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1929019995New York NY: Chappell-Harms Inc. Good. 1929. Sheet music. Sheet music is in good condition. Characters in black face. Small closed tears on top and bottom of spine. Pages toned. ; 12" x 9"; 5 pp . Chappell-Harms Inc. unknown books
21 vintage songs in complete piano and vocal scores, with an introduction to the period, biographies of the composers and the original sheet music covers. The 21 hits include: Missouri Waltz They didn't believe me Too-ra-loo-ra-loo-ral When you wore a tulip Aba daba honeymoon A little bit of heaven By the beautiful sea <br/> TITOLO: "The Saint Louis Blues" and other song hits of 1914. <br/> AUTORE: Marrone,Sandy.<br/> EDITORE: Dover Publications<br/> DATA ED.: 1990,<br/> EAN: 9780486263830
2016x-135810025XPalala Press 2016. Hardcover. New. 216 pages. 6.14x0.56x9.21 inches. Palala Press hardcover
21370Windy Whitford. Fine. N.D. Plastic comb binding. Inscribed by Whitford on the cover. ; Small 4to 9" - 11" tall; Signed by Author . Windy Whitford unknown
6 ff., notated in black ink on 12-stave Cameo Music Papers No. 5-3124, rectos only. Folio. Signed at the foot of each page and dated "Cairo 1960" on first and last pages. With copyright notices to foot of page 1: "2016 by Halim El-Dabh Music LLC", signed, and "1960 by C.F. Peters Corp 373 Park Ave. South New York, N.Y. 10016". A fair copy, including autograph note to page 3: "In whichever order, try to include as many notes within the time limits, including some in chords if so desired. Start and end with one of the heavy shaded notes". - "Conceived in 1954, 'Thulathia' was composed in 1960 and first performed at the Brookline Public Library in Brookline, Massachusetts. 'Thulathia' means 'a cello unification of three into one', i. e., 'a trio in one'. Grape clusters of the vine connect the energy. The concept is extended to include a cluster of grapes in a united grape vine. Instructions for playing the grapes is explained at the bottom of page 3" (notes provided by the composer). - The Egyptian-born American composer, performer, ethnomusicologist, and educator El-Dabh came to the U.S. in 1950, becoming a part of the New York music scene that included Cage, Varèse, and Hovhaness. He went on to study composition with Krenek, Copland, Dallapiccola, and others. An early pioneer of electronic music, El-Dabh composed one of the earliest known works of tape music, or "musique concrète", in 1944, 'The Expression of Zaar'. He also scored four ballets for Martha Graham: 'Clytemnestra' (1958), 'One More Gaudy Night' (1961), 'A Look at Lightning' (1962), and 'Lucifer' (1975). "El-Dabh is probably the best known composer of Arabic descent and his works are highly regarded in Egypt, where he is considered the foremost living composer among that nation's 'second generation' of contemporary composers" (Wikipedia). - Slightly worn and creased; light red stain to upper left margin of pages 1 and 5.
Gruppo di quattro fotografie, anni '60 circa, cm. 24,5 x 18 (seduta mentre firma autografi su libri)
Oblong folio. Title page, 2 pages. In ink; some performance markings in crayon. No. 2 ("Den Wirbel schlag ich oft so stark") from his opus 194b (Zwei Lieder für Bass oder Bariton mit Pianoforte), with underlined text after words by Karl August Candidus.
192244020ABPrag, Barvitius. [Verl.Nr. K. J. B. 958]., 1922. 4°. Einzelstimmen in privatem Umschlag. (Klavier mit Rückenverstärkung und Nummer/Stempel auf Deckel. Stimmen tlws. mit unterlegten Randeinrissen. Papier etwas gebräunt). - Ansonsten noch gut erhaltene und ordentliche Stimmhefte ohne Eintragungen. = Armonia 396.
Folio. Title page, 2 pp. Entitled "2me Position"; lessons for violin, numbered 1 to 4. - Brownstained.
RO20023519Imp. P. Dupont. sans date. In-4. Broché. Bon état, Couv. légèrement pliée, Dos satisfaisant, Intérieur frais. sans pagiantion ~12 pp., nombreuses illustrationsz couleur in texte. . . . Classification Dewey : 780-Musique
105.691France, Editions André Bonne, 1953. 14 x 22, 340 pp., broché, très bon état.
Folio. 2 pp. on 2 ff. 30 bars for voice and piano with the text. - Severe edge flaws.
