Book of Common PrayerBiblio.com
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17082512Oxford The University Printers 1708. 16mo. 12.3 x 6.2 cm it features contemporary / original binding in handsome black morocco with gilt stamped panels on the boards and a gilt-tooled spine with five compartments. It opens to reveal marbled end-papers which are followed by after the ownership signatures an attractive engraving of the wise men with baby Jesus which has been laid down on the blank lead preceding the title page. This page was added later and not part of the original book.<br /> The text is ruled in red throughout. AEG. In good condition with binding completely intact but some aging to the paper. Gold edges are very good. Some occasional scattered foxing The provenance can be traced through the inked ownership and later gift inscription! The front free end-paper with inked ownership by "Christian Lady Boston" The writing follows as: Daughter of P. Methuen of Corsham Hall Mother of George Lord Boston The writing on the following page reads: Evelyn Augusta Irby From George 6th Lord Boston August 1935 Oxford, The University Printers hardcover
17082512Oxford The University Printers 1708. 16mo. 12.3 x 6.2 cm it features contemporary / original binding in handsome black morocco with gilt stamped panels on the boards and a gilt-tooled spine with five compartments. It opens to reveal marbled end-papers which are followed by after the ownership signatures an attractive engraving of the wise men with baby Jesus which has been laid down on the blank lead preceding the title page. This page was added later and not part of the original book.<br /> The text is ruled in red throughout. AEG. In good condition with binding completely intact but some aging to the paper. Gold edges are very good. Some occasional scattered foxing The provenance can be traced through the inked ownership and later gift inscription! The front free end-paper with inked ownership by "Christian Lady Boston" The writing follows as: Daughter of P. Methuen of Corsham Hall Mother of George Lord Boston The writing on the following page reads: Evelyn Augusta Irby From George 6th Lord Boston August 1935 Oxford, The University Printers hardcover books
176254290Cambridge, John Baskerville, 1762. Royal 8vo. (25 x 16,5 cm.). Bound in a very fine contemp. full red morocco. Gilt lineborders and broad gilt borders on covers. 6 raised bands, alternating profusely gilt compartments. Inside gilt borders. Outer edges of covers gilt. All edges gilt. Marbled endpapers. Heads of spineends gilt. A small neath repair to top of spine. 344 unnumbered leaves. First 2 and last 2 leaves blank. printed on good paper. Fine and clean throughout. On the first blank is written ""Bakman/ The Gift of the Bishop of Oxford 1765"". On pastedown 2 engraved bookplates of ""Hugh Bijshopp"" and ""Castle Goring"".
176254290Cambridge John Baskerville 1762. Royal 8vo. 25 x 165 cm. Bound in a very fine contemp. full red morocco. Gilt lineborders and broad gilt borders on covers. 6 raised bands alternating profusely gilt compartments. Inside gilt borders. Outer edges of covers gilt. All edges gilt. Marbled endpapers. Heads of spineends gilt. A small neath repair to top of spine. 344 unnumbered leaves. First 2 and last 2 leaves blank. printed on good paper. Fine and clean throughout. On the first blank is written "Bakman/ The Gift of the Bishop of Oxford 1765". On pastedown 2 engraved bookplates of "Hugh Bijshopp" and "Castle Goring". <br/><br/><em>Third Baskerville edition of The Book of common Prayer in a splendid copy. - Gaskell 19. </em> hardcover
