16 724 résultats
193811642<p>Verve. Paris. 1938 1939. FOLIO. 14.1 x 10.4 inches. Two issues bound in one hardback volume. Fully illustrated throughout with drawings paintings and photographs these 2 numbers contain original full colour lithographs by Chagall Miro Rattner Klee Matisse & Derain. The two issues have been bound into one hardbound volume and the binding has been beautifully hand painted in acrylic and oils with an abstract design including the volume title to both the boards and the spine by noted Neo-Expressionist American painter Gaylen Hansen. There is some rubbing to the edges and one small split to the outer edge of the front board without loss which has been strengthened to the inside with clear tape but generally the book is in very good condition. Included with the volume is a fine hardback copy of the fully illustrated book issued in 2007 to accompany the retrospective exhibition "Gaylen Hansen: Three decades of Paintings" at the Seattle Art Museum October 2007 - January 2008 and Salt Lake City Art Center February - April 2008.</p> Verve. Paris. 1938 1939 hardcover
1972134495Moscow: Creative Unit of Writers 1972. Set of 16 vintage oversize black-and-white still photographs from the Russian release of the 1972 Russian film. On the verso of each photograph is a label for a European distributor. <br/><br/>Often cited as one of the most important films in the history of cinematography "Solaris" is a meditative psychological drama occurring mostly aboard a space station orbiting the fictional planet Solaris. The scientific mission has stalled out because the meager skeleton crew of three scientists have fallen into separate emotional crises and the gaseous planet below them is beginning to look like the main suspect. An open ended and conceptually faithful adaptation of Lem's novel concerning itself with the inability of the human species to communicate with other intelligent life forms based simply on the fact that a more advanced life form would exist outside the sphere of human experience and understanding. <br/><br/>9.25 x 12 inches. Near Fine with only the most minute wear at the edges. <br/><br/>Criterion Collection 164. Creative Unit of Writers unknown books
1950160284New York: W. Eugene Smith 1950. Five vintage oversize borderless photographs taken during the original 1949-1950 Broadway production of Arthur Miller's 1949 play. All photographs bear catalog stamps and credit stamps of noted photographer W. Eugene Smith on the versos.<br /> <br /> The production made its debut on February 10 1949 at the Morosco Theatre and ran for 742 performances closing on November 18 1950. Winner of the Tony Awards for Best Play Best Supporting Actor Best Author and Best Director as well as the 1949 Pulitzer Prize for Drama. The play has since been revived on Broadway five times in 1975 1984 1999 2012 and 2022 and has been adapted for the screen ten times including the Academy Award-nominated 1951 film directed by Laslo Benedik starring Fredric March and Mildred Dunnock.<br /> <br /> Described by critic Sean O'Hagan in a 2017 article in "The Guardian" as "perhaps the single most important American photographer in the development of the editorial photo essay" W. Eugene Smith's innovation integrity and technical mastery made his work the standard by which photojournalism is measured. The W. Eugene Smith Memorial Fund was established in 1979 a year after his death to promote and support photographers whose work explores matters of global importance for humanitarian purposes.<br /> <br /> 10.5 x 12.25 inches to 10.5 x 13.5 inches. About Near Fine with light edgewear and two with small vertical creases to the bottom right corner. W. Eugene Smith unknown
168810N.p.: Silverworld Films 1980. Large archive including two heavily annotated Revised Draft scripts one lined 30 pages of storyboards a large blueprint of the military compound in the film story two maps a "The Dogs of War / New York" folder of location facts and contacts a 30-page shooting schedule and over 200 pages of daily revised shooting schedules call sheets and various memos from the 1980 film.<br /> <br /> Detail as follows:<br /> <br /> A heavily annotated Revised Draft script dated November 5 1979 with manuscript pencil ink marker and orange highlighter annotations on nearly every page.<br /> <br /> A heavily annotated Lined Revised Draft script dated February 12 1980 with manuscript ink and marker annotations on nearly every page. <br /> <br /> 30 matte-finish prints of storyboards most containing eight storyboards per page.