1973RO40017175Leméac. 1973. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 242 pages.. . . . Classification Dewey : 780-Musique
1¼ SS. Folio. 48 Takte in sieben zweizeiligen Systemen, links oben bezeichnet "III". Mit einer getilgten Zeile unterhalb der Unterschrift.
Collana "nadar": 11. Copertina di Enzo Mari.
Cm. 21, pp. 290 (6). Bross. edit. In stato di nuovo.
Folio. 3½ pages. Voice for first violin, annotated "Chorus / Veritas mea", signature on upper right "F. Volkert".
191196247Circa 1911. 1911. Good. - Quarto 13-1/2 inches high by 10-1/2 inches wide. Printed self-wraps. What is offered here is the score for an arrangement for Soprano and Piano Trio of M.A. Balakirev's song. The song "Viens pres de moi" with lyrics by Aleksey Koltsov has been translated into French by M.D. Calvocoressi. The title followed by the 3 pages of music and lyrics are reproduced from a holograph score onto 2 sheets of Carl Fischer music paper. All were originally likely penned in ink by a copyist. There are a few notations in pencil. The pages are slightly soiled with creases to the edges and some chips and tiny tears along the top and bottom edges of the leaves. Good. <p>From the library of Louise Llewellyn Jarecka 1880-1954 concert singer & writer. The wife of the composer Tadeusz Jarecki. A student of Marcella Sembrich Jarecka was invited by President Wilson to sing at the White House. During the 1920's and 1930's she sang with many European Orchestras and in the Polish Opera.<p>RARE. Circa [1911]. paperback
1978R300314884Tchou. 1978. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 226 pages - quelques illustrations en noir et blanc hors texte et en frontispice. Tampon en page de titre. Etiquette collée en coiffe de pied.. . . . Classification Dewey : 780-Musique
1978R100057638Tchou. 1978. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 226 pages - couverture contrepliée - nombreuses illustrations en noir et blanc dans et hors texte.. . . . Classification Dewey : 780-Musique
1980145731Kunstforum Heilbronn 1980. 12 n. n. Seiten. Mit Noten. Zweifarbig illustrierte Originalbroschur. 30x21
I: 8 SS. auf 4 Bll. 4to. - II: 17½ SS. auf 12 Bll. Wendet sich das erste Manuskript - die "Vorhalle" - expressis verbis an "m[eine] l[ieben] Z[uhörer]", so kommen diese im zweiten Manuskript - betitelt mit "Als Vorwort | Anmerkungen u. Excurse" - als Adressat nicht vor, dürften aber dennoch, Tonfall und Duktus zufolge, dieser gewesen sein. - Beide Manuskripte dürften nicht vollständig sein oder einen jeweils in sich abgeschlossenen Teil einer Serie darstellen, die als solche nicht überliefert ist. - Die "Vorhalle" stellt eine weit ausholende Einleitung zur "Geschichte derjenigen Kunst" dar, "die die Meister v. Ihnen als Lebenszweck erwählt"; als Vorwort bietet einen nicht minder weitläufigen Überblick über Vokalmusik, Philosophie der Musik, Versuche zur Gliederung der Musik in geschichtliche Epochen (nach F. W. Marpurg, vgl. S. 9) u. a. m. - Der aus Butschowitz (Mähren) gebürtige Musiker und Musikpädagoge, der als "einer der besten Pianisten seiner Zeit" gilt (MGG IV, 276) erfuhr seinen Klavier- und Kompositionsunterricht durch Anton Halm und Ignaz von Seyfried und wurde 1833 Professor am Konservatorium der Gesellschaft der Musikfreunde, wo er bis 1856 als Klavierpädagoge wirkte. Fischhof gilt als "Meister der klassischen Wiener Klavierschule [...] er trat besonders als Interpret Bachs, Beethovens, Mendelssohn Bartholdys und Chopins hervor. Seine umfangreiche Musikbibliothek mit Manuskripten und Autographen war vor allem für die Bach- und Beethovenforschung von Bedeutung" (DBE). Zu Fischhof vgl. (Auswahl) die entspr. Artikel in ADB, NDB, ÖBL, MGG, Riemann, Wininger und Wurzbach.
[3] p. 4°. Losbladig.
Vol. in -8 (14 x 21 cm.), brossura editoriale illustr. in b.n., pp. 207, (49) con diverse fotogr. in nero a p.pagina. In ottime condizioni. 1. EDIZIONE: gennaio 1983