1791311008Oxford; and London: Printed at the Clarendon Press By W. Jackson and A. Hamilton 1791. xxii 536 pp. 1 vols. 12mo. Contemporary c. 1802 full straight-grained blue morocco covers with gilt Greek key border flat spine divided into five compartments lettered in one central panel of wavy gilt lines the rest tooled in gilt with Christogram or sunburst tool over semé of dots a.e.g. Light rubbing to extremities. xxii 536 pp. 1 vols. 12mo. bound with: The Whole Book Psalms Collected into English Metre by Thomas Sternhold John Hopkins and Others . Oxford: Printed at the Clarendon Press by Dawson Bensley and Cooke 1801.<br /> A beautiful copy in a fine contemporary binding. Griffiths 1791/7; ESTC T093069. Provenance: William Smith 1802 dated blue morocco ownership label on front pastedown Printed at the Clarendon Press, By W. Jackson and A. Hamilton unknown
19681520<p>Poster printed recto and verso with texts and images in red and black inks on white commercial stock. Ca. 14 x 20 in. Very good. Loose as issued. 1520</p><p><em>An unrecorded and gorgeous work by The Berkeley Commune in affinity with the International Werewolf Conspiracy and Up Against the Wall Motherfucker identified for us by UAWMF founder Ben Morea as a co-publication with New York chapters of the secretive network of radicals. Strike Anywhere calls for immediate unified militant action to take control of the America's urban centers: "if there is going to be any student-worker alliance then it will be formed as clearly seen in france not in the factories but on the streets or not at all. if poor whites & middleclass hippies are going to come together as in chicago berkeley & NY it will be in the streets. if there is going to be a true working alliance with blacks then it will come from the common struggle in the streets. the streets are where we will confront the man & where the struggle will become clear - theoretically as well as tactically. theory in not separate from life/ we need space to create the existence we want to live & in the streets we learn the man isn't going to give up space - because the existence of an alternate life is a threat to his piglife."</em></p>
178569085Philadelphia: Printed by Young Stewart & M'Culloch 1785. Full Description:<br> <br> BOOK OF COMMON PRAYER. The A B C. With the Church of England Catechism. To which is annexed Prayers used in the Academy of the Protestant Episcopal Church in Philadelphia. Also A Hymn on the Nativity of our Saviour; and another for Easter Day. Philadelphia: Printed by Young Stewart & M'Culloch 1785.<br> <br> First edition first issue of one of the first publications of the American Episcopal Church and one of the first Episcopal Catechism printed in America after the separation of the American and British church. The words "King" and "Him" have been omitted from page six so that American educators could use word that they deemed "Expedient". First issue title-page includes the words "To which is annexed" Small octavo pamphlet 7 1/2 x 4 3/4 inches; 190 x 120 mm. 12 pp plus additional modern binder's blanks at the end. Title-page with engraved vignette and border.<br> <br> Full modern orange cloth. With brown morocco spine label lettered in gilt. Some chipping to spine label. Newer endpapers. Two previous owner's bookplates on front pastedown. Leaves uncut. Some minor instances of toning and light dampstaining. Overall very good.<br> <br> Together with<br> <br> BOOK OF COMMON PRAYER. The A B C. With the Church of England Catechism. To which are annexed Prayers used in the Academy of the Protestant Episcopal Church in Philadelphia. Also A Hymn on the Nativity of our Saviour; and another for Easter Day. Philadelphia: Printed by Young Stewart & M'Culloch 1785.<br> <br> First edition second issue of one of the first publications of the American Episcopal Church and one of the first Episcopal Catechism printed in America after the separation of the American and British church. The words "King" and "Him" have been omitted from page six so that American educators could use word that they deemed "Expedient". Second issue title-page includes the words "To which are annexed" Small octavo pamphlet 7 1/2 x 4 5/8 inches; 190 x 117 mm. 12 pp. Title-page with engraved vignette and border.