8 292 résultats
193052798NP: NP 1930. Original photographs. poor to very good condition. fair to fine. Oblong Quarto. 23 plates with tissue guards. String bound photo album remains of leather fitting on cardboard. Personal photo-album of Isadore Nebenzahl war correspondent for Agence Havas later: French News Agency in Ethiopia containing 310 b/w original photographs documenting Ethiopia during the Second-Italo-Ethiopean War of 1935. The photographs measure 3 1/2 x 2 1/2" with one measuring 9 x 6" Son of the emperor and one at 3 1/4 x 5 1/4" <br /> <br /> Some 200000 Italian troops invaded Ethiopia in October 1935 under the command of Italian Marshall Emilio de Bono who was soon replaced by General Pietro Badoglio by Mussolini. The Ethiopian forces were defeated and on May 7 1936 the Italian King Victor Emmanuel III was declared emperor and the provinces of Eritrea Italian Somaliland and Abyssinia Ethiopia were united to form the Italian province of East Africa. The fighting between Italian troops and rebels continued until 1939.<br /> <br /> The British war correspondent George Steer had reported on the use of chemical weapons by the Italian forces and subsequently had been deported together with Nebenzahl and other reporters on grounds of anti-Italian propaganda and espionage see original Reuters bulletin of May 18th 1935 enclosed in the album. The Reuters bulletin was covered by several newspapers including the New York Times mentioning Steers and Nebenzahl in their reporting. Several of the photographs included in this album show Isadore Nebenzahl.<br /> <br /> The photographs depict everyday life in Addis Abebba show Nebenzahl and his colleagues in business settings or on portrait photographs construction sites armed patrol activities gatherings and diner settings military personnel official events actions to extinguish fires friends and families airplanes during air raids victims and destruction from air raids army exercises refugees and troops train stations and ships the harbor and navy ships an airfield and scenarios on the ship after being expelled.<br /> <br /> The album includes a small set of documents and photographs loosely laid in:<br /> <br /> 1. Two official press credentials Service des la Presse for Isadore Nebenzahl both with passport photo of Nebenzahl<br /> <br /> 2. A photograph of what seems to be the son of Heila Selassie laid in with two other photographs.<br /> <br /> 3. A formal invitation of the Foreign Ministry of Ethiopia for Isadore Nebenzahl to attend an evening at the "Noveau Palas Imperial".<br /> <br /> The leather padding of the front cover of the album is missing the back padding barely attached with heavy wear along edges. Front cover cardboard with water staining along top edge not affecting album or photographs. Light age-toning. The binding in overall poor photos and interior in good to very good condition. Binding protected in modern mylar. NP unknown
1900351974Np 1900. 23 images in all 6 albumen the rest tintypes. Thick 12mo. Contemporary brown embossed morocco album many of the inserts torn. Condition of images varies greatly. 23 images in all 6 albumen the rest tintypes. Thick 12mo. The images are unidentified and likely unrelated to each other but include some nice studio portraits. unknown
337<p><strong>LUMIÈRE BROTHERS – COLOUR PHOTOGRAPHY</strong>Archive of 19 letters sent to the Lumière brothers and one offprint of their paper on colour photography. </p><p><strong>An exceptional set of 19 letters expressing the enthusiasm of the scientific community and photographic societies following the production of the first colour photographic prints by the Lumière brothers more than ten years before their invention of the autochrome 1903-1904.</strong></p><p>Louis Lumière achieved this exceptional result by improving Gabriel Lippmann's process which was based on "an interference method that enabled him to record the solar spectrum in its natural colours". Alphonse Berget one of Lippmann's students published a report on his discovery in 1891.</p><p>" Louis Lumière at the head of a flourishing photographic products company mastered every aspect from formulation to the industrial production of plates that could be used to make interferential colour photographs. As soon as Lippmann's invention was announced a correspondence was established between Gabriel Lippmann and Louis Lumière and after a year of fine-tuning Louis Lumière presented the Académie des Sciences with some surprising "Lippmannian" views : flowers oranges landscapes stained-glass windows a naturalised parrot flags etc. A plate depicting the solar spectrum was presented to the Société française de photographie. Any object with shimmering colours could be recorded on a plate as long as it was still : the exposure time could be counted in hours ! . They were reduced to thirty minutes and then to a few minutes and the first portrait of a young girl in "natural colours" was taken in the summer of 1893. " translated from Bertrand Lavédrine <em>Peindre avec la lumière. Entre art et science les prémices de la photographie couleurs au XIXe siècle</em> Nov. 2015 Paris France.</p><p>Post-1894 letters underline the Lumière brothers' efforts to promote their process. </p><p>The printed pamphlet is the Lumière brothers' last publication on their trichromatic method superposition of three monochromes - red yellow and blue before their discovery of the autochrome. It begins with a theoretical study of this method followed by a practical study of the process.</p><p>Provenance: Dr Paul Génard a great collector of early films and projection devices and leading authority on the Lumière brothers. He was the founder and first director of the Musée du Cinéma in Lyon in 1966.</p><p>Detailed liste in chronological order :</p><p>- BERGET Alphonse ALS Paris 12 November 1891. 2 pages 8° 208x132 cm.</p><p>Important letter from the physicist Alphonse Berget of the Laboratoire de Recherches de la Sorbonne to one of the Lumière brothers reporting the experiment of projection by reflection of a photographic print by M. Lippmann with supporting drawing. Followed by a request for 4 dozen stereoscopic mirrors to be cut beforehand or to be made.</p><p>- LAUSSEDAT Aimé LS Paris 9 March 1892. 1 page 4° 27x21 cm.</p><p>Letter of thanks from the Director of the Conservatoire National des Arts et Métiers for the donation of a "proof of the solar spectrum" obtained using Mr Lippmann's process.</p><p>- DAVANNE Alphonse ALS Paris March 1892. 2 pages 8° on a bifolium 209x133 cm.</p><p>Letter from the Société Française de Photographie to one of the Lumière brothers requesting a "specimen" of the colour spectra obtained using M. Lippmann's method.</p><p>- DAVANNE Alphonse LS Paris 7 April 1892. 1 page 4° 275x215 cm.</p><p>Letter of thanks from the Société Française de Photographie for sending the spectral image obtained using Mr Lippmann's process.</p><p>- PEGOUD Marie François Joseph Albert ALS Grenoble 21 July 1892. 4 pages 12° on a bifolium 177x111 cm.</p><p>Letter from Dr Pegoud professor at the École de Médecine of Grenoble to one of the Lumière brothers acknowledging receipt of the microphotographs reminding him of his request to send a "spectrum" and asking him to sit on the jury for the awards of the Société de Grenoble exhibition.</p><p>- ASSCHE comte d' ALS n.p. 26 July 1892. 3 pages 12° on a bifolium 181x114 cm.</p><p>Letter of congratulations from the Comte d'Assche to one of the Lumière brothers for his recipe for paramidophenol.