<br /> <br /> A large blueprint of the military compound with several pencil and ink annotations.<br /> <br /> Two matte-finish prints of maps one of the final battle garrison and one of the Belize airstrip with annotations in blue ink.<br /> <br /> A folder with the label "The Dogs of War / New York" on the front wrapper containing a three page Memo six pages of New York shooting schedules 14 location fact sheets and a two-page location contact List.<br /> <br /> A 30 page Shooting Schedule and over 200 pages of daily Revised Shooting Schedules call sheets and memos many with manuscript ink annotations.<br /> <br /> Based on Frederick Forsyth's 1974 novel about a ruthless mercenary who after being tortured and deported is hired to lead a group of soldiers in a coup against a small African dictatorship so a British tycoon can plunder the nation's platinum resources.<br /> <br /> Set in the fictional African country of Zangaro shot on location in Belize City London Miami and New York.<br /> <br /> November 5 1979 Revised script:<br /> <br /> Black untitled wrappers with a die-cut window in the British fashion. Title page present dated November 5 1979 noted as Revised with credits for screenwriter Gary M. Devore and author Frederick Forsythe. 117 leaves with last page of text numbered 115. Xerographic duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with two silver brads.<br /> <br /> February 12 1980 Draft script:<br /> <br /> Black titled Studio Duplicating Service wrappers. Title page present dated February 12 1980 noted as Revised with credits for screenwriter Gary M. Devore and author Frederick Forsythe. 124 leaves with last page of text numbered 122. Xerographic duplication on blue leaves rectos only. Pages Near Fine wrapper Very Good plus bound with two gold brads.<br /> <br /> Storyboards and Maps: 8 x 10 inches. Near Fine.<br /> <br /> Blueprint: 48.5 x 25.25 inches folded. Very Good plus with light toning light edgewear pinholes tape shadows and cello tape at the extremities.<br /> <br /> "New York" Folder: Generic green folder 9 x 11.5 inches. Near Fine.<br /> <br /> Shooting Schedules Call Sheets and Memos: 8.5 x 11 inches 8 x 13 inches and 8.5 x 14 inches. Very Good plus overall with wear commiserate with production use. Silverworld Films unknown
1928140452Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Draft script for the 1928 silent film. <br/><br/>Lon Chaney is an undercover police detective who attempts to catch a thief notorious for slipping out of criminal charges by killing any witnesses set to testify against him though Chaney can't help but simultaneously get wrapped up with an attractive flapper along the way. Chaney hand-picked co-star Anita Page as his leading lady after seeing her performance in the 1928 film "Our Dancing Daughters." A partially lost film with two reels and the soundtrack for the picture have now missing. <br/><br/>Tan titled wrappers rubber-stamped copy No. 2660 and production No. 1658 dated May 1 1928 with credits for screenwriter A.P. Younger. Title page integral with the first page of the text dated April 10 1928 with credits for screenwriter Younger. 176 leaves with last page numbered 168. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
1943136501Rome: A.P.E. Roma 1943. Complete set of three vintage Italian posters for the legendary 1943 Italian film noir. Based on the 1929 novel by James M. Cain "The Postman Always Rings Twice" and preceding the US film adaptation by three years. <br/><br/>Visconti's trenchant first feature an unauthorized adaptation of Cain's novel often cited as the earliest neorealist film. Visconti himself saved a print of the film the only reason it exists today Mussolini having ordered the negative destroyed. The United States' reaction to the film wasn't much better as Cain's publisher Alfred A. Knopf kept if off American screens until 1976. <br/><br/>27.5 x 19.5 inches. All three posters about Fine with modest restoration. On archival linen rolled. A.P.E. Roma unknown books