<br> <br> Self-bound. Leaves uncut. Some minor dampstaining. Overall very good.<br> <br> A Catechism for children providing guidance on living a Christian life and including standard prayers including one for Easter. The verso of the title-page contains a Roman alphabet an italic alphabet and a syllabary. Below the syllabary is a statement "The Blanks left in page 6 were formerly filled up with the words King and him; but as that Form of Expression does not suit our Republican Governments the Teacher will be pleased to full up the Blanks with what Words he may deem Expedient."<br> <br> Two wonderful examples of a catechism for children these were published just three years after the first Bible was printed in America. They contain the Ten Commandments and the Lord's Prayer.<br> <br> Evans 19208. Rosenbach 99. ESTC W31437.<br> <br> HBS 69085.<br> <br> $1250. Printed by Young, Stewart & M'Culloch unknown
1791311008Oxford; and London: Printed at the Clarendon Press By W. Jackson and A. Hamilton 1791. xxii 536 pp. 1 vols. 12mo. Contemporary c. 1802 full straight-grained blue morocco covers with gilt Greek key border flat spine divided into five compartments lettered in one central panel of wavy gilt lines the rest tooled in gilt with Christogram or sunburst tool over semé of dots a.e.g. Light rubbing to extremities. xxii 536 pp. 1 vols. 12mo. bound with: The Whole Book Psalms Collected into English Metre by Thomas Sternhold John Hopkins and Others . Oxford: Printed at the Clarendon Press by Dawson Bensley and Cooke 1801.<br/>A beautiful copy in a fine contemporary binding. Griffiths 1791/7; ESTC T093069. Provenance: William Smith 1802 dated blue morocco ownership label on front pastedown Printed at the Clarendon Press, By W. Jackson and A. Hamilton unknown books
1863303567London John Camden Hotten 1863. 1863. 8vo. Pictorial title page in red and black. Text within vignette borders. Finely bound in full navy blue morocco a.e.g.; marbled endpapers. Fine fresh. No foxing; No signatures or bookplates. Printed by Chiswick Press. Hardcover. Fine. London, John Camden Hotten, 1863. hardcover books
1893110821Folio. New York: Printed for the Committee 1893. Folio 28 566 2 pp. Original richly gold-stamped parchment over boards brass clasps gilt top small nick at the foot of the upper cover otherwise an excellent copy of a binding often found soiled. Bookplate of Syracuse Public Library at front. § Limited to 500 copies and one copy on vellum plus a few copies signed by Morgan and others. The first Updike prayer book printed by De Vinne with the binding and border designs throughout the book by Bertram Grosvenor Goodhue. Printed in red and black with borders to every page this stately folio in a striking binding is quite a contrast to Updike’s second prayer book of 1930. Page Common Prayer page LVIII. Griffiths Bibliography of the Book of Common Prayer 1893.7. Gewirtz But one Use 96. With a copy of the 1893 4pp. pamphlet: "On the Decorations of the Limited Edition of the Standard Prayer Book of 1892" by D. B. Updike printed at the De Vinne Press laid in as usual. Printed for the Committee hardcover books
16835352Cambridge: Johns Hayes Cambridge University Press 1683. First Edition. Hardcover. Near fine. A nice uncomplicated copy of the complete Hayes Cambridge printings of 1683. This includes Title Page The Book of Common Prayer Title Page Old Testament with Apocrypha Title Page New Testament and Title Page The Whole Book of Pslame. Binding has been professionally refurbished at some point -- flexible and easy to use preserving the boards but not the original spine. Pages remarkably free of foxing no tears or important defects. <br/><br/> Johns Hayes, Cambridge University Press hardcover
