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A bilingual edition (Greek and French, on facing pages), ILLUSTRATED WITH SIX FULL-PAGE HORS-TEXTE ORIGINAL SURREALIST BURIN ENGRAVINGS BY ROGER VIEILLARD. Edition limited to 300 numbered copies. THIS IS AN HORS-COMMERCE COPY, IDENTICAL TO THE FIRST 20 COPIES, PRINTED ON FINE MARAIS WOVE PAPER WITH TWO SUITES OF THE ENGRAVINGS: a suite in black on Dutch laid paper and a suite in bistre on Japanese wove paper. Folio. Loose as issued in original wraps. FINE AND BRIGHT, with no defects, in the original (lightly worn) chemise and slipcase.
19422311300235xbvkVerona, Officina Bodoni, Verona, 1942. 3 unbedruckte Blätter, 40 (1) Seiten, Druckvermerk, 3 unbedr. Blätter; alles auf unbeschnittenem Büttenpapier. - Kräftiger grauer Original-Pappeinband mit goldgeprägtem Deckelsignet 'GBH', -Rückentitel 'TASSO' und gelbgrünen Kopffarbschnitt im grauen Orig.-Pappschuber aus demselben Material; 8vo.(ca. 20,5 x 14 cm).
1868BB0846Eton / London: Ingalton and Drake / Simpkin Marshall 1868. Decorative Cloth. Fine. First Edition of apparently the first field guide to birds to use photographs as illustrations. 8vo: xiv2232pp with four hand-colored and varnished albumen photographs of stuffed birds mounted on heavy card stock. "It was impossible at the time to photograph live birds due to the absence of the telephoto lens and extremely sensitive plates that would permit short exposures." Goldschmidt & Naef Publisher's forest-green pebble-grained cloth spine and upper cover with bird vignettes in gilt spine lettered and ruled in gilt chocolate coated end papers. A Fine tight square copy clean crisp text the photographs vibrant with deep rich colors. Provenance: Book plate of Henry Neville Gladstone third son of Prime Minister William Ewart Gladstone. Binder's ticket of James Burn & Co. Kirby St. to rear paste-down. Gernsheim 436. Truthful Lens 96. Margolis & Moss 24. The author was only age 16 when he published this "contribution to the natural history of two counties" in which Kennedy identified no less than 225 species of birds. N. B. With few exceptions always identified we only stock books in exceptional condition carefully preserved in archival removable mylar sleeves. All orders are packaged with care and posted promptly. Satisfaction guaranteed. Fine Editions Ltd is a member of the Independent Online Booksellers Association and we subscribe to its codes of ethics. Ingalton and Drake / Simpkin, Marshall unknown
18549579Lyon, Imprimerie Louis Perrin, 1854 ; in-8 ; cartonnage beige de l'éditeur, auteur et titre imprimés au dos en gros caractères gothiques enluminés marron, rouge et bleu ; (1) f. blanc, (6), 460, (2) pp. (la pagination passe de 244 à [251] avec (1) f. de faux-titre entre, sans manque : il s'agit de 2 ff. de blasons vides qui ont été coupés à la fabrication) ; carte rempliée en début d'ouvrage, 1 pl. hors-texte lithographiée en couleurs, 1 gravure sur cuivre hors-texte, 2 vues de Trévoux en-tête, 7 bandeaux et culs-de-lampe par Louis Perrin et en tout 258 blasons identifiés et 15 noms sans blason.
191357563ABMalmö, Grafiska Förlaget, (1913). 32.5 x 24.5 cm 48 meist farbige Tafeln lose in Orig.-Kartonmappe mit Deckeltitel.