<br />- ASSCHE comte d' ALS Paris 8 August1892. 2 pages 12° on a bifolium 178x114 cm.</p><p>Reminder letter from the Comte d'Assche to one of the Lumière brothers to send his note on cobalt salts for publication in the <em>Photogazette</em>.</p><p>- PUTTEMANS Charles ALS Brussels 21 November 1893. 2 pages 4° 272x207 cm.</p><p>Letter of thanks and congratulations from the Belgian Photographic Association for the temporary provision of 8 projection prints and for the results obtained. Followed by a request to send a print to the Brussels Industrial School.</p><p>- LUCKHARDT Fritz ALS to Louis Lumière Vienna 12 January 1894. 1 page 4° 29x21 cm.</p><p>Letter from the Photographische Gesellschaft in Vienna announcing that the Lumière brothers have been awarded the society's gold medal for their work.</p><p>- GIREL François Constant ALS Paris 14 March 1897. 4 pages 8° on a bifolium 215x136 cm. Letter from Constant Girel camera operator and agent of the Lumière brothers giving an account of the people he met in Paris.</p><p>- REGARD Albert ALS Saint-Claude Jura 16 March 1898. 3 pages 8° on a bifolium 209x132 cm. With inscription in blue pencil : " Répondu le 22-3. Couleurs ".</p><p>Letter of congratulations from the members of the Photo-Club du Haut-Jura for their successful work on colour photography and request to send some colour prints.</p><p>- PARVILLE Henri de ALS Paris 22 March 1898. 2 pages 8° on a bifolium 206x133 cm.</p><p>Letter from Henri de Parville editor of the periodical <em>La Nature</em>.</p><p>- GIREL François Constant ALS Paris 18 April 1898. 4 pages 8° on a bifolium 21x134 cm. Letter from Constant Girel camera operator and agent of the Lumière brothers giving an account of the people he met in Paris.</p><p>- GIREL François Constant ALS Paris 20 April 1898. 3 pages 8° on a bifolium 211x132 cm.</p><p>Letter reporting on his dealings in Paris with bromide paper manufacturers in particular.</p><p>- GIREL François Constant ALS 1898 . 2 pages 8° on a bifollium 215x135 cm.</p><p>Letter reporting on his dealings in Paris with various scientific writers.</p><p>- GIREL François Constant ALS Paris 23 1898. 3 pages 4° on a bifolium 27x215 cm.</p><p>Letter reporting on his dealings in Paris with various scientific writers and directors of learned societies.</p><p>- GIREL François Constant ALS Paris 31 1898. 2 pages 8° on a bifolium 215x136 cm.</p><p>Letter reporting on the people he met in Paris.</p><p>- GIREL François Constant ALS Paris 29 1898. 2 pages 8° on a bifolium 215x137 cm.</p><p>Letter reporting on the people he met in Paris.</p><p>- LUMIÈRE Auguste & Louis <em>Sur la photographie des couleurs</em> Lyon Boulud 1901.</p><p>8° 23 1 pages ; publisher's printed wrappers cover and last leaf loose with small losses of paper. Offprint from the <em>Bulletin de la Société française de photographie</em> 1901 pp. 204-211 303–10 et 441-449.</p><p>- ALS Paris 19 January 1908. 3 pages 8° on a bifolium 21x133 cm.</p><p>Letter of congratulations and thanks from the Photo-Club de Paris for providing a projection device an operator and prints on autochrome plates.</p>
1898693921898. Two odd volumes of Geological Society of America photo books. Small oblong quarto 20 cm x 27 cm; Oblong duodecimo 13 cm x 18 cm. <br /> <br /> First book: Cover title and seven photographs on 1/4 brown cloth with gray card boards held together with a string tie binding. In calligraphy on the front board: "G. S. A. Photographs." The photographs measure 16.5 cm wide x 11.5 cm tall. Caption titles on paper strips mounted below the photographs. Numbers on small strips mounted in top fore-edge corners. With the following photographs present: 495- "28. Terraces of Tertiary Lake Beds near Salmon City Idaho on the Lemhi River."; 496- "29. Terraces of Tertiary Lake Beds on Lemhi River near Salmon City Idaho."; 497- "30. Old Gold diggings - work 1859-65. Leesburg Idaho on Napias Creek."; 498- "32. Rocky cut for sluice California Bar Idaho."; 499- "33. Discharge sluice California Bar Idaho."; 500- "31. Hydraulic Mining at California Bar Idaho."; 501- "No. Basal Cambrian sandstones of section at mouth of Two-mile Canyon 2 miles south of Malad City Idaho 562 C.D.W. 1898." Condition: Very good. Light wear and waviness to boards. Numerical notations crossed out in top fore-edge corners.<br /> <br /> Second book: Thirty-seven linen-backed photographs mounted between gray card boards with 1/4 brown cloth. Front board completely detached but present. The photographs measure 16.5 cm wide x 11.5 cm tall. With typed titles and some notations in pencil/pen on the reverse. Numbers mounted in the top fore-edge corners of the photographs. With the following photographs present: 747- "Shore of lake Ontario Niagara county New York. Illustrated mode of origin of beach shingle by showing rock in place and rocks recently detached."; 748- "Beach of flat shingle. Shore of lake Ontario at Golden Hill Creek New York." 749- "Beach of well rounded shingle. Shore of lake Ontario at Golden Hill Creek New York."; 750- "Cemented shingle in spit of glacial lake Iroquois at Lewiston New York."; 751- "Section of spit of glacial lake Iroquois at Lewiston N.Y. The dip is landward indicating growth on the inside of the spit."; 752- "Section of spit of glacial lake Iroquois at Lewiston. The dip is landward indicating growth on inside of spit." 753- "Cut terrace of the Iroquois shore line 2 miles west of Dickensonville N.Y. Lacustrine plain bed of lake Iroquois near Jeddo N.Y. The water edge was at base of cliff. The cliff is carved from Medina shale."; 754- "Till plain 1/2 mile south of Jedoo Niagara county N.Y."; 755- "Cross bedding and unconformity in sand kame 3 miles east of Lockport N.Y."; 756- "Till Shore of lake Ontario Wilson N.Y."; 757- "Deposit by torrent of Erian water on the withdrawal of the ice sheet from the escarpment at Lewiston N.Y. Unassorted and unworn alluvi."; 758- "Section of talus Niagara gorge."; 759- "Angular gravel in kame south of Royalton Niagara county N. Y."; 760- "Solitary gravel kame 3 miles south of Middleport N. Y."; 761- Escarpment of the Niagara limestone; looking west from a point on the talus near Lewiston N.Y."; 762- "Niagara escarpment capped by niagara limestone; looking east from a point 5 miles west of Lockport N.Y."; 763- "Niagara escerpment sic without capping of Niagara limestone; looking west from a point near Middleport New York."; 764- "Drowned valley of Twelve-mile creek Niagara county N.Y. near Wilson. Water lilies grow on submerged alluvial plain."; 765- "Head of estuary of Twelve-mile creek Niagara county N.Y. Submerged alluvial plain supports rushes."; 766- "Estuary of Eighteen-mile creek near Olcott Niagara county N.Y. Channel deep current slow. Submerged alluvial plain supports rushes."; 767- "Valley of Eighteen-mile creek Niagara county N.Y. above head of estuary. Channel shallow current rapid; alluvial plain supports rushes."; 768- "Post-Glacial anticline Hopkins creek Niagara county N.Y. The displacement of the rocks is accompanied by a superficial ridge traversing an alluvial terrace." 