1939152809Los Angeles: Twentieth Century-Fox 1939. Revised Final script for the 1939 film. Copy belonging to an unknown crew member with their name to the front wrapper in holograph pencil and a single pencil annotation to the verso of page 147. <br/><br/>A dramatization of the early years of future US president Abraham Lincoln following his upbringing in a log cabin to his first loves to his establishment of a law practice in Springfield Illinois. <br/><br/>Set in Springfield.<br/><br/>Red titled Twentieth Century-Fox wrappers noted as REVISED FINAL on the front wrapper rubber-stamped copy No. 191 dated February 27 1939. Distribution page present with receipt removed. Title page present dated February 27 1939 noted as Revised Final with credits for screenwriter Lamar Trotti. 149 leaves with last page of text numbered 147. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus lightly soiled and age-toned bound internally with three gold brads.<br/><br/>National Film Registry. Criterion Collection 320. Twentieth Century-Fox unknown books
1987152039N.p.: N.p. 1987. Shooting script for the 1988 film. Presentation copy belonging to actress Ricki Lake with her holograph annotations throughout and xerographically duplicated inscriptions to Lake as intended when the script was bound from director John Waters actors Divine Shawn Thompson Debbie Harry Pia Zadora and others bound in before the script. With several production documents bound in after the script including a 34-page shooting schedule call sheets contact information for cast and crew and maps of Baltimore and a thank-you letter to Waters from Lake. <br/><br/>Cult independent director John Waters' most enduring film following a kindhearted "pleasantly plump" teenager who becomes an overnight sensation on a local television dance show and subsequently uses her newfound fame to speak out in support of integration. Basis for the Tony Award winning 2002 musical and subsequent 2007 film adaptation directed by Adam Shankman and starring Nikki Blonsky Michelle Pfeiffer and John Travolta. <br/><br/>Set and shot on location in Baltimore Maryland.<br/><br/>Black full leather binding with gilt titles and rule and Lake's name to the bottom right corner of the front wrapper. Title page present dated 1987 noted as Shooting Script with credits for director John Waters. 89 leaves with last page of text numbered 93. Xerographic duplication rectos only. Pages Very Good plus wrapper Near Fine with perfect binding. With a small label to the bottom right corner of the inside front wrapper noting custom binding by Ronnie Gousman. <br/><br/>Rosenbaum 1000. N.p. unknown books
1930166622Paris: Studio 28 1930. Vintage review-program for Luis Buñuel's 1930 surrealist masterpiece created for the film's public premiere at Studio 28 cinema in Montmartre. Program in two parts bound dos-a-dos. Text in French.<br /> <br /> The first section of the review-program is dedicated to "L'Age d'or" presenting the film's scenario alongside subtitles and dialogue accompanied by a manifesto on surrealism and a catalog of 20 works by Max Ernst Salvador Dalí Man Ray and others which were exhibited alongside the film's screenings at Studio 28. <br /> <br /> The second part of the program is an overview of film programs at Studio 28 with stills from films by Epstein Ivens Melies and others. <br /> <br /> The violence of the uproar "L'Age d'Or" created remains almost as shocking as the film itself: days into the first screenings at Studio 28 on December 3 1930 the theatre was stormed by fascist youths enraged at the film's perceived anti-patriotic and anti-Christian message. Demonstrators threw ink at the screen shouted antisemitic death threats smashed the theatre windows and completely destroyed the exhibition of surrealist books and artwork in the foyer. In response the Board of Censors re-reviewed the film and on December 10 the film was banned from further public showings in France. The film's producers subsequently withdrew "L'Age d'or" from commercial distribution and public exhibition for more than 40 years although three years later in 1933 the film was privately exhibited at the Museum of Modern Art in New York.<br /> <br /> Page edges faintly foxed else about Near Fine in perfect-bound gold wrappers with a single annotation in manuscript ink censoring a line relating to one of the film's characters and Jesus Christ. Lacking the errata slip. Studio 28 unknown
1958141434Tokyo: Nikkatsu 1958. Draft script for the 1958 film. Text in Japanese. <br/><br/>Based on a novel by Shinju Fujiwara. Five people assemble ten years after the end of the Pacific War at a military station to uncover a stash of morphine worth a fortune now whcih was buried by the medical officer Mashimoto at the abdication of the Emperor. One of members of the group does not belong there. <br/><br/>Orange titled perfect bound wrappers. Title page present. 131 leaves with last page of text numbered 46. Mechanical duplication. Pages Near Fine wrapper Near Fine bound with two gold brads. Nikkatsu unknown books
