compositeurs & éditeurs de musique", dated 26 June 1934 (one rather faded), as well as one stamp of the "Commission d'examen des bulletins". Several corrections and annotations in crayon and pencil. Wrappers with several small flaws; spine rebacked with tape. Kayas, André Jolivet (Paris, 2005), pp. 115-117.
3 p. Gegraveerd. Gr. 4°. Opgedragen aan Ferdinand van Hal.
No marks or inscriptions. A lovely clean very tight copy with bright unmarked boards and no bumping to corners. Dust jacket not price clipped or marked or torn with very light creasing/rubbing to upper and lower edges. The story of the Spice Girls Movie 'Spice World' told by Emma, Geri, Mel B, Mel C and Victoria themselves. With masses of photographs.
2 SS. Qu.-Folio. Vertonung von Emanuel Geibels "Spielmanns Lied" ("Und legt ihr zwischen mich und sie"): Noten für Singstimme und Klavierbegleitung mit vier Strophen unterlegtem Text (die zweite mit Bleistift gestrichen). - "Nessler ist eine charakteristische Erscheinung der deutschen 'Butzenscheiben'-Romantik. Der leicht produzierende, wenig wählerische Eklektiker widmete sich nahezu ausschließlich der Vokal-Komposition. Obgleich er durch seine Opern bekannt geworden ist, sind die kleinen Formen des Sololiedes und des Männerchors seinem Streben nach gefühlsseliger Volkstümlichkeit entsprechender als die dramatische Großform" (MGG IX, 1383). - Im Rand minimal angestaubt. Selten.
1993RO20279757LA SIRENE. 1993. In-4. Relié. Etat d'usage, Couv. convenable, Dos satisfaisant, Intérieur frais. 103 PAGES - Nombreuses illustrations couleur et noir/blanc, dans et hors texte - Préface de Yves Simon. . . . Classification Dewey : 780-Musique
1980R320071995SEUIL. 1980. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 186 pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte - Frontispice -. . . . Classification Dewey : 780-Musique
Studienpartitur. 52 S. 8°. Geheftet. OU. Erstausgabe.
191896228Circa 1918. 1918. Good. - Quarto 13-1/2 inches high by 10-3/4 inches wide. Printed self-wraps consisting of loose signatures and leaves. What is offered here is the contemporary score for the young composer Ethel Glenn Hier's "The Fairy Ring" with lyrics from a poem by Abbie Farwell Brown. The 12-page score consisting of 4 parts is lithographed from the holograph score onto 7 sheets of C. F. Schmidt music paper. The first part for "Soprano Violin Cello & Piano" consists of 6 pages printed on both sides of each sheet. The second apparently for Soprano consists of 4 pages printed on both sides of each sheet. The third and fourth parts for "Violin" and "Violoncello" each consist of one page printed on one side of the sheets. The pages are slightly soiled particularly along the edges. There are creases to the edges and corners and the edges of the second part apparently for voice are heavily chipped. The signature making up the first part is splitting along the spine and there is a tiny tear to the page for the violin part. Good. <p>A review of a concert of original compositions given by the pupils of Walter Henry Rothwell on April 22 at the MacDowell Club states: "The works that perhaps received the greatest amount of applause were those of Ethel Glenn Hier. These included four songs 'May Song' 'In a Carpenter's Shop' 'Japanese Lullaby' and 'The Way That Lovers Use.' In all of them Miss Hier disclosed a delicate lyric quality and an ability to write charming melody. . Her second work to a poem by Sara Teasdale was unusual and seemed vaguely reminiscent of a Cesar Franck carol." - Published in the May 4th 1918 issue of "Musical America".<p>The American composer pianist and teacher Ethel Glenn Hier 1889-1971 studied composition under Stillman-Kelly and Percy Goetschius and piano under Marcian Thalberg at the Cincinnati Conservatory graduating in 1911. She went on to study at New York's Institute of Musical Art which was to become Juilliard before heading to Europe where she pursued her studies in Berlin under Hugo Kaun and in Italy under Gian-Francesco Malipiero and Ernest Bloch. She was highly influenced by composers of the Vienna School of music particluarly Alban Berg and Arnold Schoenberg whose works were making an impact in Europe at the time. Hier was awarded a Guggenheim fellowship in 1930-31 being one of only two women to do so at the time.<p>The American author Abbie Farwell Brown 1871-1927 was educated at the Bowdoin School and subsequently the Girls' Latin School in Boston where she was instrumental in forming and naming the school's newspaper "The Jabberwock" after getting Lewis Carroll's permission. Brown contributed stories to St. Nicholas Magazine and articles for the St. Louis Globe-Democrat while still a student at the Latin School. She published her first children's book "The Book of Saints and Friendly Beasts" in 1900 and went on to write several more including "In the Days of Giants" "Tales of the Red Children" "The Lonesomest Doll" "The Flower Princess" "John of the Woods" and "The Lucky Stone" as well as several volumes of children's poetry. Together with composer Mabel Wheeler Daniels Brown wrote "On the Trail" which became the official song of the Girl Scouts of the USA.<p>From the library of Louise Llewellyn Jarecka 1880-1954 concert singer & writer. The wife of the composer Tadeusz Jarecki. A student of Marcella Sembrich Jarecka was invited by President Wilson to sing at the White House. During the 1920's and 1930's she sang with many European Orchestras and in the Polish Opera.<p>RARE. Circa [1918]. paperback
1950812G1843London: Hawkes & Son London Ltd. Fair. 1950. First Edition. Paperback. 130 pages. Somewhat above-average wear. Binding intact. Few markings. A sound working copy.; Folio - over 12" - 15" tall; "The Little Sweep" The Opera from "Let's Make an Opera" - An Entertainment for Young People Vocal Score for Piano Duet . Hawkes & Son (London) Ltd. paperback
187828071New York: Beadle & Adams 98 William St 1878. 1st printing. Printed self-wrappers. VG wanting upper left corner of volume no text affected. 13 3 pp. Adverts last 3 pages for Nos 1-22 of the Singer's Library. Hand colored woodcut vignette to front wrapper signed by Nathaniel. Orr NY. 4to. 11-5/8" x 8-1/4" <br/><br/>Very scarce songster from this purveyor of popular Dime novels- only 43 issues were published between 18 May 1878 and 29 March 1879. Reprints can be distinguished by the lack of a color woodcut on the front wrapper. Cf. Johannsen BEADLE pp. 391 - 395. OCLC has no listings of this title; no copy recorded on the LoC on-line database. Beadle & Adams, 98 William St unknown books