769- "Section of Niagara limestone Cooks quarry near La Salle Niagara county N.Y. Shows structure described by James Hall Geology of 4th district N.Y. pages 93 and 94."; 770- "Section in cut of Erie Railroad Niagara falls N.Y. Shows structure described by James Hall Geology of the 4th district N.Y. pages 93 and 94."; 771- "Weathering of Niagara limestone by solution. A joint face exposed in quarrying southwest of Middleport N.Y."; 772- "Weathering of Niagara limestone by solution; old quarry southwest of Middleport N.Y."; 773- "Unconformity by erosion. Sandstones and shales of the Medina format Niagara gorge."; 774- "Isolated limestone mass at base of Niagara shale containing 'transition fauna' of Ringueberg."; 775- Section of ripplemark on Medina sandstone Lockport N.Y. From crest to crest 23 feet; depth of trough 29 inches.";776- "Flagstone in court-house yard Elyria Ohio. Shows reticulated ripplemarks."; 777- "Trough of large ripplemark in Medina sandstone Niagara gorge N.Y."; 778- "Crest of large ripplemark in Medina sandstone quarry near Lewiston N.Y."; 779- "Crest of large ripple-mark in Medina sandstone. Quarry in Lockport N.Y."; 780- "Diverse cross-bedding associated with large ripplemarks in Medina sandstone. Quarry near Lewiston N.Y."; 781- "Quarry dace in Medina sandstone Lockport N.Y."; 782- "Quarry face in Niagara limestone Lockport N.Y. The joint face shows weather fracture."; 783- Shore of lake Ontario at Wilson N.Y. Train of shore drift from right being arrested by bew-pin begins to accumulate and partly protects bluff from wave attack. Dearth of shore drift under lee of pier fevors wave attack; bluff eaten back 45 feet. Bluff contains two tills and cover of laminated clay a deposit from lake Iroquois. Boulder pavement at top of lower till indicated by arrow." Condition: Good only due to the detached cover. The photographs are in very good condition. Two photo books with forty-four photographs extremely well identified with detailed captions containing the geological characteristics of the wide variety of locations and with the numbers of Gilbert's negatives clearly listed. It could be that these images appeared or were intended to appear in USGS publications.<br /> <br /> The Geological Society of America GSA was founded in 1888. It is a global scientific society with members from academia government and industry in over one hundred countries. The aim of the GSA is to support the professional growth of geoscientists and encourage cooperative research among earth life planetary and social scientists foster public dialogue on geoscience issues and promote the geosciences in the service of humankind.<br /> <br /> James Furman Kemp 1859-1926 was mostly known for his work in igneous petrology and on the origin of ore deposits. He served as the President of the Geological Society of America in 1921. Charles Doolittle Walcott 1850-1927 was the third director of the U.S. Geological Survey the fourth Secretary of the Smithsonian Institution and a contributor to the "Bulletin of the Geological Society of America."<br /> <br /> The lion's share of the photographs are reproduced from the negatives of U.S. explorer geographer and geologist Grove Karl Gilbert 1843-1918 whose life spanned an age of heroic geology and who was one of the founders of modern geomorphology the study of landforms. He helped launch the U.S. Geological Survey USGS and was its chief geologist under the famed explorer and second USGS director John Wesley Powell. In addition Gilbert was a founding member of the National Geographic Society as well as president twice of the Geological Society of America. Gilbert was first exposed to the American West when he participated in the Wheeler Survey one of the four great surveys of the American West headed by George Wheeler Clarence King Ferdinand Vandeveer Hayden and Powell. Gilbert's monumental works were "Report on the Geology of the Henry Mountains" 1877 and "Lake Bonneville - Department of the Interior Monographs of the United States Geological Survey Volume 1" 1890. He is credited with naming ancient Lake Bonneville whose raised shorelines he used to demonstrate crustal isostasy.<br /> <br /> "Gilbert had a knack for harnessing the geography of the land in the cause of something greater: extraction of knowledge about the processes at work." - R. S. Anderson https://eos.org/features/reflections-on-the-legacy-of-grove-karl-gilbert-1843-1918.<br /> <br /> A collection featuring the investigative research of three prominent U.S. geologists who were the top field geologists of their time. A spectacular portrait of late nineteenth century / early twentieth century field geology. unknown
193042850Leicester UK: Cascelloid 1930. Very good . Beautifully-produced trade catalogue from the Cascelloid "Palitoy" company displaying a wide range of baby dolls and other toys. Several uncomfortable designs of black children with pitch-dark skin date this catalogue at roughly the 1930s when the Cascelloid company was dubbed the "House of Constant Progress" by the industry press for its material innovations with the plastics Bexoid and Plastex. One page features a celluoid model by the noted designer Mary Lucie Attwell a doll named "Diddums." The catalogue also displays the company's offerings of animal dolls die-cast trucks pool toys golf and ping-pong sets rattles pinwheels and more. Needless to say color photography was not the norm at this time and this catalogue comprises a beautiful set of vivid and sharp photographic prints. A truly exceptional example unlike anything we've seen: simultaneously surreal and nostalgic. Oblong 4to. album. Blue leather-covered boards. Contains 29 color photographs all 9" by 6.5" approx. mounted on rectos one each of light-gray cardboard leaves. About very good plus overall. Moderate rubbing and edgewear to boards. Several pages display mild soiling and offsetting from photos. Prints just a bit yellowed but remain sharp vivid and clean. [Cascelloid] hardcover
191053538San Francisco: H.C. Tibbitts/ Panama-Pacific International Exposition Co 1910. First edition. Hardcover. g to vg. Oblong quarto. 12 x 8". Unpaginated. 3 pages of text 25 photographic plates. Dark brown pebbled leather boards with gilt lettering on the front cover gilt tooling along the edges of the front and back cover. Period floral endpapers.<br /> <br /> This photographic work takes the form of a proposal for the city of San Francisco to host the Panama–Pacific International Exposition celebrating the impending completion of the Panama Canal. The work was compiled by the Panama-Pacific International Exposition Co. Initial text praises the ongoing reconstruction and recovery effort of the city in the wake of the 1906 Earthquake and details the amenities offered by the city to tourists. The text is finely printed including a decorative woodblock initial printed in black and red. The following 25 plates of original b/w silver-gelatin photographs by photographer Howard Clinton Tibbitts 1863-1937 highlight not only the beauty of the city of San Francisco but also showcase the grandeur of the state of California and all that it would have to offer prospective visitors to the Exposition. There are also a few images of other locations of natural beauty in the Western United States that would also appeal to tourists. Each photograph measures 8x6" on the plate is printed on heavy stock mat photo paper and contains captions.