19250457401925. kl 8°, selbstgestalteter Brosch. in Fadenheftung m. Buntpapierüberzug, 3 Bl. auf Zanders-Bütten, Initialien in Blau - das meisterhaft gestaltete kalligraphische Manuskript in sehr gutem Zustand
Torino, Frassinelli, 1940/1. PRIMA EDIZIONE. In 8vo (cm. 34); copertina rigida originale; pp. 220, (6). Con moltissime illustrazioni di caratteri, specimen, ecc. Axs
18959955BBStuttgart, Krais, 1895. Gr. 4°. X, 241, 36 S. Anhang Druckerpressen, Papierfabriken u.a. Über 170 Tafeln. OLn mit geprägtem Deckel, graugrüne Moiréevorsätze mit goldener Reichsadler-Ornamentik., 1
195754566Teufen : Niggli 1957. 213 S. ; gr. 8°, mit Schutzumschlag, SU stärker bräunlich, Lw., gebundene Ausgabe, Leinen, sonst Exemplar in gutem Erhaltungszustand
196984116Stgt., Bad Cannstatt: Cantz'sche Druckerei 1969. 1 Doppel-Bl., 14 Tfln., 3 Bll.; 1 Beilage. Gr.2° (61 x 49 cm). Lose Bll. in brauner HLn.-Mappe mit Deckeltitel (Kanten kaum merklich berieben). [4 Warenabbildungen]
1931164232??????, ??????, 1931. 47 S., mit s/w Abbildungen. Original broschiert, 8°. Ausstellung von Mitgliedern der linken amerikanischen John Reed Clubs (1929-1936) 1931 in Moskau. Vertreten waren Werke von Jacob Burck, Fred Ellis, William Gropper, Louis Lozowick, Morris Pass, Anton Refregier, Louis Leon Ribak, Juanita Preval und andere. Die Auflage betrug nur 2000 Exemplare.
196236801BB(Paris) Atelier Frutiger, 6 Juni 1962. 37,5x35,5 cm. 20 Blatt mit 15 Originalholzschnitten. Als Leporello in losen Bogen in Originalmappe und -Schuber und -Chemise.
111719aafEditions du Typ’o, Bruxelles Clotilde Olyff, 1990, 21.5x24 cm, 12 feuilles de carton, entre chaque pair de feuilles des impressions typographiques de chiffres 1 à 0, avec des éléments ‘pop-up’, (dû au fait que l’encrage noir épais a collé les feuilles une à l’autre, il y a parfois qqs petites manques au papier), au début carte de visite noire avec le nom et l’adresse de l’artiste + à la fin à l’intérieur ms. ‘Clotilde Olyff 1990’, cartonnage original noir, emboîtage noir.
20080006706London: The Folio Society 2008. Facsimile edition. Hardcover. Fine/issued without. Folio brownish-red cloth extra gilt cover in fine publisher's slipcase <br/><br/>A handsome facsimile of the famed masterwork of The Kelmscott Press created by William Morris with illustrations by Edward Burne-Jones. Appended to this is an Afterword essay on the Kelmscott Chaucer by William S. Peterson the bibliographer of The Kelmscott Press. He states that of numerous facsimiles the 1975 edition by The Basilisk Press is "heads and shoulders above the rest . it is an astonishing recreation." This Folio Society edition used the personal copy of the proprietor of The Basilisk Press to create this reproduction. Even the thick paper - to imitate the original - was specially commissioned from the James Cropper Paper Mill. The Folio Society hardcover
1989DEMO013090INo place: Joseph J. D'Ambrosio 1989. First Limited edition. Hardcover. As New/as new. photographs. Octavo 129pp. leather copper and marbled paper; Italian linen & paper dj <br/><br/>D'Ambrosio's second bibliography of his work bringing it up-to-date. This one gives a much fuller account of the genesis and processes of each of his works with laser-printed color photographs of the books some of which are limited to only one copy! Indispensable to the appreciation of the artistry and the artist. Laid in is the original announcement for this work. Joseph J. D'Ambrosio hardcover
201122032603Claremont California: Scripps College Press 2011. Limited Edition. Stitched Binding. Fine. One of 103 copies folio size 28 pp. signed by the students and Kitty Marryatt. The publications by the students of the Book Arts and Typography Class at Scripps College are some of the most imaginative we have ever seen and this publication is no exception. <br /> <br /> The work was inspired by the the 13th-century poet Jalaud'din Rumil now known by most simply as "Rumi". Although a Muslim by faith his poetry "seeks to deal with the more universal aspects of the human condition. He discusses the aspects of existance encountered by all individuals and continues to make profound beautiful statements regarding