167548029Oxford: At the Theater 1675. Two works bound in one 8vo viii 96; 96 pp. Common Prayer lacking its frontispiece but extra illustrated with nine 18th century engravings several mounted or with repair to the lower margin 18th century manuscript to a rear blank recording three births. Contemporary calf worn rebacked with repairs to the corners also. Wing B3644 & B2518. Griffiths p.119 - "the first Oxford printing of the Book of Common Prayer & the first English BCP printed using the Fell type. Oxford: At the Theater unknown
74491N.p. London: Elstree Studios/ABPC 1961. Literary and cinematic critique Elstree Studios' report of the detective novel The Pale Horse. 4pp. typed report on ABPC headed paper rectos only reader's delivery stamp to first page dated 9 October 1961. Report: Perforations down left edge from office binding. Very well preserved. Book: with some dustiness signs of handling small nicks. Very good. Agatha Christie's The Pale Horse was published by Collins Crime Club on 6th November 1961; ABPC at Elstree received their copy one month earlier and Common's report was ready two days after publication. November 1961 is very favourable. A detailed two-page synopsis is followed by a succinct and unequivocal recommendation: 'This one has excellent filmic possibilities I consider. Make an offer.' No film version followed but the story has been adapted twice for television the first time in 1996 for ITV and the second in 2010 as part of the Agatha Christie's Marple series also for ITV with Julia McKenzie in the title role. N.p. [London: Elstree Studios/ABPC], 1961 unknown
1844311721London: Pickering 1844. hardcover. Title in red & black. Thick folio full brown morocco with raised bands gilt medallion decorations & dentelles top edge gilt by Riviere. London: Pickering 1844. Fine.<br/> <br/> Typographic facsimile of the original black letter edition with ornamental title page & initial letters. A church ex-libris on the end-paper indicates that the book was a gift from J.P. Morgan in 1905. On the fly-leaf opposite is the "ghost" of J.P. Morgan's own bookplate. A magnificently printed handsome book.<br/> <br/> Pickering unknown
187144394Paris, , 1871. In-4 oblong, 20 photographies (15 x 21 cm) montées sur carton fort, table, toile rouge, titre doré sur le premier plat (reliure de l'éditeur).
1807096764London: John Reeves 1807. and administration of the sacraments and other rites and ceremonies of the church according to the use of the United Church of England and Ireland. Together with the Psalter or Psalms of David pointed as they are to be sung or said in churches. bound with A COMPANION TO THE ALTAR: Shewing the nature and necessity of a sacramental preparation in order to our worthy receiving the Holy Communion: wherein those fears and scruples about eating and drinking unworthily and incurring our own damnation thereby are proved groundless and unwarrantable. Unto which are added prayers and meditations suitable to a sacramental preparation according to what the Church of England requires from her communicants. and A NEW VERSION OF THE PSALMS OF DAVID fitted to the tunes used in churches by N. Brady and N. Tate. Pp. 49272492 11 engraved plates; f'cap. 12mo; nineteenth century black straight-grain morocco the spine lettered and decorated in gilt boards decorated in gilt & blind with a diamond shaped inlaid central panel of red morocco which is initialled and decorated in gilt the boards a trifle rubbed corners bruised edges lightly worn; a.e.g.; ribbon marker; marbled endpapers with a gilt lettered and decorated black morocco ownership label of Eliza Ann Crockford dated 1813 laid on the upper pastedown twentieth century bookplate on verso of upper free endpaper the preliminary blank loosening tiny inked annotation to one page of the Psalms a couple of corners creased scattered light foxing and browning; John Reeves/Scatcherd and Letterman London n.d. 1807. Griffiths 1807/3. John Reeves was gazetted King's Printer in 1800 and held the appointment for 29 years until his death. Between 1801 and 