<br /> <br /> Images included here are: San Francisco business district including the Mills Building and the Merchant Exchange Post Street SF Lotta's Fountain SF St. Francis Hotel SF Hotel Fairmont San Francisco Montgomery Street near Post SF Post and Market Street SF Spreckels Temple of Music at Golden Gate Park SF theatre district SF the banking district SF including the Bank of California and the Alaska Commercial building Chinatown SF park at Union Square SF construction of a YMCA SF Sutter street near Grant SF Powell and Geary St. SF SF Bay Mount Tamalpais with the Mount Tamalpais and Muir Woods Railway in the foreground Bridal Veil Meadows in Yosemite Wawona Tree of the Mariposa Grove in Yosemite Mount Shasta Lake Tahoe Mission San Miguel Yellowstone Falls The Grand Canyon The Capitol Building in Sacramento.<br /> <br /> Binding with some rubbing and light chipping to extremities including the head and tail of the spine. Interior with some minor to light sporadic staining mostly confined to the margins of the pages and plates. All images clean and vibrant save for one plate which contains more extensive foxing including some on the photograph itself. Binding in good interior in very good condition overall. Quite scarce. Binding protected in modern mylar. Howard Clinton Tibbitts 1863-1937 was a San Francisco based American photographer. Over a 40 year period beginning in 1892 Tibbits produced notable work documenting the American West Canada and Mexico while working for the Southern Pacific Railroad. His work shows the natural landscapes cities towns and industry which helped promote the grandeur beauty and innovations of the Western United States.<br /> <br /> It is unclear how many copies of this work were produced or if it was ever sold to the public. Known copies are bound in presentational bindings with the recipients name on the front cover. Many of the recipients were notable American politicians including copies given to congressmen such as Henry C. Loudenslager Walter I. Smith and Ben Johnson. Our specific copy is especially significant and relevant as it was given to George C. Perkins 1839-1923 who at the time was serving as the United States Senator for California and had previously served as the 14th Governor of California from 1880 to 1883. H.C. Tibbitts/ Panama-Pacific International Exposition Co hardcover
1940157046N.p.: N.p. 1940. Archive of 26 vintage photographs of mid-Atlantic roadside alert signs with advertisements circa 1930s-1940s. Includes 21 double weight photographs and two matte-finish. Three photographs bear annotations in manuscript pencil on the verso.<br /> <br /> The collection contains thirteen photographs of alert signs advertising Champion spark plugs seven advertising hotels the Biltmore in Dayton Hotel Sinton in Cincinnati Hotel Adelphia in Philadelphia Hotel Schenley in Pittsburgh Hotel Webster Hall in Detroit and two for Hotel Elizabeth Carteret in Elizabeth New Jersey three advertising radio stations WJW and WADC of Akron and WSPD of Toledo and three for various automobile and travel-related businesses.<br /> <br /> Ostensibly designed to warn drivers of forthcoming crossroads turns or junctions the roadside alert signs presented here were perhaps more effective for the prime advertising real estate of their plinths. The circular "alert" section containing text or symbols of approaching traffic changes and usually containing a center piece of reflective glass was mounted to a large freestanding base used for advertising automobile products radio stations local businesses and travel locations.<br /> <br /> 8 x 10 inches. Very Good plus to Near Fine with some light edgewear overall and several with even fading. N.p. unknown
1939112519-BNew York: E.P. Dutton & Co. 1939. Book. Illus. by Author. Very Good. Hardcover. 1st Edition. 1st. Edition 1st. Printing 1939 Light blue cloth hardcover in the dated 1/39 original dust jacket . 207 page book . With full page black & white photo illustrations by Abbott for the Production of The Federal Art Project of the W.P.A. Condition : Very Good book has ex-owners book plate on the inside board edge of book show light ware . The rare dust jacket is Very Good with edge rubs light chipping and small piece missing at the bottom dj spine. Please look at images . Size: Folio - over 12 - 15" tall. E.P. Dutton & Co. Hardcover
1942287481942. Photography. Very good condition. A collection of black & white photographs in and around Pekin Beijing taken in about 1925. While the photographer is unidentified the photos are clear and well framed. These are unusual images as they seem to have been taken by an American but no American is ever shown in the photographs. The photos illustrate the sites and trades of China and there are also images that refer to Sun Yat Sen including a photo captioned with his name possibly him with a group of others walking in a square. Shot number 76 is of 'Sun Yat Sen Funeral rehersal' sic at the Temple of Azure Clouds" which took place in 1925. <br /> <br /> Famous buildings include the Summer Palace Temple of Heaven Great Wall Altar of Heaven Forbidden City Sleeping Buddha Temple Cloud Tower Taoist Shrine Temple of Universe Summer Palace Marble Boat Pagoda Tientsin Dock the Great Wall etc. There are many street scenes with local people and merchants Tibetans at Lama Temple Pekin Donkey ready for shoeing Toy Peddlar sic with Gong Pekin old man and 2 bird cages Paint Shop Pekin camels Iceman Pekin Coal Carrier Defile near Wall Pekin Beggar Pekin Barber. <br /> <br /> "Unique among 20th-century Chinese leaders Sun is revered by both the Republic of China on Taiwan where he is officially the "Father of the Nation" as well as the People's Republic of China where he is officially the "Forerunner of the Revolution" for his instrumental role in the 1911 Revolution that successfully overthrew the Qing dynasty." wikipedia.<br /> <br /> One additional snapshot of a snowy American scene entitled 'Winter 1941-2" that was developed at the Westchester Photo Finishing Co. with Nutone process 4 1/8 x 5 1/8". The typewritten caption on this photo is consistent with the captions on the photos so it appears to be a cohesive group belonging to one person.<br /> <br /> 154 photographs 2 5/8 x 4 1/2". They are printed on card and are possibly from contact sheets as they there are some slightly rough edges. The majority have a label affixed to the bottom of photo with identifying number and caption which corresponds with a 3pp typewritten index. The list number 157 photos 154 present here so nearly complete. Very good condition. unknown
1910180618004Racine WI: W.D. Harney Photogravure Publisher 1910. Hardcover. Very Good. Edition de luxe single-volume probable first edition issued around the time of a nine-volume wrappered issue also "de luxe" according to the publisher with the slightly different title Art Work of Seattle and Western Washington but with the same photos. 77 leaves of photogravures with tissue guards plus leaves of text printed on rectos only with illustration on title page and photo on first page of text. Full leather with four raised spine bands ruled and lettered in gilt. About Very Good with leather rubbed along edges chipped at foot exposed tips with small corner tear to bottom front corner hinges a little taxed by heavy pages but holding a few tissue-guards torn and creased. <p>An oversize volume featuring many beautiful Pacific Northwest photographs by Asahel Curtis brother of Edward Curtis. OCLC currently notes ten institutional copies of the two editions of this work stating this particular edition de luxe has "108 photogravures-- 83 credited to Asahel Curtis 4 credited to Walter Averett 1 each credited to Brent Gifford Grant Humes and A.H. Barnes and 10 uncredited. The photogravures are printed in various hues from sepia to grey and many have tints of blue and grey." Scarce in this format. W.D. Harney, Photogravure Publisher hardcover