155115Hollywood: Occult Productions 1973. Draft script for the 1973 film. Working production copy housed in a black leather binder with production materials bound in before and after the script including handwritten cast and crew contact information and call sheets. <br /> <br /> A young woman joins a black magic coven governed by a psychic witch queen with dubious and eventually murderous intentions. Considered one of the best and arguably most polished releases from noted psychotronic Z-budget horror director Ted V. Mikels heavily inspired by "Rosemary's Baby" 1968 and the occult concerns of the Age of Aquarius. <br /> <br /> Pink titled wrappers. Title page present undated with credits for director-screenwriter Ted V. Mikels. 67 leaves with last page of text numbered 64. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine. <br /> <br /> Nightmare USA. Occult Productions unknown
1972143600New York: Cannon Films 1972. Draft script for the 1972 film here under the working title "Zora." <br/><br/>Something of an arthouse predecessor to what became a cavalcade of holiday slasher and horror films. The film's cult status was helped by featuring Warhol superstars Mary Woronov Candy Darling and Ondine experimental film icon Jack Smith and artist Susan Rothenberg as well as its being in the public domain which released it for frequent late night airings on local television. <br/><br/>Set in Massachusetts shot on location on Long Island. <br/><br/>Blue titled Studio Duplicating Service wrappers. Title page present with credit for screenwriters Theodore Gershuny Jeffrey Konvitz Ira Teller and Ami Artzi. 102 leaves with last page of text numbered 101. Mimeograph duplication. Pages Near Fine wrapper Very Good plus bound with two gold brads. <br/><br/>Thrower Nightmare USA. Cannon Films unknown books
1926140498Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1926. Draft script for the 1927 Silent film. <br/><br/>Based on the 1913 yellow peril play by Henry Maurice Vernon and Harold Owen and previously adapted for the screen in 1919 directed by Maurice Elvey and starring Matheson Lang. Lon Chaney in full yellowface murders his daughter after discovering she loves the son of a British diplomat then seeks revenge on son and his the entire family. <br/><br/>Anna May Wong who has a small role in the film was originally considered for the role of the daughter but censorship of mixed race relationships on the screen caused the role going to a white actress a sadly all-too-familiar story in her career. Wong would leave Hollywood for Europe the following year after once again being denied the lead role in a film because of her race this time in "The Crimson City."<br/><br/>Tan titled wrappers rubber-stamped copy No. 543 and production No. 1589 dated Nov. 13 1926 with credits for story writer Louise Jordan Miln and screenwriter Lorna Moon. Title page integral with the first page of the text dated October 20 1926 with credits for screenwriter Moon and story writer Miln. 102 leaves with last page of text numbered 96. Ditto style mimeograph duplication. Pages Near Fine wrapper Very Good bound with two gold brads. Metro-Goldwyn-Mayer [MGM] unknown books
19392080502106917620Not Available 1939. Soft Cover. Fine. The book is in fine condition. Not Available paperback
054802Sans lieu 1931 23,5 x 17,5 cms 1 photographie oruiginale, tirage de l'époque signé au crayon Robertito Biarritz 1931?. Charles Spencer Chaplin, dit Charlie Chaplin, Londres (?) 1889 - Corsier-sur-Vevey 1977, acteur, réalisateur, scénariste, producteur et compositeur britannique. Charlie Chaplin, amateur de tennis assiste à un match à Guéthary avec Henri Cochet, René Lacoste et Martin Plaa, lors de vacances à Biarritz au mois d'août 1931 . Tirage photographique en noir et blanc de format 40 x 30 cms, portant sur la marge inférieure une dédicace manuscrite à l'encre noire signée par Charlie Chaplin: To Monsieur xx? (nom du dédicataire biffé à l'encre noire) From Charlie Chaplin. Rare document original. Bel exemplaire ( Photographies sur demande / We can send pictures on simple request )
1948151633Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film noir. Text and titles in Japanese.<br /> <br /> The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding criticism of Americans leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles.<br /> <br /> Set in the slums of postwar Japan.<br /> <br /> White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. <br /> <br /> BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown
1962160922Tokyo: Toho / Kurosawa Productions 1962. Draft script for the 1963 Japanese film. Text and titles in Japanese.<br /> <br /> A legendary Japanese noir based on American author Ed McBain's 1959 novel "King's Ransom." A wealthy industrialist is contacted by a gang of crooks who inform him that they have kidnapped his son and are holding him hostage in exchange for an enormous ransom. The industrialist soon realizes however that the boy they have taken is in fact the son of his chauffeur-and must decide whether he will bankrupt himself and his family in order to save a child that is not his own. A nuanced portrait of a man facing the potential destruction of his future further elevated by morally ambiguous characters and the gritty realism of its world. The fifteenth and penultimate film that leading actor Toshiro Mifune would make with director Akira Kurosawa and one of the highest grossing Japanese films of 1963 breaking Kurosawa's box office record for the third time.<br /> <br /> Shot on location in Kanagawa Japan. <br /> <br /> White titled perfect-bound wrappers dated 1962 with a protective titled dust jacket. Approximately 94 leaves with last page of text numbered e-37. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus with light foxing on the top and bottom page edges. Jacket Very Good with moderate foxing on the extremities.<br /> <br /> Criterion Collection 24. Grant Japan. Selby Japan. Spicer Japan. Toho / Kurosawa Productions unknown
1955160930Tokyo: Kurosawa Productions 1955. Draft script for the 1955 film. Title in manuscript ink on the front wrapper. Text and titles in Japanese. <br /> <br /> An elderly factory owner is increasingly fearful of what he believes to be Japan's looming inevitable destruction in a nuclear war and grows obsessed with the idea of moving his family to a rural farm in Brazil. Director Akira Kurosawa's final film collaboration with longtime composer Fumio Hayasaka made shortly before Hayasaka's death in 1955 of tuberculosis. <br /> <br /> White titled perfect-bound wrappers. Approximately 73 leaves with last page of text numbered e-30. Mimeograph duplication printed on rectos and versos. Pages Very Good plus lightly and evenly toned wrapper Very Good lightly foxed with wear and toning on the spine. Kurosawa Productions unknown
1963148710Tokyo: Kurosawa Production Co 1963. Draft script for the 1965 Japanese film preceding the release by nearly two years. Text and titles in Japanese. <br /> <br /> Based on Shugoro Yamamoto's short story collection "Akahige Shinryotan." Toshiro Mifune's final film with director Akira Kurosawa considered one of the director's masterpieces following a small-town doctor and his new intern a highly educated arrogant young man. <br /> <br /> Set in the Edo district of Koishikawa.<br /> <br /> White titled wrappers with a blue titled dust jacket. Title page present dated 1963. 65 leaves with last page of text numbered g-17. Mimeograph duplication rectos only. Pages Very Good plus wrapper Very Good plus with light foxing to the rear wrapper with perfect binding. Jacket is Very Good plus with light foxing to the fore-edges and rear panel. Kurosawa Production Co unknown
1957160914Tokyo: Toho Company 1957. Draft script for the 1957 film. All titles and text in Japanese. <br /> <br /> Based on the 1902 play by Maxim Gorky and filmed several times prior most notably by Jean Renoir in 1936. In Kurosawa's version the story is moved from Gorky's Volga Russia setting to the Edo period in Japan.<br /> <br /> Off-white perfect-bound titled wrappers with a protective plastic cover adhered to the spine. Approximately 53 leaves with last page of text numbered c-29. Mimeograph duplication printed on rectos and versos. Pages lightly age toned else Near Fine wrapper and protective cover Very Good plus. <br /> <br /> Criterion Collection 239. Toho Company unknown