1815 he issued some 25 editions of the Book of Common Prayer each printed by others on his behalf. This edition was printed by C. Whittingham. The plates in this copy are all dated February 1807. The Companion to the Altar was printed for Scatcherd and Letterman by Rider and Webb by assignment from T. Beecroft and was issued 'in various sizes so as to bind up with the different editions of the Common Prayer Book' ref. note at foot of title page. The Irish poet hymnist and lyricist Nahum Tate 1652-1715 became England's poet laureate in 1692. He is best remembered for the New Version of the Psalms of David first published in 1696 in which he collaborated with Nicholas Brady. Tate wrote the words to a number of hymns of which the most famous is the Christmas carol known today by its opening line 'While shepherds watched their flocks by night'. He also wrote the libretto for Henry Purcell's opera Dido and Aeneas in 1689. Nicholas Brady 1659-1726 was an Anglican clergyman and poet also born in Ireland. John Reeves unknown
1683013862London: printed by the assigns of John Bill deceasd: and by Henry Hills and Thomas Newcomb printers to the Kings most Excellent Majesty 1683. Two works in one volume. First work.The book of common prayer and administration of the sacraments and other rites and ceremonies of the church according to the use of the Church of England. Bound with the Psalms. .Collation engraved and printed title signatures A-C4 D6E2 F-G4 H2-N6 O6 P-U6 X-Y6 Aa-Nn6 O4 Pp-Qq6 Rr-Ss4 A2. Second work The whole book of psalms. Collected into English meeter by Thomas Sternhold John Hopkins and others: conferred with the Hebrew with apt notes to sing them withal. printed by J. Macock. for the Company of Stationers 1680. Collation 12012pp. Book measures 33x21.cm. Bound in period full red calf ornate gilt tooling marble endpapers. At some time the binding has been repaired. Some gouge marking and general wear mostly to back boards. A very attractive binding. Internally pages clean throughout. A very clean book in a very attractive period binding. . Full Calf. Very Good. Quarto. printed by the assigns of John Bill deceasd: and by Henry Hills, and Thomas Newcomb, printers to the Kings most Exce Hardcover
18737263Versailles CERF et Fils 1873 11 volumes In-4° Exceptionnel ensemble de 11 volumes, 3vol. in-4 pour l' enquête sur l'insurrection de (8)-633-(3) pp. ; (4)-589-(1) pp. ; (4)-XVIII-(4)-452 pp., Tome I : Rapports ; Tome II : Dépositions des Témoins ; Tome III : Pièces Justificatives. Document officiel de la plus grande importance et contestée par la suite par de nombreux historiens dont Lissagaray. Del Bo, p. 59 . + 8 volumes sur les actes de la défense nationale, 547 + 544 + 2 ff + (359 + 247) + (248 + 75 ) + pour le rapport et 687 pp + 574 + 596 ( + 1 ff) + 636 + 1ff ( Il manque des volumes dont les dépêches télégraphiques) , quelques coiffes élimées, et dos d'un volume avec accroc, très légères traces de frottement
London, printed by J. Worral and Co. A. Shuckburgh, T. Waller, P. Uriel, W. Owen, B. White, H. Woodfall, W. Strahan, J. Rivington, R. Baldwin, L. Hawes and Co. T. Longman, Z. Stuart, W. Johnston, B. Law, T. Caslon, T. Payne, and T. Cadell, 1768-1770, volumi 5, in-folio, legatura novecentesca in piena pelle con punte, i piatti in pelle antica, alcuni con motivi fitomorfi a secco, labbri dei piatti (antichi) decorati, dorso a 6 nervi con singoli ferri e filetti in oro, titolo e autore in oro su tassello in pelle rossa, pp. [20], 692 - [20], 687 - [22], 823 - [16], 698 - [14], 544, [10]. Una traccia di tarlo al vol. V ma ben lontana dal testo; qualche traccia di umidità, marginale, al vol. II; consunzioni alla pelle antica dei piatti. Nel complesso un bell'esemplare di questa terza edizione del celebre “Bacon's Abridgment”. Raro.
187316450Paris, Lemerre (Imprimerie Claye), 1873 ; in-18 (188118 mm), broché ; (8), 258 pp., (1) f. blanc, couverture imprimée.