185142845Lexington: Holman & Gray 1851. Hardcover. 12mo. Quarter black calf with compartments and gilt lettering and marbled paper over boards. iv 200pp. Very good. Tight-hinged and fully handleable though mildly edgeworn and with marbled boards rubbed; text block lightly age toned and occasionally foxed; contemporary ownership signature on front pastedown same on inner flyleaf and pencilled at top of title page; ca. 1900 bookplate on front pastedown. First of this edition tight and fairly nice being a revised edition of his 1850 "Treatise on Daguerreotype." In 1851 upstate New York minister Levi L. Hill 1816-65 caused controversy when he claimed to have developed a process to create color photographs which he called "heliochromes" and which soon became personalized to "Hillotypes". It wasn't until 1856 that Hill published his "Treatise on Heliochromy" to explain the process but a daguerreotypist got the book banned on grounds of libel and all but a few were pulped. Hill's process was long discredited then forgotten although recent scientific tests show that his convoluted process works somewhat. A decent copy of this rarity. A second edition revised and enlarged was issued in 1854 by Myron Shew in Philadelphia and this later edition too is extremely scarce. Holman & Gray hardcover
197154569Tokyo: Shueisha 集英社 1971. New edition. Hardcover. vg to near fine. Large oblong folio. 15x21". Unpaginated. All content housed inside the publisher's original cardboard shipping box with printed label pasted on the front. Binding protected in original a white cloth portfolio with red lettering on the front cover and lavishly decorated interior flaps. Black suede-covered boards with mutli-colored illustration mounted on the front cover. Decorative endpapers. Engraved stainless-steel plate showing Mishima's face mounted on black paper preceding the title page.<br /> <br /> The deluxe and lavishly printed new bilingual edition of the acclaimed and eroticly-charged work also know as "Killed by Roses" by Japanese photographer Eikoh Hosoe b.1933. It gained notoriety and elicited controversy when it was originally released in 1963 and won the Japan Photo Critics Association's writer award. The main photographic subject of the book the acclaimed and controversial writer Yukio Mishima 1925-1970 wrote the preface to the original edition and also writes the preface for this new edition both are included here. Mishima's acclaimed works include the famous and controversial novels "Confessions of a Mask" 1949 and "The Temple of the Golden Pavilion" 1956. Hosoe's striking high-contrast b/w photographs are all printed in high-quality photogravure retaining all the power and atmosphere of his original images. In comparison with the first version of the work this edition features the content having been noticeably re-edited with one image added a few others removed. The images have been thematically re-organized into five new chapters with the names "Sea & Eyes" "Eyes & Sins" "Sins & Dreams" "Dreams & Death" and "Death" respectively. Influential artist and graphic designer Tadanori Yokoo b. 1936 oversaw all of the design and layout aspects of the book and also created its additional illustrated elements most of which comprise the first chapter of this new edition.<br /> <br /> While Hosoe was still completing work to prepare this new edition of "Ordeal by Roses" the notorious "Mishima Incident" occurred November 25th 1970 which culminated in the ritual suicide of Yukio Mishima by seppuku. The incident shocked the nation and in its wake the photographer was quite unsure of how to proceed regarding the publication of the book. Not wanting to seem like an opportunist taking advantage of the controversy and the publicity surround Mishima's death he contemplated shelving the project but was later persuaded by Mishima's widow Yoko who said that her husband would have wanted it to be released. It was finally release only a few months later on January 30th 1971.<br /> <br /> Text in Japanese and English throughout.<br /> <br /> Portfolio with light foxing and sunning to the white cloth of the front cover very minor foxing and smudges to the flaps. Interior of portfolio with minor smudging to the cloth joints but the illustrations on the flaps are still clean. Suede binding clean. Minor foxing to the verso of the front endpaper. Interior with all pages and images clean and vibrant save for a few sporadic instances of the most minor stains or smudges on the blank versos a few pages. Portfolio in very good binding and interior in very good to near fine condition overall. Alternate title: 細江英公写真作å“. Shueisha (集英社) hardcover
189054541Constantinople: Sebah & Joaillier 1890. First edition. Hardcover. vg- to vg. Oblong small folio. 12 1/4 x 14 1/4". Red pebbled cloth boards with decorative gilt ruling tooling and lettering on the covers. Rebacked maroon leather spine. Gilt-stamped crescent moon and star motif the national emblem of Turkey on the back cover.<br /> <br /> Taken from the Galata Tower in what is now the Karaköy neighborhood of Istanbul this magnificent panorama displays the skyline and cityscape of Constantinople as it appeared sometime in the late 1880s or early 1890s. The panorama is comprised of 10 original albumen photographs mounted on heavy card stock and bound together in accordion style leporello measuring a total of more then 11 feet when completely unfolded. Shot in a southwardly direction the viewer can see Galata Karaköy in the foreground and from left to right across the Bosporus to the Uskudar district on the Asian side and then across the harbor at the mouth of the Golden Horn the Galata Bridge and across to the Pérama neighborhood and the Faith district where many famous landmarks of the city can be seen including the New Mosque Topkapi Palace Hagia Sophia and many others. Each panel measures about 13" wide and 12" tall.<br /> <br /> The photography is credited to "Sebah & Joaillier" one of the most prominent and prolific photography studios of Ottoman Empire during the second half of 19th century. Originally founded sometime around 1857 in Instanbul by Syrian-Armenian photographer Pascal Sebah 1823-1886 the studio was one of the earliest in the city and all of Ottoman Turkey. By the 1870s Sebah had become among the most prominent Ottoman photographers having also opened a branch of the studio in Cairo. Upon Sebah's death in 1888 the firm was taken over by his 16 year-old son Jean Pascal Sebah who then partnered with photographer Policarpe Joaillier 1848-1904. The firm was renamed "Sebah & Joaillier". Therefore although this panorama is undated it could not have been issued earlier than 1888; most likely sometime shortly thereafter circa 1890.<br /> <br /> Spine of of the portfolio has been professionally re-backed. Plates with minor to light foxing although the images are still quite clean and vibrant. Binding in very good images in very good- to very good condition overall. A slightly later version of the panorama from Sebah & Joaillier simply titled "Constantinople" is comprised of 12 slightly smaller panels instead of 10 and measures around the same size in total.<br /> <br /> Bibliographic refences: Jacobson Ken. Odalisques & Arabesques: Orientalist Photography 1939-1925. Quaritch 2007; Özendes Engin. "Photography in the Ottoman Empire"; Öztuncay Bahattin. The Photographers of Constantinople. Aygaz 2003. Sebah & Joaillier hardcover
