Original publishers cloth in dramatic modernist color illustrated dust jacket designed by Zuni Maud with illustrations on front and rear; 8vo, 243 pages. 23 cm. In Yiddish. SUBJECT (S) : Yiddish literature -- 20th century. Illustrator Zuni Maud (born 1905) was an Artist, cartoonist, puppeteer, playwright, writer and poet. [He] Studied at the Cooper Union Art School, Baron de Hirsch Art School and National Academy of Art, New York. [and] Did illustrations for *Der kibitser* and stage and costume design for productions by Maurice Schwartz in the Yiddish Art Theater. Contributed articles to Der kundes (N. Y. ) , Jewish Daily Forward (N. Y. ) , Di tsayt (N. Y. ) , Kinderland (N. Y. ) , Kinder zshurnal (N. Y. ) , Frayhayt (N. Y. ) . [He was the] Illustrator of a number of books. In 1925, together with Yosel Cutler, [he] founded the Modicot marionette theater. [He] Wrote plays, children's stories and poems (YIVO, 2018) . Author Yitzchak Rayz (1885-1943) , better known by his pen name Moyshe Nadir was an American Yiddish language writer and satirist
. In 1898, at the age of 13, Rayz immigrated to New York and adopted the Americanized name Isaac Reiss. Within a few years his work was published widely in the New York Yiddish press, under a variety of pseudonyms, including Rinnalde Rinaldine, Dilensee Mirkarosh, Der Royzenkavalir, Doctor Hotzikl, and, finally, Moishe Nadir. The name Nadir is a Yiddish expression meaning here you are or that's for you, but can also mean take this and choke on it. As a teenager, he wrote for Der Groyser Kundes (The Big Prankster) and later co-edited Der Yiddisher Gazlon (The Yiddish Bandit) with Jacob Adler. He wrote for an assortment of Communist Yiddish publications including the Frayhayt (Freedom) newspaper and its successor Morgn Frayhayt (Morning Freedom) and the magazines Der Signal (The Signal) and Der Hammer (The Hammer) . When his sharp-tongued theater reviews caused him to be banned from theatrical productions, he resorted to attending plays in disguise. His own plays were performed by Maurice Schwartzs Yiddish Art Theater, Zuni Maude and Yosl Cutlers Modicut puppet theater, Artef (Arbeter Teater Faraband, Workers Theater Alliance) and the Federal Theater Project. Among his better known poems are the erotic Vilde Royzen (Wild Roses, 1915) and his 1932 Rivington Strit (Rivington Street) . After a long association with the Frayhayt and the Morgn Frayhayt, Rayz began to distance himself from the Communist cause with the onset of the show trials in the Soviet Union and publicly broke with the Morgn Frayhayt in the wake of the Molotiv-Ribbentrop Pact. He set out his reasons in Di, vos blayben mit der Morgn Frayhayt (Those who stay with the Morgn Frayhayt) in response to Morgn Frayhayt editor Moissaye Olgins Di vos gayen avek (Those who leave) . Rayz discusses his relationship to the Communist Party in his posthumous Moyde Ani (Wikipedia, 2019) . Very Good Condition in dust jacket which shows some edgewear affecting some letters on the spine. Very Good in Good Jacket. (yid-41-92)