even the most ortinary tasks and occurences." n.b from the book's bio of Rumi. <br /> <br /> The students in the Class chose a medieval text and provided their own commentaries as exegesis. This book unfolded as a poem by Rumi as interpreted by Coleman Barks with the students' commentaries. The visual images "were inspired by the geometric structures of medieval book imagery. The colors of the linoleum blocks reflect the preponderance of lapis lazuli blue crimson red and royal purple in medieval miniatures" n.b. from the Colophon. <br /> <br /> A true delight for both the eye and the soul. Scarce in the online markeplace as of this writing there are no other copies online; our search of OCLC locates thirty institutional holdings. <br /> <br /> ___DESCRIPTION: Boards bound in Ginga Iridescent Orange bookcloth introducing gold which was prevalent in medival manuscrips binding Tyvek-reinforced tapes with gold thread which are attached to the covers each page with a geometric design in various colours signed by each of the students in the class and Professor Maryatt on the page facing the Colophon; types Scripps Old Style Centaur Arrighi and Weiss Initials on Rives BFK paper binding folio size 14 1/4" by 11 1/8" unpaginated with fourteen leaves; limited edition of 103 copies this no. 73. <br /> <br /> ___CONDITION: Fine overall the cloth over the boards clean the tape binding strong straight corners with a modicum of rubbing a square text block the interior is clean and bright and entirely free of prior owner markings; a lovely production. <br /> <br /> ___POSTAGE: International customers please note the following: i additional postage may apply as the standard does not always cover costs please inquire for details; and ii any taxes duty or tariffs charged by your country will of necessity be your responsibility. <br /> <br /> ___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Scripps College Press unknown
185854498ABParis, Didot, 1858. 12°, 1 Bl,470 S., 1Bl., marmor. Vorsätze. Maroquin d. Zt., goldgeprägt. Rü.-Titel, reiche goldgepr. Ornamentik in den Rü.-Feldern, goldgepr. Deckelfileten, Steh- un. Innenkanten, goldgepr. Innendeckelbordüre, Ganzgoldschnitt, (signiert:Cape) sehr guter Zustand., Besitzername auf Vors.., Bleistiftanmerk.,
This is a near fine hardcover copy in a near fine dust jacket with virtually no wear. Completely clean inside and out. This copy has been signed by Joseph Sinel and briefly inscribed to a colleague, under the limited edition information. This is copy 1360 out of 2000 available for sale. Beautifully printed by the Pynson Printers of New York. Illustrated in color and black & white. Pages uncut as issued. 12" high X 10" wide, 64 pages. Index. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.
181830675Parma London: Presso La Vedova The Holland Press 1818 1960. 2 volumes. LIMITED EDITION one of only 500 copies printed of the very impressive facsimile of Bodoni's original edition of 1818. With a fine frontispiece portrait three folding plates of musical notation and seemingly countless typographical specimen. Tall 4to in the printer's original blue patterned paper-covered boards with printed paper labels on the spines. lxxii 267; iv 279 pp. A fine and handsome set beautifully preserved and essentially pristine. LIMITED FACSIMILE EDITION OF A MASTERPIECE OF THE TYPOGRAPHICAL ARTS BODONI'S MANUALE TIPOGRAFICO. Printer for the Duke of Parma Bodoni's manual was the culmination of more than four decades of work and is one of the age of printing's greatest typographical achievements. It is comprised of 291 roman and italic typefaces along with samples of Russian Greek and many other types. Presso La Vedova [The Holland Press] hardcover
Together 2 vols., 8vo., First Edition thus, with numerous fine typographical illustrations throughout; full morocco, upper board and backstrip blocked and lettered in gilt, gilt edges, Commentary volume bound in boards with paper label, buckram back, both near fine copies housed in publisher's board slip-case. EDITION LIMITED TO 2750 COPIES. Splendid facsimile of the original edition of 1931. Gill, 285 (recording the original edition).