1857AQ32953London. Dorchester: Bland & Long. John Pouncy Photographic institution 1857. Four parts in two volumes. 90; 82pp. Lithographic title to Vol I. terminal advertisements and colophon leaves to each volume all included in preceding collation. With 79 photo-lithographic plates one of which double-page. Original publisher's limp cloth decorated in blind and titled in gilt; Vol II neatly recased in the original binding at an early date. Some rubbing tearing and a little marking to binding; loss to spines. Sporadic spotting to text and images occasional marginal tears including to endpapers and repairs only touching the image on two plates. Inscriptions to each front endpaper of 'Mrs Michel' of Whatcombe House featured in this volume and described as 'not distinguished by any remarkable feature' but as beautifully situated with 'adjacent grounds extensive and picturesque'. An unsophisticated copy of the most important study of Dorset country-houses from their golden age which was also the first - and only - major English book produced in photolithography and is as such a milestone in the history of permanent photographic reproduction. It was described by Gernsheim as 'not only the first but remained the only attempt in book form to reproduce photographic views from nature by photolithography' and by McLean as marking a 'transitional stage between drawing and unretouched photography'. As is explained by English photographic pioneer John Pouncy 1818-1894 in both the introduction and advertisements of this present volume the fading nature of early photography was the revolutionary illustrative median's greatest weakness: 'astonishing as is the effect and almost perfect as is the beauty of some of these works of art permanency is found wanting' or in short 'Photographs very generally fade'. Thus between the conception and completion of this photographic study of his beloved native Dorsetshire Pouncy called 'in the aid of another art that of Lithography; and thus without forfeiting the exactness which is the peculiar characteristic of the one to ensure the quality of durability which is unhappily wanting to it by means of the co-operation of the other' and so 'the views which were originally announced as Photographs will now appear as Photo-Lithographs'. As the reproduced excerpt from a contemporary Poole newspaper review highlights Pouncy's devised process involved transferring long-exposure 'photography to stone and then re-transfers it to paper'; a service that he also here advertises as available from his Dorchester studios. Non static-features were added in by hand giving a rather ghostly appearance. The process must necessarily have been both time-consuming and expensive and each part of this work published by subscription was advertised originally at the price of £1 1s or £5 5s for the planned whole the fifth and sixth of which were never published. Subscribers included the poet William Barnes and many of the owners of the houses featured in the book. Not pure photographs but not simply hand-drawn lithographs either his process produced images truly symbolic of the Victorian artistic compact between mechanisation and manual labour; no book could claim to more truly occupy the threshold between photographic and lithographic illustration. Gernsheim p.546. McLean Victorian Book Design and Colour Printing p.128. First edition. Oblong folio. Bland & Long. John Pouncy, Photographic institution hardcover
1880J6SGPBJ1IXLV1880. With 12 albumen prints ranging in size from ca. 16.5 x 23 cm to 21 x 28 cm. Collection of 12 vintage photographs from the late 19th century showing China Indonesia the Hawaiian Islands California and Egypt. Of the 4 photographs of China 2 show Hong Kong including one possibly by the famous Chinese photographer Lai Fong ca. 1839-1890 showing Queen's Road Central. The two rarest photographs show several of the 7500 imperial examination cubicles in Canton Guangzhou while a photograph by A Chan Ya Zhen shows the famous five-story pagoda on Kun Yam Hill in 1870. The Indonesian island Java can be seen on 3 photographs including one of lake Telaga Warna by the British firm Woodbury & Page based in Batavia Jakarta. Taken further to the west were 3 photographs of Hawaii probably all taken in or near Honolulu. A rare undated photograph of the statue of King Kamehameha was taken probably right after the unveiling ceremony in 1883 as it shows a small wooden fence around the statue which can be seen in an illustration in The Graphic 28 April 1883 but is absent from all later images. Of the 2 final images one by Isaiah West Taber 1830-1912 shows Midway Point in Monterey California and the other by Hippolyte Arnoux fl. 1860-1890 a group of Arabs and camels waiting for the ferry near El Qantara in Egypt. Most of the photographs are worn at the edges with small tears and folds and a few have small holes; one of the images of Hawaii with a waterstain at the lower margin. unknown
1915273881915. S.l. s.d. 1915. 2 albums au format in-8 oblong 263 x 188 mm rÂŽunissant 345 clichÂŽs originaux. Pleines percalines grÂges fermeture ˆ lacet. Important tout autant qu'ÂŽmouvant tÂŽmoignage photographique rÂŽunissant 345 clichÂŽs originaux en noir et blanc de divers formats 68 x 47 mm ˆ 214 x 163 mm. Tirages argentiques du temps contrecollÂŽs ; lÂŽgendÂŽs ˆ la plume au bas des photos. 13 clichÂŽs volants. L'ensemble donne ˆ voir paysages parfois lunaires scÂnes de ruines portraits de militaires dont Zouaves ainsi que de civils vues d'ensemble ou particuliÂre de villages ÂŽglises ou b‰tisses souvent dÂŽvastÂŽs scÂnes de groupes abris militaires scÂnes prises depuis les tranchÂŽes dont premiÂre ligne de front des gradÂŽs : le GÂŽnÂŽral Joffre le GÂŽnÂŽral Rouquerol le colonel Dechiezelle le Commandant Pruneau le Lieutenant Fournier le Lieutenant Walckemar Raymond PoincarrÂŽ alors PrÂŽsident de la RÂŽpublique Villeneuve Bargemont des engins militaires dont vÂŽhicules blindÂŽs un poste de secours une carriole tractÂŽe par un chien des avions une remise de la Croix de guerre des scÂnes figurant la 1Âre Compagnie du 1er RÂŽgiment de fusillers marins des vues de ports et de littoraux des vues aÂŽriennes un avion accidentÂŽ des piÂces d'artillerie et des munitions une locomotive dans une gare dÂŽvastÂŽe une vue aÂŽrienne d'un bombardement des tombes de soldats des scÂnes de bataille navale un soldat posant le cr‰ne d'un Allemand entre les mains la remise du courrier sur le front l'ÂŽdification d'abris des marins un champ d'aviation un cadavre ''boche'' sic etc. En somme cette exhaustive rÂŽunion offre un ÂŽclairage - unique ! - et trÂs complet sur le quotidien des soldats et les ravages engendrÂŽs par la guerre. En outre : une note manuscrite rÂŽdigÂŽe par un Lieutenant-Colonel contrecollÂŽe avec timbre du ''2Âme RÂŽgiment de zouaves de marches'' et deux tickets de train. Nombre de ces photos - au regard des lÂŽgendes - ont ÂŽtÂŽ prises ˆ Nieuport principalement et YprÂs. Rousseurs affectant les plats. Tirages dans l'ensemble bien prÂŽservÂŽs bien que de rares d'entre-eux prÂŽsentent un ÂŽclat altÂŽrÂŽ. Deux feuillets dÂŽsolidarisÂŽs dont un prÂŽsente un manque angulaire ; sans atteinte ˆ la photo. Blocs feuillets dÂŽsolidarisÂŽs de leur reliure respective. Nonobstant ensemble en belle condition. b42961 unknown