1948151633Tokyo: Toho Company 1948. Draft script for the 1948 Japanese film. Text and titles in Japanese.<br/><br/>The first of sixteen film collaborations between director Akira Kurosawa and actor Toshiro Mifune. Kurosawa's seventh film saw him exploring the inter workings and motivations of the yakuza and machismo. Censorship was tight regarding the occupation forbidding American criticism leading Kurosawa to slip in references to the US presence in Japan satirizing jazz "pan pan" girls unlicensed prostitutes catering to American soldiers and Western clothing and hairstyles.<br/><br/>Set in the slums of postwar Japan.<br/><br/>White titled wrappers. Approximately 40 leaves with last page of text numbered 79. Mimeograph duplication printed on rectos and versos. Pages Very Good plus wrapper Very Good plus covered in a protective plastic wrapping from when the script was used during filming side stapled. <br/><br/>BFI 638. Criterion Collection 413. Grant Japan. Toho Company unknown books
1944147297Los Angeles: Vanguard Films 1944. Temporary Shooting script for the 1945 film here under the working title "The House of Dr. Edwardes." <br /> <br /> Based on the 1927 novel "The House of Dr. Edwardes" by Hilary Saint George Saunders and John Palmer. After director Alfred Hitchcock learned that producer David O. Selznick wanted to make a "psychiatric" story for the screen he persuaded Selznick to buy the rights to the novel he and his wife were in the process of adapting. Nominated for six Academy Awards including Best Picture Best Director and Best Supporting Actor for Michael Chekhov winning one.<br /> <br /> Blue titled wrappers noted as TEMPORARY SHOOTING SCRIPT on the front wrapper dated June 14 1944 with a credit for screenwriter Hecht. Distribution page present rubber-stamped copy No. 1620 with receipt removed. 176 leaves with last page of text numbered 176. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound with three gold brads. <br /> <br /> In a custom royal blue cloth covered clamshell box with black leather spine label and titles and decoration in gilt.<br /> <br /> Grant US. Selby Canon. Silver Classic Noir. Spicer US. Vanguard Films unknown
1972136505Moscow: Creative Unit of Writers 1972. Original Russian poster for the seminal 1972 science fiction film. This is the export variant with text in English. <br/><br/>Often cited as one of the most important films in the history of cinematography "Solaris" is a meditative psychological drama occurring mostly aboard a space station orbiting the fictional planet Solaris. The scientific mission has stalled out because the meager skeleton crew of three scientists have fallen into separate emotional crises and the gaseous planet below them is beginning to look like the main suspect. An open ended and conceptually faithful adaptation of Lem's novel concerning itself with the inability of the human species to communicate with other intelligent life forms based simply on the fact that a more advanced life form would exist outside the sphere of human experience and understanding. <br/><br/>44.5 x 36 inches. Rolled on archival linen. Discreet restoration else about Fine. <br/><br/>Criterion Collection 164. Creative Unit of Writers unknown books
1967149909New York: Andy Warhol Film 1967. Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in a 95-minute version although this cut is considered lost. A 109-minute version would screen in 1968 as the first film shown at the New Andy Warhol Garrick Theater renamed as such after Warhol recovered from being shot by Valerie Solanas. <br /> <br /> One of several sexploitation influenced films made by Warhol an episodic story of a biker who has no bike and is both eroticized by the camera and emasculated by various Warhol superstars throughout. <br /> <br /> 19 x 25 inches rolled. Near Fine with some light soil and an almost imperceptible professional repair to a tear at the top edge. <br /> <br /> Murphy The Black Hole of Cinema. Warholstars. Andy Warhol Film unknown
1968149896New York: Andy Warhol Film 1968. Vintage poster for the 1967 film. The film originally screened at the Hudson Theater in New York in a 99-minute version. In early 1968 a 110-minute cut played at the Cinematheque 16 in Los Angeles. This poster which mentions the Los Angeles screenings and contains a blurb from the L.A. Free Press corresponds to the latter version. <br /> <br /> A final 95-minute cut was completed later in 1968 and is the version available today.<br /> Andy Warhol's first attempt to make a "commercial" sexploitation film eight unconnected scenes in which actor Tom Baker attempts to convince various women to have sex with him. Originally intended to star The Doors' Jim Morrison and unsimulated sex the finished film contains neither.<br /> <br /> 19 x 25 inches rolled on archival linen with minor professional repair and restoration. Near Fine. <br /> <br /> Murphy The Black Hole of the Camera. Warholstars. Andy Warhol Film unknown