A posthumous homage to Dutch typographer and artist Hendrik Nicolaas Werkman, publisher of the magazine "The Next Call" and pioneer in the art of avant-garde printing. As a member of the Dutch resistance in World War II, Werkman operated an illegal printing press and was shot by the Gestapo in 1945. His colleagues and peers compiled this homage book more than a decade later to commemorate his work. The book contains both examples of Werkman's own art prints, as well as art and text from the many contributors - totaling around 100 distinct pieces of artwork from all involved, as well as multiple pieces of artistically-arranged texts about (or related to) Werkman. Contributors include F.R.A Henkels, W. Sandberg, Kurt Martin, HAP Grieshaber, H.L. Greve, Riccarda Gregor, Herbert Schwobel, Emil Kiess, Raoul Ubac, Wilhelm Geyer, Walter Renz, Werner Oberle, Fritz Ruoff, and the students of the Karlsruhe academy of arts. [ATTRIBUTES:] 295x210mm. ~120 unnumbered pages. Beige board hardcover with tan cloth spine. A reproduction of the cover of issue #9 of "The Next Call" appears on the front cover. [CONDITION:] Cover corners bumped and mildly worn. Front cover very lightly scratched. Otherwise, this loving homage to a pioneer and martyr is in very good condition.
14776Paris, Nancy, Berger-Levrault et Cie, 1889-1894. 2 volumes. Large thick 8vo. Contemporary half calf, marbled boards, spines with raised bands and gilt lettering, name of 'R. Denis' gilt stamped at foot of spines, some discolouring. First edition.
3322Paris Frontié Reliure en plein maroquin rouge, plats supérieurs ornés au petit fer d’encadrement, dos à quatre nerfs, frappés d’or, pièce de titre frappé d’or, 212 pagesLivre entièrement gravé réalisé et revendiqué par une femme est un cas extrêmement rare dans le monde de l’édition du XVIII° siècle. Fille du graveur Louis Senault, Elizabeth présente “malgré son jeune âge et son sexe” cette prouesse typographique. Les 212 plaques gravées nécessaires à la réalisation de l’ouvrage sont toutes d’une égale élégance et rivalisent d’originalité dans les ornements cul-de-lampe et bandeau qui rythment l’ouvrage. Les thèmes ornementaux se composent de vases et fleurs à la hollandaise, de bouquets accompagnés d’oiseaux calligraphie à l’orientale et d’insectes volants, de jeux de plume abstraits d’une grande finesse. L’ensemble réparti de façon harmonieuse de manière à rompre toute monotonie au fil de l’ouvrage.
18288734Paris, A. Mesnier, Bibliopolam, excudebat Didot natu minor, 1828. In-32 (79 x 45 mm), VIII-229 pp., imprimé par Henri Didot en caractères minuscules, une véritable prouesse typographique. Reliure de l'époque en veau glacé rouge, dos orné de roulettes dorées, plats ornés d'un croisillon de filets noirs dans un encadrement à froid et filets dorés, tranche sup. dorée, débuts de fentes aux mors, bel exemplaire. (Ch. Nauroy, Bibliographie des impressions microscopiques, p. 58, "Il y a des exemplaires avec le nom de Sautelet".)
1916STLB0012Frankfurt, Barcelona u. Madrid, Bauersche Giesserei u. Leipzig, A. Numrich & Co. (1916). 2°. 31(1) S. (einschl. Tit.). OKart. m. zweifarb. gedr. Deckelvign. und schwarzgepr. Deckeltitel. ? Mit 2 Bll. Beilage (Liste der Druckereien die die Notentypen in Gebrauch haben und 1 Bl. mit ?Besonderen Figuren, die nicht in der Notenprobe enthalten sind, und nur auf Bestellung geliefert werden?). Einbd. etw. abgegriffen, fingerfl. u. randrissig, Läsuren an den Kapitalen fachgerecht unterlegt, Text papierbed. etw. gebräunt. Überaus seltenes Musiknotentypen-Musterbuch der 1837 gegründeten Bauerschen Schriftgießerei und der 1885 gegründeten Leipziger Gießerei Adam Numrich, die 1912 von Bauer übernommen wurde. Mit ?Figuren-Verzeichnis? von 25-, 20- und 15-Punkt-Noten, ?Erläuterungen und Setzanleitung?, ?Notenkasten? und ?Preisliste?. - Die Bauersche Gießerei wuchs durch zahlreiche Übernahmen und eröffnete 1927 sogar ein Büro in New York. Zu den Schriftgestaltern zählten u.a. Lucian Bernhard, Heinrich Jost, Imre Reiner, Friedrich Hermann Ernst Schneidler und Emil Rudolf Weiß.