1927036748Paris: Librairie Des Arts Decoratifs 1927. First Edition . Hardcover. Very Good . 235 x 175 Mm. 12 24. Plates are 225 x 165 mm. Introductory text in French folded sheets with 24 loose plates in a paper-covered salmon chemise with off-white paper label white cloth spine and cloth ties spine and ties a little aged. Light wear at corners tiny area of bumping to upper tips interior paper of spine is split but exterior is sound; plates are immaculate and undamaged. No names or marks. Scarce. <br/> <br/> Librairie Des Arts Decoratifs hardcover
192012830Kansas City: Anderson Photo Company 1920. 22 leaves illustrated with forty-four linen-backed black-and-white silver gelatin photographs each about 7.5 x 9.75 inches most with Anderson Photo Company credit in the negative all in mounting corners. Oblong folio. Contemporary black cloth photograph album with blind-embossed floral designs in the corners of each cover bound with twin black bolts. Light wear to binding. Occasional creasing and minor surface wear to photographs. Very good. A fantastic collection of forty-four large-format photographs showing street views of Kansas City by the Anderson Photo Company. Many of the images feature bustling scenes in the downtown area picturing busy intersections populated with crossing guards moving traffic trolley cars pacing pedestrians and more. The views also naturally capture large towering buildings capturing the businesses operating at the time as well as advertising signage for period products and companies. Among the businesses featured here are the Olney Music Company Harzfeld's Parisian Cloak Company Federmann's Pharmacy the Kansas City Post Hershfield's Jewellers the Old Dutch Mill Cafe McElwain's Wax Museum and numerous others. Some of the advertisers seen here include Bell Telephone Uneeda Biscuit Coca Cola and Victrola. A marquee outside the 10th Street Theatre advertises Mary Pickford's Hearts Adrift which premiered in 1914 indicating that the theater may have been showing the film as a revival or perhaps that some of the present photographs could emanate from the 1910s. The composition of several of the photographs are centered in the street with the photographer shooting straight down street over multiple blocks highlighting the urban canyon nature of the downtown area. The last few photos feature scenes outside downtown picturing the areas around the riverside Pabst brewery the Kansas City Hay Press and two shots of the suburbs.<br /> <br /> The Anderson Photo Company was one of the most active commercial studios in the Kansas City area for about six decades between the 1910s and 1970s. Early advertisements indicate the firm was first known as the Anderson Commercial Photography Company and was often the only photography studio advertising in the Kansas City Post between 1912 and 1915. The company was operated by partners Lawrence C. Dalla and Orville W. Anderson. The studio's credit appears on legions of newspaper images throughout most of the next fifty-plus years. Images from the Anderson Photo Company appear in a few Missouri institutions but the present album focusing on downtown Kansas City and emanating from early on in the studio's history would be a welcome addition to any institutional collection. Anderson Photo Company unknown
LL 782<p><strong><em>Portrait of Jorge Luis Borges. Original silver gelatin photograph with the photographer's stamp on the back. Reproduced on the cover of the book La Cifra".</em></strong></p><p>Original photograph: 23.8 x 18 cm 9.3 x 7 inches.</p><p>With</p><p><strong>Borges Jorge Luis 1899–1986.</strong> <em>La Cifra</em>. Buenos Aires Emecé Editores 1981.</p><p>108 pages. Two-tone cover. Softcover binding with flaps featuring an illustrated cover with a portrait of Borges by Oscar Burriel 1933. Includes the original promotional band. First Edition.</p><p>A fine original photograph used as the cover of one of borges´ books.</p><p>Oscar Burriel born on September 19 1933 in Bahía Blanca Argentina is a photographer with a background in Fine Arts. His work spans various genres including fashion decoration beauty experimental effects scientific photography and creative illustration.</p><p><strong><em>In 1981 Burriel's striking portrait of Borges was featured on the cover of <em>La Cifra</em> one of the celebrated poet's later works. This fine original print is a rare and significant visual document of Borges captured by one of Argentina's most accomplished photographers. </em></strong></p> Emece
1877011232St. Louis: Published from 116 North Fourth Street 1877. First Edition. Hardcover. Front cover now detached and the spine largely lacking but the text block is tight and the book can be easily rebacked. Despite the defects Very Good and quite scarce. The first twelve issues of this scarce western photography monthly edited by J. H. Fitzgibbon one of America's finest daguerreotypists and well-known for his portraits of Native Americans. Bound in contemporary half morocco with the original front and rear wrappers for all issues as well as the ads bound in. Illustrated with 10 original photographs mostly mounted albumens including a portrait of Fitzgibbon by Bogardus an Adirondacks landscape by Stoddard and various posed studies. One image the Great Steel Bridge of St. Louis is printed directly on the paper; another is a chromotype of the Chicago Apollo Musical Club by Gentile. There is no image with the sixth issue nor is one listed in the contents. The albertype by E. Bierstadt for the eleventh issue is lacking as is a ferrotype specimen holder in one of the ads. The articles are informative and instructional covering both news and many different technical aspects of photography at the time with much longing for a return to the daguerreotype and a number of articles on new processes such as the Lambertype. This copy is INSCRIBED and SIGNED by the editor to T. S. Lambert in January of 1878 on the inside front cover. Theodore Sarony T. S. Lambert was no relation to the creator of the Lambertype Claude Lambert but he did team up with Claude to sell exclusive license for the Lambertype process. <br/><br/> Published from 116 North Fourth Street hardcover
1870161261Japan: no publisher c.1870. Photographic fantasy An engaging souvenir album indulging orientalist visions of Japan increasingly detached from the country's post-Meiji Restoration reality. 25 photographs show Japanese women in traditional kimono dresses and surroundings accompanied on the reverse by a corresponding number of images of bucolic buildings and rural scenes. Photography arrived in Japan approximately a decade after its invention and 20 years before the 1867 Meiji Restoration. The latter marked the beginning of a period of dramatic modernization and Westernization with foreign tourists flocking to the country. Souvenir photograph albums showing "traditional" Japanese culture and dress became popular keepsakes for these travellers. Albums of 25 50 or 100 photographs were often extremely expensive. Octavo concertina-style 125 x 180 mm. With 50 hand-coloured albumen photographs. Original blue silk brocade over wooden boards. Housed in recent brown cloth custom clamshell case. Silk worn bowing to leaves a couple of hinges repaired with archival tissue light tanning and spotting else bright. A very good example. hardcover