166467778London: Printed by John Bill and Christopher Barker . 1664. Small 8vo. Unpaginated 328 pp. A-U4; 164 red-ruled leaves Full calf binding with gilt decoration to spine gilt text and red title label. All edges burnished red. Wear to corners of boards and slight splitting at the base of front joint but binding firm. Marbled endpapers. Internally clean with minor foxing mostly to edges and endpapers. With red rules lines bordering pages. Pencil inscription to recto of ffep. Herbert 689; . Very Good. Full Calf. 1664. Printed by John Bill and Christopher Barker ... 1664 unknown
174563984London: and by the Assigns of Robert Baskett 1745. Folio. Unpaginated. Large format measuring 25cm by 40cm tall. Folio in 4's. Contemporary green panelled morocco with gilt rolls & devices to front & rear boards. Seven raised bands to spine with gilt panels. All edges gilt. Marbled endpapers. Faint marks to boards where clasps were removed. Boards marked & rubbed with wear to corners. Pastedowns loose. Tears with loss and repairs to sections A B & C. N2 P3 V1 cc7 and gg1 are loose with loss at the extremities. Frontis engraving. Title-page in red & black. Two engraved headpieces. Binding firm. . Good. Full Leather. 1745. and by the Assigns of Robert Baskett 1745 hardcover
184513060ILLUMINATED THROUGHOUT BY OWEN JONES - IN A HANDSOME RED MOROCCO BINDING ALSO PROBABLY DESIGNED BY JONES <br />first edition thus large 8vo. 24.8 x 17 cms. xl 504 2 451-484 notespp. with the text on every page enclosed inside a very great variety changing every few pages of decorative borders which are printed in colours very often two and including red blue green mauve yellow and black numerous large decorative initial letters printed in colours ornaments some printed in colours all these decorations designed by Owen Jones 12 plates of which 8 are divisional title-pages chromolithographed in gold and colours by Owen Jones 3 engravings by J. C. Horsley 1 by Henry Warren 37 line engravings drawn from old master paintings by George Scharf jnr. under ther superintendence of Lewis Gruner final section of notes which has aberrant pagination with a simple parallel red and black line border elaborate publisher's binding of full rich morocco over very thick bevelled boards sides blocked with an elaborate border probably designed by Owen Jones and a central device composed of the interlaced letters I.H.S. smooth spine elaborately gilt decorated and lettered inner fold-ins and board edges gilt decorated all edges gilt neatly recased retaining the original pale blue glazed endpapers some trivial local foxing but a fine and most handsome copy. Preserved in a new marbled slipcase. <br /><br />R. McLean <i>Victorian Book Design</i> 1972 pp.88-90.<br />Owen Jones 1809-1874 architect and designer was interested in historical ornament as an inspiration for modern design and striving to determine universal principles of design studied both oriental and western arts. In this work Jones clearly echoed the hand-illuminated work of medieval breviaries psalters and books of hours. "The book was well printed by Vizetelly Brothers and must have been a considerable undertaking since it consisted of over 500 pages all printed in two or three colours" McLean. The complex wood-engraved borders were in widely varying styles and were printed in black blue and red combined or in such single colours as yellow green lilac blue red or brown. Additionally there were eight strikingly printed illuminated divisional 'title pages' chromolithographed in gold red blue and green. Additionally there are full-page woodcut plates by John C. Horsley and Henry Warren with engraved borders and a tint over the print. and 37 wood engravings after Raphael and others throughout the text. The result was "one of the most important examples of Owen's commercial decoration" McLean.The book was initially issued in eight parts and was later republished in 1850 and in 1863 in fewer colours and without the chromolithographed 'title pages'. The work is also "of great interest in tracing the work done by Baxter's apprentices" Lewis. Jones had his own press and with his co-worker H. N. Humphreys "developed several totally new binding styles using materials such as papier mâché terracotta and embossed leather which were more fitted to the sumptuous contents" O.D.N.B. It is likely that the binding of this copy was designed by Jones even if not created in his workshop.<br />C. T. Courtney Lewis <i>The Story of Picture Printing in England during the XIXth Century</i> 1928 p.63. John Murray [printed by Vizetelly Brothers and Co.] hardcover
186789675Artus Bertrand Guillaumin | Paris 1867 | 14 x 22.5 cm | Relié
183988740Firmin Didot frères | Paris 1839 | 13.3 x 21.4 cm | Relié