1918166765France: General Staff Intelligence General Headquarters. February 1918. Towards "total knowledge of the battlefield and total control" An impressive exposition of the rarified level reached by fixed-wing aerial reconnaissance and photo interpretation by the last year of the war. Third edition considerably expanded of the slight and fragile text pamphlet first published 1916 paired unusually with the impressive plate volume - both are decidedly uncommon. These were produced in France by Army Printing & Stationery Services and classified "For Official Use Only"; despite a stated print run of 4000 few copies of the pamphlet have survived. The first item contains concise but detailed notes on how to identify various battlefield structures and features - trenches and wire dugouts and mine shafts listening and observation posts batteries concrete structures and so forth - followed by a section on rear organizations - railways dumps billets and aerodromes - noting that from the "enemy's means of supply" and the study of aerial photographs more generally "often his intentions may be deduced". The pamphlet concludes with a brief section of technical notes on the uses of different types of photographs oblique stereoscopic stereoscopic oblique and how these may variously offer enhanced potential for interpreting detail. The substantial atlas contains an exceptionally fine range of high quality photos illustrative of the points made in the accompanying notes. Many of the views are accompanied by maps or sketches to clarify interpretation with locations often identified. Just ten years after the Wright Brothers' epoch-making 12-second flight at Kitty Hawk the aeroplane had become a gun platform duelling in the air and the instrument of accurate distant bombardment; and perhaps most influentially the ultimate mode of reconnaissance profoundly altering the nature of engagement. "At the outbreak of the First World War commanders like British Field-Marshal John French believed that no mechanical platform would ever replace cavalry as a means to conduct reconnaissance. Within months however the horse succumbed to industrial warfare as did traditional methods of cavalry generalship. In the place of cavalry arose the modern military intelligence bureaucracy that employed a Fordist system of photo interpretation in an attempt to achieve total knowledge of the battlefield and total control. The power of photo interpreters in the words of Paul Saint-Amour was 'not in the mere ability to command but in the more rarefied capacity of producing the knowledge that would inform the commanders'" Gettinger. Text foolscap folio. First named with double-folding plate of "Shadow Diagrams" at rear; plate vol. containing around 100 illustrations on 60 silver print photographic plates linen stub-bound on heavy card plate of mark-up symbols and a repeat of the folding plate from the text pamphlet. 11 pp Wire-stitched in light greenish blue printed wrappers: plate vol. folio 360 x 310 mm strong blue cloth-backed greyish-yellow paper-covered boards printed paper label to front board. Touch of foxing to wrappers of text pamphlet and just a little rust to staples top corners of plate volume lightly bumped. Both in very good condition. Dan Gettinger "The Ultimate Way of Seeing: Aerial Photography in WWI" 2014 Center for the Study of the Drone at Bard College online. hardcover
186553166Glasgow: Andrew Duthie 1865. Hardcover. vg to vg. Quarto. 125pp. interleaved with 12 photographic plates. Original period green buckram boards with gilt lettering decorative tooling and ruling on the covers. Beveled edges. Edges of book block in gilt. Brown endpapers. Photographic frontispiece. Gilt stamp of Glasgow bookseller McPhail on the interior front cover.<br /> <br /> "Days at the Coast" a poetic travelogue of locations around the the Firth of Clyde by Glasgow-area writer Hugh MacDonald 1817-1860 was first issue in 1857 and became a local bestseller. A number of subsequent editions were issued over next twenty years but the most sought after and scarce of these is this very special edition issued in 1865 which most notably includes 12 original evocative landscape photographs of the area by pioneering Scottish photographer Thomas Annan 1829–1887. Each image including the frontispiece is captioned underneath mounted on heavy stock paper and protected with a tissue guard. Text throughout is printed in a two-column format. A table of contents and a list of photographs are included at the front of the book.<br /> <br /> Binding with minor rubbing and bumping to the corners. Interior with some sporadic foxing and water stains most notably in the initial few pages. In most other cases its confined to the margins. Images are vibrant and mostly clean overall. Binding in very good interior in very good condition overall. Binding protected in modern mylar. Extremely scarce with only 2 OCLC holdings worldwide for this special photographically illustrated edition of the work.<br /> <br /> By the late 19th century the spelling "firth" for the same word had become most commonly used. Andrew Duthie hardcover
1940ABC_484251940. Contemporary embossed brown calf with flowers on the front and back board and an aluminium view of David's Tower and Jerusalem's old city wall embedded in the front board. Oblong album 30 x 20 cm. With 128 gelatin silver prints most ca. 6.5 x 9.5 cm. Beautiful album with 128 photographs of Egypt and Palestine present day Israel and the West Bank during the British Mandate. It was likely compiled by a British soldier who was stationed in the Middle East during the 1940s. Some of the photographs are numbered in the negative and may have been made by important photographers active in the area at the time like G. Eric Matson and his wife Edith the founders of the Matson Photo Service. The images show Cairo and various locations in Palestine including Jerusalem Bethlehem Nazareth Tiberias Sea of Galilee Nathanya Tel Aviv the Jordan river Haifa Beirut and the Dead Sea. Other than important locations like churches and gates the photographs also show many locals including for example street barbers in Cairo shepherds and farmers in Palestine and beautifully dressed women in Haifa. In the back of the work a few dried leaves from local plants have been mounted namely orange lemon fig eucalyptus grapevine and mulberry. The eucalyptus leaf still retains some of its scent.The edges and vorners of the boards are somewhat scuffed with some loss of material at the head and foot of the spine and around the edges of the embedded aluminium plate. The photographs mounted on the inside of the front board are slightly stained the fig leaf mounted on one of the final pages is damaged and the cyprus leaf is missing. Otherwise in good condition. unknown
ABC_487311970. Kept in a clear plastic sleeve. Ca. 40 x 30.5 cm. Two large photographic prints. Two large photographs of King Faisal bin Abdulaziz Al Saud 1906-1975 during the later years of his reign 1964-1975. Faisal was the third son of King Abdulaziz the founder of modern Saudi Arabia. His intelligence was already apparent from a young age and he was chosen to represent his father in international forums as a result. He was sent on a five-month long diplomatic visit to Great Britain and France when he was just 13 and became Saudi Arabia's first Minister of Foreign Affairs at the age of 25. He succeeded his half-brother as King of Saudi Arabia in 1964 and became a well-loved ruler until he was shot in 1975.The corners are slightly creased with a small vertical tear in the left margin of one of the photographs not affecting the image. Otherwise in very good condition. unknown